Andreas Project Proposal Draft 2 - Revision history

Andreas: /* What do you want to make? */

2019-11-07T10:35:47Z

What do you want to make?

← Older revision		Revision as of 12:35, 7 November 2019
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	If I want to bring the brevity discourse to the moving image, the film has to be what the narrator was in the Roman age. With a film in a cinema the movie is carrying the same kind of responsibility that the narrator was (or still is) carrying.		If I want to bring the brevity discourse to the moving image, the film has to be what the narrator was in the Roman age. With a film in a cinema the movie is carrying the same kind of responsibility that the narrator was (or still is) carrying.
	An installation would not guarantee that the viewer would watch the work from start to end. It would be very likely that the audience would walk in and out in the middle of the film instead of watching it as a whole. However, I have to admit ~~hat~~ it would be an interesting task to keep the viewer informed and interested throughout the whole time if it were a installation piece.		An installation would not guarantee that the viewer would watch the work from start to end. It would be very likely that the audience would walk in and out in the middle of the film instead of watching it as a whole. However, I have to admit that it would be an interesting task to keep the viewer informed and interested throughout the whole time – if it were a installation piece.

	==How do you plan to make it?==		==How do you plan to make it?==

Andreas: /* What do you want to make? */

2019-11-07T10:35:14Z

What do you want to make?

← Older revision		Revision as of 12:35, 7 November 2019
Line 18:		Line 18:

	If I want to bring the brevity discourse to the moving image, the film has to be what the narrator was in the Roman age. With a film in a cinema the movie is carrying the same kind of responsibility that the narrator was (or still is) carrying.		If I want to bring the brevity discourse to the moving image, the film has to be what the narrator was in the Roman age. With a film in a cinema the movie is carrying the same kind of responsibility that the narrator was (or still is) carrying.
	An installation would not guarantee that the viewer would watch the work from start to end. It would very likely that the audience would walk in and out in the middle of the film instead of watching it as a whole. However, I have to admit hat it would be an interesting task to keep the viewer informed and interested throughout the whole time if it were a installation piece.		An installation would not guarantee that the viewer would watch the work from start to end. It would be very likely that the audience would walk in and out in the middle of the film instead of watching it as a whole. However, I have to admit hat it would be an interesting task to keep the viewer informed and interested throughout the whole time if it were a installation piece.

	==How do you plan to make it?==		==How do you plan to make it?==

Andreas: /* What do you want to make? */

2019-11-07T10:34:19Z

What do you want to make?

← Older revision		Revision as of 12:34, 7 November 2019
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	'''I want to make a visual essay that features interviews from professionals''' <small>(in the field of psychology and sociology)</small> '''and my observations''' <small>(I am aware that these may be subjective and sometimes abstract)</small> '''on the topic of brevity.'''		'''I want to make a visual essay that features interviews from professionals''' <small>(in the field of psychology and sociology)</small> '''and my observations''' <small>(I am aware that these may be subjective and sometimes abstract)</small> '''on the topic of brevity.'''


	If I want to bring the brevity discourse to the moving image, the film has to be what the narrator was in the Roman age. With a film in a cinema the movie is carrying the same kind of responsibility that the narrator was (or still is) carrying.		If I want to bring the brevity discourse to the moving image, the film has to be what the narrator was in the Roman age. With a film in a cinema the movie is carrying the same kind of responsibility that the narrator was (or still is) carrying.
	An installation would not guarantee that the viewer would watch the work from start to end. It would very likely that the audience would walk in and out in the middle of the film instead of watching it as a whole. However, I have to admit hat it would be an interesting task to keep the viewer informed and interested throughout the whole time if it were a installation piece.		An installation would not guarantee that the viewer would watch the work from start to end. It would very likely that the audience would walk in and out in the middle of the film instead of watching it as a whole. However, I have to admit hat it would be an interesting task to keep the viewer informed and interested throughout the whole time if it were a installation piece.

Andreas: /* What do you want to make? */

2019-11-07T10:33:54Z

What do you want to make?

