https://pzwiki.wdka.nl/mw-mediadesign/api.php?action=feedcontributions&user=Chenmuxingye&feedformat=atomXPUB & Lens-Based wiki - User contributions [en]2024-03-29T05:11:50ZUser contributionsMediaWiki 1.38.2https://pzwiki.wdka.nl/mw-mediadesign/index.php?title=LB2_Graduation_2021_and_V2&diff=197038LB2 Graduation 2021 and V22021-09-19T18:58:38Z<p>Chenmuxingye: </p>
<hr />
<div>== LB2 Graduates 2021 and V2_ ==<br />
<br />
About the collaboration between LB2 graduates of 2021 and V2_.<br />
*The schedule includes two days of build-up and roughly four days of exhibition with a two-hour live-streamed program on each exhibition day for live presentation and performance.<br />
-The whole program can take place using V2_’s streaming and presentation equipment.<br />
-Students are responsible for: the bar and door; any presentation materials related to their individual work; and the design of the promotion materials.<br />
-The curatorial groundwork will be planned by Florian Weigl in conversation with LB alumni and monitoring during the build-up.<br />
<br />
== V2_ assistants ==<br />
Space for the names and contact details of two students who will be the liaison between LB2 and V2_. <br><br />
<br />
'''Yu-Ching'''<br />
I am interested in this, maybe I could help :)<br />
<br />
'''Thy'''<br />
I'm interested in this as well xD<br />
<br />
'''Annalisa'''<br />
<br />
<br />
== Alumni proposals ==<br />
* Please add your name, email address and phone number plus a short project description, bio and no more than three images.<br />
<br />
Add your personal details here. <br><br />
'''Project description'''<br><br />
Add your project description here. <br><br />
'''Bio'''<br><br />
Add the short biographical note here.<br><br />
'''Images'''<br />
<hr><br />
<br />
===Jelle Havermans===<br />
jellehavermans@hotmail.com | +31 621340851<br />
<br />
'''Project description'''<br />
<br />
In this atmospheric short film, a man returns to a gloomy forest in Birmingham, where long ago a mysterious crime was committed. Party photo-roman, partly digital travel report, this short film juxtaposes old forensic photographs with videos shot with a phone of the crime scene as it stands in the current day. A whisper in Hagley Woods reflects on placeness, the apparatus of cinema and on the way ghosts inhabit photographs. It further ambiguously explores the role of the male creator indulging his obsession. He retraces the steps of the murderer as well as the victim… while reminiscing on a past that is shaped through the lens of fictional narratives. <br />
<br />
'''Bio'''<br />
<br />
Jelle Havermans was born in the Netherlands and currently live in Amsterdam. In his current work he reflect on film and it's role in history. Recurring topics are the depiction of violence and (true) crime, cinematic language and the aesthetics of forensic imagery. By mingling fiction with documentary-style investigation, he explores his own obsessions and desires, through the lens of true crime media and horror.<br />
<br />
'''Images'''<br />
[https://pzwiki.wdka.nl/mediadesign/File:Still_2_Jelle.png Still 1] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 2] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 3 ]<br />
<br />
<hr><br />
===Fileona Dkhar===<br />
fileonadkhar@outlook.com | +31 648143488 | +91 7005484460<br />
<br />
'''Project description'''<br />
<br />
[https://www.fileonadkhar.com/focusnearby Graduation Project site]<br><br />
''of the land: faces, place, traces, earth'' [Video (color, sound)] <br><br />
Through voiceover, the narrator attempts to define her identity as image, place, feeling and belonging. Using the POV of the camera, the narrator traces her relationship to the moving image presented, beginning in colonial figurative representation, getting lost in the abstraction of place through maps, finding an abstract sense of shared kinship in feeling, and, finally, the land itself as a marker of her history.<br />
If VR headset use is possible, a part of the installation can also be an interactive video: https://vimeo.com/563244503/3d0e7ed7d6<br />
<br />
'''Bio'''<br />
<br />
Fileona Dkhar is a Khasi indigenous artist and researcher. Her current work rearticulates notions of her identity linked to image, place, feeling and personal history. Dkhar expresses her ideas through abstract and generative application of code, performance, filmmaking, writing, and photography.<br />
<br />
'''Images'''<br />
<gallery mode="packed-hover" heights=200px><br />
File:Screenshot 2021-07-11 at 1.23.14 PM.png <br />
File:Screenshot 2021-07-11 at 1.23.23 PM.png<br />
File:Screenshot 2021-07-11 at 1.23.06 PM.png<br />
</gallery><br />
<hr><br />
<br />
===Nguyen Ngoc Trang Thy===<br />
thy@dcsg.vn| https://www.thytrang.com/ | +31 622 835595<br />
<br />
<br />
'''Project description'''<br />
<br />
''Grand-Mother-I'' [Video (color, sound)] <br><br />
This video is an excerpt of my documentary called Grand-Mother-I <br />
<br />
Television reduces the space between the battlefield and people at home. That is why the Vietnam War called the Living Room War. It was the first time Americans see the war with their own eyes, in their own home. Broadcasting images of the war helped to end it, but in Vietnam, the war lives on. In the living room of Thy - the filmmaker, in 1975, the bulletin of numerous women looking for her grandfather after the war ends sparks family disputes that go on for decades, shaping the lives of three generations. The film offers multiple intimate gazes into the Vietnam War, trans-generational traumas and the journey towards peace of the three generations of women (and men) hence the name: Grand-Mother-I. <br />
<br />
<br />
