Falco selfportrait: Difference between revisions

Latest revision as of 12:55, 28 September 2021

Explanation

What's the actual diff? Excitement. Fear. Like the call of the void, the l'appel du vide you're scared by what your are excited by, and excited by what you're scared of.

In the collage, shown above, we see two columns, each signifying one of the two labels (excitement on the left // fear on the right). At first we see people kissing. Excitement. We see a caged bird. Fear.

Should wildness and freedom be a method of communication? Should restrictions not be a method of communication?

Or can we juggle and cut and snip these pictures into new configurations. Should we possibly censor the censor? (upper left picture)

And what could the final word be in the three row sequence in the third picture from the right column? Don't be EA--what. EA SPORTS? EATEN? REAL?

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 ==Explanation==
-Listener, write below a summary of this selfportrait which explains to the group what excitement & fears this person brings to the group:
+What's the ''actual'' diff? Excitement. Fear. Like the call of the void, the ''[[l'appel du videhttps://www.healthline.com/health/call-of-the-void#:~:text=The%20call%20of%20the%20void%20(in%20French%2C%20l'appel,to%20do%20with%20suicidal%20ideation.|l'appel du vide]]'' you're scared by what your are excited by, and excited by what you're scared of.
+In the collage, shown above, we see two columns, each signifying one of the two labels (excitement on the left // fear on the right). At first we see people kissing. Excitement. We see a caged bird. Fear.
+Should wildness and freedom be a method of communication?
+Should restrictions not be a method of communication?
+Or can we juggle and cut and snip these pictures into new configurations. Should we possibly censor the censor? ''(upper left picture)''
+And what could the final word be in the three row sequence in the third picture from the right column?
+Don't be EA--what. EA SPORTS? EATEN? REAL?