https://pzwiki.wdka.nl/mw-mediadesign/api.php?action=feedcontributions&user=Yuching.chiang&feedformat=atomXPUB & Lens-Based wiki - User contributions [en]2024-03-29T02:10:52ZUser contributionsMediaWiki 1.38.2https://pzwiki.wdka.nl/mw-mediadesign/index.php?title=LB2_Graduation_2021_and_V2&diff=197485LB2 Graduation 2021 and V22021-09-21T20:43:08Z<p>Yuching.chiang: /* Yu-Ching Chiang */</p>
<hr />
<div>== LB2 Graduates 2021 and V2_ ==<br />
<br />
About the collaboration between LB2 graduates of 2021 and V2_.<br />
*The schedule includes two days of build-up and roughly four days of exhibition with a two-hour live-streamed program on each exhibition day for live presentation and performance.<br />
-The whole program can take place using V2_’s streaming and presentation equipment.<br />
-Students are responsible for: the bar and door; any presentation materials related to their individual work; and the design of the promotion materials.<br />
-The curatorial groundwork will be planned by Florian Weigl in conversation with LB alumni and monitoring during the build-up.<br />
<br />
== V2_ assistants ==<br />
Space for the names and contact details of two students who will be the liaison between LB2 and V2_. <br><br />
<br />
'''Yu-Ching'''<br />
I am interested in this, maybe I could help :)<br />
<br />
'''Thy'''<br />
I'm interested in this as well xD<br />
<br />
'''Annalisa'''<br />
<br />
<br />
== Alumni proposals ==<br />
* Please add your name, email address and phone number plus a short project description, bio and no more than three images.<br />
<br />
Add your personal details here. <br><br />
'''Project description'''<br><br />
Add your project description here. <br><br />
'''Bio'''<br><br />
Add the short biographical note here.<br><br />
'''Images'''<br />
<hr><br />
<br />
===Jelle Havermans===<br />
jellehavermans@hotmail.com | +31 621340851<br />
<br />
'''Project description'''<br />
<br />
In this atmospheric short film, a man returns to a gloomy forest in Birmingham, where long ago a mysterious crime was committed. Party photo-roman, partly digital travel report, this short film juxtaposes old forensic photographs with videos shot with a phone of the crime scene as it stands in the current day. A whisper in Hagley Woods reflects on placeness, the apparatus of cinema and on the way ghosts inhabit photographs. It further ambiguously explores the role of the male creator indulging his obsession. He retraces the steps of the murderer as well as the victim… while reminiscing on a past that is shaped through the lens of fictional narratives. <br />
<br />
'''Bio'''<br />
<br />
Jelle Havermans was born in the Netherlands and currently live in Amsterdam. In his current work he reflect on film and it's role in history. Recurring topics are the depiction of violence and (true) crime, cinematic language and the aesthetics of forensic imagery. By mingling fiction with documentary-style investigation, he explores his own obsessions and desires, through the lens of true crime media and horror.<br />
<br />
'''Images'''<br />
[https://pzwiki.wdka.nl/mediadesign/File:Still_2_Jelle.png Still 1] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 2] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 3 ]<br />
<br />
<hr><br />
<br />
===Fileona Dkhar===<br />
fileonadkhar@outlook.com | +31 648143488 | +91 7005484460<br />
<br />
'''Project description'''<br />
<br />
''I pointed the lens at myself, I focused it nearby'' <br><br />
“I pointed the lens at myself, I focused it nearby” is a research project which considers the lens and its role in articulating notions of identity. The lens acts and is considered as a metaphor for looking and being looked at. Referencing Trinh T. Minh-ha’s philosophy of using the lens to “speak not about identity but to speak nearby,” the project examines identity linked to image, place, feeling and personal history.<br />
<br />
'''Bio'''<br />
<br />
Fileona Dkhar [IN] is a Rotterdam-based Khasi artist and researcher. Her work investigates the personal, spatial, abstract and ideological boundaries of representation. Her work uses generative applications of code, performance, filmmaking, writing, and photography.<br><br />
<br />
'''Images'''<br />
<br />
<gallery mode="packed-hover" heights=200px><br />
File:Screenshot 2021-07-11 at 1.23.14 PM.png <br />
File:Screenshot 2021-07-11 at 1.23.23 PM.png<br />
File:Screenshot 2021-07-11 at 1.23.06 PM.png<br />
</gallery><br />
<br />
==== ''Exhibition Notes'' ====<br />
* I have one loop projection that could go on one of the black pillars: Caressing a Forest in my Palms [Video Loop Projection (monochrome, no sound)]<br />
* If VR headset use is possible, this is the interactive video to be used: https://vimeo.com/563244503/3d0e7ed7d6<br />
* If possible, I would like for there to be a way to view the website for the project. Open to discussions on how this could be done. Requires a computer for people to scroll and see. [https://www.fileonadkhar.com/focusnearby Graduation Project site]<br><br />
<hr><br />
<br />
===Nguyen Ngoc Trang Thy===<br />
thy@dcsg.vn| https://www.thytrang.com/ | +31 616105490<br />
<br />
'''Project name'''<br />
<br />
The Living Room Wars (work-in-progress) <br />
<br />
This is a body of work stemming from the ongoing research of Thy Nguyen about the intergenerational trauma of Vietnamese women (her grandmother and mother) who lived through the many Wars that happened in Vietnam in the 20th century and the rapid socio-cultural as well as infrastructural, economic changes in the 21st century, given the context of Vietnam society in warfare and post-war time.<br />
<br />
Thy is currently making a creative documentary film �based on this research, in which she remixes rarely seen archive footage of the Vietnam conflict (from the point of view of the Vietnamese), documentary interviews, family archives, and newly shot footage and re-enactments. It tells the story of a family trying to reconcile with and take ownership of its story: a story that opens up fresh, personal yet profound perspectives on the Vietnam War.<br />
<br />
'''Project description'''<br />
<br />
''Work #1''<br />
''The Living Room Wars'' [Video (color, sound)] <br><br />
An excerpt of her creative documentary <br />
<br />
''Logline'' <br />
Western media called the Vietnam War “the Living Room War.” For filmmaker Thy Nguyen’s family, the end of the war in 1975 brought a new war into their living room. The story starts with a Ho Chi Minh TV broadcast: numerous women looking for Thy's grandfather after the war ends spark a series of bitter family disputes which last for generations. <br />
<br />
<br />
'''Bio'''<br />
Nguyen Ngoc Trang Thy is a Vietnamese artist and filmmaker based in Rotterdam, NL. The first generation born in peacetime in her family, at the age of 17, Thy was sent abroad to pursue Western Education. Thy makes video arts and films that investigate gender roles, societal beliefs and the crime of (the Vietnam) war, the trauma war caused and how small, personal narratives of women (and men) in times of tragedy interwoven with grand, historical narratives throughout the history of Vietnam. <br />
<br />
<br />
<br />
<br />
<br />
'''Images'''<br />
<br />
[[File:Grand-Mother-I-2.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I-3.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I.jpg| 400px]]<br />
<br />
=== Lea Novi ===<br />
<br />
<br />
'''Project description'''<br />
<br />
The calm after the storm<br />
<br />
The project The calm after the storm consists of abstract photographs and a text. Through conversations, thoughts, and feelings, it reflects my emotions regarding my engagement with photography as my practice and questions its changing meaning in today's society. The photos are the result of a search for calm, quiet, and for comfort.<br />
<br />
'''Bio'''<br />
<br />
Lea Novi is from Germany and has a background in documentary photography. In her work she focuses on the feeling of isolation and belonging as well as the underlying structures of society. She is interested in developing techniques that allow for a deep level of engagement and empathy with these subjects. In her current project, she reflects on her photographic practice. <br />
<br />
'''Images'''<br />
<br />
[[File:L-N-Image-01.jpg| 200px]]<br />
<br />
[[File:L-N-Image-02.jpg| 200px]]<br />
<br />
[[File:L-N-Image-03.jpg| 200px]]<br />
<br />
<br>'''Exhibition Notes'''<br><br />
<br />
[[File:ExhibitionInstallation_LeaNovi.jpg|thumb|none|500px|]]<br />
<br />
30 images (size of the images are depending on the space I could use)<br />
<br />
If possible:<br />
Black wall (exhibition wall, <br />
Florian showed me one, when I had the meeting at V2)<br />
<br />
Bench (or similar objects to sit on)<br />
<br />
Laser pointer to hang up images<br />
<br />
System to hang up images (tape, gaffa tape, and needles)<br />
<br />
=== Muxingye Chen ===<br />
<br />
chenmuxingye2014@gmail.com | 0629432797| https://muxingyechen.com/|<br />
<br />
'''setting examples'''<br />
<br />
<br>1. would like to have three hanging screens(100cm*57cm)(or three 16:9 projecting materials) arranged in a row. <br />
<br>2. Stereo sound systems<br />
<br>3. completely dark situation(for the video)<br />
<br />
my considering: my sound is pretty intense, I don't know if it's disturbing others work( Otherwise I don't mind finding alternatives) <br />
thank you very much<br />
<br />
'''Project description'''<br />
<br />
Project called "unframed". It will be presented as a video installation and will have three chapters. The first chapter subtitled "离" would be shown in V2. It illustrates a situation that in a certain frequency, the body has falling into different parts, they individually build up their own relations with the environment, and randomly interact with each other.<br />
<br />
'''Bio'''<br />
<br />
Muxingye Chen is from Chengdu, China, studied at the Piet Zwart Institute in Rotterdam with the Master Program Lens based media.<br />
<br />
He works with digital art on an abstract representation of body movement. He uses animation and 3D programming as a kind of extension of the limited body. In this way, he tries to deconstruct, unravel and convert our current image of how we deal with social structure into our individual experience.<br />
<br />
'''Images'''<br><br />
<br />
<br />
<br />
[[File:Screenshot 2021-09-14 at 23.27.55.png|400px]]<br />
[[File:Screenshot 2021-09-14 at 23.28.31.png|400px]]<br />
<br />
[[File:Screenshot 2021-09-14 at 23.28.10.png|400px]]<br />
[[File:Screenshot 2021-09-14 at 23.28.21.png|400px]]<br />
<br />
<br />
<br />
<br />
=== Yu-Ching Chiang ===<br />
eric.chiang.chiang@gmail.com | 06-47421683| https://read.cv/yuchingchiang | <br />
<br />
'''Project description'''<br />
Main tile: In search of (un)mediated particularities of communicative space<br />
<br />
<br />
The project is a series of experiments in search of (un)mediated particularities of communicative space in video chat. The exhibition is three installations alongside my thesis presentation. The first installation, Compass Video Calling Device(2021) is two hand-held devices that audiences are invited to interact with others, they only can see each other when they face each other. The second installation is a Video Chat Cafe(2021), an installation to contextualize the action of video chat which encourages people to encounter random or friends in a place I call a shared table. A table cut in half, one is situated in the indoor space while the other half sits outside the V2. A sleeping mattress will be placed alongside my still image work-Sleeping Together(2021). The work questions the physicality, unification, virtualization of space we intimately shared. <br />
<br />
'''Bio'''<br />
<br />
I am a cross-disciplinary individual who is constantly seeking for innovation in environmental and people-engaging design. As a professional practitioner, I have been designing many practical and conceptual projects for ten years. I also conduct my own practices for exploring new possibilities of space by diverse approaches such as mixed media, spatial art, installation, and photography.<br />
<br />
'''Images'''<br />
<br />
[[File:Final presentation.024.jpeg| 400px]]<br />
[[File:Final presentation.034.jpeg| 400px]]<br />
<br />
<br />
[[File:Final presentation.029.jpeg| 400px]]<br />
<br />
'''Notes'''<br />
<br />
Ipad x2 (one need to be mounted on the wall, one on the glass)<br />
//60" screen x2<br />
<br />
<hr><br />
<br />
=== Anh Dao ===<br />
4nhdao@gmail.com, +31 06 45571089<br />
<br><br />
<br />
'''Project description'''<br><br />
''entangled landscapes'' is a body of work stemming from a research project that dissected the relationships between flora, capitalism, and coloniality. It examined the impact and manifestations of belonging on the European landscape (past, present, and future).<br />
<br />
'''Bio'''<br><br />
Anh Dao is an artist and film technician from the west coast of Canada. Anh makes images and sometimes films. Her practice involves thinking about the natural world and thinking about places. She engages in a research-based embodied practice with a focus on material experimentation. Anh is interested in ecofeminism, crip time, and diasporic narratives of longing.<br />
<br />
'''Images'''<br><br />
<br />
https://pzwiki.wdka.nl/mw-mediadesign/images/thumb/c/cf/Anh_gradshow_image.jpg/800px-Anh_gradshow_image.jpg<br />
<br />
1. ''On the exactitude in science'', 2021 <br><br />
Anthotype on inkjet print <br><br />
70 x 48 cm<br />
<br />
<br><br />
[[File:Anhdao_2.jpg| 600px]] <br><br />
2. ''Ambiguities, redundancies, and deficiencies #1'', 2021<br><br />
UV print on polycarbonate<br><br />
50 x 47 cm<br />
<br />
<br><br />
[[File:Anhdao_3.png| 600px]] <br><br />
3. ''Ambiguities, redundancies, and deficiencies #2'', 2021<br><br />
UV print on polycarbonate<br><br />
50 x 47 cm<br />
<br />
<br><br />
'''Exhibition Notes'''<br><br />
I have five framed images: <br><br />
- 70x48 cm <br><br />
- Two 50x47 cm <br><br />
- Two A4 (Untitled #1 and #2, 2021. UV prints on aluminum composite plates. 21 x 30 cm)<br> <br />
<br />
If possible I would like white walls and natural/bright lighting.<br />
<br><br />
<br><br />
<br><br />
<hr><br />
<br />
===Annalisa Urti===<br />
annalisa.urti@gmail.com <br><br />
+393285555552 <br><br />
<br><br />
<br />
'''Project description'''<br><br />
I'd like to exhibit two videos, single channel:<br><br />
1. '''''Domani ti dimenticherò meglio''''' (Tomorrow I will forget you better) <br><br />
2. '''''Baci fantasma''''' (Ghostly kisses)<br><br />
<br><br />
1. '''Domani ti dimenticherò meglio (Tomorrow I will forget you better)''' <br><br />
Details:<br />
3’, colour, sound, 1920 x 1080, 2019 - 2020<br />
<br><br />
A girl wanders through the streets, the promenade, the reeds of bamboo of a small town in the South of Italy on Google Earth. She revists the places that once saw her tight to her former lover. An intimate confession unravels between aerial visions and street views of the town, spherical panoramas uploaded by the users of Google, and the virtual touch of the cursor on the screen. <br><br />
<br><br />
[[File:Isa EYE 1.png|500px]] [[File:Isa EYE 2.png|500px]] <br><br />
<br>[[File:Isa EYE 3.png|500px]] [[File:Isa EYE 4.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1YsgyZcyYcgERU6XSljAD1Rk5PklhEZ71/view?usp=sharing<br />
<br />
<br>2. '''Baci fantasma''' (Ghostly kisses) <br><br />
Details: 19’3’’, colour, sound, 1920 x 1080, 2021<br />
<br><br />
A story of loss, fragility and obsession told through the interface of Google Earth. A girl goes to the city of Rome looking for her lost love. She leaves three red roses behind at each stop she makes, hoping that they will lead her former lover to her. In the light of unresolved desire, the roses become indexical markers of human emotion in a depersonalised digital world of anonymous blurred faces. The voiceover is interspersed with the transcription of a WhatsApp chat that begins with the last and ends with the first message the two sent to each other.<br><br />
<br><br />
[[File:GK1.png|500px]] [[File:GK2.png|500px]] <br><br />
<br>[[File:GK7.png|500px]] [[File:GK8.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1y4lpsG0gy92eZKXrZMo1EaaGUeru1lTi/view?usp=sharing <br><br />
<br>'''Bio''' <br><br />
Annalisa Urti is a visual artist and writer based in Milan, Italy. She first approached dramatic art at the age of 10 to then embrace the visual arts at a broader scale during high school and her bachelor in Painting and Visual Arts at NABA, Milan, Italy. Once landed at Piet Zwart Institute, Rotterdam, Netherlands, she uses video and writing to explore themes such as human emotion in the era of hyper-communication and the dichotomies embedded in the concept of displayed intimacy. Her visual and verbal language puts lyrical and colloquial, spiritual and secular in close dialogue.<br><br />
<br><br />
<hr><br />
<br />
'''UPDATE FROM CURATING TEAM''' <br />
<br />
TIME TABLE: <br />
[[File:Grad show2021 timetable.jpg|thumb]]<br />
<br />
TOPIC AND THEMES: We had a meeting today (14/09) and brainstormed some keywords and questions. The curating team will meet again next Monday (20/9) to make the final decision on the theme and move on to poster design/exhibition layout/ marketing etc. <br />
<br />
POSTER: V2 Designer will handle<br />
<br />
OPENING DATES: <br />
We're currently thinking of both Thursday and Friday night. Thursday is private event for family and friends and Friday is for the public. There will be champagne for private event and a bar service).<br />
<br />
DOCUMENTATION: V2 will help us to document individual and group exhibition. If you have any ideas of your documentation styles, please propose (DIY also an option).</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=LB2_Graduation_2021_and_V2&diff=197432LB2 Graduation 2021 and V22021-09-21T14:18:08Z<p>Yuching.chiang: /* Yu-Ching Chiang */</p>
<hr />
<div>== LB2 Graduates 2021 and V2_ ==<br />
<br />
About the collaboration between LB2 graduates of 2021 and V2_.<br />
*The schedule includes two days of build-up and roughly four days of exhibition with a two-hour live-streamed program on each exhibition day for live presentation and performance.<br />
-The whole program can take place using V2_’s streaming and presentation equipment.<br />
-Students are responsible for: the bar and door; any presentation materials related to their individual work; and the design of the promotion materials.<br />
-The curatorial groundwork will be planned by Florian Weigl in conversation with LB alumni and monitoring during the build-up.<br />
<br />
== V2_ assistants ==<br />
Space for the names and contact details of two students who will be the liaison between LB2 and V2_. <br><br />
<br />
'''Yu-Ching'''<br />
I am interested in this, maybe I could help :)<br />
<br />
'''Thy'''<br />
I'm interested in this as well xD<br />
<br />
'''Annalisa'''<br />
<br />
<br />
== Alumni proposals ==<br />
* Please add your name, email address and phone number plus a short project description, bio and no more than three images.<br />
<br />
Add your personal details here. <br><br />
'''Project description'''<br><br />
Add your project description here. <br><br />
'''Bio'''<br><br />
Add the short biographical note here.<br><br />
'''Images'''<br />
<hr><br />
<br />
===Jelle Havermans===<br />
jellehavermans@hotmail.com | +31 621340851<br />
<br />
'''Project description'''<br />
<br />
In this atmospheric short film, a man returns to a gloomy forest in Birmingham, where long ago a mysterious crime was committed. Party photo-roman, partly digital travel report, this short film juxtaposes old forensic photographs with videos shot with a phone of the crime scene as it stands in the current day. A whisper in Hagley Woods reflects on placeness, the apparatus of cinema and on the way ghosts inhabit photographs. It further ambiguously explores the role of the male creator indulging his obsession. He retraces the steps of the murderer as well as the victim… while reminiscing on a past that is shaped through the lens of fictional narratives. <br />
<br />
'''Bio'''<br />
<br />
Jelle Havermans was born in the Netherlands and currently live in Amsterdam. In his current work he reflect on film and it's role in history. Recurring topics are the depiction of violence and (true) crime, cinematic language and the aesthetics of forensic imagery. By mingling fiction with documentary-style investigation, he explores his own obsessions and desires, through the lens of true crime media and horror.<br />
<br />
'''Images'''<br />
[https://pzwiki.wdka.nl/mediadesign/File:Still_2_Jelle.png Still 1] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 2] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 3 ]<br />
<br />
<hr><br />
<br />
===Fileona Dkhar===<br />
fileonadkhar@outlook.com | +31 648143488 | +91 7005484460<br />
<br />