'''Bio'''<br />
<br />
Nguyen Ngoc Trang Thy is a Vietnamese photographer and filmmaker based in Rotterdam, NL. Thy is the first generation that was born in peacetime in her family and she was sent abroad for Western education since 17. Thy’s works mainly scrutinized her own life experience, exploring the concept of home, feeling at home and belonging in a globalising world. <br />
<br />
By questioning the meaning of ‘place attachment' when the COVID-19 pandemic reaches the Netherlands, her short film FROM HOME TO HOME (2020) weaves together mysterious images that evoke science fiction cinema to convey the experience of ‘homelessness' in the uncanny and silent Netherlands while longing for her motherland. FROM HOME TO HOME was selected to premiere in the London Lift-Off Film Festival 2021. <br />
<br />
Thy is currently working on her feature-length documentary called Grand-Mother-I, in which she rediscovery the generational trauma that lingered in her and her family over three generations; In the context of the Vietnam Wars, the Economic Renovation and the Internet era in Vietnam. Through re-enactments, national and family archives, interviews and observational footage, Grand-Mother-I investigates the truth about the director's family history alongside the grand narrative of Vietnam history.<br />
<br />
'''Images'''<br />
<br />
[[File:Grand-Mother-I-2.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I-3.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I.jpg| 400px]]<br />
<br />
<br />
<br />
=== Lea Novi ===<br />
<br />
<br />
'''Project description'''<br />
<br />
<br />
The calm after the storm is a confrontation with the medium of photography. The two-part project consists of a text in which I reflect on my own practice and abstract photographs I took in nature. In a diaristic written text, I reflect on my experience during the pandemic, living in a foreign country and ask myself ethical as well as political questions about the position of the medium camera in today´s society. The text reflects in a poetic way on conversations, thoughts, and feelings that occurred during this time and are part of a struggle. The photos, which some perceive as paintings, are the result of a search for calm, quietness, and comfort in nature. Simultaneously, this approach was a way to express my feelings of home in a visual way.<br />
<br />
'''Bio'''<br />
<br />
Lea Novi is a german photographer and researcher based in Rotterdam. She is interested in developing techniques that enable a deep level of engagement and empathy. The works document social and cultural relationships in her surroundings, thus explore and reflect on life in rapidly evolving societies. In her current project, she reflects her own relationship with photography, the power of the camera, and the resulting depiction in images.<br />
<br />
'''Images'''<br />
<br />
[[File:L-N-Image-01.jpg| 400px]]<br />
<br />
[[File:L-N-Image-02.jpg| 400px]]<br />
<br />
[[File:L-N-Image-03.jpg| 400px]]<br />
<br />
=== Muxingye Chen ===<br />
<br />
chenmuxingye2014@gmail.com | 0629432797| https://muxingyechen.com/|<br />
<br />
'''setting examples'''<br />
<br />
<br>1. would like to have three hanging screens(100cm*57cm)(or three 16:9 projecting materials) arranged in a row. <br />
<br>2. Stereo sound systems<br />
<br>3. completely dark situation(for the video)<br />
<br />
my considering: my sound is pretty intense, I don't know if it's disturbing others work( Otherwise I don't mind finding alternatives) <br />
thank you very much<br />
<br />
'''Project description'''<br />
<br />
Project called "unframed". It will be presented as a video installation and will have three chapters. The first chapter subtitled "离" would be shown in V2. It illustrates a situation that in a certain frequency, the body has falling into different parts, they individually build up their own relations with the environment, and randomly interact with each other.<br />
<br />
'''Bio'''<br />
<br />
Muxingye Chen is from Chengdu, China, studied at the Piet Zwart Institute in Rotterdam with the Master Program Lens based media.<br />
<br />
He works with digital art on an abstract representation of body movement. He uses animation and 3D programming as a kind of extension of the limited body. In this way, he tries to deconstruct, unravel and convert our current image of how we deal with social structure into our individual experience.<br />
<br />
'''Images'''<br><br />
<br />
<br />
<br />
[[File:Screenshot 2021-09-14 at 23.27.55.png|400px]]<br />
[[File:Screenshot 2021-09-14 at 23.28.31.png|400px]]<br />
<br />
[[File:Screenshot 2021-09-14 at 23.28.10.png|400px]]<br />
[[File:Screenshot 2021-09-14 at 23.28.21.png|400px]]<br />
<br />
<br />
<br />
<br />
=== Yu-Ching Chiang ===<br />
eric.chiang.chiang@gmail.com | 06-47421683| https://read.cv/yuchingchiang | <br />
<br />
'''Project description'''<br />
<br />
<br />
The project is a series of experiments in search of (un)mediated particularities of communicative space in video chat. The exhibition will be three installations alongside my thesis presentation in whether paper form or digital. In terms of installation, Compass Video Calling Device is two hand-held devices that audiences are invited to interact with others, they only can see each other when they face each other. The second installation is a Shared Table, an installation to contextualize the action of video chat which encourages people to encounter random or friends in a place I call Shared Table. A table cut in half, one is situated in the indoor space while the other half sits outside the V2. A sleeping mattress will be placed alongside my still image work-Sleeping Together. The work questions the physicality, unification, virtualization of space we intimately shared. <br />
