Difference between revisions of "Jujube/bibliography"

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// Main
 
// Main
 
* AUFDERHEIDE, P. (2016). Documentary film: a very short introduction.
 
* AUFDERHEIDE, P. (2016). Documentary film: a very short introduction.
* COMPANY, D. (2007) The cinematic. London: Whitechapel (Documents of contemporary art, 2007: 5).
+
* CAMPANY, D. (2007) The cinematic. London: Whitechapel (Documents of contemporary art, 2007: 5).
 
* CHEE, A. (2018) How to write an autobiographical novel : essays. Boston: Houghton Mifflin Harcourt.
 
* CHEE, A. (2018) How to write an autobiographical novel : essays. Boston: Houghton Mifflin Harcourt.
 
* KERN, S. (2004) A cultural history of causality : science, murder novels, and systems of thought. Princeton: Princeton University Press.
 
* KERN, S. (2004) A cultural history of causality : science, murder novels, and systems of thought. Princeton: Princeton University Press.

Revision as of 10:50, 8 November 2019

Bibliography

// Main

  • AUFDERHEIDE, P. (2016). Documentary film: a very short introduction.
  • CAMPANY, D. (2007) The cinematic. London: Whitechapel (Documents of contemporary art, 2007: 5).
  • CHEE, A. (2018) How to write an autobiographical novel : essays. Boston: Houghton Mifflin Harcourt.
  • KERN, S. (2004) A cultural history of causality : science, murder novels, and systems of thought. Princeton: Princeton University Press.
  • FARR, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).
  • MAMET, D. (1992) On directing film. New York: Penguin Books.
  • MEREWETHER, C. (2006) The archive. London etc: Whitechapel etc (Documents of contemporary art).
  • MIALL, D. (2011) Emotions and the Structuring of Narrative Responses. Poetics Today 1 June 2011; 32 (2): 323–348. doi: https://doi.org/10.1215/03335372-1162704
  • NUSSBAUM, M. (1988) Narrative Emotions. Ethics, Vol. 98, No. 2., pp. 225-254.
  • PROULX, A. (2012). Bird cloud. London, Fourth Estate.
  • SHOUSE, E. (2005) Feeling, Emotion, Affect. M/C Journal 8.6. <http://journal.media-culture.org.au/0512/03-shouse.php>
  • STALLABRASS, J. (2013) Documentary. London: Whitechapel (Documents of contemporary art).
  • WOOD, M. (2012). Film a very short introduction. Oxford, Oxford University Press.
  • VOÌGT, E. Image. New England Review, Vol. 13, No. 3/4, 1991, pp. 254–268. JSTOR, www.jstor.org/stable/40243421.

// relevant, but not necessary using

  • Chateau, D. and Moure José (2016) Screens: from materiality to spectatorship - a historical and theoretical reassessment. Place of publication not identified: Amsterdam University Press (The key debates : mutations an appropriations in European film studies, [6]). doi: 10.5117/9789462981904.
  • Dassen, W. M., & Bruns, M. (2017). Aesthetics of haptics : an experience approach to haptic interaction design. In Proceedings on the Conference on Designing Interactive Systems (DIS'17), 10-14 June 2017, Edinburgh, United Kingdom (pp. 254-258). New York: Association for Computing Machinery, Inc. DOI: 10.1145/3064857.3079156
  • Faust, C. (2016). Conference or Workshop, Haptic Aesthetics at Transimage Conference, Plymouth, UK, 1-3 July 2016.

// less relevant for self-directed research

  • De Mul, Jos. “The Work of Art in the Age of Digital Recombination.” Digital Material: Tracing New Media in Everyday Life and Technology, edited by Marianne Van den Boomen et al., Amsterdam University Press, Amsterdam, 2009, pp. 95–106.
  • Menkman, R. (2011) The glitch moment(um). Amsterdam: Institute of Network Cultures (Network notebooks, 04).
  • Williams, G. (2014) How to write about contemporary art. London: Thames & Hudson.
  • Zürcher Hochschule der Künste (2010) Art and artistic research. Edited by C. Caduff, F. Siegenthaler, and Wälchli Tan. Zurich: Verlag Scheidegger & Spiess AG (Zurich yearbook of the arts = Zürcher Jahrbuch der Künste, 2009 ; Volume 6).

// no longer relevant

  • Armstrong, K. (2012). A Short History Of Myth. New York, Canongate U.S. http://rbdigital.oneclickdigital.com.
  • Harman, O. (2019). EVOLUTIONS: fifteen myths that explain our world. [Place of publication not identified], FARRAR, STRAUS & GIROUX.