← Older revision		Revision as of 12:33, 7 November 2019
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	'''I want to make a visual essay that features interviews from professionals''' <small>(in the field of psychology and sociology)</small> '''and my observations''' <small>(I am aware that these may be subjective and sometimes abstract)</small> '''on the topic of brevity.'''		'''I want to make a visual essay that features interviews from professionals''' <small>(in the field of psychology and sociology)</small> '''and my observations''' <small>(I am aware that these may be subjective and sometimes abstract)</small> '''on the topic of brevity.'''
	~~This visual essay~~ I want to ~~set up~~ in ~~an installation~~. An installation ~~will~~ not guarantee that the viewer ~~will~~ watch the work from start to end ~~(not even to mention that they~~ very likely would ~~start watching~~ in the middle of the film instead of watching it ~~from the very beginning)~~. ~~But these decisions are actually very~~ interesting ~~since they connect to the historic brevity discourse~~ to keep the ~~audience~~ interested throughout the ~~speech of the narrator~~. ~~How can they keep the audience interested and adequately informed in the same way?~~		If I want to bring the brevity discourse to the moving image, the film has to be what the narrator was in the Roman age. With a film in a cinema the movie is carrying the same kind of responsibility that the narrator was (or still is) carrying.
			An installation would not guarantee that the viewer would watch the work from start to end. It would very likely that the audience would walk in and out in the middle of the film instead of watching it as a whole. However, I have to admit hat it would be an interesting task to keep the viewer informed and interested throughout the whole time if it were a installation piece.

	==How do you plan to make it?==		==How do you plan to make it?==

Andreas: /* What do you want to make? */

2019-11-06T15:40:23Z

What do you want to make?

← Older revision		Revision as of 17:40, 6 November 2019
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	'''I want to make a visual essay that features interviews from professionals''' <small>(in the field of psychology and sociology)</small> '''and my observations''' <small>(I am aware that these may be subjective and sometimes abstract)</small> '''on the topic of brevity.'''		'''I want to make a visual essay that features interviews from professionals''' <small>(in the field of psychology and sociology)</small> '''and my observations''' <small>(I am aware that these may be subjective and sometimes abstract)</small> '''on the topic of brevity.'''
	This visual essay I want to set up in an installation. An installation will not guarantee that the viewer will watch the work from start to end (not even to mention that they very likely would start watching in the middle of the film instead of watching it from the very beginning). But these decisions are actually very interesting since they connect to the historic brevity discourse to keep the audience interested throughout the speech of the narrator. How can they keep the audience interested and adequately informed in the same way?		This visual essay I want to set up in an installation. An installation will not guarantee that the viewer will watch the work from start to end (not even to mention that they very likely would start watching in the middle of the film instead of watching it from the very beginning). But these decisions are actually very interesting since they connect to the historic brevity discourse to keep the audience interested throughout the speech of the narrator. How can they keep the audience interested and adequately informed in the same way?

	~~Does generation X, Y and Z really consume more written and spoken information, thus resulting in a shorter attention span, like modern sociologists are making us believe?~~

	'''I want to bring the brevity discourse into the film context''' with these questions in mind: does the modern film respond to the information overload? Can simplification improve the reception of content? From which point of reduction or maximisation of content is the content itself being distorted?

	==How do you plan to make it?==		==How do you plan to make it?==

Andreas at 15:39, 6 November 2019

2019-11-06T15:39:37Z

← Older revision		Revision as of 17:39, 6 November 2019
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	<div style='max-width: 50rem; margin: 0 auto;'>		<div style='max-width: 50rem; margin: 0 auto;'>

	~~what stance do~~ I ~~want~~ to ~~take on the brevity discourse exactly?~~		I find it inspiring to read what Metahaven have to say on their treatment of temporality of the film Sprawl:
	~~My body of work will influence~~ what ~~I want~~ to ~~communicate. For example setting up a film in a gallery would be a different take~~ on brevity than showing the same film in a cinema. An installation in a gallery space will not guarantee that the viewer will watch the work from start to end (not even to mention that they very likely would start watching in the middle of ~~the film instead~~ of ~~watching it from the very beginning). But these decisions are actually very interesting since they connect to the historic brevity discourse to keep~~ the ~~audience interested throughout the speech of the narrator.~~
	~~How does setting up Tarkovskys~~ film ~~in a three-panel installation change the temporality and narration of his work?~~

	~~==Inspiration – Metahaven==~~

	https://prostory.net.ua/en/9-publikatsii/krytyka/300-imaginary-motherland-some-notes-on-the-sprawl-propaganda-about-propaganda-and-a-google-doc-conversation-with-metahaven		https://prostory.net.ua/en/9-publikatsii/krytyka/300-imaginary-motherland-some-notes-on-the-sprawl-propaganda-about-propaganda-and-a-google-doc-conversation-with-metahaven
Line 19:		Line 15:

	'''I want to make a visual essay that features interviews from professionals''' <small>(in the field of psychology and sociology)</small> '''and my observations''' <small>(I am aware that these may be subjective and sometimes abstract)</small> '''on the topic of brevity.'''		'''I want to make a visual essay that features interviews from professionals''' <small>(in the field of psychology and sociology)</small> '''and my observations''' <small>(I am aware that these may be subjective and sometimes abstract)</small> '''on the topic of brevity.'''
			This visual essay I want to set up in an installation. An installation will not guarantee that the viewer will watch the work from start to end (not even to mention that they very likely would start watching in the middle of the film instead of watching it from the very beginning). But these decisions are actually very interesting since they connect to the historic brevity discourse to keep the audience interested throughout the speech of the narrator. How can they keep the audience interested and adequately informed in the same way?