<br />
'''Bio'''<br />
<br />
I am a cross-disciplinary individual who is constantly seeking for innovation in environmental and people-engaging design. As a professional practitioner, I have been designing many practical and conceptual projects for ten years. I also conduct my own practices for exploring new possibilities of space by diverse approaches such as mixed media, spatial art, installation, and photography.<br />
<br />
'''Images'''<br />
<br />
[[File:Final presentation.024.jpeg| 400px]]<br />
[[File:Final presentation.034.jpeg| 400px]]<br />
<br />
<br />
[[File:Final presentation.029.jpeg| 400px]]<br />
<br />
<br />
=== Anh Dao ===<br />
4nhdao@gmail.com, +31 06 45571089<br />
<br><br />
<br />
'''Project description'''<br><br />
''entangled landscapes'' is a body of work that dissects the relationship between flora, capitalism, and coloniality and its impact on the European landscape.<br />
<br />
'''Bio'''<br><br />
Anh Dao is an artist and film technician from the west coast of Canada. Anh makes images and sometimes films. Her practice involves thinking about the natural world and thinking about places. She engages in a research-based embodied practice with a focus on material experimentation. Anh is interested in ecofeminism, crip time, and diasporic narratives of longing.<br />
<br><br />
'''Images'''<br><br />
<br />
[[File:Anhdao_2.jpg| 600px]] [[File:Anhdao_3.png| 600px]] [[File:Anhdao_1.jpg| 400px]]<br />
<br />
<br><br />
'''Exhibition Notes'''<br><br />
I have five framed images:<br />
<br />
- 70x48 cm <br><br />
- Two 50x47 cm <br><br />
- Two A4 <br><br />
<br />
<br />
If possible I would like white walls and natural/bright lighting.<br />
<br />
<br><br />
<br><br />
<hr><br />
<br />
===Annalisa Urti===<br />
annalisa.urti@gmail.com <br><br />
+393285555552 <br><br />
<br><br />
<br />
'''Project description'''<br><br />
I'd like to exhibit two videos, single channel:<br><br />
1. '''''Domani ti dimenticherò meglio''''' (Tomorrow I will forget you better) <br><br />
2. '''''Baci fantasma''''' (Ghostly kisses)<br><br />
<br><br />
1. '''Domani ti dimenticherò meglio (Tomorrow I will forget you better)''' <br><br />
Details:<br />
3’, colour, sound, 1920 x 1080, 2019 - 2020<br />
<br><br />
A girl wanders through the streets, the promenade, the reeds of bamboo of a small town in the South of Italy on Google Earth. She revists the places that once saw her tight to her former lover. An intimate confession unravels between aerial visions and street views of the town, spherical panoramas uploaded by the users of Google, and the virtual touch of the cursor on the screen. <br><br />
<br><br />
[[File:Isa EYE 1.png|500px]] [[File:Isa EYE 2.png|500px]] <br><br />
<br>[[File:Isa EYE 3.png|500px]] [[File:Isa EYE 4.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1YsgyZcyYcgERU6XSljAD1Rk5PklhEZ71/view?usp=sharing<br />
<br />
<br>2. '''Baci fantasma''' (Ghostly kisses) <br><br />
Details: 19’3’’, colour, sound, 1920 x 1080, 2021<br />
<br><br />
A story of loss, fragility and obsession told through the interface of Google Earth. A girl goes to the city of Rome looking for her lost love. She leaves three red roses behind at each stop she makes, hoping that they will lead her former lover to her. In the light of unresolved desire, the roses become indexical markers of human emotion in a depersonalised digital world of anonymous blurred faces. The voiceover is interspersed with the transcription of a WhatsApp chat that begins with the last and ends with the first message the two sent to each other.<br><br />
<br><br />
[[File:GK1.png|500px]] [[File:GK2.png|500px]] <br><br />
<br>[[File:GK7.png|500px]] [[File:GK8.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1y4lpsG0gy92eZKXrZMo1EaaGUeru1lTi/view?usp=sharing <br><br />
<br>'''Bio''' <br><br />
Annalisa Urti is a visual artist and writer based in Milan, Italy. She first approached dramatic art at the age of 10 to then embrace the visual arts at a broader scale during high school and her bachelor in Painting and Visual Arts at NABA, Milan, Italy. Once landed at Piet Zwart Institute, Rotterdam, Netherlands, she uses video and writing to explore themes such as human emotion in the era of hyper-communication and the dichotomies embedded in the concept of displayed intimacy. Her visual and verbal language puts lyrical and colloquial, spiritual and secular in close dialogue.<br><br />
<br><br />
<hr><br />
<br />
'''UPDATE FROM CURATING TEAM''' <br />
<br />
TIME TABLE: <br />
[[File:Grad show2021 timetable.jpg|thumb]]<br />
<br />
TOPIC AND THEMES: We had a meeting today (14/09) and brainstormed some keywords and questions. The curating team will meet again next Monday (20/9) to make the final decision on the theme and move on to poster design/exhibition layout/ marketing etc. <br />
<br />
POSTER: V2 Designer will handle<br />
<br />
OPENING DATES: <br />
We're currently thinking of both Thursday and Friday night. Thursday is private event for family and friends and Friday is for the public. There will be champagne for private event and a bar service).<br />
<br />
DOCUMENTATION: V2 will help us to document individual and group exhibition. If you have any ideas of your documentation styles, please propose (DIY also an option).</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=LB2_Graduation_2021_and_V2&diff=197037LB2 Graduation 2021 and V22021-09-19T18:57:43Z<p>Chenmuxingye: </p>
<hr />
<div>== LB2 Graduates 2021 and V2_ ==<br />
<br />
About the collaboration between LB2 graduates of 2021 and V2_.<br />
