A Unique Line: Difference between revisions
Chen Junyu (talk | contribs) No edit summary |
Chen Junyu (talk | contribs) No edit summary |
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|Bio=Bio=Junyu CHEN (1990, China) is an artist uses video and drawing as her main tool for self-analysis to approach artistic questions. She has a specific enthusiasm for depicting the process of drawing physically and conceptually and through the way question the current state of drawing. | |Bio=Bio=Junyu CHEN (1990, China) is an artist uses video and drawing as her main tool for self-analysis to approach artistic questions. She has a specific enthusiasm for depicting the process of drawing physically and conceptually and through the way question the current state of drawing. | ||
|Thumbnail=Screen Shot 2015- | |Thumbnail=Screen Shot 2015-06-01 at 10.33.28 AM.png | ||
|Website=http://chenjunyu.org/ | |Website=http://chenjunyu.org/ | ||
|Description=Most of the art education I have been through, tried to force me copy others’ simbols of drawing, especially when I was really young. My example may be extreme, actually everyday we are going through different degrees of visual assimilation, such as advertisements. May be for the big group of manga fans, manga is also a source of visual assimilation. In a way they aslo builds the reality surrounding us, yet we are limited by the similar or popular types of visual simbols which should visually make the connection between "self" and the world. We read this world directly by images, if it narrows the possibilities of reading the world, does it also narrow our understanding about the world? | |Description=Most of the art education I have been through, tried to force me copy others’ simbols of drawing, especially when I was really young. My example may be extreme, actually everyday we are going through different degrees of visual assimilation, such as advertisements. May be for the big group of manga fans, manga is also a source of visual assimilation. In a way they aslo builds the reality surrounding us, yet we are limited by the similar or popular types of visual simbols which should visually make the connection between "self" and the world. We read this world directly by images, if it narrows the possibilities of reading the world, does it also narrow our understanding about the world? | ||
Revision as of 10:35, 1 June 2015
| A Unique Line | |
|---|---|
| Creator | Junyu Chen |
| Year | 2015 |
| Bio | Bio=Junyu CHEN (1990, China) is an artist uses video and drawing as her main tool for self-analysis to approach artistic questions. She has a specific enthusiasm for depicting the process of drawing physically and conceptually and through the way question the current state of drawing. |
| Thumbnail | |
| Website | http://chenjunyu.org/ |
Most of the art education I have been through, tried to force me copy others’ simbols of drawing, especially when I was really young. My example may be extreme, actually everyday we are going through different degrees of visual assimilation, such as advertisements. May be for the big group of manga fans, manga is also a source of visual assimilation. In a way they aslo builds the reality surrounding us, yet we are limited by the similar or popular types of visual simbols which should visually make the connection between "self" and the world. We read this world directly by images, if it narrows the possibilities of reading the world, does it also narrow our understanding about the world?
That is a big question, for now, I only want to ask this question by present myself.
This work is a combination of past experience and new start, copied visual expression and the creation from self-cognition."
|Steve's light edit 20 May
Steve's light edit 20 May Bio=Junyu CHEN (1990, China) uses drawing and video as her main tool. She has a specific enthusiasm for analysing the process of drawing or painting physically and conceptually.
Bio=Junyu CHEN (1990, China) uses drawing and video as her main tool. She has a specific enthusiasm for analysing the process of drawing or painting physically and conceptually.