'''Project description'''<br />
<br />
''I pointed the lens at myself, I focused it nearby'' <br><br />
“I pointed the lens at myself, I focused it nearby” is a research project which considers the lens and its role in articulating notions of identity. The lens acts and is considered as a metaphor for looking and being looked at. Referencing Trinh T. Minh-ha’s philosophy of using the lens to “speak not about identity but to speak nearby,” the project examines identity linked to image, place, feeling and personal history.<br />
<br />
'''Bio'''<br />
<br />
Fileona Dkhar is a Khasi indigenous artist and researcher. Her current work rearticulates notions of her identity linked to image, place, feeling and personal history. Dkhar expresses her ideas through abstract and generative application of code, performance, filmmaking, writing, and photography.<br />
<br />
'''Images'''<br />
<gallery mode="packed-hover" heights=200px><br />
File:Screenshot 2021-07-11 at 1.23.14 PM.png <br />
File:Screenshot 2021-07-11 at 1.23.23 PM.png<br />
File:Screenshot 2021-07-11 at 1.23.06 PM.png<br />
</gallery><br />
<br />
==== ''Exhibition Notes'' ====<br />
* I have one loop projection that could go on one of the black pillars: Caressing a Forest in my Palms [Video Loop Projection (monochrome, no sound)]<br />
* If VR headset use is possible, this is the interactive video to be used: https://vimeo.com/563244503/3d0e7ed7d6<br />
* If possible, I would like for there to be a way to view the website for the project. Open to discussions on how this could be done. Requires a computer for people to scroll and see. [https://www.fileonadkhar.com/focusnearby Graduation Project site]<br><br />
<hr><br />
<br />
===Nguyen Ngoc Trang Thy===<br />
thy@dcsg.vn| https://www.thytrang.com/ | +31 616105490<br />
<br />
<br />
'''Project description'''<br />
<br />
''The Living Room Wars'' [Video (color, sound)] <br><br />
This video is an excerpt of her creative documentary The Living Room Wars<br />
<br />
Western media called the Vietnam War “the Living Room War.” For filmmaker Thy Nguyen’s family, the end of the war in 1975 brought a new war into their living room. The story starts with a Ho Chi Minh TV broadcast: numerous women looking for Thy's grandfather after the war ends spark a series of bitter family disputes which last for generations. <br />
<br />
<br />
'''Bio'''<br />
Nguyen Ngoc Trang Thy is a Vietnamese artist and filmmaker based in Rotterdam, NL. The first generation born in peacetime in her family, at the age of 17, Thy was sent abroad to pursue Western Education. Thy makes video arts and films that investigate gender roles, societal beliefs and the crime of (the Vietnam) war, the trauma war caused and how small, personal narratives of women (and men) in times of tragedy interwoven with grand, historical narratives throughout the history of Vietnam. <br />
<br />
Thy is currently making a creative documentary film named “The Living Room Wars.”<br />
<br />
<br />
<br />
'''Images'''<br />
<br />
[[File:Grand-Mother-I-2.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I-3.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I.jpg| 400px]]<br />
<br />
=== Lea Novi ===<br />
<br />
<br />
'''Project description'''<br />
<br />
<br />
The project The calm after the storm consists of abstract photographs and a text. Through conversations, thoughts and feelings, it reflects my emotions regarding my engagement with photography as my practice and questions its changing meaning in today's society. The photos are result of a search for the calm, the quiet, and for comfort.<br />
<br />
'''Bio'''<br />
<br />
Lea Novi is from Germany and has a background in documentary photography. In her work she focuses on the feeling of isolation and belonging as well as the underlaying structures of society. She is interested in developing techniques that allow for a deep level of engagement and empathy with these subjects. In her current project, she reflects about her own photographic practice. <br />
<br />
'''Images'''<br />
<br />
[[File:L-N-Image-01.jpg| 200px]]<br />
<br />
[[File:L-N-Image-02.jpg| 200px]]<br />
<br />
[[File:L-N-Image-03.jpg| 200px]]<br />
<br />
<br>'''Exhibition Notes'''<br><br />
<br />
[[File:ExhibitionInstallation_LeaNovi.jpg|thumb|none|500px|]]<br />
<br />
30 images (size of the images are depending on the space I could use)<br />
<br />
If possible:<br />
Black wall (exhibition wall, <br />
Florian showed me one, when I had the meeting at V2)<br />
<br />
Bench (or similar objects to sit on)<br />
<br />
Laser pointer to hang up images<br />
<br />
System to hang up images (tape, gaffa tape, and needles)<br />
<br />
=== Muxingye Chen ===<br />
<br />
chenmuxingye2014@gmail.com | 0629432797| https://muxingyechen.com/|<br />
<br />
'''setting examples'''<br />
<br />
<br>1. would like to have three hanging screens(100cm*57cm)(or three 16:9 projecting materials) arranged in a row. <br />
<br>2. Stereo sound systems<br />
<br>3. completely dark situation(for the video)<br />
<br />
my considering: my sound is pretty intense, I don't know if it's disturbing others work( Otherwise I don't mind finding alternatives) <br />
thank you very much<br />
<br />
'''Project description'''<br />
<br />
Project called "unframed". It will be presented as a video installation and will have three chapters. The first chapter subtitled "离" would be shown in V2. It illustrates a situation that in a certain frequency, the body has falling into different parts, they individually build up their own relations with the environment, and randomly interact with each other.<br />
<br />
'''Bio'''<br />
<br />
Muxingye Chen is from Chengdu, China, studied at the Piet Zwart Institute in Rotterdam with the Master Program Lens based media.<br />
<br />
He works with digital art on an abstract representation of body movement. He uses animation and 3D programming as a kind of extension of the limited body. In this way, he tries to deconstruct, unravel and convert our current image of how we deal with social structure into our individual experience.<br />
<br />
'''Images'''<br><br />
<br />
<br />
<br />
[[File:Screenshot 2021-09-14 at 23.27.55.png|400px]]<br />
[[File:Screenshot 2021-09-14 at 23.28.31.png|400px]]<br />
<br />
[[File:Screenshot 2021-09-14 at 23.28.10.png|400px]]<br />
[[File:Screenshot 2021-09-14 at 23.28.21.png|400px]]<br />
<br />
<br />
<br />
<br />
=== Yu-Ching Chiang ===<br />
eric.chiang.chiang@gmail.com | 06-47421683| https://read.cv/yuchingchiang | <br />
<br />
'''Project description'''<br />
<br />
<br />
The project is a series of experiments in search of (un)mediated particularities of communicative space in video chat. The exhibition will be three installations alongside my thesis presentation in whether paper form or digital. In terms of installation, Compass Video Calling Device is two hand-held devices that audiences are invited to interact with others, they only can see each other when they face each other. The second installation is a Shared Table, an installation to contextualize the action of video chat which encourages people to encounter random or friends in a place I call Shared Table. A table cut in half, one is situated in the indoor space while the other half sits outside the V2. A sleeping mattress will be placed alongside my still image work-Sleeping Together. The work questions the physicality, unification, virtualization of space we intimately shared. <br />
<br />
'''Bio'''<br />
<br />
I am a cross-disciplinary individual who is constantly seeking for innovation in environmental and people-engaging design. As a professional practitioner, I have been designing many practical and conceptual projects for ten years. I also conduct my own practices for exploring new possibilities of space by diverse approaches such as mixed media, spatial art, installation, and photography.<br />
<br />
'''Images'''<br />
<br />
[[File:Final presentation.024.jpeg| 400px]]<br />
[[File:Final presentation.034.jpeg| 400px]]<br />
<br />
<br />
[[File:Final presentation.029.jpeg| 400px]]<br />
<br />
'''Notes'''<br />
<br />
Ipad x2 (one need to be mounted on the wall, one on the glass)<br />
//60" screen x2<br />
<br />
=== Anh Dao ===<br />
4nhdao@gmail.com, +31 06 45571089<br />
<br><br />
<br />
'''Project description'''<br><br />
''entangled landscapes'' is a body of work that dissects the relationship between flora, capitalism, and coloniality and its impact on the European landscape.<br />
<br />
'''Bio'''<br><br />
Anh Dao is an artist and film technician from the west coast of Canada. Anh makes images and sometimes films. Her practice involves thinking about the natural world and thinking about places. She engages in a research-based embodied practice with a focus on material experimentation. Anh is interested in ecofeminism, crip time, and diasporic narratives of longing.<br />
<br><br />
'''Images'''<br><br />
<br />
[[File:Anhdao_2.jpg| 600px]] [[File:Anhdao_3.png| 600px]] [[File:Anhdao_1.jpg| 400px]]<br />
<br />
<br><br />
'''Exhibition Notes'''<br><br />
I have five framed images:<br />
<br />
- 70x48 cm <br><br />
- Two 50x47 cm <br><br />
- Two A4 <br><br />
<br />
<br />
If possible I would like white walls and natural/bright lighting.<br />
<br />
<br><br />
<br><br />
<hr><br />
<br />
===Annalisa Urti===<br />
annalisa.urti@gmail.com <br><br />
+393285555552 <br><br />
<br><br />
<br />
'''Project description'''<br><br />
I'd like to exhibit two videos, single channel:<br><br />
1. '''''Domani ti dimenticherò meglio''''' (Tomorrow I will forget you better) <br><br />
2. '''''Baci fantasma''''' (Ghostly kisses)<br><br />
<br><br />
1. '''Domani ti dimenticherò meglio (Tomorrow I will forget you better)''' <br><br />
Details:<br />
3’, colour, sound, 1920 x 1080, 2019 - 2020<br />
<br><br />
A girl wanders through the streets, the promenade, the reeds of bamboo of a small town in the South of Italy on Google Earth. She revists the places that once saw her tight to her former lover. An intimate confession unravels between aerial visions and street views of the town, spherical panoramas uploaded by the users of Google, and the virtual touch of the cursor on the screen. <br><br />
<br><br />
[[File:Isa EYE 1.png|500px]] [[File:Isa EYE 2.png|500px]] <br><br />
<br>[[File:Isa EYE 3.png|500px]] [[File:Isa EYE 4.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1YsgyZcyYcgERU6XSljAD1Rk5PklhEZ71/view?usp=sharing<br />
<br />
<br>2. '''Baci fantasma''' (Ghostly kisses) <br><br />
Details: 19’3’’, colour, sound, 1920 x 1080, 2021<br />
<br><br />
A story of loss, fragility and obsession told through the interface of Google Earth. A girl goes to the city of Rome looking for her lost love. She leaves three red roses behind at each stop she makes, hoping that they will lead her former lover to her. In the light of unresolved desire, the roses become indexical markers of human emotion in a depersonalised digital world of anonymous blurred faces. The voiceover is interspersed with the transcription of a WhatsApp chat that begins with the last and ends with the first message the two sent to each other.<br><br />
<br><br />
[[File:GK1.png|500px]] [[File:GK2.png|500px]] <br><br />
<br>[[File:GK7.png|500px]] [[File:GK8.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1y4lpsG0gy92eZKXrZMo1EaaGUeru1lTi/view?usp=sharing <br><br />
<br>'''Bio''' <br><br />
Annalisa Urti is a visual artist and writer based in Milan, Italy. She first approached dramatic art at the age of 10 to then embrace the visual arts at a broader scale during high school and her bachelor in Painting and Visual Arts at NABA, Milan, Italy. Once landed at Piet Zwart Institute, Rotterdam, Netherlands, she uses video and writing to explore themes such as human emotion in the era of hyper-communication and the dichotomies embedded in the concept of displayed intimacy. Her visual and verbal language puts lyrical and colloquial, spiritual and secular in close dialogue.<br><br />
<br><br />
<hr><br />
<br />
'''UPDATE FROM CURATING TEAM''' <br />
<br />
TIME TABLE: <br />
[[File:Grad show2021 timetable.jpg|thumb]]<br />
<br />
TOPIC AND THEMES: We had a meeting today (14/09) and brainstormed some keywords and questions. The curating team will meet again next Monday (20/9) to make the final decision on the theme and move on to poster design/exhibition layout/ marketing etc. <br />
<br />
POSTER: V2 Designer will handle<br />
<br />
OPENING DATES: <br />
We're currently thinking of both Thursday and Friday night. Thursday is private event for family and friends and Friday is for the public. There will be champagne for private event and a bar service).<br />
<br />
DOCUMENTATION: V2 will help us to document individual and group exhibition. If you have any ideas of your documentation styles, please propose (DIY also an option).</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=LB2_Graduation_2021_and_V2&diff=197425LB2 Graduation 2021 and V22021-09-21T13:37:41Z<p>Yuching.chiang: /* Yu-Ching Chiang */</p>
<hr />
<div>== LB2 Graduates 2021 and V2_ ==<br />
<br />
About the collaboration between LB2 graduates of 2021 and V2_.<br />
*The schedule includes two days of build-up and roughly four days of exhibition with a two-hour live-streamed program on each exhibition day for live presentation and performance.<br />
-The whole program can take place using V2_’s streaming and presentation equipment.<br />
-Students are responsible for: the bar and door; any presentation materials related to their individual work; and the design of the promotion materials.<br />
-The curatorial groundwork will be planned by Florian Weigl in conversation with LB alumni and monitoring during the build-up.<br />
<br />
== V2_ assistants ==<br />
Space for the names and contact details of two students who will be the liaison between LB2 and V2_. <br><br />
<br />
'''Yu-Ching'''<br />
I am interested in this, maybe I could help :)<br />
<br />
'''Thy'''<br />
I'm interested in this as well xD<br />
<br />
'''Annalisa'''<br />
<br />
<br />
== Alumni proposals ==<br />
* Please add your name, email address and phone number plus a short project description, bio and no more than three images.<br />
<br />
Add your personal details here. <br><br />
'''Project description'''<br><br />
Add your project description here. <br><br />
'''Bio'''<br><br />
Add the short biographical note here.<br><br />
'''Images'''<br />
<hr><br />
<br />
===Jelle Havermans===<br />
jellehavermans@hotmail.com | +31 621340851<br />
<br />
'''Project description'''<br />
<br />
In this atmospheric short film, a man returns to a gloomy forest in Birmingham, where long ago a mysterious crime was committed. Party photo-roman, partly digital travel report, this short film juxtaposes old forensic photographs with videos shot with a phone of the crime scene as it stands in the current day. A whisper in Hagley Woods reflects on placeness, the apparatus of cinema and on the way ghosts inhabit photographs. It further ambiguously explores the role of the male creator indulging his obsession. He retraces the steps of the murderer as well as the victim… while reminiscing on a past that is shaped through the lens of fictional narratives. <br />
<br />
'''Bio'''<br />
<br />
Jelle Havermans was born in the Netherlands and currently live in Amsterdam. In his current work he reflect on film and it's role in history. Recurring topics are the depiction of violence and (true) crime, cinematic language and the aesthetics of forensic imagery. By mingling fiction with documentary-style investigation, he explores his own obsessions and desires, through the lens of true crime media and horror.<br />
<br />
'''Images'''<br />
[https://pzwiki.wdka.nl/mediadesign/File:Still_2_Jelle.png Still 1] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 2] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 3 ]<br />
<br />
<hr><br />
===Fileona Dkhar===<br />
fileonadkhar@outlook.com | +31 648143488 | +91 7005484460<br />
<br />
'''Project description'''<br />
<br />
[https://www.fileonadkhar.com/focusnearby Graduation Project site]<br><br />
''of the land: faces, place, traces, earth'' [Video (color, sound)] <br><br />
Through voiceover, the narrator attempts to define her identity as image, place, feeling and belonging. Using the POV of the camera, the narrator traces her relationship to the moving image presented, beginning in colonial figurative representation, getting lost in the abstraction of place through maps, finding an abstract sense of shared kinship in feeling, and, finally, the land itself as a marker of her history.<br />
If VR headset use is possible, a part of the installation can also be an interactive video: https://vimeo.com/563244503/3d0e7ed7d6<br />
<br />
'''Bio'''<br />
<br />
Fileona Dkhar is a Khasi indigenous artist and researcher. Her current work rearticulates notions of her identity linked to image, place, feeling and personal history. Dkhar expresses her ideas through abstract and generative application of code, performance, filmmaking, writing, and photography.<br />
<br />
'''Images'''<br />
<gallery mode="packed-hover" heights=200px><br />
File:Screenshot 2021-07-11 at 1.23.14 PM.png <br />
File:Screenshot 2021-07-11 at 1.23.23 PM.png<br />
File:Screenshot 2021-07-11 at 1.23.06 PM.png<br />
</gallery><br />
<br />
<br />
''Exhibition Notes''<br />
* I have one loop projection that could go on one of the pillars<br />
* I have one single channel video with sound<br />
* If possible VR can be done, if not then its ok. <br />
* If possible, I would like for there to be a way to view the website for the project. Open to discussions on how this could be done. <br />
<hr><br />
===Nguyen Ngoc Trang Thy===<br />
thy@dcsg.vn| https://www.thytrang.com/ | +31 616105490<br />
<br />
<br />
'''Project description'''<br />
<br />
''The Living Room Wars'' [Video (color, sound)] <br><br />
This video is an excerpt of her creative documentary The Living Room Wars<br />
<br />
Western media called the Vietnam War “the Living Room War.” For filmmaker Thy Nguyen’s family, the end of the war in 1975 brought a new war into their living room. The story starts with a Ho Chi Minh TV broadcast: numerous women looking for Thy's grandfather after the war ends spark a series of bitter family disputes which last for generations. <br />
<br />
<br />
'''Bio'''<br />
Nguyen Ngoc Trang Thy is a Vietnamese artist and filmmaker based in Rotterdam, NL. The first generation born in peacetime in her family, at the age of 17, Thy was sent abroad to pursue Western Education. Thy makes video arts and films that investigate gender roles, societal beliefs and the crime of (the Vietnam) war, the trauma war caused and how small, personal narratives of women (and men) in times of tragedy interwoven with grand, historical narratives throughout the history of Vietnam. <br />
<br />
Thy is currently making a creative documentary film named “The Living Room Wars.”<br />
<br />
<br />
<br />
'''Images'''<br />
<br />
[[File:Grand-Mother-I-2.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I-3.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I.jpg| 400px]]<br />
<br />
=== Lea Novi ===<br />
<br />
<br />
'''Project description'''<br />
<br />
<br />
The project The calm after the storm consists of abstract photographs and a text. Through conversations, thoughts and feelings, it reflects my emotions regarding my engagement with photography as my practice and questions its changing meaning in today's society. The photos are result of a search for the calm, the quiet, and for comfort.<br />
<br />
'''Bio'''<br />
<br />
Lea Novi is from Germany and has a background in documentary photography. In her work she focuses on the feeling of isolation and belonging as well as the underlaying structures of society. She is interested in developing techniques that allow for a deep level of engagement and empathy with these subjects. In her current project, she reflects about her own photographic practice. <br />
<br />
'''Images'''<br />
<br />
[[File:L-N-Image-01.jpg| 200px]]<br />
<br />
[[File:L-N-Image-02.jpg| 200px]]<br />
<br />
[[File:L-N-Image-03.jpg| 200px]]<br />
<br />
<br>'''Exhibition Notes'''<br><br />
<br />
[[File:ExhibitionInstallation_LeaNovi.jpg|thumb|none|500px|]]<br />
<br />
30 images (size of the images are depending on the space I could use)<br />
<br />
If possible:<br />
Black wall (exhibition wall, <br />
Florian showed me one, when I had the meeting at V2)<br />
<br />
Bench (or similar objects to sit on)<br />
<br />
Laser pointer to hang up images<br />
<br />
System to hang up images (tape, gaffa tape, and needles)<br />
<br />
=== Muxingye Chen ===<br />
<br />
chenmuxingye2014@gmail.com | 0629432797| https://muxingyechen.com/|<br />
<br />
'''setting examples'''<br />
<br />
<br>1. would like to have three hanging screens(100cm*57cm)(or three 16:9 projecting materials) arranged in a row. <br />
<br>2. Stereo sound systems<br />