*The schedule includes two days of build-up and roughly four days of exhibition with a two-hour live-streamed program on each exhibition day for live presentation and performance.<br />
-The whole program can take place using V2_’s streaming and presentation equipment.<br />
-Students are responsible for: the bar and door; any presentation materials related to their individual work; and the design of the promotion materials.<br />
-The curatorial groundwork will be planned by Florian Weigl in conversation with LB alumni and monitoring during the build-up.<br />
<br />
== V2_ assistants ==<br />
Space for the names and contact details of two students who will be the liaison between LB2 and V2_. <br><br />
<br />
'''Yu-Ching'''<br />
I am interested in this, maybe I could help :)<br />
<br />
'''Thy'''<br />
I'm interested in this as well xD<br />
<br />
'''Annalisa'''<br />
<br />
<br />
== Alumni proposals ==<br />
* Please add your name, email address and phone number plus a short project description, bio and no more than three images.<br />
<br />
Add your personal details here. <br><br />
'''Project description'''<br><br />
Add your project description here. <br><br />
'''Bio'''<br><br />
Add the short biographical note here.<br><br />
'''Images'''<br />
<hr><br />
<br />
===Jelle Havermans===<br />
jellehavermans@hotmail.com | +31 621340851<br />
<br />
'''Project description'''<br />
<br />
In this atmospheric short film, a man returns to a gloomy forest in Birmingham, where long ago a mysterious crime was committed. Party photo-roman, partly digital travel report, this short film juxtaposes old forensic photographs with videos shot with a phone of the crime scene as it stands in the current day. A whisper in Hagley Woods reflects on placeness, the apparatus of cinema and on the way ghosts inhabit photographs. It further ambiguously explores the role of the male creator indulging his obsession. He retraces the steps of the murderer as well as the victim… while reminiscing on a past that is shaped through the lens of fictional narratives. <br />
<br />
'''Bio'''<br />
<br />
Jelle Havermans was born in the Netherlands and currently live in Amsterdam. In his current work he reflect on film and it's role in history. Recurring topics are the depiction of violence and (true) crime, cinematic language and the aesthetics of forensic imagery. By mingling fiction with documentary-style investigation, he explores his own obsessions and desires, through the lens of true crime media and horror.<br />
<br />
'''Images'''<br />
[https://pzwiki.wdka.nl/mediadesign/File:Still_2_Jelle.png Still 1] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 2] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 3 ]<br />
<br />
<hr><br />
===Fileona Dkhar===<br />
fileonadkhar@outlook.com | +31 648143488 | +91 7005484460<br />
<br />
'''Project description'''<br />
<br />
[https://www.fileonadkhar.com/focusnearby Graduation Project site]<br><br />
''of the land: faces, place, traces, earth'' [Video (color, sound)] <br><br />
Through voiceover, the narrator attempts to define her identity as image, place, feeling and belonging. Using the POV of the camera, the narrator traces her relationship to the moving image presented, beginning in colonial figurative representation, getting lost in the abstraction of place through maps, finding an abstract sense of shared kinship in feeling, and, finally, the land itself as a marker of her history.<br />
If VR headset use is possible, a part of the installation can also be an interactive video: https://vimeo.com/563244503/3d0e7ed7d6<br />
<br />
'''Bio'''<br />
<br />
Fileona Dkhar is a Khasi indigenous artist and researcher. Her current work rearticulates notions of her identity linked to image, place, feeling and personal history. Dkhar expresses her ideas through abstract and generative application of code, performance, filmmaking, writing, and photography.<br />
<br />
'''Images'''<br />
<gallery mode="packed-hover" heights=200px><br />
File:Screenshot 2021-07-11 at 1.23.14 PM.png <br />
File:Screenshot 2021-07-11 at 1.23.23 PM.png<br />
File:Screenshot 2021-07-11 at 1.23.06 PM.png<br />
</gallery><br />
<hr><br />
<br />
===Nguyen Ngoc Trang Thy===<br />
thy@dcsg.vn| https://www.thytrang.com/ | +31 622 835595<br />
<br />
<br />
'''Project description'''<br />
<br />
''Grand-Mother-I'' [Video (color, sound)] <br><br />
This video is an excerpt of my documentary called Grand-Mother-I <br />
<br />
Television reduces the space between the battlefield and people at home. That is why the Vietnam War called the Living Room War. It was the first time Americans see the war with their own eyes, in their own home. Broadcasting images of the war helped to end it, but in Vietnam, the war lives on. In the living room of Thy - the filmmaker, in 1975, the bulletin of numerous women looking for her grandfather after the war ends sparks family disputes that go on for decades, shaping the lives of three generations. The film offers multiple intimate gazes into the Vietnam War, trans-generational traumas and the journey towards peace of the three generations of women (and men) hence the name: Grand-Mother-I. <br />
<br />
<br />
'''Bio'''<br />
<br />
Nguyen Ngoc Trang Thy is a Vietnamese photographer and filmmaker based in Rotterdam, NL. Thy is the first generation that was born in peacetime in her family and she was sent abroad for Western education since 17. Thy’s works mainly scrutinized her own life experience, exploring the concept of home, feeling at home and belonging in a globalising world. <br />
<br />
