User:Lor.ensō/XPUB1/SI22 - Revision history

Lor.ensō at 14:39, 9 October 2024

2024-10-09T14:39:18Z

← Older revision		Revision as of 16:39, 9 October 2024
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	https://www.youtube.com/watch?v=aTXkVVqw9ng<br />		https://www.youtube.com/watch?v=aTXkVVqw9ng<br />
	src: [[User:Lor.ensō/si22\|SPECIAL ISSUE TWENTY TWO PERSONAL CONSTRUCTION SITE]] (enter if you want to see a messy room, if you don't, just keep listening)		src: [[User:Lor.ensō/si22\|SPECIAL ISSUE TWENTY TWO PERSONAL CONSTRUCTION SITE]] (enter if you want to see a messy room, if you don't, just keep listening)



			== REFLECTION #1 EXPERIMENTAL PROCESSING OF INFORMATION. WORDHOLE/BLACKHOLE ==


			I have to admit, I kinda didn't knew what XPUB was gonna be like. I recently graduated from KABK / IMD. A different institution and a different course. I knew that another IMD alumni parttook in XPUB. So this first trimester was a bit of a fresh new start for my practice. 'kind of' stepping away from what shaped my graduation project ''Happytalism'' which revolves around the idea of wellness / new age and spirituality industries to be open for business, making more money than big pharma and being a safe haven for charlatans, disinformation weaponizing pseudo health claims.

			I stepped into this fresh new environment with new people and overall a to me new programme. And right after the first weeks of XPUB my life turned around and I needed to reconfigure everything for myself (as I am still kind of doing of course) During the first trimester it was a bit difficult to me to kind of 'find a way' to get back on track. I wanted to deliver something productive. The changes in my life of course had an immediate effect on my way of thinking.

			We were talking about the ideas of what it means to keep an archive and what protocols there should be made.

			My counterthought was about Protocols for passive hoarding. As an idea of "we might need this later".

			The questions that I / We raised were 'do we really need to preserve everything? What do we take with us?'

			From this point, Senka and I started talking about the questions that were raised about to think about ideas protocols for active archiving. I read that personally as if we were responsible for the maintenance of the Radio Worm's archive. Instead, we made a work that asks for reflection.

			With both having made some critical essays / poems, we decided to make a video work because we wanted to visualize the amount of archives. No sound, just video. In these videos, we portray the radio worm from the apocalyptic narrative of SIGNAL LOST: ARCHIVE UNZIPPED.

			Where Senka shows the vessel of the radio station, I show the amount of data and sounds and players and information that actually go 'live'.

			Struggle This was something I was thinking about, concerning the fact I was just there.
			To be honest, I had some imposter syndrome, experiencing whilst being around.


			The idea of the wordhole or actually the first trimester struck to me as a black hole:

			''Once inside the black hole's event horizon, '''matter will be torn apart into its smallest subatomic components and eventually be squeezed into the singularity'''. As the singularity accumulates more and more matter, the size of the black hole's event horizon increases proportionally.'' https://www.uu.edu/dept/physics/scienceguys/2001Aug.cfm

			I felt that the matter of xpub/si22 etc was floating around me and I was there like some intergalactic fly on a meteorite. Just being there. Trying to make the best of it with the understanding of things.

			If I would think of a 'better scenario', I'd say I'd go more around the PZI /Wdka and join things. But back then my life was pure chaos and I made the decision to do my best and also taking step back in order to be a fly on the wall since I wasn't fully able to work on the SI22. Keeping the condition in mind that I would do more in the second trimester. It was hard to get back though.

			Looking back I didn't really experiment with i.e. printing / terminal related things but more on the ideas of publication and mostly thinking about alternatives

			====== However I was proud of myself of starting the narrative in the radio show as our improv ideas started. ======

Lor.ensō: /* METHODS */

2024-10-09T13:14:06Z

METHODS

← Older revision		Revision as of 15:14, 9 October 2024
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	{{User:Lor.ensō/Lorenzo's Byte Noise project process page}}		{{User:Lor.ensō/Lorenzo's Byte Noise project process page}}

	~~== METHODS ==~~
	== METHODS IN TRIMESTER 1 Jo Freeman's The Tyranny of Structurelessness / my reflections on the ideas of alternatives or at least the idea(l)s of alternative ==		== METHODS IN TRIMESTER 1 Jo Freeman's The Tyranny of Structurelessness / my reflections on the ideas of alternatives or at least the idea(l)s of alternative ==

Lor.ensō at 13:13, 9 October 2024

2024-10-09T13:13:47Z

Show changes

Lor.ensō: Created page with "== SI22 -> Graveyard - > Questionnairerasure / protocols for passive hoarding / Marie KonDON'T -> ByteNoise: Sound You See Me, Sound You Don't ==
'''THE GRAVEYARD METAPHOR''' When we were working in the WordHole and thinking about metaphors for the archive. The state of grief influenced me about how to deal with an archive. We were talking talking about ways to work with amounts of data and my Metaphor came about a graveyard as an 'archive' with the 'da..."