<br>3. completely dark situation(for the video)<br />
<br />
my considering: my sound is pretty intense, I don't know if it's disturbing others work( Otherwise I don't mind finding alternatives) <br />
thank you very much<br />
<br />
'''Project description'''<br />
<br />
Project called "unframed". It will be presented as a video installation and will have three chapters. The first chapter subtitled "离" would be shown in V2. It illustrates a situation that in a certain frequency, the body has falling into different parts, they individually build up their own relations with the environment, and randomly interact with each other.<br />
<br />
'''Bio'''<br />
<br />
Muxingye Chen is from Chengdu, China, studied at the Piet Zwart Institute in Rotterdam with the Master Program Lens based media.<br />
<br />
He works with digital art on an abstract representation of body movement. He uses animation and 3D programming as a kind of extension of the limited body. In this way, he tries to deconstruct, unravel and convert our current image of how we deal with social structure into our individual experience.<br />
<br />
'''Images'''<br><br />
<br />
<br />
<br />
[[File:Screenshot 2021-09-14 at 23.27.55.png|400px]]<br />
[[File:Screenshot 2021-09-14 at 23.28.31.png|400px]]<br />
<br />
[[File:Screenshot 2021-09-14 at 23.28.10.png|400px]]<br />
[[File:Screenshot 2021-09-14 at 23.28.21.png|400px]]<br />
<br />
<br />
<br />
<br />
=== Yu-Ching Chiang ===<br />
eric.chiang.chiang@gmail.com | 06-47421683| https://read.cv/yuchingchiang | <br />
<br />
'''Project description'''<br />
<br />
<br />
The project is a series of experiments in search of (un)mediated particularities of communicative space in video chat. The exhibition will be three installations alongside my thesis presentation in whether paper form or digital. In terms of installation, Compass Video Calling Device is two hand-held devices that audiences are invited to interact with others, they only can see each other when they face each other. The second installation is a Shared Table, an installation to contextualize the action of video chat which encourages people to encounter random or friends in a place I call Shared Table. A table cut in half, one is situated in the indoor space while the other half sits outside the V2. A sleeping mattress will be placed alongside my still image work-Sleeping Together. The work questions the physicality, unification, virtualization of space we intimately shared. <br />
<br />
'''Bio'''<br />
<br />
I am a cross-disciplinary individual who is constantly seeking for innovation in environmental and people-engaging design. As a professional practitioner, I have been designing many practical and conceptual projects for ten years. I also conduct my own practices for exploring new possibilities of space by diverse approaches such as mixed media, spatial art, installation, and photography.<br />
<br />
'''Images'''<br />
<br />
[[File:Final presentation.024.jpeg| 400px]]<br />
[[File:Final presentation.034.jpeg| 400px]]<br />
<br />
<br />
[[File:Final presentation.029.jpeg| 400px]]<br />
<br />
'''Notes'''<br />
TBC<br />
Ipad x2 (one need to be mounted on the wall, one on the glass)<br />
//60" screen x2<br />
<br />
=== Anh Dao ===<br />
4nhdao@gmail.com, +31 06 45571089<br />
<br><br />
<br />
'''Project description'''<br><br />
''entangled landscapes'' is a body of work that dissects the relationship between flora, capitalism, and coloniality and its impact on the European landscape.<br />
<br />
'''Bio'''<br><br />
Anh Dao is an artist and film technician from the west coast of Canada. Anh makes images and sometimes films. Her practice involves thinking about the natural world and thinking about places. She engages in a research-based embodied practice with a focus on material experimentation. Anh is interested in ecofeminism, crip time, and diasporic narratives of longing.<br />
<br><br />
'''Images'''<br><br />
<br />
[[File:Anhdao_2.jpg| 600px]] [[File:Anhdao_3.png| 600px]] [[File:Anhdao_1.jpg| 400px]]<br />
<br />
<br><br />
'''Exhibition Notes'''<br><br />
I have five framed images:<br />
<br />
- 70x48 cm <br><br />
- Two 50x47 cm <br><br />
- Two A4 <br><br />
<br />
<br />
If possible I would like white walls and natural/bright lighting.<br />
<br />
<br><br />
<br><br />
<hr><br />
<br />
===Annalisa Urti===<br />
annalisa.urti@gmail.com <br><br />
+393285555552 <br><br />
<br><br />
<br />
'''Project description'''<br><br />
I'd like to exhibit two videos, single channel:<br><br />
1. '''''Domani ti dimenticherò meglio''''' (Tomorrow I will forget you better) <br><br />
2. '''''Baci fantasma''''' (Ghostly kisses)<br><br />
<br><br />
1. '''Domani ti dimenticherò meglio (Tomorrow I will forget you better)''' <br><br />
Details:<br />
3’, colour, sound, 1920 x 1080, 2019 - 2020<br />
<br><br />
A girl wanders through the streets, the promenade, the reeds of bamboo of a small town in the South of Italy on Google Earth. She revists the places that once saw her tight to her former lover. An intimate confession unravels between aerial visions and street views of the town, spherical panoramas uploaded by the users of Google, and the virtual touch of the cursor on the screen. <br><br />
<br><br />
[[File:Isa EYE 1.png|500px]] [[File:Isa EYE 2.png|500px]] <br><br />
<br>[[File:Isa EYE 3.png|500px]] [[File:Isa EYE 4.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1YsgyZcyYcgERU6XSljAD1Rk5PklhEZ71/view?usp=sharing<br />
<br />
<br>2. '''Baci fantasma''' (Ghostly kisses) <br><br />
Details: 19’3’’, colour, sound, 1920 x 1080, 2021<br />
<br><br />
A story of loss, fragility and obsession told through the interface of Google Earth. A girl goes to the city of Rome looking for her lost love. She leaves three red roses behind at each stop she makes, hoping that they will lead her former lover to her. In the light of unresolved desire, the roses become indexical markers of human emotion in a depersonalised digital world of anonymous blurred faces. The voiceover is interspersed with the transcription of a WhatsApp chat that begins with the last and ends with the first message the two sent to each other.<br><br />
<br><br />
[[File:GK1.png|500px]] [[File:GK2.png|500px]] <br><br />
<br>[[File:GK7.png|500px]] [[File:GK8.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1y4lpsG0gy92eZKXrZMo1EaaGUeru1lTi/view?usp=sharing <br><br />
<br>'''Bio''' <br><br />
Annalisa Urti is a visual artist and writer based in Milan, Italy. She first approached dramatic art at the age of 10 to then embrace the visual arts at a broader scale during high school and her bachelor in Painting and Visual Arts at NABA, Milan, Italy. Once landed at Piet Zwart Institute, Rotterdam, Netherlands, she uses video and writing to explore themes such as human emotion in the era of hyper-communication and the dichotomies embedded in the concept of displayed intimacy. Her visual and verbal language puts lyrical and colloquial, spiritual and secular in close dialogue.<br><br />
<br><br />
<hr><br />
<br />
'''UPDATE FROM CURATING TEAM''' <br />
<br />
TIME TABLE: <br />
[[File:Grad show2021 timetable.jpg|thumb]]<br />
<br />
TOPIC AND THEMES: We had a meeting today (14/09) and brainstormed some keywords and questions. The curating team will meet again next Monday (20/9) to make the final decision on the theme and move on to poster design/exhibition layout/ marketing etc. <br />
<br />
POSTER: V2 Designer will handle<br />
<br />
OPENING DATES: <br />
We're currently thinking of both Thursday and Friday night. Thursday is private event for family and friends and Friday is for the public. There will be champagne for private event and a bar service).<br />
<br />
DOCUMENTATION: V2 will help us to document individual and group exhibition. If you have any ideas of your documentation styles, please propose (DIY also an option).</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=LB2_Graduation_2021_and_V2&diff=197424LB2 Graduation 2021 and V22021-09-21T13:36:24Z<p>Yuching.chiang: /* Yu-Ching Chiang */</p>
<hr />
<div>== LB2 Graduates 2021 and V2_ ==<br />
<br />
About the collaboration between LB2 graduates of 2021 and V2_.<br />
*The schedule includes two days of build-up and roughly four days of exhibition with a two-hour live-streamed program on each exhibition day for live presentation and performance.<br />
-The whole program can take place using V2_’s streaming and presentation equipment.<br />
-Students are responsible for: the bar and door; any presentation materials related to their individual work; and the design of the promotion materials.<br />
-The curatorial groundwork will be planned by Florian Weigl in conversation with LB alumni and monitoring during the build-up.<br />
<br />
== V2_ assistants ==<br />
Space for the names and contact details of two students who will be the liaison between LB2 and V2_. <br><br />
<br />
'''Yu-Ching'''<br />
I am interested in this, maybe I could help :)<br />
<br />
'''Thy'''<br />
I'm interested in this as well xD<br />
<br />
'''Annalisa'''<br />
<br />
<br />
== Alumni proposals ==<br />
* Please add your name, email address and phone number plus a short project description, bio and no more than three images.<br />
<br />
Add your personal details here. <br><br />
'''Project description'''<br><br />
Add your project description here. <br><br />
'''Bio'''<br><br />
Add the short biographical note here.<br><br />
'''Images'''<br />
<hr><br />
<br />
===Jelle Havermans===<br />
jellehavermans@hotmail.com | +31 621340851<br />
<br />
'''Project description'''<br />
<br />
In this atmospheric short film, a man returns to a gloomy forest in Birmingham, where long ago a mysterious crime was committed. Party photo-roman, partly digital travel report, this short film juxtaposes old forensic photographs with videos shot with a phone of the crime scene as it stands in the current day. A whisper in Hagley Woods reflects on placeness, the apparatus of cinema and on the way ghosts inhabit photographs. It further ambiguously explores the role of the male creator indulging his obsession. He retraces the steps of the murderer as well as the victim… while reminiscing on a past that is shaped through the lens of fictional narratives. <br />
<br />
'''Bio'''<br />
<br />
Jelle Havermans was born in the Netherlands and currently live in Amsterdam. In his current work he reflect on film and it's role in history. Recurring topics are the depiction of violence and (true) crime, cinematic language and the aesthetics of forensic imagery. By mingling fiction with documentary-style investigation, he explores his own obsessions and desires, through the lens of true crime media and horror.<br />
<br />
'''Images'''<br />
[https://pzwiki.wdka.nl/mediadesign/File:Still_2_Jelle.png Still 1] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 2] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 3 ]<br />
<br />
<hr><br />
===Fileona Dkhar===<br />
fileonadkhar@outlook.com | +31 648143488 | +91 7005484460<br />
<br />
'''Project description'''<br />
<br />
[https://www.fileonadkhar.com/focusnearby Graduation Project site]<br><br />
''of the land: faces, place, traces, earth'' [Video (color, sound)] <br><br />
Through voiceover, the narrator attempts to define her identity as image, place, feeling and belonging. Using the POV of the camera, the narrator traces her relationship to the moving image presented, beginning in colonial figurative representation, getting lost in the abstraction of place through maps, finding an abstract sense of shared kinship in feeling, and, finally, the land itself as a marker of her history.<br />
If VR headset use is possible, a part of the installation can also be an interactive video: https://vimeo.com/563244503/3d0e7ed7d6<br />
<br />
'''Bio'''<br />
<br />
Fileona Dkhar is a Khasi indigenous artist and researcher. Her current work rearticulates notions of her identity linked to image, place, feeling and personal history. Dkhar expresses her ideas through abstract and generative application of code, performance, filmmaking, writing, and photography.<br />
<br />
'''Images'''<br />
<gallery mode="packed-hover" heights=200px><br />
File:Screenshot 2021-07-11 at 1.23.14 PM.png <br />
File:Screenshot 2021-07-11 at 1.23.23 PM.png<br />
File:Screenshot 2021-07-11 at 1.23.06 PM.png<br />
</gallery><br />
<br />
<br />
''Exhibition Notes''<br />
* I have one loop projection that could go on one of the pillars<br />
* I have one single channel video with sound<br />
* If possible VR can be done, if not then its ok. <br />
* If possible, I would like for there to be a way to view the website for the project. Open to discussions on how this could be done. <br />
<hr><br />
===Nguyen Ngoc Trang Thy===<br />
thy@dcsg.vn| https://www.thytrang.com/ | +31 616105490<br />
<br />
<br />
'''Project description'''<br />
<br />
''The Living Room Wars'' [Video (color, sound)] <br><br />
This video is an excerpt of her creative documentary The Living Room Wars<br />
<br />
Western media called the Vietnam War “the Living Room War.” For filmmaker Thy Nguyen’s family, the end of the war in 1975 brought a new war into their living room. The story starts with a Ho Chi Minh TV broadcast: numerous women looking for Thy's grandfather after the war ends spark a series of bitter family disputes which last for generations. <br />
<br />
<br />
'''Bio'''<br />
Nguyen Ngoc Trang Thy is a Vietnamese artist and filmmaker based in Rotterdam, NL. The first generation born in peacetime in her family, at the age of 17, Thy was sent abroad to pursue Western Education. Thy makes video arts and films that investigate gender roles, societal beliefs and the crime of (the Vietnam) war, the trauma war caused and how small, personal narratives of women (and men) in times of tragedy interwoven with grand, historical narratives throughout the history of Vietnam. <br />
<br />
Thy is currently making a creative documentary film named “The Living Room Wars.”<br />
<br />
<br />
<br />
'''Images'''<br />
<br />
[[File:Grand-Mother-I-2.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I-3.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I.jpg| 400px]]<br />
<br />
=== Lea Novi ===<br />
<br />
<br />
'''Project description'''<br />
<br />
<br />
The project The calm after the storm consists of abstract photographs and a text. Through conversations, thoughts and feelings, it reflects my emotions regarding my engagement with photography as my practice and questions its changing meaning in today's society. The photos are result of a search for the calm, the quiet, and for comfort.<br />
<br />
'''Bio'''<br />
<br />
Lea Novi is from Germany and has a background in documentary photography. In her work she focuses on the feeling of isolation and belonging as well as the underlaying structures of society. She is interested in developing techniques that allow for a deep level of engagement and empathy with these subjects. In her current project, she reflects about her own photographic practice. <br />
<br />
'''Images'''<br />
<br />
[[File:L-N-Image-01.jpg| 200px]]<br />
<br />
[[File:L-N-Image-02.jpg| 200px]]<br />
<br />
[[File:L-N-Image-03.jpg| 200px]]<br />
<br />
<br>'''Exhibition Notes'''<br><br />
<br />
[[File:ExhibitionInstallation_LeaNovi.jpg|thumb|none|500px|]]<br />
<br />
30 images (size of the images are depending on the space I could use)<br />
<br />
If possible:<br />
Black wall (exhibition wall, <br />
Florian showed me one, when I had the meeting at V2)<br />
<br />
Bench (or similar objects to sit on)<br />
<br />
Laser pointer to hang up images<br />
<br />
System to hang up images (tape, gaffa tape, and needles)<br />
<br />
=== Muxingye Chen ===<br />
<br />
chenmuxingye2014@gmail.com | 0629432797| https://muxingyechen.com/|<br />
<br />
'''setting examples'''<br />
<br />
<br>1. would like to have three hanging screens(100cm*57cm)(or three 16:9 projecting materials) arranged in a row. <br />
<br>2. Stereo sound systems<br />
<br>3. completely dark situation(for the video)<br />
<br />
my considering: my sound is pretty intense, I don't know if it's disturbing others work( Otherwise I don't mind finding alternatives) <br />
thank you very much<br />
<br />
'''Project description'''<br />
<br />
Project called "unframed". It will be presented as a video installation and will have three chapters. The first chapter subtitled "离" would be shown in V2. It illustrates a situation that in a certain frequency, the body has falling into different parts, they individually build up their own relations with the environment, and randomly interact with each other.<br />
<br />
'''Bio'''<br />
<br />
Muxingye Chen is from Chengdu, China, studied at the Piet Zwart Institute in Rotterdam with the Master Program Lens based media.<br />
<br />
He works with digital art on an abstract representation of body movement. He uses animation and 3D programming as a kind of extension of the limited body. In this way, he tries to deconstruct, unravel and convert our current image of how we deal with social structure into our individual experience.<br />
<br />
'''Images'''<br><br />
<br />
<br />
<br />
[[File:Screenshot 2021-09-14 at 23.27.55.png|400px]]<br />
[[File:Screenshot 2021-09-14 at 23.28.31.png|400px]]<br />
<br />
[[File:Screenshot 2021-09-14 at 23.28.10.png|400px]]<br />
[[File:Screenshot 2021-09-14 at 23.28.21.png|400px]]<br />
<br />
<br />
<br />
<br />
=== Yu-Ching Chiang ===<br />
eric.chiang.chiang@gmail.com | 06-47421683| https://read.cv/yuchingchiang | <br />
<br />
'''Project description'''<br />
<br />
<br />
The project is a series of experiments in search of (un)mediated particularities of communicative space in video chat. The exhibition will be three installations alongside my thesis presentation in whether paper form or digital. In terms of installation, Compass Video Calling Device is two hand-held devices that audiences are invited to interact with others, they only can see each other when they face each other. The second installation is a Shared Table, an installation to contextualize the action of video chat which encourages people to encounter random or friends in a place I call Shared Table. A table cut in half, one is situated in the indoor space while the other half sits outside the V2. A sleeping mattress will be placed alongside my still image work-Sleeping Together. The work questions the physicality, unification, virtualization of space we intimately shared. <br />
<br />
'''Bio'''<br />
<br />
I am a cross-disciplinary individual who is constantly seeking for innovation in environmental and people-engaging design. As a professional practitioner, I have been designing many practical and conceptual projects for ten years. I also conduct my own practices for exploring new possibilities of space by diverse approaches such as mixed media, spatial art, installation, and photography.<br />
<br />
'''Images'''<br />
<br />
[[File:Final presentation.024.jpeg| 400px]]<br />
[[File:Final presentation.034.jpeg| 400px]]<br />
<br />
<br />
[[File:Final presentation.029.jpeg| 400px]]<br />
<br />
'''Notes'''<br />
TBC<br />
Ipad x2 (one need to be mounted on the wall, one on the glass)<br />
TV screen x2<br />
<br />
=== Anh Dao ===<br />
4nhdao@gmail.com, +31 06 45571089<br />
<br><br />
<br />
'''Project description'''<br><br />
''entangled landscapes'' is a body of work that dissects the relationship between flora, capitalism, and coloniality and its impact on the European landscape.<br />
<br />
'''Bio'''<br><br />
Anh Dao is an artist and film technician from the west coast of Canada. Anh makes images and sometimes films. Her practice involves thinking about the natural world and thinking about places. She engages in a research-based embodied practice with a focus on material experimentation. Anh is interested in ecofeminism, crip time, and diasporic narratives of longing.<br />
<br><br />
'''Images'''<br><br />
<br />
[[File:Anhdao_2.jpg| 600px]] [[File:Anhdao_3.png| 600px]] [[File:Anhdao_1.jpg| 400px]]<br />
<br />
<br><br />
'''Exhibition Notes'''<br><br />
I have five framed images:<br />
<br />
- 70x48 cm <br><br />
- Two 50x47 cm <br><br />
- Two A4 <br><br />
<br />
<br />
If possible I would like white walls and natural/bright lighting.<br />
<br />
<br><br />
<br><br />
<hr><br />
<br />
===Annalisa Urti===<br />
annalisa.urti@gmail.com <br><br />
+393285555552 <br><br />
<br><br />
<br />
'''Project description'''<br><br />
I'd like to exhibit two videos, single channel:<br><br />
1. '''''Domani ti dimenticherò meglio''''' (Tomorrow I will forget you better) <br><br />
2. '''''Baci fantasma''''' (Ghostly kisses)<br><br />
<br><br />
1. '''Domani ti dimenticherò meglio (Tomorrow I will forget you better)''' <br><br />
Details:<br />
3’, colour, sound, 1920 x 1080, 2019 - 2020<br />
<br><br />
