User:Ssstephen/Reading/Writing Machines - Revision history

Ssstephen at 17:11, 17 November 2022

2022-11-17T17:11:19Z

← Older revision		Revision as of 19:11, 17 November 2022
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	Research in Experimental Documents (RED) team at Xerox PARC, including Anne Balsamo and Richard Gold.		Research in Experimental Documents (RED) team at Xerox PARC, including Anne Balsamo and Richard Gold.

	Where is this https://www.academia.edu/9759064/the_what_of_XFR_eXperiments_in_the_future_of_reading		Where is this https://www.academia.edu/9759064/the_what_of_XFR_eXperiments_in_the_future_of_reading (found this one)

	Where is this https://www.academia.edu/9759063/The_methods_of_our_madness_research_on_experimental_documents		Where is this https://www.academia.edu/9759063/The_methods_of_our_madness_research_on_experimental_documents

Ssstephen at 16:48, 17 November 2022

2022-11-17T16:48:09Z

← Older revision		Revision as of 18:48, 17 November 2022
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	===Further reading mentioned in this:===		===Material Metaphors p18===

			Research in Experimental Documents (RED) team at Xerox PARC, including Anne Balsamo and Richard Gold.

			Where is this https://www.academia.edu/9759064/the_what_of_XFR_eXperiments_in_the_future_of_reading
			Where is this https://www.academia.edu/9759063/The_methods_of_our_madness_research_on_experimental_documents

			[https://www.youtube.com/watch?v=4o0r9unT4L4 It aint what you do it's the way that you do it]

			===Technotexts p25===

			====Further reading mentioned in this:====

	Dictionary of the Khazars: A Lexicon Novel, Milorad Pavic		Dictionary of the Khazars: A Lexicon Novel, Milorad Pavic
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	What about a text with only two of these characteristics, or just one? Multiple reading paths and chunked text, but no links? Chunked text and links, but only one reading path? Links without chunked text?		What about a text with only two of these characteristics, or just one? Multiple reading paths and chunked text, but no links? Chunked text and links, but only one reading path? Links without chunked text?

	===Reflexive Loops===		====Reflexive Loops====

	N Kate includes the phrase <q>reflexive loops</q> in her definition of technotexts which is v interesting. A text that creates a feedback loop by connecting the nodes of materiality and inscribed constructions (avoiding the words form and content? which is great if that's what she's doing) necessarily can achieve more than a text that doesn't. Feedback of information at the moment makes me think of emergent complexity, eg video feedback as described by Douglas Hofstadter in [[User:Ssstephen/Reading/I_am_a_Strange_Loop \| I Am A Strange Loop]], example [https://www.youtube.com/watch?v=9bY6WrLjI6U here] and [https://www.youtube.com/watch?v=xBEmqwmHCuY here]. Or in the audio world, Karplus Strong synthesis or other techniques that use feedback to an extent that the initial inputs become irrelevant, the emergent sound (or video, or text) having its own properties. Also the recording surface of the body without organs. How can the process of recording and inscribing be creative and what is created or emerges from it? [https://stackoverflow.com/questions/14223628/why-does-a-self-referencing-iframe-not-infinitely-loop-and-crash-my-machine Why does a self-referencing iframe not infinitely loop and crash my machine?]		N Kate includes the phrase <q>reflexive loops</q> in her definition of technotexts which is v interesting. A text that creates a feedback loop by connecting the nodes of materiality and inscribed constructions (avoiding the words form and content? which is great if that's what she's doing) necessarily can achieve more than a text that doesn't. Feedback of information at the moment makes me think of emergent complexity, eg video feedback as described by Douglas Hofstadter in [[User:Ssstephen/Reading/I_am_a_Strange_Loop \| I Am A Strange Loop]], example [https://www.youtube.com/watch?v=9bY6WrLjI6U here] and [https://www.youtube.com/watch?v=xBEmqwmHCuY here]. Or in the audio world, Karplus Strong synthesis or other techniques that use feedback to an extent that the initial inputs become irrelevant, the emergent sound (or video, or text) having its own properties. Also the recording surface of the body without organs. How can the process of recording and inscribing be creative and what is created or emerges from it? [https://stackoverflow.com/questions/14223628/why-does-a-self-referencing-iframe-not-infinitely-loop-and-crash-my-machine Why does a self-referencing iframe not infinitely loop and crash my machine?]

Ssstephen: Created page with "===Further reading mentioned in this:=== Dictionary of the Khazars: A Lexicon Novel, Milorad Pavic Always Coming Home, Ursula LeGuin High Tension, Paul Zimmerman Cybertext: Perspectives on Ergodic Literature, Espen Aarseth Cent Mille Milliards, Raymond Queneau Afternoon, a story, Michael Joyce (where?)

Hypertext has at a minimum the three characteristics of MULTIPLE READING PATHS, CHUNKED TEXT, and some kind of LINKING MECHANISM

What about a text with..."

2022-10-16T13:06:24Z

Created page with "===Further reading mentioned in this:=== Dictionary of the Khazars: A Lexicon Novel, Milorad Pavic Always Coming Home, Ursula LeGuin High Tension, Paul Zimmerman Cybertext: Perspectives on Ergodic Literature, Espen Aarseth Cent Mille Milliards, Raymond Queneau Afternoon, a story, Michael Joyce (where?) <pre>Hypertext has at a minimum the three characteristics of MULTIPLE READING PATHS, CHUNKED TEXT, and some kind of LINKING MECHANISM</pre> What about a text with..."

New page

===Further reading mentioned in this:===

Dictionary of the Khazars: A Lexicon Novel, Milorad Pavic

Always Coming Home, Ursula LeGuin

High Tension, Paul Zimmerman

Cybertext: Perspectives on Ergodic Literature, Espen Aarseth

Cent Mille Milliards, Raymond Queneau

Afternoon, a story, Michael Joyce (where?)

<pre>Hypertext has at a minimum the three characteristics of MULTIPLE READING PATHS, CHUNKED TEXT, and some kind of LINKING MECHANISM</pre>

What about a text with only two of these characteristics, or just one? Multiple reading paths and chunked text, but no links? Chunked text and links, but only one reading path? Links without chunked text?

===Reflexive Loops===

N Kate includes the phrase <q>reflexive loops</q> in her definition of technotexts which is v interesting. A text that creates a feedback loop by connecting the nodes of materiality and inscribed constructions (avoiding the words form and content? which is great if that's what she's doing) necessarily can achieve more than a text that doesn't. Feedback of information at the moment makes me think of emergent complexity, eg video feedback as described by Douglas Hofstadter in [[User:Ssstephen/Reading/I_am_a_Strange_Loop | I Am A Strange Loop]], example [https://www.youtube.com/watch?v=9bY6WrLjI6U here] and [https://www.youtube.com/watch?v=xBEmqwmHCuY here]. Or in the audio world, Karplus Strong synthesis or other techniques that use feedback to an extent that the initial inputs become irrelevant, the emergent sound (or video, or text) having its own properties. Also the recording surface of the body without organs. How can the process of recording and inscribing be creative and what is created or emerges from it? [https://stackoverflow.com/questions/14223628/why-does-a-self-referencing-iframe-not-infinitely-loop-and-crash-my-machine Why does a self-referencing iframe not infinitely loop and crash my machine?]

<pre>The true difference in nature is not between the Symbolic and the Imaginary, but between the real machinic element, which constitutes desiring-production, and the structural whole of the Imaginary and the Symbolic, which merely forms a myth and its variants</pre>
Deleuze and Guattari, Anti-Oedipus p.102