Distortions on air: Difference between revisions

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=links of experiments | projects | research=
=links of experiments | projects | research=
* https://gitlab.com/nglk/radioactive
* https://gitlab.com/nglk/radioactive
* https://pzwiki.wdka.nl/mediadesign/Angeliki/Grad_Scripts
* https://pzwiki.wdka.nl/mediadesign/Angeliki/Grad_Scripts#podcast
* https://gitlab.com/nglk/radioactive_monstrosities
* https://gitlab.com/nglk/radioactive_monstrosities
* https://gitlab.com/nglk/speaking_with_the_machine
* https://gitlab.com/nglk/speaking_with_the_machine

Revision as of 11:57, 17 May 2021

Lawrence Abu Hamdan, Code Switching, 2014
::::::..... ....... ....... ..D i s t o r t i o n s O n A i r. ... ..... .::::::::::::...... . >>>

<<<.. .. ::::::....... ....Radio Implicancies - Special Issue #15. .... ... ... . ...... ..... ..::::......

Distortions as 'audio masks'

  • Lowpass filter: gendered voice on air
  • Lowpitch filter: from female to male
  • Repetitions/loops: cultures in loop
  • Human microphone

online scripts (web-audio)


offline scripts (python)

'damaged' voices | clips

podcast Ballout, D. (2019) ‘Good Morning, Kafranbel’, This American Life: Wartime Radio
podcast Gladstone, B. and Garfield, B. (2019) ‘How Radio Makes Female Voices Sound “Shrill”’, The Disagreement Is The Point. On the Media
article Singh, A. (2018) ‘Jason Cundy: women’s voices are too high for football commentary’, The Telegraph, 25 June
article Moraine, S. (2011) '“Mic check!”: #occupy, technology & the amplified voice', The Society Pages, 6 October and video Angela Davis Occupy Wall St @ Washington Sq Park Oct 30 2011 General Strike November 2

Broadcasting with hashtags, voice messages, pre-recorded samples

links of experiments | projects | research