A girl wanders through the streets, the promenade, the reeds of bamboo of a small town in the South of Italy on Google Earth. She revists the places that once saw her tight to her former lover. An intimate confession unravels between aerial visions and street views of the town, spherical panoramas uploaded by the users of Google, and the virtual touch of the cursor on the screen. <br><br />
<br><br />
[[File:Isa EYE 1.png|500px]] [[File:Isa EYE 2.png|500px]] <br><br />
<br>[[File:Isa EYE 3.png|500px]] [[File:Isa EYE 4.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1YsgyZcyYcgERU6XSljAD1Rk5PklhEZ71/view?usp=sharing<br />
<br />
<br>2. '''Baci fantasma''' (Ghostly kisses) <br><br />
Details: 19’3’’, colour, sound, 1920 x 1080, 2021<br />
<br><br />
A story of loss, fragility and obsession told through the interface of Google Earth. A girl goes to the city of Rome looking for her lost love. She leaves three red roses behind at each stop she makes, hoping that they will lead her former lover to her. In the light of unresolved desire, the roses become indexical markers of human emotion in a depersonalised digital world of anonymous blurred faces. The voiceover is interspersed with the transcription of a WhatsApp chat that begins with the last and ends with the first message the two sent to each other.<br><br />
<br><br />
[[File:GK1.png|500px]] [[File:GK2.png|500px]] <br><br />
<br>[[File:GK7.png|500px]] [[File:GK8.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1y4lpsG0gy92eZKXrZMo1EaaGUeru1lTi/view?usp=sharing <br><br />
<br>'''Bio''' <br><br />
Annalisa Urti is a visual artist and writer based in Milan, Italy. She first approached dramatic art at the age of 10 to then embrace the visual arts at a broader scale during high school and her bachelor in Painting and Visual Arts at NABA, Milan, Italy. Once landed at Piet Zwart Institute, Rotterdam, Netherlands, she uses video and writing to explore themes such as human emotion in the era of hyper-communication and the dichotomies embedded in the concept of displayed intimacy. Her visual and verbal language puts lyrical and colloquial, spiritual and secular in close dialogue.<br><br />
<br><br />
<hr><br />
<br />
'''UPDATE FROM CURATING TEAM''' <br />
<br />
TIME TABLE: <br />
[[File:Grad show2021 timetable.jpg|thumb]]<br />
<br />
TOPIC AND THEMES: We had a meeting today (14/09) and brainstormed some keywords and questions. The curating team will meet again next Monday (20/9) to make the final decision on the theme and move on to poster design/exhibition layout/ marketing etc. <br />
<br />
POSTER: V2 Designer will handle<br />
<br />
OPENING DATES: <br />
We're currently thinking of both Thursday and Friday night. Thursday is private event for family and friends and Friday is for the public. There will be champagne for private event and a bar service).<br />
<br />
DOCUMENTATION: V2 will help us to document individual and group exhibition. If you have any ideas of your documentation styles, please propose (DIY also an option).</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=LB2_Graduation_2021_and_V2&diff=197410LB2 Graduation 2021 and V22021-09-21T13:25:09Z<p>Yuching.chiang: /* Yu-Ching Chiang */</p>
<hr />
<div>== LB2 Graduates 2021 and V2_ ==<br />
<br />
About the collaboration between LB2 graduates of 2021 and V2_.<br />
*The schedule includes two days of build-up and roughly four days of exhibition with a two-hour live-streamed program on each exhibition day for live presentation and performance.<br />
-The whole program can take place using V2_’s streaming and presentation equipment.<br />
-Students are responsible for: the bar and door; any presentation materials related to their individual work; and the design of the promotion materials.<br />
-The curatorial groundwork will be planned by Florian Weigl in conversation with LB alumni and monitoring during the build-up.<br />
<br />
== V2_ assistants ==<br />
Space for the names and contact details of two students who will be the liaison between LB2 and V2_. <br><br />
<br />
'''Yu-Ching'''<br />
I am interested in this, maybe I could help :)<br />
<br />
'''Thy'''<br />
I'm interested in this as well xD<br />
<br />
'''Annalisa'''<br />
<br />
<br />
== Alumni proposals ==<br />
* Please add your name, email address and phone number plus a short project description, bio and no more than three images.<br />
<br />
Add your personal details here. <br><br />
'''Project description'''<br><br />
Add your project description here. <br><br />
'''Bio'''<br><br />
Add the short biographical note here.<br><br />
'''Images'''<br />
<hr><br />
<br />
===Jelle Havermans===<br />
jellehavermans@hotmail.com | +31 621340851<br />
<br />
'''Project description'''<br />
<br />
In this atmospheric short film, a man returns to a gloomy forest in Birmingham, where long ago a mysterious crime was committed. Party photo-roman, partly digital travel report, this short film juxtaposes old forensic photographs with videos shot with a phone of the crime scene as it stands in the current day. A whisper in Hagley Woods reflects on placeness, the apparatus of cinema and on the way ghosts inhabit photographs. It further ambiguously explores the role of the male creator indulging his obsession. He retraces the steps of the murderer as well as the victim… while reminiscing on a past that is shaped through the lens of fictional narratives. <br />
<br />
'''Bio'''<br />
<br />
Jelle Havermans was born in the Netherlands and currently live in Amsterdam. In his current work he reflect on film and it's role in history. Recurring topics are the depiction of violence and (true) crime, cinematic language and the aesthetics of forensic imagery. By mingling fiction with documentary-style investigation, he explores his own obsessions and desires, through the lens of true crime media and horror.<br />
<br />
'''Images'''<br />
[https://pzwiki.wdka.nl/mediadesign/File:Still_2_Jelle.png Still 1] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 2] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 3 ]<br />
<br />
<hr><br />
===Fileona Dkhar===<br />
fileonadkhar@outlook.com | +31 648143488 | +91 7005484460<br />
<br />
'''Project description'''<br />
<br />
[https://www.fileonadkhar.com/focusnearby Graduation Project site]<br><br />
''of the land: faces, place, traces, earth'' [Video (color, sound)] <br><br />
Through voiceover, the narrator attempts to define her identity as image, place, feeling and belonging. Using the POV of the camera, the narrator traces her relationship to the moving image presented, beginning in colonial figurative representation, getting lost in the abstraction of place through maps, finding an abstract sense of shared kinship in feeling, and, finally, the land itself as a marker of her history.<br />
If VR headset use is possible, a part of the installation can also be an interactive video: https://vimeo.com/563244503/3d0e7ed7d6<br />
<br />
'''Bio'''<br />
<br />
Fileona Dkhar is a Khasi indigenous artist and researcher. Her current work rearticulates notions of her identity linked to image, place, feeling and personal history. Dkhar expresses her ideas through abstract and generative application of code, performance, filmmaking, writing, and photography.<br />
<br />
'''Images'''<br />
<gallery mode="packed-hover" heights=200px><br />
File:Screenshot 2021-07-11 at 1.23.14 PM.png <br />
File:Screenshot 2021-07-11 at 1.23.23 PM.png<br />
File:Screenshot 2021-07-11 at 1.23.06 PM.png<br />
</gallery><br />
<br />
<br />
''Exhibition Notes''<br />
* I have one loop projection that could go on one of the pillars<br />
* I have one single channel video with sound<br />
* If possible VR can be done, if not then its ok. <br />
* If possible, I would like for there to be a way to view the website for the project. Open to discussions on how this could be done. <br />
<hr><br />
===Nguyen Ngoc Trang Thy===<br />
thy@dcsg.vn| https://www.thytrang.com/ | +31 616105490<br />
<br />
<br />
'''Project description'''<br />
<br />
''The Living Room Wars'' [Video (color, sound)] <br><br />
This video is an excerpt of her creative documentary The Living Room Wars<br />
<br />
Western media called the Vietnam War “the Living Room War.” For filmmaker Thy Nguyen’s family, the end of the war in 1975 brought a new war into their living room. The story starts with a Ho Chi Minh TV broadcast: numerous women looking for Thy's grandfather after the war ends spark a series of bitter family disputes which last for generations. <br />
<br />
<br />
'''Bio'''<br />
Nguyen Ngoc Trang Thy is a Vietnamese artist and filmmaker based in Rotterdam, NL. The first generation born in peacetime in her family, at the age of 17, Thy was sent abroad to pursue Western Education. Thy makes video arts and films that investigate gender roles, societal beliefs and the crime of (the Vietnam) war, the trauma war caused and how small, personal narratives of women (and men) in times of tragedy interwoven with grand, historical narratives throughout the history of Vietnam. <br />
<br />
Thy is currently making a creative documentary film named “The Living Room Wars.”<br />
<br />
<br />
<br />
'''Images'''<br />
<br />
[[File:Grand-Mother-I-2.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I-3.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I.jpg| 400px]]<br />
<br />
=== Lea Novi ===<br />
<br />
<br />
'''Project description'''<br />
<br />
<br />
The project The calm after the storm consists of abstract photographs and a text. Through conversations, thoughts and feelings, it reflects my emotions regarding my engagement with photography as my practice and questions its changing meaning in today's society. The photos are result of a search for the calm, the quiet, and for comfort.<br />
<br />
'''Bio'''<br />
<br />
Lea Novi is from Germany and has a background in documentary photography. In her work she focuses on the feeling of isolation and belonging as well as the underlaying structures of society. She is interested in developing techniques that allow for a deep level of engagement and empathy with these subjects. In her current project, she reflects about her own photographic practice. <br />
<br />
'''Images'''<br />
<br />
[[File:L-N-Image-01.jpg| 200px]]<br />
<br />
[[File:L-N-Image-02.jpg| 200px]]<br />
<br />
[[File:L-N-Image-03.jpg| 200px]]<br />
<br />
<br>'''Exhibition Notes'''<br><br />
<br />
[[File:ExhibitionInstallation_LeaNovi.jpg|thumb|none|500px|]]<br />
<br />
30 images (size of the images are depending on the space I could use)<br />
<br />
If possible:<br />
Black wall (exhibition wall, <br />
Florian showed me one, when I had the meeting at V2)<br />
<br />
Bench (or similar objects to sit on)<br />
<br />
Laser pointer to hang up images<br />
<br />
System to hang up images (tape, gaffa tape, and needles)<br />
<br />
=== Muxingye Chen ===<br />
<br />
chenmuxingye2014@gmail.com | 0629432797| https://muxingyechen.com/|<br />
<br />
'''setting examples'''<br />
<br />
<br>1. would like to have three hanging screens(100cm*57cm)(or three 16:9 projecting materials) arranged in a row. <br />
<br>2. Stereo sound systems<br />
<br>3. completely dark situation(for the video)<br />
<br />
my considering: my sound is pretty intense, I don't know if it's disturbing others work( Otherwise I don't mind finding alternatives) <br />
thank you very much<br />
<br />
'''Project description'''<br />
<br />
Project called "unframed". It will be presented as a video installation and will have three chapters. The first chapter subtitled "离" would be shown in V2. It illustrates a situation that in a certain frequency, the body has falling into different parts, they individually build up their own relations with the environment, and randomly interact with each other.<br />
<br />
'''Bio'''<br />
<br />
Muxingye Chen is from Chengdu, China, studied at the Piet Zwart Institute in Rotterdam with the Master Program Lens based media.<br />
<br />
He works with digital art on an abstract representation of body movement. He uses animation and 3D programming as a kind of extension of the limited body. In this way, he tries to deconstruct, unravel and convert our current image of how we deal with social structure into our individual experience.<br />
<br />
'''Images'''<br><br />
<br />
<br />
<br />
[[File:Screenshot 2021-09-14 at 23.27.55.png|400px]]<br />
[[File:Screenshot 2021-09-14 at 23.28.31.png|400px]]<br />
<br />
[[File:Screenshot 2021-09-14 at 23.28.10.png|400px]]<br />
[[File:Screenshot 2021-09-14 at 23.28.21.png|400px]]<br />
<br />
<br />
<br />
<br />
=== Yu-Ching Chiang ===<br />
eric.chiang.chiang@gmail.com | 06-47421683| https://read.cv/yuchingchiang | <br />
<br />
'''Project description'''<br />
<br />
<br />
The project is a series of experiments in search of (un)mediated particularities of communicative space in video chat. The exhibition will be three installations alongside my thesis presentation in whether paper form or digital. In terms of installation, Compass Video Calling Device is two hand-held devices that audiences are invited to interact with others, they only can see each other when they face each other. The second installation is a Shared Table, an installation to contextualize the action of video chat which encourages people to encounter random or friends in a place I call Shared Table. A table cut in half, one is situated in the indoor space while the other half sits outside the V2. A sleeping mattress will be placed alongside my still image work-Sleeping Together. The work questions the physicality, unification, virtualization of space we intimately shared. <br />
<br />
'''Bio'''<br />
<br />
I am a cross-disciplinary individual who is constantly seeking for innovation in environmental and people-engaging design. As a professional practitioner, I have been designing many practical and conceptual projects for ten years. I also conduct my own practices for exploring new possibilities of space by diverse approaches such as mixed media, spatial art, installation, and photography.<br />
<br />
'''Images'''<br />
<br />
[[File:Final presentation.024.jpeg| 400px]]<br />
[[File:Final presentation.034.jpeg| 400px]]<br />
<br />
<br />
[[File:Final presentation.029.jpeg| 400px]]<br />
<br />
'''Notes'''<br />
TBC<br />
<br />
=== Anh Dao ===<br />
4nhdao@gmail.com, +31 06 45571089<br />
<br><br />
<br />
'''Project description'''<br><br />
''entangled landscapes'' is a body of work that dissects the relationship between flora, capitalism, and coloniality and its impact on the European landscape.<br />
<br />
'''Bio'''<br><br />
Anh Dao is an artist and film technician from the west coast of Canada. Anh makes images and sometimes films. Her practice involves thinking about the natural world and thinking about places. She engages in a research-based embodied practice with a focus on material experimentation. Anh is interested in ecofeminism, crip time, and diasporic narratives of longing.<br />
<br><br />
'''Images'''<br><br />
<br />
[[File:Anhdao_2.jpg| 600px]] [[File:Anhdao_3.png| 600px]] [[File:Anhdao_1.jpg| 400px]]<br />
<br />
<br><br />
'''Exhibition Notes'''<br><br />
I have five framed images:<br />
<br />
- 70x48 cm <br><br />
- Two 50x47 cm <br><br />
- Two A4 <br><br />
<br />
<br />
If possible I would like white walls and natural/bright lighting.<br />
<br />
<br><br />
<br><br />
<hr><br />
<br />
===Annalisa Urti===<br />
annalisa.urti@gmail.com <br><br />
+393285555552 <br><br />
<br><br />
<br />
'''Project description'''<br><br />
I'd like to exhibit two videos, single channel:<br><br />
1. '''''Domani ti dimenticherò meglio''''' (Tomorrow I will forget you better) <br><br />
2. '''''Baci fantasma''''' (Ghostly kisses)<br><br />
<br><br />
1. '''Domani ti dimenticherò meglio (Tomorrow I will forget you better)''' <br><br />
Details:<br />
3’, colour, sound, 1920 x 1080, 2019 - 2020<br />
<br><br />
A girl wanders through the streets, the promenade, the reeds of bamboo of a small town in the South of Italy on Google Earth. She revists the places that once saw her tight to her former lover. An intimate confession unravels between aerial visions and street views of the town, spherical panoramas uploaded by the users of Google, and the virtual touch of the cursor on the screen. <br><br />
<br><br />
[[File:Isa EYE 1.png|500px]] [[File:Isa EYE 2.png|500px]] <br><br />
<br>[[File:Isa EYE 3.png|500px]] [[File:Isa EYE 4.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1YsgyZcyYcgERU6XSljAD1Rk5PklhEZ71/view?usp=sharing<br />
<br />
<br>2. '''Baci fantasma''' (Ghostly kisses) <br><br />
Details: 19’3’’, colour, sound, 1920 x 1080, 2021<br />
<br><br />
A story of loss, fragility and obsession told through the interface of Google Earth. A girl goes to the city of Rome looking for her lost love. She leaves three red roses behind at each stop she makes, hoping that they will lead her former lover to her. In the light of unresolved desire, the roses become indexical markers of human emotion in a depersonalised digital world of anonymous blurred faces. The voiceover is interspersed with the transcription of a WhatsApp chat that begins with the last and ends with the first message the two sent to each other.<br><br />
<br><br />
[[File:GK1.png|500px]] [[File:GK2.png|500px]] <br><br />
<br>[[File:GK7.png|500px]] [[File:GK8.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1y4lpsG0gy92eZKXrZMo1EaaGUeru1lTi/view?usp=sharing <br><br />
<br>'''Bio''' <br><br />
Annalisa Urti is a visual artist and writer based in Milan, Italy. She first approached dramatic art at the age of 10 to then embrace the visual arts at a broader scale during high school and her bachelor in Painting and Visual Arts at NABA, Milan, Italy. Once landed at Piet Zwart Institute, Rotterdam, Netherlands, she uses video and writing to explore themes such as human emotion in the era of hyper-communication and the dichotomies embedded in the concept of displayed intimacy. Her visual and verbal language puts lyrical and colloquial, spiritual and secular in close dialogue.<br><br />
<br><br />
<hr><br />
<br />
'''UPDATE FROM CURATING TEAM''' <br />
<br />
TIME TABLE: <br />
[[File:Grad show2021 timetable.jpg|thumb]]<br />
<br />
TOPIC AND THEMES: We had a meeting today (14/09) and brainstormed some keywords and questions. The curating team will meet again next Monday (20/9) to make the final decision on the theme and move on to poster design/exhibition layout/ marketing etc. <br />
<br />
POSTER: V2 Designer will handle<br />
<br />
OPENING DATES: <br />
We're currently thinking of both Thursday and Friday night. Thursday is private event for family and friends and Friday is for the public. There will be champagne for private event and a bar service).<br />
<br />
DOCUMENTATION: V2 will help us to document individual and group exhibition. If you have any ideas of your documentation styles, please propose (DIY also an option).</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Compass_video_calling_device(2021)&diff=197045Compass video calling device(2021)2021-09-19T19:16:25Z<p>Yuching.chiang: </p>
<hr />
<div>{{Graduation work<br />
|Creator=Yu-Ching Chiang<br />
|Date=2021<br />
|Bio=I am a cross-disciplinary individual who is constantly seeking for innovation in environmental and people-engaging design. As a professional practitioner, I have been designing many practical and conceptual projects for ten years. I also conduct my own practices for exploring new possibilities of space by diverse approaches such as mixed media, spatial art, installation, and photography.<br />
|Thumbnail=[[File:508A6022 2.JPG]]<br />
|Website=https://www.yuchingchiang.com/<br />
|Description=The project is a series of experiments in search of (un)mediated particularities of communicative space in video chat.<br />
}}<br />
The exhibition will be three installations alongside my thesis presentation in whether paper form or digital. In terms of installation, Compass Video Calling Device is two hand-held devices that audiences are invited to interact with others, they only can see each other when they face each other. The second installation is a Shared Table, an installation to contextualize the action of video chat which encourages people to encounter random or friends in a place I call Shared Table. A table is cut in half, one is situated in the indoor space while the other half sits outside the V2. A sleeping mattress will be placed alongside my still image work-Sleeping Together. The work questions the physicality, unification, virtualization of space we intimately shared.</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=File:508A6022_2.JPG&diff=197044File:508A6022 2.JPG2021-09-19T19:16:01Z<p>Yuching.chiang: </p>
<hr />
<div></div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Compass_video_calling_device(2021)&diff=197043Compass video calling device(2021)2021-09-19T19:14:20Z<p>Yuching.chiang: </p>
<hr />
<div>{{Graduation work<br />
|Creator=Yu-Ching Chiang<br />
|Date=2021<br />