By questioning the meaning of ‘place attachment' when the COVID-19 pandemic reaches the Netherlands, her short film FROM HOME TO HOME (2020) weaves together mysterious images that evoke science fiction cinema to convey the experience of ‘homelessness' in the uncanny and silent Netherlands while longing for her motherland. FROM HOME TO HOME was selected to premiere in the London Lift-Off Film Festival 2021. <br />
<br />
Thy is currently working on her feature-length documentary called Grand-Mother-I, in which she rediscovery the generational trauma that lingered in her and her family over three generations; In the context of the Vietnam Wars, the Economic Renovation and the Internet era in Vietnam. Through re-enactments, national and family archives, interviews and observational footage, Grand-Mother-I investigates the truth about the director's family history alongside the grand narrative of Vietnam history.<br />
<br />
'''Images'''<br />
<br />
[[File:Grand-Mother-I-2.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I-3.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I.jpg| 400px]]<br />
<br />
<br />
<br />
=== Lea Novi ===<br />
<br />
<br />
'''Project description'''<br />
<br />
<br />
The calm after the storm is a confrontation with the medium of photography. The two-part project consists of a text in which I reflect on my own practice and abstract photographs I took in nature. In a diaristic written text, I reflect on my experience during the pandemic, living in a foreign country and ask myself ethical as well as political questions about the position of the medium camera in today´s society. The text reflects in a poetic way on conversations, thoughts, and feelings that occurred during this time and are part of a struggle. The photos, which some perceive as paintings, are the result of a search for calm, quietness, and comfort in nature. Simultaneously, this approach was a way to express my feelings of home in a visual way.<br />
<br />
'''Bio'''<br />
<br />
Lea Novi is a german photographer and researcher based in Rotterdam. She is interested in developing techniques that enable a deep level of engagement and empathy. The works document social and cultural relationships in her surroundings, thus explore and reflect on life in rapidly evolving societies. In her current project, she reflects her own relationship with photography, the power of the camera, and the resulting depiction in images.<br />
<br />
'''Images'''<br />
<br />
[[File:L-N-Image-01.jpg| 400px]]<br />
<br />
[[File:L-N-Image-02.jpg| 400px]]<br />
<br />
[[File:L-N-Image-03.jpg| 400px]]<br />
<br />
=== Muxingye Chen ===<br />
<br />
chenmuxingye2014@gmail.com | 0629432797| https://muxingyechen.com/|<br />
<br />
'''setting examples'''<br />
<br />
1. would like to have three hanging screens(100cm*57cm)(or three 16:9 projecting materials) arranged in a row. <br />
2. Stereo sound systems<br />
3. completely dark situation(for the video)<br />
<br />
my considering: my sound is pretty intense, I don't know if it's disturbing others work( Otherwise I don't mind finding alternatives) <br />
thank you very much<br />
<br />
'''Project description'''<br />
<br />
Project called "unframed". It will be presented as a video installation and will have three chapters. The first chapter subtitled "离" would be shown in V2. It illustrates a situation that in a certain frequency, the body has falling into different parts, they individually build up their own relations with the environment, and randomly interact with each other.<br />
<br />
'''Bio'''<br />
<br />
Muxingye Chen is from Chengdu, China, studied at the Piet Zwart Institute in Rotterdam with the Master Program Lens based media.<br />
<br />
He works with digital art on an abstract representation of body movement. He uses animation and 3D programming as a kind of extension of the limited body. In this way, he tries to deconstruct, unravel and convert our current image of how we deal with social structure into our individual experience.<br />
<br />
'''Images'''<br><br />
<br />
<br />
<br />
[[File:Screenshot 2021-09-14 at 23.27.55.png|400px]]<br />
[[File:Screenshot 2021-09-14 at 23.28.31.png|400px]]<br />
<br />
[[File:Screenshot 2021-09-14 at 23.28.10.png|400px]]<br />
[[File:Screenshot 2021-09-14 at 23.28.21.png|400px]]<br />
<br />
<br />
<br />
<br />
=== Yu-Ching Chiang ===<br />
eric.chiang.chiang@gmail.com | 06-47421683| https://read.cv/yuchingchiang | <br />
<br />
'''Project description'''<br />
<br />
<br />
The project is a series of experiments in search of (un)mediated particularities of communicative space in video chat. The exhibition will be three installations alongside my thesis presentation in whether paper form or digital. In terms of installation, Compass Video Calling Device is two hand-held devices that audiences are invited to interact with others, they only can see each other when they face each other. The second installation is a Shared Table, an installation to contextualize the action of video chat which encourages people to encounter random or friends in a place I call Shared Table. A table cut in half, one is situated in the indoor space while the other half sits outside the V2. A sleeping mattress will be placed alongside my still image work-Sleeping Together. The work questions the physicality, unification, virtualization of space we intimately shared. <br />
<br />
'''Bio'''<br />
<br />
I am a cross-disciplinary individual who is constantly seeking for innovation in environmental and people-engaging design. As a professional practitioner, I have been designing many practical and conceptual projects for ten years. I also conduct my own practices for exploring new possibilities of space by diverse approaches such as mixed media, spatial art, installation, and photography.<br />
<br />
'''Images'''<br />
<br />
