Calendars:Networked Media Calendar/Networked Media Calendar/16-03-2020 -Event 3: Difference between revisions
No edit summary |
No edit summary |
||
| Line 6: | Line 6: | ||
This class will introduce alternative approaches to these 360 immersive technologies that don’t use the conventions of framing or that make use of multiple film/video channels. | This class will introduce alternative approaches to these 360 immersive technologies that don’t use the conventions of framing or that make use of multiple film/video channels. | ||
Experimentation: | |||
We will work with different techniques for controlling multiple video channels. | We will work with different techniques for controlling multiple video channels. | ||
Related readings: | |||
*Andrew V. Uroskie, “Between the Black Box and the White Cube: Expanded Cinema and Postwar Art” (2014). | *Andrew V. Uroskie, “Between the Black Box and the White Cube: Expanded Cinema and Postwar Art” (2014). | ||
Revision as of 09:50, 12 March 2020
LB1: Interdisciplinarity Focus Group with Javi - 14:00 - 16:30, WH.02.108 (Interaction Station)
Image, Space and Visibility
The dissemination of 360 cameras and VR technologies have brought new possibilities and challenges regarding image framing. This class will introduce alternative approaches to these 360 immersive technologies that don’t use the conventions of framing or that make use of multiple film/video channels.
Experimentation:
We will work with different techniques for controlling multiple video channels.
Related readings:
- Andrew V. Uroskie, “Between the Black Box and the White Cube: Expanded Cinema and Postwar Art” (2014).
- Peter Weibel, “Expanded Cinema, Video and Virtual Environments.” in “Future Cinema: The Cinematic Imaginary After Film” (2003).
- Lucrecia Cippitelli, “The Location of the Cinematic Experience.” in “The cinematic experience: sonic acts XII” (2008).
- Rob Vanderbeeken, “The Immersive Experience: Aspects and Challenges.” in “The cinematic experience: sonic acts XII.” (2008).