|Bio=I am a cross-disciplinary individual who is constantly seeking for innovation in environmental and people-engaging design. As a professional practitioner, I have been designing many practical and conceptual projects for ten years. I also conduct my own practices for exploring new possibilities of space by diverse approaches such as mixed media, spatial art, installation, and photography.<br />
|Thumbnail=[[File:Compass 001.JPG]]<br />
|Website=https://www.yuchingchiang.com/<br />
|Description=The project is a series of experiments in search of (un)mediated particularities of communicative space in video chat.<br />
}}<br />
The exhibition will be three installations alongside my thesis presentation in whether paper form or digital. In terms of installation, Compass Video Calling Device is two hand-held devices that audiences are invited to interact with others, they only can see each other when they face each other. The second installation is a Shared Table, an installation to contextualize the action of video chat which encourages people to encounter random or friends in a place I call Shared Table. A table is cut in half, one is situated in the indoor space while the other half sits outside the V2. A sleeping mattress will be placed alongside my still image work-Sleeping Together. The work questions the physicality, unification, virtualization of space we intimately shared.</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Compass_video_calling_device(2021)&diff=197042Compass video calling device(2021)2021-09-19T19:12:56Z<p>Yuching.chiang: </p>
<hr />
<div>{{Graduation work<br />
|Creator=Yu-Ching Chiang<br />
|Date=2021<br />
|Bio=I am a cross-disciplinary individual who is constantly seeking for innovation in environmental and people-engaging design. As a professional practitioner, I have been designing many practical and conceptual projects for ten years. I also conduct my own practices for exploring new possibilities of space by diverse approaches such as mixed media, spatial art, installation, and photography.<br />
|Thumbnail=[[File:Compass 001.JPG]]<br />
|Website=https://www.yuchingchiang.com/<br />
|Description=The project is a series of experiments in search of (un)mediated particularities of communicative space in video chat. The exhibition will be three installations alongside my thesis presentation in whether paper form or digital. In terms of installation, Compass Video Calling Device is two hand-held devices that audiences are invited to interact with others, they only can see each other when they face each other. The second installation is a Shared Table, an installation to contextualize the action of video chat which encourages people to encounter random or friends in a place I call Shared Table. A table is cut in half, one is situated in the indoor space while the other half sits outside the V2. A sleeping mattress will be placed alongside my still image work-Sleeping Together. The work questions the physicality, unification, virtualization of space we intimately shared.<br />
}}</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Compass_video_calling_device(2021)&diff=197041Compass video calling device(2021)2021-09-19T19:11:53Z<p>Yuching.chiang: Created page with "{{Graduation work |Creator=Yu-Ching Chiang |Date=2021 |Bio=I am a cross-disciplinary individual who is constantly seeking for innovation in environmental and people-engaging d..."</p>
<hr />
<div>{{Graduation work<br />
|Creator=Yu-Ching Chiang<br />
|Date=2021<br />
|Bio=I am a cross-disciplinary individual who is constantly seeking for innovation in environmental and people-engaging design. As a professional practitioner, I have been designing many practical and conceptual projects for ten years. I also conduct my own practices for exploring new possibilities of space by diverse approaches such as mixed media, spatial art, installation, and photography.<br />
|Thumbnail=File:Compass 001.JPG<br />
|Website=https://www.yuchingchiang.com/<br />
|Description=The project is a series of experiments in search of (un)mediated particularities of communicative space in video chat. The exhibition will be three installations alongside my thesis presentation in whether paper form or digital. In terms of installation, Compass Video Calling Device is two hand-held devices that audiences are invited to interact with others, they only can see each other when they face each other. The second installation is a Shared Table, an installation to contextualize the action of video chat which encourages people to encounter random or friends in a place I call Shared Table. A table is cut in half, one is situated in the indoor space while the other half sits outside the V2. A sleeping mattress will be placed alongside my still image work-Sleeping Together. The work questions the physicality, unification, virtualization of space we intimately shared.<br />
}}</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=File:Compass_001.JPG&diff=197040File:Compass 001.JPG2021-09-19T19:11:25Z<p>Yuching.chiang: </p>
<hr />
<div></div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=File:508A6022_copy.JPG&diff=197039File:508A6022 copy.JPG2021-09-19T19:10:20Z<p>Yuching.chiang: </p>
<hr />
<div></div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=LB2_Graduation_2021_and_V2&diff=196124LB2 Graduation 2021 and V22021-07-12T20:29:47Z<p>Yuching.chiang: </p>
<hr />
<div>== LB2 Graduates 2021 and V2_ ==<br />
<br />
About the collaboration between LB2 graduates of 2021 and V2_.<br />
*The schedule includes two days of build-up and roughly four days of exhibition with a two-hour live-streamed program on each exhibition day for live presentation and performance.<br />
-The whole program can take place using V2_’s streaming and presentation equipment.<br />
-Students are responsible for: the bar and door; any presentation materials related to their individual work; and the design of the promotion materials.<br />
-The curatorial groundwork will be planned by Florian Weigl in conversation with LB alumni and monitoring during the build-up.<br />
<br />
== V2_ assistants ==<br />
Space for the names and contact details of two students who will be the liaison between LB2 and V2_. <br><br />
<br />
'''Yu-Ching'''<br />
I am interested in this, maybe I could help :)<br />
<br />
'''Thy'''<br />
I'm interested in this as well xD<br />
<br />
== Alumni proposals ==<br />
* Please add your name, email address and phone number plus a short project description, bio and no more than three images.<br />
<br />
Add your personal details here. <br><br />
'''Project description'''<br><br />
Add your project description here. <br><br />
'''Bio'''<br><br />
Add the short biographical note here.<br><br />
'''Images'''<br />
<hr><br />
<br />
===Jelle Havermans===<br />
jellehavermans@hotmail.com | +31 621340851<br />
<br />
'''Project description'''<br />
<br />
In this atmospheric short film, a man returns to a gloomy forest in Birmingham, where long ago a mysterious crime was committed. Party photo-roman, partly digital travel report, this short film juxtaposes old forensic photographs with videos shot with a phone of the crime scene as it stands in the current day. A whisper in Hagley Woods reflects on placeness, the apparatus of cinema and on the way ghosts inhabit photographs. It further ambiguously explores the role of the male creator indulging his obsession. He retraces the steps of the murderer as well as the victim… while reminiscing on a past that is shaped through the lens of fictional narratives. <br />
<br />
'''Bio'''<br />
<br />
Jelle Havermans was born in the Netherlands and currently live in Amsterdam. In his current work he reflect on film and it's role in history. Recurring topics are the depiction of violence and (true) crime, cinematic language and the aesthetics of forensic imagery. By mingling fiction with documentary-style investigation, he explores his own obsessions and desires, through the lens of true crime media and horror.<br />
<br />
'''Images'''<br />
[https://pzwiki.wdka.nl/mediadesign/File:Still_2_Jelle.png Still 1] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 2] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 3 ]<br />
<br />
<hr><br />
===Fileona Dkhar===<br />
fileonadkhar@outlook.com | +31 648143488 | +91 7005484460<br />
<br />
'''Project description'''<br />
<br />
''of the land: faces, place, traces, earth'' [Video (color, sound)] <br><br />
Through voiceover, the narrator attempts to define her identity as image, place, feeling and belonging. Using the POV of the camera, the narrator traces her relationship to the moving image presented, beginning in colonial figurative representation, getting lost in the abstraction of place through maps, finding an abstract sense of shared kinship in feeling, and, finally, the land itself as a marker of her history.<br />
If VR headset use is possible, a part of the installation can also be an interactive video: https://vimeo.com/563244503/3d0e7ed7d6<br />
<br />
'''Bio'''<br />
<br />
Fileona Dkhar is a Khasi indigenous artist and researcher. Her current work rearticulates notions of her identity linked to image, place, feeling and personal history. Dkhar expresses her ideas through abstract and generative application of code, performance, filmmaking, writing, and photography.<br />
<br />
'''Images'''<br />
<gallery mode="packed-hover" heights=200px><br />
File:Screenshot 2021-07-11 at 1.23.14 PM.png <br />
File:Screenshot 2021-07-11 at 1.23.23 PM.png<br />
File:Screenshot 2021-07-11 at 1.23.06 PM.png<br />
</gallery><br />
<hr><br />
<br />
<hr><br />
===Nguyen Ngoc Trang Thy===<br />
thy@dcsg.vn| https://www.thytrang.com/ | +31 622 835595<br />
<br />
<br />
'''Project description'''<br />
<br />
''Grand-Mother-I'' [Video (color, sound)] <br><br />
This video is an excerpt of my documentary called Grand-Mother-I <br />
<br />
Television reduces the space between the battlefield and people at home. That is why the Vietnam War called the Living Room War. It was the first time Americans see the war with their own eyes, in their own home. Broadcasting images of the war helped to end it, but in Vietnam, the war lives on. In the living room of Thy - the filmmaker, in 1975, the bulletin of numerous women looking for her grandfather after the war ends sparks family disputes that go on for decades, shaping the lives of three generations. The film offers multiple intimate gazes into the Vietnam War, trans-generational traumas and the journey towards peace of the three generations of women (and men) hence the name: Grand-Mother-I. <br />
<br />
<br />
'''Bio'''<br />
<br />
Nguyen Ngoc Trang Thy is a Vietnamese photographer and filmmaker based in Rotterdam, NL. Thy is the first generation that was born in peacetime in her family and she was sent abroad for Western education since 17. Thy’s works mainly scrutinized her own life experience, focus on exploring the concept of home, feeling at home and belonging in a globalising world. <br />
<br />
By questioning the meaning of ‘place attachment' when the COVID-19 pandemic reaches the Netherlands, her short film FROM HOME TO HOME (2020) weaves together mysterious images that evoke science fiction cinema to convey the experience of ‘homelessness' in the uncanny and silent Netherlands while longing for her motherland. FROM HOME TO HOME was selected to premiere in the London Lift-Off Film Festival 2021. <br />
<br />
Thy is currently working on her feature-length documentary called Grand-Mother-I, in which she rediscovery the generational trauma that lingered in her and her family over three generations; In the context of the Vietnam Wars, the Economic Renovation and the Internet era in Vietnam. Through re-enactments, national and family archives, interviews and observational footage, Grand-Mother-I investigates the truth about the director's family history alongside the grand narrative of Vietnam history.<br />
<br />
'''Images'''<br />
<br />
[[File:Grand-Mother-I-2.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I-3.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I.jpg| 400px]]<br />
<br />
<br />
<br />
=== Lea Novi ===<br />
<br />
<br />
'''Project description'''<br />
<br />
<br />
The calm after the storm is a personal confrontation with the medium of photography. The two-part project consists of a text in which I reflect on my own practice and abstract photographs I took in nature. In a diaristic written text I reflect on my experienced process during the pandemic, living in another country and ask myself ethical and political questions about the camera itself. The text reflects in a poetic way conversations, thoughts and feelings that occurred during this time and evolved into a struggle. The photos, which some perceive as paintings, are the result of a search for calm, quietness and comfort in nature. At the same time, this method was a way to express my feelings of home in a visual way.<br />
<br />
'''Bio'''<br />
<br />
Lea Novi is a german photographer and researcher based in Rotterdam. She is interested in developing techniques that enable a deep level of engagement and empathy. Her works document social and cultural relationships in her society, thus explore and reflect on live in rapidly evolving societies. In her current project, she reflects her own relationship with photography, the power of the camera and the resulting responsibility of images.<br />
<br />
'''Images'''<br />
<br />
<br />
[[File:L-N-Image-01.jpg| 400px]]<br />
<br />
[[File:L-N-Image-02.jpg| 400px]]<br />
<br />
[[File:L-N-Image-03.jpg| 400px]]<br />
<br />
=== Yu-Ching Chiang ===<br />
eric.chiang.chiang@gmail.com | 06-47421683| https://read.cv/yuchingchiang | <br />
<br />
'''Project description'''<br />
<br />
<br />
The project is a series of experiments in search of (un)mediated particularities of communicative space in video chat. The exhibition will be three installations alongside my thesis presentation in whether paper form or digital. In terms of installation, Compass Video Calling Device is two hand-held devices that audiences are invited to interact with others, they only can see each other when they face each other. The second installation is a Shared Table, an installation to contextualize the action of video chat which encourages people to encounter random or friends in a place I call Shared Table. A table cut in half, one is situated in the indoor space while the other half sits outside the V2. A sleeping mattress will be placed alongside my still image work-Sleeping Together. The work questions the physicality, unification, virtualization of space we intimately shared. <br />
<br />
'''Bio'''<br />
<br />
I am a cross-disciplinary individual who is constantly seeking for innovation in environmental and people-engaging design. As a professional practitioner, I have been designing many practical and conceptual projects for ten years. I also conduct my own practices for exploring new possibilities of space by diverse approaches such as mixed media, spatial art, installation, and photography.<br />
<br />
'''Images'''<br />
<br />
[[File:Final presentation.024.jpeg| 400px]]<br />
[[File:Final presentation.034.jpeg| 400px]]<br />
<br />
<br />
[[File:Final presentation.029.jpeg| 400px]]</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=File:Final_presentation.034.jpeg&diff=196123File:Final presentation.034.jpeg2021-07-12T20:24:19Z<p>Yuching.chiang: </p>
<hr />
<div></div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=File:Final_presentation.029.jpeg&diff=196122File:Final presentation.029.jpeg2021-07-12T20:23:38Z<p>Yuching.chiang: </p>
<hr />
<div></div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=File:Final_presentation.024.jpeg&diff=196121File:Final presentation.024.jpeg2021-07-12T20:22:02Z<p>Yuching.chiang: </p>
<hr />
<div></div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=LB2_Graduation_2021_and_V2&diff=195916LB2 Graduation 2021 and V22021-07-05T10:55:14Z<p>Yuching.chiang: /* V2_ assistants */</p>
<hr />
<div>== LB2 Graduates 2021 and V2_ ==<br />
<br />
About the collaboration between LB2 graduates of 2021 and V2_.<br />
*The schedule includes two days of build-up and roughly four days of exhibition with a two-hour live-streamed program on each exhibition day for live presentation and performance.<br />
-The whole program can take place using V2_’s streaming and presentation equipment.<br />
-Students are responsible for: the bar and door; any presentation materials related to their individual work; and the design of the promotion materials.<br />
-The curatorial groundwork will be planned by Florian Weigl in conversation with LB alumni and monitoring during the build-up.<br />
<br />
<br />
== V2_ assistants ==<br />
Space for the names and contact details of students who will be the liaison between LB2 and V2_.<br />
<br />
'''Yu-Ching'''<br />
I am interested in this, maybe I could help :)<br />
<br />
== Alumni proposals ==<br />
* Please add your name, email address and phone number plus a short project description, bio and no more than three images.<br />
<br />
===Jelle Havermans===<br />
jellehavermans@hotmail.com | +31 621340851<br />
<br />
'''Project description'''<br />
<br />
In this atmospheric short film, a man returns to a gloomy forest in Birmingham, where long ago a mysterious crime was committed. Party photo-roman, partly digital travel report, this short film juxtaposes old forensic photographs with videos shot with a phone of the crime scene as it stands in the current day. A whisper in Hagley Woods reflects on placeness, the apparatus of cinema and on the way ghosts inhabit photographs. It further ambiguously explores the role of the male creator indulging his obsession. He retraces the steps of the murderer as well as the victim… while reminiscing on a past that is shaped through the lens of fictional narratives. <br />
<br />
'''Bio'''<br />
<br />
Jelle Havermans was born in the Netherlands and currently live in Amsterdam. In his current work he reflect on film and it's role in history. Recurring topics are the depiction of violence and (true) crime, cinematic language and the aesthetics of forensic imagery. By mingling fiction with documentary-style investigation, he explores his own obsessions and desires, through the lens of true crime media and horror.<br />
<br />
'''Images'''<br />
[https://pzwiki.wdka.nl/mediadesign/File:Still_2_Jelle.png Still 1] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 2] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 3 ]<br />
<br />
===Student Name===<br />
Add your personal details here.<br />
<br />
'''Project description'''<br />
<br />
Add your project description here.<br />
<br />
'''Bio'''<br />
<br />
Add the short biographical note here.<br />
<br />
===Student Name===<br />
Add your personal details here.<br />
<br />
'''Project description'''<br />
<br />
Add your project description here.<br />
<br />
'''Bio'''<br />
<br />
Add the short biographical note here.</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=LB2_Graduation_2021_and_V2&diff=195915LB2 Graduation 2021 and V22021-07-05T10:54:56Z<p>Yuching.chiang: /* V2_ assistants */</p>
<hr />
<div>== LB2 Graduates 2021 and V2_ ==<br />
<br />
About the collaboration between LB2 graduates of 2021 and V2_.<br />
*The schedule includes two days of build-up and roughly four days of exhibition with a two-hour live-streamed program on each exhibition day for live presentation and performance.<br />
-The whole program can take place using V2_’s streaming and presentation equipment.<br />
-Students are responsible for: the bar and door; any presentation materials related to their individual work; and the design of the promotion materials.<br />
-The curatorial groundwork will be planned by Florian Weigl in conversation with LB alumni and monitoring during the build-up.<br />
<br />
<br />
== V2_ assistants ==<br />
Space for the names and contact details of students who will be the liaison between LB2 and V2_.<br />
<br />
'''Yu-Ching'''<br />
I am interested in this, maybe I could help'''Yu-Ching'''<br />
<br />
== Alumni proposals ==<br />
* Please add your name, email address and phone number plus a short project description, bio and no more than three images.<br />
<br />
===Jelle Havermans===<br />
jellehavermans@hotmail.com | +31 621340851<br />
<br />
'''Project description'''<br />
<br />
In this atmospheric short film, a man returns to a gloomy forest in Birmingham, where long ago a mysterious crime was committed. Party photo-roman, partly digital travel report, this short film juxtaposes old forensic photographs with videos shot with a phone of the crime scene as it stands in the current day. A whisper in Hagley Woods reflects on placeness, the apparatus of cinema and on the way ghosts inhabit photographs. It further ambiguously explores the role of the male creator indulging his obsession. He retraces the steps of the murderer as well as the victim… while reminiscing on a past that is shaped through the lens of fictional narratives. <br />
<br />
'''Bio'''<br />
<br />