[[File:Final presentation.024.jpeg| 400px]]<br />
[[File:Final presentation.034.jpeg| 400px]]<br />
<br />
<br />
[[File:Final presentation.029.jpeg| 400px]]<br />
<br />
<br />
=== Anh Dao ===<br />
4nhdao@gmail.com, +31 06 45571089<br />
<br><br />
<br />
'''Project description'''<br><br />
''entangled landscapes'' is a body of work that dissects the relationship between flora, capitalism, and coloniality and its impact on the European landscape.<br />
<br />
'''Bio'''<br><br />
Anh Dao is an artist and film technician from the west coast of Canada. Anh makes images and sometimes films. Her practice involves thinking about the natural world and thinking about places. She engages in a research-based embodied practice with a focus on material experimentation. Anh is interested in ecofeminism, crip time, and diasporic narratives of longing.<br />
<br><br />
'''Images'''<br><br />
<br />
[[File:Anhdao_2.jpg| 600px]] [[File:Anhdao_3.png| 600px]] [[File:Anhdao_1.jpg| 400px]]<br />
<br />
<br><br />
'''Exhibition Notes'''<br><br />
I have five framed images:<br />
<br />
- 70x48 cm <br><br />
- Two 50x47 cm <br><br />
- Two A4 <br><br />
<br />
<br />
If possible I would like white walls and natural/bright lighting.<br />
<br />
<br><br />
<br><br />
<hr><br />
<br />
===Annalisa Urti===<br />
annalisa.urti@gmail.com <br><br />
+393285555552 <br><br />
<br><br />
<br />
'''Project description'''<br><br />
I'd like to exhibit two videos, single channel:<br><br />
1. '''''Domani ti dimenticherò meglio''''' (Tomorrow I will forget you better) <br><br />
2. '''''Baci fantasma''''' (Ghostly kisses)<br><br />
<br><br />
1. '''Domani ti dimenticherò meglio (Tomorrow I will forget you better)''' <br><br />
Details:<br />
3’, colour, sound, 1920 x 1080, 2019 - 2020<br />
<br><br />
A girl wanders through the streets, the promenade, the reeds of bamboo of a small town in the South of Italy on Google Earth. She revists the places that once saw her tight to her former lover. An intimate confession unravels between aerial visions and street views of the town, spherical panoramas uploaded by the users of Google, and the virtual touch of the cursor on the screen. <br><br />
<br><br />
[[File:Isa EYE 1.png|500px]] [[File:Isa EYE 2.png|500px]] <br><br />
<br>[[File:Isa EYE 3.png|500px]] [[File:Isa EYE 4.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1YsgyZcyYcgERU6XSljAD1Rk5PklhEZ71/view?usp=sharing<br />
<br />
<br>2. '''Baci fantasma''' (Ghostly kisses) <br><br />
Details: 19’3’’, colour, sound, 1920 x 1080, 2021<br />
<br><br />
A story of loss, fragility and obsession told through the interface of Google Earth. A girl goes to the city of Rome looking for her lost love. She leaves three red roses behind at each stop she makes, hoping that they will lead her former lover to her. In the light of unresolved desire, the roses become indexical markers of human emotion in a depersonalised digital world of anonymous blurred faces. The voiceover is interspersed with the transcription of a WhatsApp chat that begins with the last and ends with the first message the two sent to each other.<br><br />
<br><br />
[[File:GK1.png|500px]] [[File:GK2.png|500px]] <br><br />
<br>[[File:GK7.png|500px]] [[File:GK8.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1y4lpsG0gy92eZKXrZMo1EaaGUeru1lTi/view?usp=sharing <br><br />
<br>'''Bio''' <br><br />
Annalisa Urti is a visual artist and writer based in Milan, Italy. She first approached dramatic art at the age of 10 to then embrace the visual arts at a broader scale during high school and her bachelor in Painting and Visual Arts at NABA, Milan, Italy. Once landed at Piet Zwart Institute, Rotterdam, Netherlands, she uses video and writing to explore themes such as human emotion in the era of hyper-communication and the dichotomies embedded in the concept of displayed intimacy. Her visual and verbal language puts lyrical and colloquial, spiritual and secular in close dialogue.<br><br />
<br><br />
<hr><br />
<br />
'''UPDATE FROM CURATING TEAM''' <br />
<br />
TIME TABLE: <br />
[[File:Grad show2021 timetable.jpg|thumb]]<br />
<br />
TOPIC AND THEMES: We had a meeting today (14/09) and brainstormed some keywords and questions. The curating team will meet again next Monday (20/9) to make the final decision on the theme and move on to poster design/exhibition layout/ marketing etc. <br />
<br />
POSTER: V2 Designer will handle<br />
<br />
OPENING DATES: <br />
We're currently thinking of both Thursday and Friday night. Thursday is private event for family and friends and Friday is for the public. There will be champagne for private event and a bar service).<br />
<br />
DOCUMENTATION: V2 will help us to document individual and group exhibition. If you have any ideas of your documentation styles, please propose (DIY also an option).</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=LB2_Graduation_2021_and_V2&diff=197036LB2 Graduation 2021 and V22021-09-19T18:56:48Z<p>Chenmuxingye: </p>
<hr />
<div>== LB2 Graduates 2021 and V2_ ==<br />
<br />
About the collaboration between LB2 graduates of 2021 and V2_.<br />
*The schedule includes two days of build-up and roughly four days of exhibition with a two-hour live-streamed program on each exhibition day for live presentation and performance.<br />
-The whole program can take place using V2_’s streaming and presentation equipment.<br />
-Students are responsible for: the bar and door; any presentation materials related to their individual work; and the design of the promotion materials.<br />
-The curatorial groundwork will be planned by Florian Weigl in conversation with LB alumni and monitoring during the build-up.<br />
<br />
== V2_ assistants ==<br />