2024-10-09T13:08:55Z

Created page with "== SI22 -> Graveyard - > Questionnairerasure / protocols for passive hoarding / Marie KonDON'T -> ByteNoise: Sound You See Me, Sound You Don't == <blockquote>'''THE GRAVEYARD METAPHOR''' When we were working in the WordHole and thinking about metaphors for the archive. The state of grief influenced me about how to deal with an archive. We were talking talking about ways to work with amounts of data and my Metaphor came about a graveyard as an 'archive' with the 'da..."

New page

== SI22 -> Graveyard - > Questionnairerasure / protocols for passive hoarding / Marie KonDON'T -> ByteNoise: Sound You See Me, Sound You Don't ==
<blockquote>'''THE GRAVEYARD METAPHOR'''

When we were working in the WordHole and thinking about metaphors for the archive.

The state of grief influenced me about how to deal with an archive. We were talking talking about ways to work with amounts of data and my Metaphor came about a graveyard as an 'archive' with the 'datasets' on the stones. The idea was about having a place where we could 'bury' the files that were not used in order to give some honour to the effort concerning the making of the radio worm.

I said in my recording that at some point you just need to let it go because it's not coming back. The things that would be thrown away in the recycle bin folder, were still on the hard drive.

A proposition I made back then was "maybe we just leave it as is and just delete them and have a radio memorial service as a last salute rather than saving it for maybe later purposes without knowing when or if it would be used."

And I was clearly stating it as NOT Marie Kondo'ing it but just for the sake of cleaning up > maintenance.

Cleaning out the space, what is important?

Active archiving -> the 'worm' goes into the ground and there is stuff everywhere but 'worm' just goes where there is food. All the other things in the ground are dissolving and rotting away anyway.

To look at the idea of do we need this later, No. </blockquote>during a methods class with Steve, we were doing an exercise that was about 'free for all typing' considering our thoughts on the special issue in order to create a narrative (from what I can still remember). It became a poem that with the format of the codeblock presented as some sort of net-poem. <syntaxhighlight lang="abap">
<i> Questionnairerasure

Are worm a space a radio and a place and more

I listen in / to worm

I go out I listen I read and I archive. Through the pipeline |

can’t keep anything that is clutter but need to keep the importance and dance.

not the snake, am the wormoborous the community that feeds on ourshelves.

Leave the archive as to what is important rather than imported. leave files

And will come around and eat the cookies the crumbs lost. !important

Use the space for the next to continuity in unity of the worm

Prepare for leaving but never for farewell. Say goodbye to what you usen’t.

Is het kunst of kan het weg?

meaning

Is it art or can it be thrown in the trash

Can we empty the bin

In order to begin where our wormhole left us

If moved from here to there to then from now

What is taken

What is taken into consideration

In what state is the open city, In which state lies it and how do you leave it

The space as the wormhole through the wordhole takes us into the active archivalry.

The physicality contradicts the practicality, being pragmatic of fragments

Being pragmatic over the roots of the space into the data trees

What can be erased? In order to digest, what is there

It should be clear, or cleared or ´klaar´ which means done

You can store it elsewhere but that isn’t viable over the long run, worms don’t run, they crawl and feed on what is there.

This is no calling for to be sterile or a vote for marie kondo, please kondon’t, but only the wormunity can understand what needs to be kept

Who are the worms, do they want to keep everything?

Are they capable of leaving recordings behind?

Is it a doom scenario to delete stuff to remain active in archive

Or does cluttering / hoarding / keeping storage in servers and clouds fit the idea or the worm

Will the worm be worn out because of the ecological ideas of the worm

The worm can’t proceed while being stuck, the worm needs to crawl in order to move, to breathe through the space, how does the worm think of using the space,

How do you conserve if conservation can harm the soil, maybe digging a bit too deep in these old gardened graveyards but if we wish to make an apocalyptic doomsday protocol, we must show tough love about the institution of the open city. How do we maintain traffic in a city if the city is blocked and clogged?

Making the worm accessible and open implies that space is made. In what order does the worm make space for achieving an active archive rather than proceeding as the hoarding worm.

Consider this an open call for an open city, an open space for an open mind where questions are open food for thought that the worm can digest again and let its excrements be dissolved in the past. </i>
</syntaxhighlight>

This poem then lead as on of the backbones to
== ''Byte Noise: Sound you see me? Sound you don't'' (w/ Senka) ==
[[File:SI22 Launch image Byte Noise 1.jpg|thumb|© Florian Cramer]]

{{User:Lor.ensō/Lorenzo's Byte Noise project process page}}