Jelle Havermans was born in the Netherlands and currently live in Amsterdam. In his current work he reflect on film and it's role in history. Recurring topics are the depiction of violence and (true) crime, cinematic language and the aesthetics of forensic imagery. By mingling fiction with documentary-style investigation, he explores his own obsessions and desires, through the lens of true crime media and horror.<br />
<br />
'''Images'''<br />
[https://pzwiki.wdka.nl/mediadesign/File:Still_2_Jelle.png Still 1] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 2] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 3 ]<br />
<br />
===Student Name===<br />
Add your personal details here.<br />
<br />
'''Project description'''<br />
<br />
Add your project description here.<br />
<br />
'''Bio'''<br />
<br />
Add the short biographical note here.<br />
<br />
===Student Name===<br />
Add your personal details here.<br />
<br />
'''Project description'''<br />
<br />
Add your project description here.<br />
<br />
'''Bio'''<br />
<br />
Add the short biographical note here.</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=LB2_Graduation_2021_and_V2&diff=195914LB2 Graduation 2021 and V22021-07-05T10:54:23Z<p>Yuching.chiang: /* V2_ assistants */</p>
<hr />
<div>== LB2 Graduates 2021 and V2_ ==<br />
<br />
About the collaboration between LB2 graduates of 2021 and V2_.<br />
*The schedule includes two days of build-up and roughly four days of exhibition with a two-hour live-streamed program on each exhibition day for live presentation and performance.<br />
-The whole program can take place using V2_’s streaming and presentation equipment.<br />
-Students are responsible for: the bar and door; any presentation materials related to their individual work; and the design of the promotion materials.<br />
-The curatorial groundwork will be planned by Florian Weigl in conversation with LB alumni and monitoring during the build-up.<br />
<br />
<br />
== V2_ assistants ==<br />
Space for the names and contact details of students who will be the liaison between LB2 and V2_.<br />
I am interested in this, maybe I could help'''Yu-Ching'''<br />
<br />
== Alumni proposals ==<br />
* Please add your name, email address and phone number plus a short project description, bio and no more than three images.<br />
<br />
===Jelle Havermans===<br />
jellehavermans@hotmail.com | +31 621340851<br />
<br />
'''Project description'''<br />
<br />
In this atmospheric short film, a man returns to a gloomy forest in Birmingham, where long ago a mysterious crime was committed. Party photo-roman, partly digital travel report, this short film juxtaposes old forensic photographs with videos shot with a phone of the crime scene as it stands in the current day. A whisper in Hagley Woods reflects on placeness, the apparatus of cinema and on the way ghosts inhabit photographs. It further ambiguously explores the role of the male creator indulging his obsession. He retraces the steps of the murderer as well as the victim… while reminiscing on a past that is shaped through the lens of fictional narratives. <br />
<br />
'''Bio'''<br />
<br />
Jelle Havermans was born in the Netherlands and currently live in Amsterdam. In his current work he reflect on film and it's role in history. Recurring topics are the depiction of violence and (true) crime, cinematic language and the aesthetics of forensic imagery. By mingling fiction with documentary-style investigation, he explores his own obsessions and desires, through the lens of true crime media and horror.<br />
<br />
'''Images'''<br />
[https://pzwiki.wdka.nl/mediadesign/File:Still_2_Jelle.png Still 1] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 2] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 3 ]<br />
<br />
===Student Name===<br />
Add your personal details here.<br />
<br />
'''Project description'''<br />
<br />
Add your project description here.<br />
<br />
'''Bio'''<br />
<br />
Add the short biographical note here.<br />
<br />
===Student Name===<br />
Add your personal details here.<br />
<br />
'''Project description'''<br />
<br />
Add your project description here.<br />
<br />
'''Bio'''<br />
<br />
Add the short biographical note here.</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=LB2_Graduation_2021_and_V2&diff=195913LB2 Graduation 2021 and V22021-07-05T10:53:54Z<p>Yuching.chiang: /* Student Name */</p>
<hr />
<div>== LB2 Graduates 2021 and V2_ ==<br />
<br />
About the collaboration between LB2 graduates of 2021 and V2_.<br />
*The schedule includes two days of build-up and roughly four days of exhibition with a two-hour live-streamed program on each exhibition day for live presentation and performance.<br />
-The whole program can take place using V2_’s streaming and presentation equipment.<br />
-Students are responsible for: the bar and door; any presentation materials related to their individual work; and the design of the promotion materials.<br />
-The curatorial groundwork will be planned by Florian Weigl in conversation with LB alumni and monitoring during the build-up.<br />
<br />
<br />
== V2_ assistants ==<br />
Space for the names and contact details of students who will be the liaison between LB2 and V2_.<br />
I am interested in this, maybe I could help(Yu-Ching)<br />
<br />
== Alumni proposals ==<br />
* Please add your name, email address and phone number plus a short project description, bio and no more than three images.<br />
<br />
===Jelle Havermans===<br />
jellehavermans@hotmail.com | +31 621340851<br />
<br />
'''Project description'''<br />
<br />
In this atmospheric short film, a man returns to a gloomy forest in Birmingham, where long ago a mysterious crime was committed. Party photo-roman, partly digital travel report, this short film juxtaposes old forensic photographs with videos shot with a phone of the crime scene as it stands in the current day. A whisper in Hagley Woods reflects on placeness, the apparatus of cinema and on the way ghosts inhabit photographs. It further ambiguously explores the role of the male creator indulging his obsession. He retraces the steps of the murderer as well as the victim… while reminiscing on a past that is shaped through the lens of fictional narratives. <br />
<br />
'''Bio'''<br />
<br />
Jelle Havermans was born in the Netherlands and currently live in Amsterdam. In his current work he reflect on film and it's role in history. Recurring topics are the depiction of violence and (true) crime, cinematic language and the aesthetics of forensic imagery. By mingling fiction with documentary-style investigation, he explores his own obsessions and desires, through the lens of true crime media and horror.<br />
<br />
'''Images'''<br />
[https://pzwiki.wdka.nl/mediadesign/File:Still_2_Jelle.png Still 1] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 2] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 3 ]<br />
<br />
===Student Name===<br />
Add your personal details here.<br />
<br />
'''Project description'''<br />
<br />
Add your project description here.<br />
<br />
'''Bio'''<br />
<br />
Add the short biographical note here.<br />
<br />
===Student Name===<br />
Add your personal details here.<br />
<br />
'''Project description'''<br />
<br />
Add your project description here.<br />
<br />
'''Bio'''<br />
<br />
Add the short biographical note here.</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=LB2_Graduation_2021_and_V2&diff=195912LB2 Graduation 2021 and V22021-07-05T10:53:39Z<p>Yuching.chiang: /* V2_ assistants */</p>
<hr />
<div>== LB2 Graduates 2021 and V2_ ==<br />
<br />
About the collaboration between LB2 graduates of 2021 and V2_.<br />
*The schedule includes two days of build-up and roughly four days of exhibition with a two-hour live-streamed program on each exhibition day for live presentation and performance.<br />
-The whole program can take place using V2_’s streaming and presentation equipment.<br />
-Students are responsible for: the bar and door; any presentation materials related to their individual work; and the design of the promotion materials.<br />
-The curatorial groundwork will be planned by Florian Weigl in conversation with LB alumni and monitoring during the build-up.<br />
<br />
<br />
== V2_ assistants ==<br />
Space for the names and contact details of students who will be the liaison between LB2 and V2_.<br />
I am interested in this, maybe I could help(Yu-Ching)<br />
<br />
== Alumni proposals ==<br />
* Please add your name, email address and phone number plus a short project description, bio and no more than three images.<br />
<br />
===Jelle Havermans===<br />
jellehavermans@hotmail.com | +31 621340851<br />
<br />
'''Project description'''<br />
<br />
In this atmospheric short film, a man returns to a gloomy forest in Birmingham, where long ago a mysterious crime was committed. Party photo-roman, partly digital travel report, this short film juxtaposes old forensic photographs with videos shot with a phone of the crime scene as it stands in the current day. A whisper in Hagley Woods reflects on placeness, the apparatus of cinema and on the way ghosts inhabit photographs. It further ambiguously explores the role of the male creator indulging his obsession. He retraces the steps of the murderer as well as the victim… while reminiscing on a past that is shaped through the lens of fictional narratives. <br />
<br />
'''Bio'''<br />
<br />
Jelle Havermans was born in the Netherlands and currently live in Amsterdam. In his current work he reflect on film and it's role in history. Recurring topics are the depiction of violence and (true) crime, cinematic language and the aesthetics of forensic imagery. By mingling fiction with documentary-style investigation, he explores his own obsessions and desires, through the lens of true crime media and horror.<br />
<br />
'''Images'''<br />
[https://pzwiki.wdka.nl/mediadesign/File:Still_2_Jelle.png Still 1] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 2] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 3 ]<br />
<br />
===Student Name===<br />
Add your personal details here.<br />
<br />
'''Project description'''<br />
<br />
Add your project description here.<br />
<br />
'''Bio'''<br />
<br />
Add the short biographical note here.<br />
<br />
<br />
===Student Name===<br />
Add your personal details here.<br />
<br />
'''Project description'''<br />
<br />
Add your project description here.<br />
<br />
'''Bio'''<br />
<br />
Add the short biographical note here.</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/21-06-2021_-Event_1&diff=195222Calendars:Networked Media Calendar/Networked Media Calendar/21-06-2021 -Event 12021-06-11T14:51:33Z<p>Yuching.chiang: </p>
<hr />
<div>LB2 9:30 - ±18:30 Final assessment: -day 1 Online with Simon, Ine, David, Rossella, Barend, Natasha and Una Henry as the external examiner<br />
<br />
Please have your assessment presentation archived, link below of page] and delivered wetransfer to staff by the start of the day Thursday 17th.<br />
*20 Minutes: give a presentation in the video chatroom, making use of the wiki to show us: your graduation project (and thesis should they overlap and support each other)<br />
*15 Minutes: the panel can ask questions regarding what you presented<br />
*15 Minutes: we ask you to leave, so the panel can discuss your research and representation, during this time you wait in ZOOM again, once we're done talking, we'll call you back in<br />
*20 minutes: we will discuss with you your Final project and give you feedback.<br />
*5 minutes: panel compare notes and finalise decisions<br />
<br />
*Total per student: 1 hour 15 minutes - 10 min break between<br />
<br />
09:30 - 09:50 day 1, assessor meet and greet<br />
<br />
09:50 - 11:05: Annalisa<br />
<br />
11:15 - 12:30:<br />
<br />
12:40: - 13:55:<br />
<br />
13:55 - 14:55: —-> 60-MINUTE BREAK<br />
<br />
14:55 - 16:15: Yu-Ching<br />
<br />
16:25 - 17:40:<br />
<br />
17:40 - 18:20 Kamali (trim4 re-assessment)<br />
*assessment format<br />
*20 minutes: initial student presentation<br />
*5 minutes: the panel can ask questions regarding the material you have presented both orally and in advance.<br />
*5 Minutes: we ask you to leave, so the panel can discuss your research and presentation<br />
*10 minutes: the panel will discuss with you your research and give you feedback.<br />
<br />
18:20 - 18:30: -day 1 wrap-up - prep day 2<br />
<br />
*WDKA archive: https://hrnl.sharepoint.com/sites/WdKA-XPub/Shared%20Documents/Forms/AllItems.aspx?viewid=e14ca528%2D7cdc%2D46e3%2Dbabb%2Dc8a8797f2268&id=%2Fsites%2FWdKA%2DXPub%2FShared%20Documents%2FLB%2DXPUB%2DArchive%2FMFAD%5Ftrim1%2D6%5FStudent%5FWork%5FArchive%5F2019%2D2021%2FLB%2FWDK12M%2DMAM%2DV2%5F49114%5F99%2DMFAD%5FLB%5Ftrim5%2D6%5F2019%2D2021%2FMDCSDR56LB%5F2019%2D2020%5FPZI%5FTRIM%2D05%2D06%5FSELF%2DDIRECTED%5FRESEARCH%2DLB<br />
<br />
*Topic: LB2 trim6 fianl assessment- day 1<br />
*Time: Jun 21, 2021 09:30 AM Amsterdam<br />
*https://hogeschoolrotterdam.zoom.us/j/99339296295?pwd=VkJOOXBROW5RSTNZaWM5b0d0Wi8wUT09<br />
<br />
Meeting ID: 993 3929 6295<br />
Passcode: 022846<br />
*One tap mobile<br />
+31207946520,,99339296295#,,,,*022846# Netherlands<br />
+31207947345,,99339296295#,,,,*022846# Netherlands<br />
<br />
Dial by your location<br />
+31 20 794 6520 Netherlands<br />
+31 20 794 7345 Netherlands</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/14-06-2021_-Event_1&diff=195206Calendars:Networked Media Calendar/Networked Media Calendar/14-06-2021 -Event 12021-06-11T10:16:16Z<p>Yuching.chiang: </p>
<hr />
<div>LB: Ine ONLINE/IRL 10:15 - 14:15, please send any material you’d like her to view via wetransfer by Saturday morning<br />
[if you at the last minute need to cancel send a message to the list that the slot is free, thank-you]<br />
<br />
*< via skype: ine.lamers1 >[LB2 has priority] <br />
<br />
*LB2 has priority<br />
*online<br />
*10:15 - 11:00:<br />
*11:00 - 12:00:<br />
*12:00 - 12.45. Yu_Ching<br />
<br />
*——> break 45 minutes <br />
<br />
on site<br />
*13:30 - 14:15: Anh</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/01-06-2021_-Event_4&diff=194955Calendars:Networked Media Calendar/Networked Media Calendar/01-06-2021 -Event 42021-05-28T19:31:45Z<p>Yuching.chiang: </p>
<hr />
<div>LB2: Tutorials with Simon ONLINE 10.00 - 15.00<br />
<br />
Discuss your graduation research projects as they enter the final stages and clarify any questions about the final assessment.<br />
<br />
10.00 - 10.30 kamali<br />
<br />
10.30 - 11.00 Jelle<br />
<br />
11.00 - 11.30 Annalisa<br />
<br />
break<br />
<br />
11.45 - 12.15 fileona<br />
<br />
12.15 - 12.45 Yu-Ching<br />
<br />
12.45 - 13.15 anh<br />
<br />
lunch<br />
<br />
13.45 - 14.15 jacob<br />
<br />
14.15 - 14.45 Lea<br />
<br />
14.45 - 15.15 ELysa</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=EYE_Researchlab_2021&diff=194386EYE Researchlab 20212021-05-11T22:28:13Z<p>Yuching.chiang: </p>
<hr />
<div>'''DEADLINE TUESDAY 11th of MAY 22:00u'''<br />
<br />
(copy paste this)<br />
<br />
'''Name student:'''<br />
<br />
Title:<br />
<br />
Duration:<br />
<br />
Description of the work (to help curate the order):<br />
<br />
Framerate:<br />
<br />
Link to rough cut or video:<br />
'''<br />
<br />
'''Name student:Yu-Ching'''<br />
<br />
Title: Time, It never disappeared.(working title)<br />
<br />
Duration: 4 mins in total, in four clips. Four clips will be allocated into four screening places of the final screening sequence according to the time in the film. ( The duration of each clip will soon be determined )<br />
<br />
Description of the work (to help curate the order): The film was shot in real-time in which illustrates the real 20 mins time of protagonists. <br />
<br />
Framerate: 30fps (iphone)<br />
<br />
Link to rough cut or video: (Full-duration version 20 mins): https://www.youtube.com/watch?v=kOKJO4vXtMo&t=888s<br />
'''<br />
<br />
<br />
'''Name student:Shannon'''<br />
<br />
Title: Say It In Blooming Colors (working title)<br />
<br />
Duration: 4:30<br />
<br />
Description of the work (to help curate the order): shot in keukenhof, of the flowers on display and evidence of their abrupt/dramatic life cycle. perspective leads the viewer to empathize with the flowers.<br />
<br />
Framerate: 30fps (iphone)<br />
<br />
Link to rough cut or video:<br />
<br />
<br />
'''Name student:Luca'''<br />
<br />
Title: This is them <br />
<br />
Duration: 4 <br />
<br />
Description of the work (to help curate the order): Somewhere in an empty room in a un none village two girls called; Branda & Hilda send their days, years maybe lives playing different characters and scenes. <br />
<br />
Framerate: <br />
<br />
Link to rough cut or video: <br />
<br />
<br />
Name student: Tessel'''<br />
<br />
Title: Skaftafall<br />
<br />
Duration: 4 min<br />
<br />
Description of the work:<br />
<br />
Framerate: 25<br />
<br />
Link to rough cut or video: https://youtu.be/G6anMNMq3W4<br />
<br />
'''Name student: Muxingye Chen '''<br />
<br />
Title: I am in a period of Desperation<br />
<br />
Duration: 3:00<br />
<br />
Description of the work (to help curate the order): a meaningless conversation in an virtual space <br />
<br />
Framerate: 25FPS animation<br />
<br />
Link to rough cut or video: https://vimeo.com/manage/videos/477084470/privacy<br />
<br />
'''Name student: Sacha'''<br />
<br />
(working) title: Mountain top <br />
<br />
Duration: 2.30 min <br />
<br />
Description of the work (to help curate the order): a snowy landscape transitioning into an otherworldly scenery. <br />
<br />
Framerate: 30 fps<br />
<br />
Link to rough cut or video: <br />
'''<br />
____________________________________________________________________________________________________________________<br />
<br />
'''EYE Researchlab 2021'''<br />
<br />
Everybody has 3 minutes (some use 2 or 2,5 others use 4 minutes) to show a video or photo slide show. <br />
We have one hour in totall for 20 students of LB1 and LB2.<br />
<br />
We have to come up with a title, a text and photo's ASAP. <br />
We have decided to do this in online cooperation and with some help of AI mixture.<br />
<br />
<br />
'''TITLE OPTIONS''' '''DEADLINE: 22:00u on Thursday'''<br />
<br />
- Tentacular Thinkering<br />
1. Geo<br />
- FABRIC<br />
<br />
- Everything breaks<br />
1. Geo 2. Anh 3.Yu-Ching<br />
<br />
<br />
- we fancy our chances<br />
<br />
- for now<br />
1.luca 2. Sacha<br />
<br />
- We didn't (k)now<br />
<br />
- Today with the window open<br />
<br />
1. Shannon<br />
2. luca<br />
3. Rafa<br />
<br />
- Twenty open windows<br />
<br />
- Sitting, drinking water<br />
<br />
- It came with the wind and fell out of my eyes<br />
<br />
1. Shannon<br />
2.Adèle<br />
<br />
- Planetary pacing<br />
<br />
- I am sick of taking walks<br />
<br />
1. Shannon 2. Sacha 3. CHEN<br />
<br />
- Don’t you massage your fucking feet?<br />
<br />
- vaster than empires and more slow<br />
(title of a short story by Ursula K. Le Guin)<br />
<br />
<br />
<br />
'''TEXT'''''250 words''<br />
Everybody writes 12 words per person '''DEADLINE: 22:00u on Thursday'''<br />
<br />
List:<br />
1. Martin<br />
<br />
2. Jelle - Whispers In Hagley Woods<br />
<br />
3. Shannon ===== Desire, domination, drama, applause, cameras, flashing, moaning, laughing <br />
<br />
4. Elysa ---- Overwhelmingly vast, and incredibly small. A Planck star is not stable.<br />
<br />
5 . Geo ------- In my mind the sky has gone very quiet.<br />
<br />
6. Tessel - Open Dash AirCrisp Compact Air Fryer Instruction Manual for full details<br />
<br />
7. Ariela .... Use mistake in a sentence as a verb or a noun<br />
<br />
8. Rafael - "I still don't know what to do with it" <br />
<br />
9. anh - in A minor, in C sharp, or E major; step step close<br />
<br />
10. sylvie + Adele : potato, apple, lemon, walnut, kale leaf, tomato, garlic, clementine, in nature's armpit<br />
<br />
11. Yu Ching ====Tick Tock! We Are Everywhere And Nowhere All At The Same Time====<br />
<br />
<br />
</small><br />
12. Kamali ———— ''I don't have a love language, I have a headache''<br />
<br />
14. Chen <small>====what in a body is beyond the computational, beyond representation and logic ====</small><br />
<br />
15. Sacha ———— Never again shall you see such light and air and color. <br />
<br />
16. Marusa<br />
<br />
17. Jacob - - - While your hope died under northern skies. And it shows <br />
<br />
18. Luca <small>==== IF WE PLAY, DOES THAT MEAN ITS NOT REAL(ITY)? ====</small><br />
<br />
19. Annalisa ———— ''I don't wanna dream of you, it doesn't seem fair''<br />
<br />
20. Dachen ==== They wandered, and encountering specters haunting the depths of history...<br />
<br />
<br />
AI REMIX by Martin en Geo..............................................?<br />
<br />
<br />
'''IMAGES''' ''5 images'' '''DEADLINE: 22:00u on Thursday'''<br />
<br />
- Mesh up?<br />
<br />
- Gifs: images dissolving in eachother<br />
<br />
- Montage in one single image<br />