Space for the names and contact details of two students who will be the liaison between LB2 and V2_. <br><br />
<br />
'''Yu-Ching'''<br />
I am interested in this, maybe I could help :)<br />
<br />
'''Thy'''<br />
I'm interested in this as well xD<br />
<br />
'''Annalisa'''<br />
<br />
<br />
== Alumni proposals ==<br />
* Please add your name, email address and phone number plus a short project description, bio and no more than three images.<br />
<br />
Add your personal details here. <br><br />
'''Project description'''<br><br />
Add your project description here. <br><br />
'''Bio'''<br><br />
Add the short biographical note here.<br><br />
'''Images'''<br />
<hr><br />
<br />
===Jelle Havermans===<br />
jellehavermans@hotmail.com | +31 621340851<br />
<br />
'''Project description'''<br />
<br />
In this atmospheric short film, a man returns to a gloomy forest in Birmingham, where long ago a mysterious crime was committed. Party photo-roman, partly digital travel report, this short film juxtaposes old forensic photographs with videos shot with a phone of the crime scene as it stands in the current day. A whisper in Hagley Woods reflects on placeness, the apparatus of cinema and on the way ghosts inhabit photographs. It further ambiguously explores the role of the male creator indulging his obsession. He retraces the steps of the murderer as well as the victim… while reminiscing on a past that is shaped through the lens of fictional narratives. <br />
<br />
'''Bio'''<br />
<br />
Jelle Havermans was born in the Netherlands and currently live in Amsterdam. In his current work he reflect on film and it's role in history. Recurring topics are the depiction of violence and (true) crime, cinematic language and the aesthetics of forensic imagery. By mingling fiction with documentary-style investigation, he explores his own obsessions and desires, through the lens of true crime media and horror.<br />
<br />
'''Images'''<br />
[https://pzwiki.wdka.nl/mediadesign/File:Still_2_Jelle.png Still 1] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 2] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 3 ]<br />
<br />
<hr><br />
===Fileona Dkhar===<br />
fileonadkhar@outlook.com | +31 648143488 | +91 7005484460<br />
<br />
'''Project description'''<br />
<br />
[https://www.fileonadkhar.com/focusnearby Graduation Project site]<br><br />
''of the land: faces, place, traces, earth'' [Video (color, sound)] <br><br />
Through voiceover, the narrator attempts to define her identity as image, place, feeling and belonging. Using the POV of the camera, the narrator traces her relationship to the moving image presented, beginning in colonial figurative representation, getting lost in the abstraction of place through maps, finding an abstract sense of shared kinship in feeling, and, finally, the land itself as a marker of her history.<br />
If VR headset use is possible, a part of the installation can also be an interactive video: https://vimeo.com/563244503/3d0e7ed7d6<br />
<br />
'''Bio'''<br />
<br />
Fileona Dkhar is a Khasi indigenous artist and researcher. Her current work rearticulates notions of her identity linked to image, place, feeling and personal history. Dkhar expresses her ideas through abstract and generative application of code, performance, filmmaking, writing, and photography.<br />
<br />
'''Images'''<br />
<gallery mode="packed-hover" heights=200px><br />
File:Screenshot 2021-07-11 at 1.23.14 PM.png <br />
File:Screenshot 2021-07-11 at 1.23.23 PM.png<br />
File:Screenshot 2021-07-11 at 1.23.06 PM.png<br />
</gallery><br />
<hr><br />
<br />
===Nguyen Ngoc Trang Thy===<br />
thy@dcsg.vn| https://www.thytrang.com/ | +31 622 835595<br />
<br />
<br />
'''Project description'''<br />
<br />
''Grand-Mother-I'' [Video (color, sound)] <br><br />
This video is an excerpt of my documentary called Grand-Mother-I <br />
<br />
Television reduces the space between the battlefield and people at home. That is why the Vietnam War called the Living Room War. It was the first time Americans see the war with their own eyes, in their own home. Broadcasting images of the war helped to end it, but in Vietnam, the war lives on. In the living room of Thy - the filmmaker, in 1975, the bulletin of numerous women looking for her grandfather after the war ends sparks family disputes that go on for decades, shaping the lives of three generations. The film offers multiple intimate gazes into the Vietnam War, trans-generational traumas and the journey towards peace of the three generations of women (and men) hence the name: Grand-Mother-I. <br />
<br />
<br />
'''Bio'''<br />
<br />
Nguyen Ngoc Trang Thy is a Vietnamese photographer and filmmaker based in Rotterdam, NL. Thy is the first generation that was born in peacetime in her family and she was sent abroad for Western education since 17. Thy’s works mainly scrutinized her own life experience, exploring the concept of home, feeling at home and belonging in a globalising world. <br />
<br />
By questioning the meaning of ‘place attachment' when the COVID-19 pandemic reaches the Netherlands, her short film FROM HOME TO HOME (2020) weaves together mysterious images that evoke science fiction cinema to convey the experience of ‘homelessness' in the uncanny and silent Netherlands while longing for her motherland. FROM HOME TO HOME was selected to premiere in the London Lift-Off Film Festival 2021. <br />
<br />
Thy is currently working on her feature-length documentary called Grand-Mother-I, in which she rediscovery the generational trauma that lingered in her and her family over three generations; In the context of the Vietnam Wars, the Economic Renovation and the Internet era in Vietnam. Through re-enactments, national and family archives, interviews and observational footage, Grand-Mother-I investigates the truth about the director's family history alongside the grand narrative of Vietnam history.<br />