	Does generation X, Y and Z really consume more written and spoken information, thus resulting in a shorter attention span, like modern sociologists are making us believe?		Does generation X, Y and Z really consume more written and spoken information, thus resulting in a shorter attention span, like modern sociologists are making us believe?

Andreas: /* What do you want to make? */

2019-11-06T15:34:40Z

What do you want to make?

← Older revision		Revision as of 17:34, 6 November 2019
Line 18:		Line 18:
	==What do you want to make?==		==What do you want to make?==

	'''I want to make a ~~film~~ that features interviews from professionals''' <small>(in the field of psychology and sociology)</small> '''and my observations''' <small>(I am aware that these may be subjective and sometimes abstract)</small> '''on the topic of brevity.'''		'''I want to make a visual essay that features interviews from professionals''' <small>(in the field of psychology and sociology)</small> '''and my observations''' <small>(I am aware that these may be subjective and sometimes abstract)</small> '''on the topic of brevity.'''

Andreas at 12:11, 6 November 2019

2019-11-06T12:11:29Z

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Andreas: Created page with "
= Thesis Outline Second Draft = what stance do I want to take on the brevity discourse exactly? My body of work will influenc..."

2019-11-06T12:10:50Z

Created page with "<div style='max-width: 50rem; margin: 0 auto;'> = Thesis Outline Second Draft = what stance do I want to take on the brevity discourse exactly? My body of work will influenc..."

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<div style='max-width: 50rem; margin: 0 auto;'>

= Thesis Outline Second Draft =

what stance do I want to take on the brevity discourse exactly?
My body of work will influence what I want to communicate. For example setting up a film in a gallery would be a different take on brevity than showing the same film in a cinema. An installation in a gallery space will not guarantee that the viewer will watch the work from start to end (not even to mention that they very likely would start watching in the middle of the film instead of watching it from the very beginning). But these decisions are actually very interesting since they connect to the historic brevity discourse to keep the audience interested throughout the speech of the narrator.
How does setting up Tarkovskys film in a three-panel installation change the temporality and narration of his work?

==Inspiration – Metahaven==

https://prostory.net.ua/en/9-publikatsii/krytyka/300-imaginary-motherland-some-notes-on-the-sprawl-propaganda-about-propaganda-and-a-google-doc-conversation-with-metahaven
released 2018 by prostory.net.ua

Lesia Prokopenko interviewing Methaven
'''LP:''' ''‘Technology, that is, the internet, has been changing our relations with language and information similar to how the invention of printing changed them, and, later, the invention of photography — and this inevitably implies transformations in the perception of time. Film, as a medium, is one of the ways to explore and manipulate time, which is, at the moment, a more appealing idea than ever. How do you treat temporality in your work?’''

'''MH:''' ''‘(...) In our films, including Information Skies, but also in our new essay, Digital Tarkovsky—which is to be out soon with Strelka Press—we address duration or temporality. Andrei Tarkovsky and Aleksandr Sokurov are heroes of ours who used, and use, time as their primary instrument. But we want to look at this through the lens of platforms, and in the digital age (sorry for the term), where duration is associated with Facebook, Instagram addiction, and Netflix binge-watching. We are convinced that there is a cinematic core to our time spent on the smartphone—if only because it is banned from most movie theatres.’''

Andreas Project Proposal Draft 2 - Revision history

Andreas: /* What do you want to make? */

Andreas: /* What do you want to make? */

Andreas: /* What do you want to make? */

Andreas: /* What do you want to make? */

Andreas: /* What do you want to make? */

Andreas at 15:39, 6 November 2019

Andreas: /* What do you want to make? */

Andreas at 12:11, 6 November 2019

Andreas: Created page with " = Thesis Outline Second Draft = what stance do I want to take on the brevity discourse exactly? My body of work will influenc..."

Andreas: Created page with "
= Thesis Outline Second Draft = what stance do I want to take on the brevity discourse exactly? My body of work will influenc..."