<br />
- Grid: 200X200 pixels/tile?<br />
<br />
Place your image below<br />
Send copy to Adele: [http://adele.gregoire@insas.be adele.gregoire@insas.be]<br />
Image size: what you what, only one picture!<br />
<br />
nice images mushed up :<br />
1 :<p><br />
[[File:RAFA-KAMALI-YUCHING.png | thumb | 500px | RAFA-KAMALI-YUCHING]]<p><br />
2 :<p><br />
[[File:SHANNON-ELISA-DACHEN.png | thumb | 500px | SHANNON-ELISA-DACHEN]]<p><br />
3 : <br />
[[File:SYL-ADELE-ARIELA-SACHA.png | thumb | 500px | SYL-ADELE-ARIELA-SACHA]]<p><br />
4:<p><br />
[[File:LUCA-JELLE-CHEN.png | thumb | 500px | LUCA-JELLE-CHEN]]<p><br />
5:<p><br />
[[File:GEO-ANN-TESSEL.png | thumb | 500px | GEO-ANN-TESSEL]]<br />
<br />
[[thumb]]<br />
<br />
Other deadlines:<br />
Saturday morning:<br />
check in on wiki and vote by plcaing your name behind a title and a text<br />
<br />
Sunday: send final result to Barend (Tessel will do this)<br />
<br />
<br />
<br />
[[File:headache.jpg | thumb | 200px | kamali]]<br />
[[File:Skaftafall.JPG|200px|thumb|left|Tessel]]<br />
[[File:A_Planck_Star_Is_Not_Stable.png | thumb | 200px | Elysa]]<br />
[[File:Rose.jpg|thumb| 200px | Shannon]]<br />
[[File:depths of history.jpg|200px|thumb|left|Dachen]]<br />
[[File:mountaintop.jpg|200px|thumb|left]]<br />
[[File:Still 5.png|200px|thumb|left|Jelle]]<br />
[[File:Anh eye still.jpg|200px|thumb|left|anh]]</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=EYE_Researchlab_2021&diff=194380EYE Researchlab 20212021-05-11T19:02:01Z<p>Yuching.chiang: </p>
<hr />
<div>'''DEADLINE TUESDAY 11th of MAY 22:00u'''<br />
<br />
(copy paste this)<br />
<br />
'''Name student:'''<br />
<br />
Title:<br />
<br />
Duration:<br />
<br />
Description of the work (to help curate the order):<br />
<br />
Framerate:<br />
<br />
Link to rough cut or video:<br />
'''<br />
<br />
'''Name student:'''<br />
<br />
Title: Time, It never disappeared.(working title)<br />
<br />
Duration: 4 mins in total, in four clips. Four clips will be allocated into four screening places of the final screening sequence according to the time in the film. ( The duration of each clip will soon be determined )<br />
<br />
Description of the work (to help curate the order): The film was shot in real-time in which illustrates the real 20 mins time of protagonists. <br />
<br />
Framerate: 30fps (iphone)<br />
<br />
Link to rough cut or video: (Full-duration version 20 mins): https://www.youtube.com/watch?v=kOKJO4vXtMo&t=888s<br />
'''<br />
<br />
<br />
'''Name student:Shannon'''<br />
<br />
Title: Say It In Blooming Colors (working title)<br />
<br />
Duration: 4:30<br />
<br />
Description of the work (to help curate the order): shot in keukenhof, of the flowers on display and evidence of their abrupt/dramatic life cycle. perspective leads the viewer to empathize with the flowers.<br />
<br />
Framerate: 30fps (iphone)<br />
<br />
Link to rough cut or video:<br />
<br />
<br />
'''Name student:Luca'''<br />
<br />
Title: This is them <br />
<br />
Duration: 4 <br />
<br />
Description of the work (to help curate the order): Somewhere in an empty room in a un none village two girls called; Branda & Hilda send their days, years maybe lives playing different characters and scenes. <br />
<br />
Framerate: <br />
<br />
Link to rough cut or video: <br />
<br />
<br />
Name student: Tessel'''<br />
<br />
Title: Skaftafall<br />
<br />
Duration: 4 min<br />
<br />
Description of the work:<br />
<br />
Framerate: 25<br />
<br />
Link to rough cut or video: https://youtu.be/G6anMNMq3W4<br />
____________________________________________________________________________________________________________________<br />
<br />
'''EYE Researchlab 2021'''<br />
<br />
Everybody has 3 minutes (some use 2 or 2,5 others use 4 minutes) to show a video or photo slide show. <br />
We have one hour in totall for 20 students of LB1 and LB2.<br />
<br />
We have to come up with a title, a text and photo's ASAP. <br />
We have decided to do this in online cooperation and with some help of AI mixture.<br />
<br />
<br />
'''TITLE OPTIONS''' '''DEADLINE: 22:00u on Thursday'''<br />
<br />
- Tentacular Thinkering<br />
1. Geo<br />
- FABRIC<br />
<br />
- Everything breaks<br />
1. Geo 2. Anh 3.Yu-Ching<br />
<br />
<br />
- we fancy our chances<br />
<br />
- for now<br />
1.luca 2. Sacha<br />
<br />
- We didn't (k)now<br />
<br />
- Today with the window open<br />
<br />
1. Shannon<br />
2. luca<br />
3. Rafa<br />
<br />
- Twenty open windows<br />
<br />
- Sitting, drinking water<br />
<br />
- It came with the wind and fell out of my eyes<br />
<br />
1. Shannon<br />
2.Adèle<br />
<br />
- Planetary pacing<br />
<br />
- I am sick of taking walks<br />
<br />
1. Shannon 2. Sacha 3. CHEN<br />
<br />
- Don’t you massage your fucking feet?<br />
<br />
- vaster than empires and more slow<br />
(title of a short story by Ursula K. Le Guin)<br />
<br />
<br />
<br />
'''TEXT'''''250 words''<br />
Everybody writes 12 words per person '''DEADLINE: 22:00u on Thursday'''<br />
<br />
List:<br />
1. Martin<br />
<br />
2. Jelle - Whispers In Hagley Woods<br />
<br />
3. Shannon ===== Desire, domination, drama, applause, cameras, flashing, moaning, laughing <br />
<br />
4. Elysa ---- Overwhelmingly vast, and incredibly small. A Planck star is not stable.<br />
<br />
5 . Geo ------- In my mind the sky has gone very quiet.<br />
<br />
6. Tessel - Open Dash AirCrisp Compact Air Fryer Instruction Manual for full details<br />
<br />
7. Ariela .... Use mistake in a sentence as a verb or a noun<br />
<br />
8. Rafael - "I still don't know what to do with it" <br />
<br />
9. anh - in A minor, in C sharp, or E major; step step close<br />
<br />
10. sylvie + Adele : potato, apple, lemon, walnut, kale leaf, tomato, garlic, clementine, in nature's armpit<br />
<br />
11. Yu Ching ====Tick Tock! We Are Everywhere And Nowhere All At The Same Time====<br />
<br />
<br />
</small><br />
12. Kamali ———— ''I don't have a love language, I have a headache''<br />
<br />
14. Chen <small>====what in a body is beyond the computational, beyond representation and logic ====</small><br />
<br />
15. Sacha ———— Never again shall you see such light and air and color. <br />
<br />
16. Marusa<br />
<br />
17. Jacob - - - While your hope died under northern skies. And it shows <br />
<br />
18. Luca <small>==== IF WE PLAY, DOES THAT MEAN ITS NOT REAL(ITY)? ====</small><br />
<br />
19. Annalisa ———— ''I don't wanna dream of you, it doesn't seem fair''<br />
<br />
20. Dachen ==== They wandered, and encountering specters haunting the depths of history...<br />
<br />
<br />
AI REMIX by Martin en Geo..............................................?<br />
<br />
<br />
'''IMAGES''' ''5 images'' '''DEADLINE: 22:00u on Thursday'''<br />
<br />
- Mesh up?<br />
<br />
- Gifs: images dissolving in eachother<br />
<br />
- Montage in one single image<br />
<br />
- Grid: 200X200 pixels/tile?<br />
<br />
Place your image below<br />
Send copy to Adele: [http://adele.gregoire@insas.be adele.gregoire@insas.be]<br />
Image size: what you what, only one picture!<br />
<br />
nice images mushed up :<br />
1 :<p><br />
[[File:RAFA-KAMALI-YUCHING.png | thumb | 500px | RAFA-KAMALI-YUCHING]]<p><br />
2 :<p><br />
[[File:SHANNON-ELISA-DACHEN.png | thumb | 500px | SHANNON-ELISA-DACHEN]]<p><br />
3 : <br />
[[File:SYL-ADELE-ARIELA-SACHA.png | thumb | 500px | SYL-ADELE-ARIELA-SACHA]]<p><br />
4:<p><br />
[[File:LUCA-JELLE-CHEN.png | thumb | 500px | LUCA-JELLE-CHEN]]<p><br />
5:<p><br />
[[File:GEO-ANN-TESSEL.png | thumb | 500px | GEO-ANN-TESSEL]]<br />
<br />
[[thumb]]<br />
<br />
Other deadlines:<br />
Saturday morning:<br />
check in on wiki and vote by plcaing your name behind a title and a text<br />
<br />
Sunday: send final result to Barend (Tessel will do this)<br />
<br />
<br />
<br />
[[File:headache.jpg | thumb | 200px | kamali]]<br />
[[File:Skaftafall.JPG|200px|thumb|left|Tessel]]<br />
[[File:A_Planck_Star_Is_Not_Stable.png | thumb | 200px | Elysa]]<br />
[[File:Rose.jpg|thumb| 200px | Shannon]]<br />
[[File:depths of history.jpg|200px|thumb|left|Dachen]]<br />
[[File:mountaintop.jpg|200px|thumb|left]]<br />
[[File:Still 5.png|200px|thumb|left|Jelle]]<br />
[[File:Anh eye still.jpg|200px|thumb|left|anh]]</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/11-05-2021_-Event_6&diff=194206Calendars:Networked Media Calendar/Networked Media Calendar/11-05-2021 -Event 62021-05-04T15:43:53Z<p>Yuching.chiang: </p>
<hr />
<div>LB1 & 2: David's Tutorials: 10:30 - 17:30, via Skype: David Haines Piet Zwart or facetime da.haines@hotmail.com - take 2 slots if needed<br />
[if you at the last minute need to cancel send a message to the list that the slot is free, thanks]<br />
<br />
*10:30 - 11:00: ariela<br />
*11:00 - 12:00: Yu-Ching<br />
- (LB1 after 12:00)<br />
*12:00 - 13:00: Jelle<br />
<br />
*——> break 30 minutes<br />
<br />
*13:30 - 14:30: Sylvie <br />
*14:30 - 15:30 Shannon<br />
<br />
*——> break 30 minutes<br />
<br />
*16:30 - 17:30 Lea<br />
<br />
*reserve list</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/11-05-2021_-Event_6&diff=194205Calendars:Networked Media Calendar/Networked Media Calendar/11-05-2021 -Event 62021-05-04T15:43:39Z<p>Yuching.chiang: </p>
<hr />
<div>LB1 & 2: David's Tutorials: 10:30 - 17:30, via Skype: David Haines Piet Zwart or facetime da.haines@hotmail.com - take 2 slots if needed<br />
[if you at the last minute need to cancel send a message to the list that the slot is free, thanks]<br />
<br />
*10:30 - 11:00: ariela<br />
*11:00 - 12:00: YU-CHING<br />
- (LB1 after 12:00)<br />
*12:00 - 13:00: Jelle<br />
<br />
*——> break 30 minutes<br />
<br />
*13:30 - 14:30: Sylvie <br />
*14:30 - 15:30 Shannon<br />
<br />
*——> break 30 minutes<br />
<br />
*16:30 - 17:30 Lea<br />
<br />
*reserve list</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=EYE_Researchlab_2021&diff=194168EYE Researchlab 20212021-05-02T20:01:40Z<p>Yuching.chiang: </p>
<hr />
<div>'''EYE Researchlab 2021'''<br />
<br />
Everybody has 3 minutes (some use 2 or 2,5 others use 4 minutes) to show a video or photo slide show. <br />
We have one hour in totall for 20 students of LB1 and LB2.<br />
<br />
We have to come up with a title, a text and photo's ASAP. <br />
We have decided to do this in online cooperation and with some help of AI mixture.<br />
<br />
<br />
'''TITLE OPTIONS''' '''DEADLINE: 22:00u on Thursday'''<br />
<br />
- Tentacular Thinkering<br />
1. Geo<br />
- FABRIC<br />
<br />
- Everything breaks<br />
1. Geo 2. Anh 3.Yu-Ching<br />
<br />
<br />
- we fancy our chances<br />
<br />
- for now<br />
1.luca<br />
<br />
- We didn't (k)now<br />
<br />
- Today with the window open<br />
<br />
1. Shannon<br />
2. luca<br />
<br />
- Twenty open windows<br />
<br />
- Sitting, drinking water<br />
<br />
- It came with the wind and fell out of my eyes<br />
<br />
1. Shannon<br />
2.Adèle<br />
<br />
- Planetary pacing<br />
<br />
- I am sick of taking walks<br />
<br />
1. Shannon<br />
<br />
- Don’t you massage your fucking feet?<br />
<br />
- vaster than empires and more slow<br />
(title of a short story by Ursula K. Le Guin)<br />
<br />
<br />
<br />
'''TEXT'''''250 words''<br />
Everybody writes 12 words per person '''DEADLINE: 22:00u on Thursday'''<br />
<br />
List:<br />
1. Martin<br />
<br />
2. Jelle - Whispers In Hagley Woods<br />
<br />
3. Shannon ===== Desire, domination, drama, applause, cameras, flashing, moaning, laughing <br />
<br />
4. Elysa ---- Overwhelmingly vast, and incredibly small. A Planck star is not stable.<br />
<br />
5 . Geo ------- In my mind the sky has gone very quiet.<br />
<br />
6. Tessel - Open Dash AirCrisp Compact Air Fryer Instruction Manual for full details<br />
<br />
7. Ariela .... Use mistake in a sentence as a verb or a noun<br />
<br />
8. Rafael - "I still don't know what to do with it" <br />
<br />
9. anh - in A minor, in C sharp, or E major; step step close<br />
<br />
10. sylvie + Adele : potato, apple, lemon, walnut, kale leaf, tomato, garlic, clementine, in nature's armpit<br />
<br />
11. Yu Ching ====Tick Tock! We Are Everywhere And Nowhere All At The Same Time====<br />
<br />
<br />
</small><br />
12. Kamali ———— ''I don't have a love language, I have a headache''<br />
<br />
14. Chen <small>====what in a body is beyond the computational, beyond representation and logic ====</small><br />
<br />
15. Sacha ———— Never again shall you see such light and air and color. <br />
<br />
16. Marusa<br />
<br />
17. Jacob - - - While your hope died under northern skies. And it shows <br />
<br />
18. Luca <small>==== IF WE PLAY, DOES THAT MEAN ITS NOT REAL(ITY)? ====</small><br />
<br />
19. Annalisa ———— ''I don't wanna dream of you, it doesn't seem fair''<br />
<br />
20. Dachen ==== They wandered, and encountering specters haunting the depths of history...<br />
<br />
<br />
AI REMIX by Martin en Geo..............................................?<br />
<br />
<br />
'''IMAGES''' ''5 images'' '''DEADLINE: 22:00u on Thursday'''<br />
<br />
- Mesh up?<br />
<br />
- Gifs: images dissolving in eachother<br />
<br />
- Montage in one single image<br />
<br />
- Grid: 200X200 pixels/tile?<br />
<br />
Place your image below<br />
Send copy to Adele: [http://adele.gregoire@insas.be adele.gregoire@insas.be]<br />
Image size: what you what, only one picture!<br />
<br />
nice images mushed up :<br />
1 :<p><br />
[[File:RAFA-KAMALI-YUCHING.png | thumb | 500px | RAFA-KAMALI-YUCHING]]<p><br />
2 :<p><br />
[[File:SHANNON-ELISA-DACHEN.png | thumb | 500px | SHANNON-ELISA-DACHEN]]<p><br />
3 : <br />
[[File:SYL-ADELE-ARIELA-SACHA.png | thumb | 500px | SYL-ADELE-ARIELA-SACHA]]<p><br />
4:<p><br />
[[File:LUCA-JELLE-CHEN.png | thumb | 500px | LUCA-JELLE-CHEN]]<p><br />
5:<p><br />
[[File:GEO-ANN-TESSEL.png | thumb | 500px | GEO-ANN-TESSEL]]<br />
<br />
[[thumb]]<br />
<br />
Other deadlines:<br />
Saturday morning:<br />
check in on wiki and vote by plcaing your name behind a title and a text<br />
<br />
Sunday: send final result to Barend (Tessel will do this)<br />
<br />
<br />
<br />
[[File:headache.jpg | thumb | 200px | kamali]]<br />
[[File:Skaftafall.JPG|200px|thumb|left|Tessel]]<br />
[[File:A_Planck_Star_Is_Not_Stable.png | thumb | 200px | Elysa]]<br />
[[File:Rose.jpg|thumb| 200px | Shannon]]<br />
[[File:depths of history.jpg|200px|thumb|left|Dachen]]<br />
[[File:mountaintop.jpg|200px|thumb|left]]<br />
[[File:Still 5.png|200px|thumb|left|Jelle]]<br />
[[File:Anh eye still.jpg|200px|thumb|left|anh]]</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=EYE_Researchlab_2021&diff=194065EYE Researchlab 20212021-04-29T14:20:32Z<p>Yuching.chiang: </p>
<hr />
<div>'''EYE Researchlab 2021'''<br />
<br />
Everybody has 3 minutes (some use 2 or 2,5 others use 4 minutes) to show a video or photo slide show. <br />
We have one hour in totall for 20 students of LB1 and LB2.<br />
<br />
We have to come up with a title, a text and photo's ASAP. <br />
We have decided to do this in online cooperation and with some help of AI mixture.<br />
<br />
<br />
'''TITLE OPTIONS''' '''DEADLINE: 22:00u on Thursday'''<br />
<br />
- Tentacular Thinkering<br />
<br />
- Everything breaks<br />
<br />
- we fancy our chances<br />
<br />
- for now<br />
<br />
<br />
'''TEXT'''''250 words''<br />
Everybody writes 12 words per person '''DEADLINE: 22:00u on Thursday'''<br />
<br />
List:<br />
1. Martin<br />
<br />
2. Jelle<br />
<br />
3. Shannon<br />
<br />
4. Elysa<br />
<br />
5 . Geo<br />
<br />
6. Tessel<br />
<br />
7. Ariela<br />
<br />
8. Rafael<br />
<br />
9. anh<br />
<br />
10. sylvie<br />
<br />
11. Yu Ching ====Tick Tock! We Are Everywhere And Nowhere All At The Same Time====<br />
<br />
<br />
</small><br />
12. Kamali<br />
<br />
13. Adèle<br />
<br />
14. Chen <small>====what in a body is beyond the computational, beyond representation and logic ====</small><br />
<br />
15. Sacha<br />
<br />
16. Marusa<br />
<br />
17. Jacob<br />
<br />
18. Luca <small>==== IF WE PLAY, DOES THAT MEAN ITS NOT REAL(ITY)? ====</small><br />
<br />
19. Annalisa<br />
<br />
20. Dachen<br />
<br />
<br />
AI REMIX by Martin en Geo..............................................?<br />
<br />
<br />
'''IMAGES''' ''5 images'' '''DEADLINE: 22:00u on Thursday'''<br />
<br />
- Mesh up?<br />
<br />
- Gifs: images dissolving in eachother<br />
<br />
- Montage in one single image<br />
<br />
- Grid: 200X200 pixels/tile?<br />
<br />
Place your image below<br />
Send copy to Adele: [http://adele.gregoire@insas.be adele.gregoire@insas.be]<br />
Image size: what you what, only one picture!<br />
<br />
<br />
[[thumb]]<br />
<br />
Other deadlines:<br />
Saturday morning:<br />
check in on wiki and vote by plcaing your name behind a title and a text<br />
<br />
Sunday: send final result to Barend (Tessel will do this)</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=EYE_Researchlab_2021&diff=194064EYE Researchlab 20212021-04-29T14:19:54Z<p>Yuching.chiang: </p>
<hr />
<div>'''EYE Researchlab 2021'''<br />
<br />
Everybody has 3 minutes (some use 2 or 2,5 others use 4 minutes) to show a video or photo slide show. <br />
We have one hour in totall for 20 students of LB1 and LB2.<br />
<br />
We have to come up with a title, a text and photo's ASAP. <br />
We have decided to do this in online cooperation and with some help of AI mixture.<br />
<br />
<br />
'''TITLE OPTIONS''' '''DEADLINE: 22:00u on Thursday'''<br />
<br />
- Tentacular Thinkering<br />
<br />
- Everything breaks<br />
<br />
- we fancy our chances<br />
<br />
- for now<br />
<br />
<br />
'''TEXT'''''250 words''<br />
Everybody writes 12 words per person '''DEADLINE: 22:00u on Thursday'''<br />
<br />
List:<br />
1. Martin<br />
<br />
2. Jelle<br />
<br />
3. Shannon<br />
<br />
4. Elysa<br />
<br />
5 . Geo<br />
<br />
6. Tessel<br />
<br />
7. Ariela<br />
<br />
8. Rafael<br />
<br />
9. anh<br />
<br />
10. sylvie<br />
<br />
11. Yu Ching ==Tick Tock! We Are Everywhere And Nowhere All At The Same Time==<br />
</small><br />
12. Kamali<br />
<br />
13. Adèle<br />
<br />
14. Chen <small>====what in a body is beyond the computational, beyond representation and logic ====</small><br />
<br />
15. Sacha<br />
<br />
16. Marusa<br />
<br />
17. Jacob<br />
<br />
18. Luca <small>==== IF WE PLAY, DOES THAT MEAN ITS NOT REAL(ITY)? ====</small><br />
<br />
19. Annalisa<br />
<br />
20. Dachen<br />
<br />
<br />
AI REMIX by Martin en Geo..............................................?<br />
<br />
<br />
'''IMAGES''' ''5 images'' '''DEADLINE: 22:00u on Thursday'''<br />
<br />
- Mesh up?<br />
<br />
- Gifs: images dissolving in eachother<br />
<br />
- Montage in one single image<br />
<br />
- Grid: 200X200 pixels/tile?<br />
<br />
Place your image below<br />
Send copy to Adele: [http://adele.gregoire@insas.be adele.gregoire@insas.be]<br />
Image size: what you what, only one picture!<br />
<br />
<br />
[[thumb]]<br />
<br />
Other deadlines:<br />
Saturday morning:<br />
check in on wiki and vote by plcaing your name behind a title and a text<br />
<br />
Sunday: send final result to Barend (Tessel will do this)</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=EYE_Researchlab_2021&diff=194063EYE Researchlab 20212021-04-29T14:19:30Z<p>Yuching.chiang: </p>
<hr />
<div>'''EYE Researchlab 2021'''<br />
<br />
Everybody has 3 minutes (some use 2 or 2,5 others use 4 minutes) to show a video or photo slide show. <br />
We have one hour in totall for 20 students of LB1 and LB2.<br />
<br />
We have to come up with a title, a text and photo's ASAP. <br />
We have decided to do this in online cooperation and with some help of AI mixture.<br />
<br />
<br />
'''TITLE OPTIONS''' '''DEADLINE: 22:00u on Thursday'''<br />
<br />
- Tentacular Thinkering<br />
<br />
- Everything breaks<br />
<br />
- we fancy our chances<br />
<br />
- for now<br />
<br />
<br />
'''TEXT'''''250 words''<br />
Everybody writes 12 words per person '''DEADLINE: 22:00u on Thursday'''<br />
<br />
List:<br />
1. Martin<br />
<br />
2. Jelle<br />
<br />
3. Shannon<br />
<br />
4. Elysa<br />
<br />
5 . Geo<br />
<br />
6. Tessel<br />
<br />
7. Ariela<br />
<br />
8. Rafael<br />
<br />
9. anh<br />
<br />
10. sylvie<br />
<br />
11. Yu Ching ==Tick Tock! We Are Everywhere And Nowhere All At The Same Time==<br />
12. Kamali<br />
<br />
13. Adèle<br />
<br />
14. Chen <small>====what in a body is beyond the computational, beyond representation and logic ====</small><br />
<br />
15. Sacha<br />
<br />
16. Marusa<br />
<br />
17. Jacob<br />
<br />
18. Luca <small>==== IF WE PLAY, DOES THAT MEAN ITS NOT REAL(ITY)? ====</small><br />
<br />
19. Annalisa<br />
<br />
20. Dachen<br />
<br />
<br />
AI REMIX by Martin en Geo..............................................?<br />
<br />
<br />
'''IMAGES''' ''5 images'' '''DEADLINE: 22:00u on Thursday'''<br />
<br />
- Mesh up?<br />
<br />
- Gifs: images dissolving in eachother<br />
<br />
- Montage in one single image<br />
<br />
