Difference between revisions of "Jujube/ambacht"

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* cultural interest: "anger", "Dutch directness"
 
* cultural interest: "anger", "Dutch directness"
  
== the reading/seeing ==
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== reading/seeing ==
  
 
type "(video) portrait" in the search box...
 
type "(video) portrait" in the search box...
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== plan ==
 
== plan ==
 
See '''[[Jujube/ambacht-production-notes| production notes]]'''
 
See '''[[Jujube/ambacht-production-notes| production notes]]'''
 
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= Learning =
 
= Learning =
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Composition. "The subject is moving, or the camera is moving. You will compose at the beginning of the movement, and at the end of it."
 
Composition. "The subject is moving, or the camera is moving. You will compose at the beginning of the movement, and at the end of it."
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</div>

Revision as of 23:06, 28 September 2018

Ambacht

n. craftsmanship

"People can come have a coffee and see her work... It works in Amsterdam or Haarlem, but not here."

the inklings

"She's fucking tired."

"I think you need anger to do that."

"That's a place where gentrification worked. Gentrification will never work here."

"I hate the word jazz."

"I like Hendrik-Ido-Ambacht, because it has Ambacht in it."

the intrigues

  • learning about a new place through people (other rationales can come later)
  • medium: video/speech
  • content of speech will reflect the nuances
  • cultural interest: "anger", "Dutch directness"

reading/seeing

type "(video) portrait" in the search box...

reminded of

plan

See production notes

Learning

audio

"Audio in a documentary is a key piece of footage."

DSLR built-in mics are not meant for audio production. Keep the mic on for reference audio. Turn off the Auto Gain Control.

Shotgun mic on camera serves as good reference.

External mic: lavalier v. boom v. handheld

Alternative to External mic setup: iPhone + Pro Audio To Go + Cable adapter (with headphone jack and an XLR jack)

File formats: AIFF or WAV (not a compressed format like MP3)

cinematography

Camera Angle. "The camera is the viewer's eyes."

Continuity/Cutting

Close-ups

Composition. "The subject is moving, or the camera is moving. You will compose at the beginning of the movement, and at the end of it."