- Grid: 200X200 pixels/tile?<br />
<br />
Place your image below<br />
Send copy to Adele: [http://adele.gregoire@insas.be adele.gregoire@insas.be]<br />
Image size: what you what, only one picture!<br />
<br />
<br />
[[thumb]]<br />
<br />
Other deadlines:<br />
Saturday morning:<br />
check in on wiki and vote by plcaing your name behind a title and a text<br />
<br />
Sunday: send final result to Barend (Tessel will do this)</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=User:Yuching.chiang&diff=193978User:Yuching.chiang2021-04-22T09:07:31Z<p>Yuching.chiang: </p>
<hr />
<div>=Eric Chiang=<br />
*BIO [[http://www.yuchingchiang.com/ Eric Chiang]]<br />
*Thesis [[File:Thesis_Yu-Ching_Chiang_Low_Quality.pdf]]<br />
*Time-based research [[https://www.yuchingchiang.com/timebasedresearch/ view more]]<br />
*Prototyping [[Https://pzwiki.wdka.nl/mediadesign/User:Yuching.chiang/prototyping]]<br />
*Thesis outline [[Https://pzwiki.wdka.nl/mediadesign/User:Yuching.chiang/thesisoutline]]</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=File:Thesis_Yu-Ching_Chiang_Low_Quality.pdf&diff=193977File:Thesis Yu-Ching Chiang Low Quality.pdf2021-04-22T09:07:19Z<p>Yuching.chiang: </p>
<hr />
<div></div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=User:Yuching.chiang&diff=193976User:Yuching.chiang2021-04-22T09:05:33Z<p>Yuching.chiang: /* Eric Chiang */</p>
<hr />
<div>=Eric Chiang=<br />
*BIO [[http://www.yuchingchiang.com/ Eric Chiang]]<br />
*Thesis<br />
*Time-based research [[https://www.yuchingchiang.com/timebasedresearch/ view more]]<br />
*Prototyping [[Https://pzwiki.wdka.nl/mediadesign/User:Yuching.chiang/prototyping]]<br />
*Thesis outline [[Https://pzwiki.wdka.nl/mediadesign/User:Yuching.chiang/thesisoutline]]</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/01-04-2021_-Event_1&diff=191959Calendars:Networked Media Calendar/Networked Media Calendar/01-04-2021 -Event 12021-03-31T20:23:40Z<p>Yuching.chiang: /* Steve's Group */</p>
<hr />
<div>MFAD2 GRS with Marloes, Steve and Natasha<br />
<br />
10:00 - 18:00<br />
<br />
== Marloes' group ==<br />
Please send your <span style="background:green">latest draft on Monday the 29th</span> so I can read it ahead of the session. Thank you & happy writing :)<br />
<br />
09:15 - 10:00 mika<br />
10:00 - 10:45 Mark<br />
10:45 - 11:30 Anna <br />
11:30 - 12:15 Avital<br />
=== break ===<br />
13:00 - 13:45 Sandra<br />
13:45 - 14:30 <br />
14:30 - 15:15 Clara<br />
<br />
==Steve's Group==<br />
<br />
Review second reader's feedback - review latest draft<br />
<br />
10:00 - 10:45 Yu-Ching<br />
10:45 - 11:30 <br />
11:30 - 12:15 Max<br />
<br />
break<br />
<br />
13:00 - 13:45 Jelle<br />
13:45 - 14:30 Ioana<br />
14:30 - 15:15 Tisa<br />
<br />
== Natasha's group ==<br />
<br />
Individual sessions - we will review your 2nd reader's feedback and your latest draft.<br />
<br />
Please send your <span style="background:yellow">latest draft on Monday the 29th</span> so I can read it ahead of the session, thank you! <br />
<br />
09:15 - 10:00 Lea<br />
10:00 - 10:45 Annalisa<br />
10:45 - 11:30 kamali<br />
11:30 - 12:15 Elysa<br />
=== break ===<br />
13:00 - 13:45 jacob<br />
13:45 - 14:30 fileona<br />
14:30 - 15:15 anh<br />
15:15 - 15.45</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/27-03-2021_-Event_1&diff=191729Calendars:Networked Media Calendar/Networked Media Calendar/27-03-2021 -Event 12021-03-26T11:11:37Z<p>Yuching.chiang: </p>
<hr />
<div>V2_ in collaboration with LB 2020 graduates - sign-in for IRL visit to the show: https://mailchi.mp/6ef49ef4a0dc/performing-the-lens-a-collaboration-between-pzi-lens-based-media-v2<br />
*1. Yu-Ching<br />
*2. <br />
*3. <br />
*4. <br />
*5. <br />
*6.<br />
*7.<br />
*8.</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/01-04-2021_-Event_1&diff=191681Calendars:Networked Media Calendar/Networked Media Calendar/01-04-2021 -Event 12021-03-25T12:43:11Z<p>Yuching.chiang: /* Steve's Group */</p>
<hr />
<div>MFAD2 GRS with Marloes, Steve and Natasha<br />
<br />
10:00 - 18:00<br />
<br />
== Marloes' group ==<br />
Please send your <span style="background:green">latest draft on Monday the 29th</span> so I can read it ahead of the session. Thank you & happy writing :)<br />
<br />
09:15 - 10:00 mika<br />
10:00 - 10:45 Mark<br />
10:45 - 11:30 Anna <br />
11:30 - 12:15 Avital<br />
=== break ===<br />
13:00 - 13:45 Sandra<br />
13:45 - 14:30 <br />
14:30 - 15:15<br />
<br />
==Steve's Group==<br />
<br />
Review second reader's feedback - review latest draft<br />
<br />
10:00 - 10:45 <br />
10:45 - 11:30 <br />
11:30 - 12:15 <br />
<br />
break<br />
<br />
13:00 - 13:45 Yu-Ching<br />
13:45 - 14:30 Ioana<br />
14:30 - 15:15 Tisa</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/18-03-2021_-Event_1&diff=191312Calendars:Networked Media Calendar/Networked Media Calendar/18-03-2021 -Event 12021-03-17T10:22:39Z<p>Yuching.chiang: /* Steve's Group */</p>
<hr />
<div>MFAD2 GRS with Marloes, Steve and Natasha<br />
<br />
10:00 - 18:00<br />
<br />
=== Marloes' group ===<br />
This week, we gather input from others. We each give feedback on the essay of a colleague. These are the teams: <br />
* Damla reads Anna, <br />
* Anna reads Damla,<br />
* Mark reads Mika,<br />
* Mika reads Mark,<br />
* Sandra reads Clara,<br />
* Avital reads Sandra,<br />
* Clara reads Avital.<br />
<br />
Don't forget to send your team mate your <span style="background:green">latest draft on Monday the 15th</span> so they can read it ahead of the session. Thank you & happy writing :)<br />
<br />
09:30 - 10:45 Damla & Anna<br />
10:45 - 12:00 Mark & Mika<br />
=== break ===<br />
13:00 - 14:45 Sandra, Clara & Avital (Avital can come 30 minutes later, Sandra can leave 30 minute early, Clara can have a coffee break in the middle :)<br />
<br />
== Steve's Group ==<br />
<br />
11:00 meet on jitsi<br />
<br />
In this session we will revisit the method we used at an earlier stage in the writing process.<br />
<br />
Don't forget to send your team mates your <span style="background:pink">latest draft on Monday the 15th</span> so they can read it ahead of the session.Or please make link to your thesis draft below: <br />
<br />
'''Method:''' Writer – Please remain silent while your colleague make comments on your writing. Please ''listen to what the text communicates to them'' and make notes on any changes you need to make. After this stage, open up a more general discussion, identify your methods and approaches and outline your plan for completing the text &c: <br />
<br />
<br />
Please read in groups of two:<br />
<br />
Tisa https://pad.xpub.nl/p/I<br />
<br />
reads<br />
<br />
Muxingye Chen <br />
<br />
and vice versa<br />
<br />
[https://pad.xpub.nl/p/MaxThesis_2ndDraft Max]<br />
<br />
reads<br />
<br />
YU-Ching https://docs.google.com/document/d/1TXLQWmFSK1wLSwCy1Za8HydOMg6wY_P19yUWNaSaVRQ/edit?usp=sharing<br />
and vice versa<br />
<br />
<br />
Ioana <br />
<br />
reads<br />
<br />
Jelle https://pad.xpub.nl/p/uC6wWalM5Hm35olMcFV8<br />
<br />
and vice versa<br />
<br />
== Natasha's group ==<br />
<br />
This week's sessions will run as joint tutorials. So please send your <span style="background:yellow">latest draft on Monday the 15th</span> to the reader you are paired with:<br />
<br />
<br />
*Annalisa and Lea<br />
<br />
*Kamali and Jacob<br />
<br />
*Anh and Elysa<br />
<br />
*Thy and Fileona<br />
<br />
<br />
Please read your fellow student’s thesis with care, and come prepared with thoughtful and considered feedback e.g. comments, questions, highlighted/specific examples of where the thesis is working well, or where you felt the text could be clearer, etc.<br />
<br />
<br />
'''Schedule'''<br />
<br />
<br />
9.30 – 10.30am Group check-in (everyone) <br />
<br />
10.45 –- 12.00 Joint tutorial (Annalisa and Lea)<br />
<br />
12.45 –- 14.00 Joint tutorial (Jacob and Kamali)<br />
<br />
14.15 –- 15.30 Joint tutorial (Anh and Elysa)<br />
<br />
<br />
Thy and Fileona's tutorial will take place on Monday 22nd March (13h-14.20h).</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/08-03-2021_-Event_2&diff=190732Calendars:Networked Media Calendar/Networked Media Calendar/08-03-2021 -Event 22021-03-07T10:58:42Z<p>Yuching.chiang: </p>
<hr />
<div>LB2 ONLINE: Group Crit - ZOOM INVITE below<br />
<br />
group sessions - to be thought of as group tutorials as much as group 'crits' -- it's a chance to outline your ambitions and planning for your Yr2 self-directed research and to share any early tests, results and research you have done, and elect feedback from peers and tutors.<br />
<br />
The format of the session is 10minutes to present your work and 20 minutes of group discussion (both tutors and students can contribute).<br />
<br />
Tutors present for this session are Simon, Barend and David.<br />
<br />
SCHEDULE:<br />
<br />
*10.30 - 11.00 - Annalisa<br />
*11.00 - 11.30 - Yu-Ching<br />
*11.30 - 12.00 - Elysa<br />
*12.00 - 12.15 BREAK<br />
<br />
*12:15 - 12:45 - jacob<br />
*12:45 - 13:15 - kamali<br />
*13.15 - 13.45 LUNCH<br />
<br />
*13.45 - 14.15 - <br />
*14:15 - 14.45 - <br />
*14.45 - 15:15 - <br />
*15.15 - 15.45 - Lea<br />
<br />
*15.45 - 16.00 BREAK<br />
*16.00 - 16.30 - Jelle<br />
<br />
*MMuxingye Chen is traveling from Beijing to Shanghai<br />
<br />
Pummell, S. is inviting you to a scheduled Zoom meeting.<br />
<br />
Topic: LB2 Group Crit<br />
Time: Mar 8, 2021 10:00 AM Amsterdam<br />
<br />
Join Zoom Meeting<br />
https://hogeschoolrotterdam.zoom.us/j/93645582454?pwd=a2x5SW40c0c2TU5GaHJIV0RoQWZ4QT09<br />
<br />
Meeting ID: 936 4558 2454<br />
Passcode: 843606<br />
One tap mobile<br />
+31207946519,,93645582454#,,,,*843606# Netherlands<br />
+31207946520,,93645582454#,,,,*843606# Netherlands</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/04-03-2021_-Event_1&diff=190340Calendars:Networked Media Calendar/Networked Media Calendar/04-03-2021 -Event 12021-02-27T12:02:58Z<p>Yuching.chiang: /* Steve's Group */</p>
<hr />
<div>MFAD2 GRS with Marloes, Steve and Natasha<br />
<br />
10:00 - 18:00<br />
<br />
== Marloes' group ==<br />
Please send your <span style="background:green">latest draft on Monday the 1st</span> so I can read it ahead of the session. Thank you & happy writing :)<br />
<br />
09:15 - 10:00 Avital<br />
10:00 - 10:45 Damla<br />
10:45 - 11:30 Anna<br />
11:30 - 12:15 Mark<br />
=== break ===<br />
13:00 - 13:45 Sandra<br />
13:45 - 14:30 <br />
14:30 - 15:15 Clara<br />
<br />
== Natasha's group ==<br />
Please send your <span style="background:yellow"> latest draft on Monday 1st </span> so I can read it before our session. Thank you!<br />
<br />
09:15 - 10:00 lea<br />
10:00 - 10:45 <br />
10:45 - 11:30 Annalisa<br />
11:30 - 12:15 <br />
=== break ===<br />
13:00 - 13:45 kamali<br />
13:45 - 14:30 thy<br />
14:30 - 15:15 <br />
15:15 - 15:45<br />
<br />
== Steve's Group ==<br />
Please send your <span style="background:blue"> latest draft on Monday 1st </span> so I can read it before our session. Thank you!<br />
10:00 - 11:00 <br />
11:00 - 12:00<br />
12:00 - 13:00 <br />
=== break ===<br />
14:00 - 15:00 Yu-Ching<br />
15:00 - 16:00 Jelle<br />
16:00 - 17:00 <br />
15:15 - 15:45</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/18-02-2021_-Event_1&diff=190236Calendars:Networked Media Calendar/Networked Media Calendar/18-02-2021 -Event 12021-02-17T20:03:45Z<p>Yuching.chiang: /* Steve's Group */</p>
<hr />
<div>MFAD2 GRS with Steve <br />
<br />
==Steve's Group==<br />
<br />
Today we read each other's texts. In the AM we take the groups were in last time, and in the PM we mix it up.<br />
<br />
MORNING: This morning, from 11:00-13:00 we will review the texts you read in groups a few weeks ago: <br />
<br />
'''Group A'''<br />
<br />
Tisa <br />
<br />
Muxingye Chen <br />
<br />
Max <br />
<br />
'''Group B'''<br />
<br />
Ioana <br />
<br />
YU-Ching https://docs.google.com/document/d/19atjHXoDDUIwpS6vyFQb9MEjDr2cSj88APMmp9HRLQM/edit?usp=sharing<br />
<br />
Jelle [[File:Thesis_Violent_Hollywood_-_Masculine_investments_in_female_victimhood_PDF.pdf]]<br />
<br />
AFTERNOON:14:00-17:00<br />
<br />
This afternoon we will meet in 2 reading and feedback groups. We will meet together at 14:00 and then move into breakout rooms. Please make a link to the text you want your colleagues to read next to your name below. <br />
<br />
'''Method:''' Writer – Please remain silent while your colleagues make comments on your writing. Please ''listen to what the text communicates to them'' and make notes on any changes you need to make. After this stage, open up a more general discussion, identify your methods and approaches and outline your plan for completing the text &c: <br />
<br />
<br />
'''Group A'''<br />
<br />
Tisa https://pad.xpub.nl/p/II<br />
<br />
Muxingye Chen <br />
<br />
Ioana<br />
<br />
'''Group B'''<br />
<br />
Jelle<br />
<br />
YU-Ching <br />
<br />
Max</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/09-02-2021_-Event_6&diff=189400Calendars:Networked Media Calendar/Networked Media Calendar/09-02-2021 -Event 62021-02-04T16:36:55Z<p>Yuching.chiang: </p>
<hr />
<div>LB1 & LB2 David's ONLINE morning tutorials: if the reserve list fills then also in the afternoon, <br />
via Skype: David Haines Piet Zwart or facetime da.haines@hotmail.com - take 2 slots if needed<br />
[if you at the last minute need to cancel send a message to the list that the slot is free, thanks]<br />
<br />
*11:00 - 12:00: <br />
*12:00 - 13:00: Yu-Ching<br />
*——> break 30 minutes<br />
*13:30 - 14:30: Geo<br />
*14:30 - 15:30 Annalisa<br />
*——> break 30 minutes<br />
*16:00 - 17:00: <br />
*17:00 - 18:00:<br />
<br />
<br />
*reserve list</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/04-02-2021_-Event_1&diff=188995Calendars:Networked Media Calendar/Networked Media Calendar/04-02-2021 -Event 12021-02-01T20:20:42Z<p>Yuching.chiang: </p>
<hr />
<div>MFAD2 GRS with Marloes, Steve and Natasha<br />
<br />
10:00 - 18:00<br />
<br />
== Marloes' group ==<br />
Please send your <span style="background:green">latest draft on Monday the 1st</span> so I can read it ahead of the session. Thank you & happy writing :)<br />
<br />
09:15 - 10:00 Avital<br />
10:00 - 10:45 Anna<br />
10:45 - 11:30 Clara<br />
11:30 - 12:15 Mark<br />
=== break ===<br />
13:00 - 13:45 <br />
13:45 - 14:30 <br />
14:30 - 15:15<br />
<br />
==Steve's Group==<br />
Please make link to latest version of your text<span style="background:pink"> on Monday 1st</span> so I can read it ahead the session. Note, the next session will be group sessions.<br />
<br />
<br />
10:00 - 10:45 Ioana https://pad.xpub.nl/p/ioana_thesis_draft<br />
11:00 - 11:45 YU-Ching. Sent it via e-mail <br />
12:00 - 12:45 Tisa<br />
lunch<br />
14:00 - 14:45 Muxingye Chen<br />
15:00 - 15:45 Jelle<br />
16:00 - 16:45<br />
<br />
== Natasha's group ==<br />
Please send your latest draft <span style="background:yellow"> by the date we arranged</span> so I can read it before our meeting. Thank you!<br />
<br />
09:15 - 10:00 Thy<br />
10:00 - 10:45 Annalisa<br />
10:45 - 11:30 <br />
11:30 - 12:15 anh<br />
=== break ===<br />
13:00 - 13:45 Lea<br />
13:45 - 14:30 Elysa<br />
14:30 - 15:15 fileona<br />
15:15 - 15:45</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/04-02-2021_-Event_1&diff=188646Calendars:Networked Media Calendar/Networked Media Calendar/04-02-2021 -Event 12021-01-29T12:23:18Z<p>Yuching.chiang: </p>
<hr />
<div>MFAD2 GRS with Marloes, Steve and Natasha<br />
<br />
10:00 - 18:00<br />
<br />
== Marloes' group ==<br />
Please send your <span style="background:green">latest draft on Monday the 1st</span> so I can read it ahead of the session. Thank you & happy writing :)<br />
<br />
09:15 - 10:00 Avital<br />
10:00 - 10:45 Anna<br />
10:45 - 11:30 <br />
11:30 - 12:15 <br />
=== break ===<br />
13:00 - 13:45 <br />
13:45 - 14:30 <br />
14:30 - 15:15<br />
<br />
==Steve's Group==<br />
Please make link to latest version of your text<span style="background:pink"> on Monday 1st</span> so I can read it ahead the session. Note, the next session will be group sessions.<br />
<br />
<br />
10:00 - 10:45 Ioana<br />
11:00 - 11:45 YU-Ching<br />
12:00 - 12:45 Tisa<br />
lunch<br />
14:00 - 14:45 <br />
15:00 - 15:45 <br />
16:00 - 16:45</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/01-02-2021_-Event_4&diff=188619Calendars:Networked Media Calendar/Networked Media Calendar/01-02-2021 -Event 42021-01-28T16:28:27Z<p>Yuching.chiang: </p>
<hr />
<div>LB2: Group crit with 10:30 startBarend, Simon and Rossella, online ZOOM, I'll post later<br />
<br />
The format of the session is 10minutes to present your work and 20 minutes of group discussion (both tutors and students can contribute).<br />
<br />
SCHEDULE:<br />
<br />
10.30 - 11.00 - Thy Nguyen <br />
<br />
11.00 - 11.30 - Muxingye Chen<br />
<br />
11.30 - 12.00 - Yu-Ching<br />
<br />
<br />
12.00 - 12.15 BREAK<br />
<br />
12:15 - 12:45 - jacob<br />
<br />
12:45 - 13:15 - <br />
<br />
<br />
13.15 - 13.45 LUNCH<br />
<br />
<br />
13.45 - 14.15 - <br />
<br />
14:15 - 14.45 - <br />
<br />
14.45 - 15:15 - <br />
<br />
15.15 - 15.45 - <br />
<br />
<br />
15.45 - 16.00 BREAK<br />
<br />
16.00 - 16.30 - <br />
<br />
16.30 - 17.00 -</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/21-01-2021_-Event_1&diff=187992Calendars:Networked Media Calendar/Networked Media Calendar/21-01-2021 -Event 12021-01-20T09:38:24Z<p>Yuching.chiang: /* Steve's Groups */</p>
<hr />
<div>MFAD2 GRS with Marloes, Steve and Natasha<br />
<br />
10:00 - 18:00<br />
<br />
== Marloes' group ==<br />
Please send your latest draft on Monday the 18th so I can read it ahead of the session. Thank you & happy writing :)<br />
<br />
09:15 - 10:00 <br />
10:00 - 10:45 Mark<br />
10:45 - 11:30 Anna<br />
11:30 - 12:15 Avital<br />
=== break ===<br />
13:00 - 13:45 Sandra<br />
13:45 - 14:30 Mika<br />
14:30 - 15:15 Clara<br />
<br />
== Natasha's group ==<br />
(One additional slot available on Friday)<br />
<br />
09:15 - 10:00 anh<br />
10:00 - 10:45 Annalisa<br />
10:45 - 11:30 Thy<br />
11:30 - 12:15 Elysa<br />
=== break ===<br />
13:15 - 14:00 Lea<br />
14:00 - 14:45 Kamali<br />
14:45 - 15:30 Fileona<br />
<br />
<br />
== Steve's Groups ==<br />
<br />
Today we will meet in 2 reading and feedback groups. We will meet together at 11:00 and then move into breakout rooms. Please make a link to the text you want your colleagues to read next to your name below. <br />
<br />
'''Method:''' Writer – Please remain silent while your colleagues make comments on your writing. Please ''listen to what the text communicates to them'' and make notes on any changes you need to make. After this stage, open up a more general discussion, identify your methods and approaches and outline your plan for completing the text &c: <br />
<br />
'''Group A'''<br />
<br />
Tisa [https://pad.xpub.nl/p/II chapter II writing]<br />
<br />
Muxingye Chen<br />
<br />
Max [https://pad.xpub.nl/p/Max_Thesis_Outline_Rewrite 2nd Outline Draft]<br />
<br />
'''Group B'''<br />
<br />
Ioana<br />
<br />
YU-Ching [[File:Thesis 20210123 working version .pdf]]<br />
<br />
Jelle</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=File:Thesis_20210123_working_version_.pdf&diff=187991File:Thesis 20210123 working version .pdf2021-01-20T09:37:07Z<p>Yuching.chiang: </p>
<hr />
<div></div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/11-01-2021_-Event_5&diff=187369Calendars:Networked Media Calendar/Networked Media Calendar/11-01-2021 -Event 52021-01-07T12:25:23Z<p>Yuching.chiang: </p>
<hr />
<div>MFAD2 GRS with Steve <br />
<br />
10:00 - 18:00<br />
<br />
Steve's Group: individual sessions, please sign up here![edit]<br />
<br />
10:00 - 10:45 YU-Ching<br />
<br />
11:00 - 11:45 Muxingye Chen<br />
<br />
12:00 - 12:45 Tisa<br />
<br />
LUNCH<br />
<br />
14:00 - 14:45 Max<br />
<br />
15:00 - 15:45 Ioana<br />
<br />
16:00 - 16:45</div>Yuching.chianghttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/07-01-2021_-Event_1&diff=187274Calendars:Networked Media Calendar/Networked Media Calendar/07-01-2021 -Event 12021-01-05T13:48:16Z<p>Yuching.chiang: </p>
<hr />
<div>MFAD2 GRS with Marloes, Steve and Natasha<br />
<br />
10:00 - 18:00<br />
<br />
===== Steve's Group: individual sessions, please sign up here! =====<br />
<br />
10:00 - 10:45<br />
<br />
11:00 - 11:45 Muxingye chen<br />
<br />
12:00 - 12:45 Yu-Ching<br />
<br />
LUNCH<br />
<br />
14:00 - 14:45 Tisa<br />
<br />
15:00 - 15:45 Jelle<br />
<br />
16:00 - 16:45 Ioana<br />
<br />
===== Natasha's group: individual sessions, please sign up here! =====<br />
(Additional slots available Friday)<br />
<br />
13:00 - 13:45 Annalisa <br> <br />
13:45 - 14.30 Lea <br><br />
14:30 - 15:15 <br><br />
<br />
== Marloes' group ==<br />
09:15 - 09:50 Mark<br />
09:50 - 10:35 Avital<br />
10:35 - 11:10 Anna<br />
11:10 - 11:45 Mika<br />
=== break ===<br />
12:25 - 13:00 Sandra<br />
13:00 - 13:35 Clara<br />
13:35 - 14:15</div>Yuching.chiang