<br />
'''Images'''<br />
<br />
[[File:Grand-Mother-I-2.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I-3.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I.jpg| 400px]]<br />
<br />
<br />
<br />
=== Lea Novi ===<br />
<br />
<br />
'''Project description'''<br />
<br />
<br />
The calm after the storm is a confrontation with the medium of photography. The two-part project consists of a text in which I reflect on my own practice and abstract photographs I took in nature. In a diaristic written text, I reflect on my experience during the pandemic, living in a foreign country and ask myself ethical as well as political questions about the position of the medium camera in today´s society. The text reflects in a poetic way on conversations, thoughts, and feelings that occurred during this time and are part of a struggle. The photos, which some perceive as paintings, are the result of a search for calm, quietness, and comfort in nature. Simultaneously, this approach was a way to express my feelings of home in a visual way.<br />
<br />
'''Bio'''<br />
<br />
Lea Novi is a german photographer and researcher based in Rotterdam. She is interested in developing techniques that enable a deep level of engagement and empathy. The works document social and cultural relationships in her surroundings, thus explore and reflect on life in rapidly evolving societies. In her current project, she reflects her own relationship with photography, the power of the camera, and the resulting depiction in images.<br />
<br />
'''Images'''<br />
<br />
[[File:L-N-Image-01.jpg| 400px]]<br />
<br />
[[File:L-N-Image-02.jpg| 400px]]<br />
<br />
[[File:L-N-Image-03.jpg| 400px]]<br />
<br />
=== Muxingye Chen ===<br />
<br />
chenmuxingye2014@gmail.com | 0629432797| https://muxingyechen.com/|<br />
<br />
'''setting examples'''<br />
<br />
1. would like to have three hanging screens(100cm*57cm)(or three 16:9 projecting materials) arranged in a row. <br />
2. Stereo sound systems<br />
3. completely dark situation(for the video)<br />
<br />
my considering: my sound is pretty intense, I don't know if it's disturbing others work( Otherwise I don't mind finding alternatives) <br />
thank you very much<br />
<br />
'''Project description'''<br />
<br />
Project called "unframed". It will be presented as a video installation and will have three chapters. The first chapter subtitled "离" would be shown in V2. It illustrates a situation that in a certain frequency, the body has falling into different parts, they individually build up their own relations with the environment, and randomly interact with each other.<br />
<br />
'''Bio'''<br />
<br />
Muxingye Chen is from Chengdu, China, studied at the Piet Zwart Institute in Rotterdam with the Master Program Lens based media.<br />
<br />
He works with digital art on an abstract representation of body movement. He uses animation and 3D programming as a kind of extension of the limited body. In this way, he tries to deconstruct, unravel and convert our current image of how we deal with social structure into our individual experience.<br />
<br />
'''Images'''<br />
[[File:Screenshot 2021-09-14 at 23.27.55.png|400px]]<br />
[[File:Screenshot 2021-09-14 at 23.28.31.png|400px]]<br />
<br />
[[File:Screenshot 2021-09-14 at 23.28.10.png|400px]]<br />
[[File:Screenshot 2021-09-14 at 23.28.21.png|400px]]<br />
<br />
<br />
<br />
<br />
=== Yu-Ching Chiang ===<br />
eric.chiang.chiang@gmail.com | 06-47421683| https://read.cv/yuchingchiang | <br />
<br />
'''Project description'''<br />
<br />
<br />
The project is a series of experiments in search of (un)mediated particularities of communicative space in video chat. The exhibition will be three installations alongside my thesis presentation in whether paper form or digital. In terms of installation, Compass Video Calling Device is two hand-held devices that audiences are invited to interact with others, they only can see each other when they face each other. The second installation is a Shared Table, an installation to contextualize the action of video chat which encourages people to encounter random or friends in a place I call Shared Table. A table cut in half, one is situated in the indoor space while the other half sits outside the V2. A sleeping mattress will be placed alongside my still image work-Sleeping Together. The work questions the physicality, unification, virtualization of space we intimately shared. <br />
<br />
'''Bio'''<br />
<br />
I am a cross-disciplinary individual who is constantly seeking for innovation in environmental and people-engaging design. As a professional practitioner, I have been designing many practical and conceptual projects for ten years. I also conduct my own practices for exploring new possibilities of space by diverse approaches such as mixed media, spatial art, installation, and photography.<br />
<br />
'''Images'''<br />
<br />
[[File:Final presentation.024.jpeg| 400px]]<br />
[[File:Final presentation.034.jpeg| 400px]]<br />
<br />
<br />
[[File:Final presentation.029.jpeg| 400px]]<br />
<br />
<br />
=== Anh Dao ===<br />
4nhdao@gmail.com, +31 06 45571089<br />
<br><br />
<br />
'''Project description'''<br><br />
''entangled landscapes'' is a body of work that dissects the relationship between flora, capitalism, and coloniality and its impact on the European landscape.<br />
<br />
'''Bio'''<br><br />
Anh Dao is an artist and film technician from the west coast of Canada. Anh makes images and sometimes films. Her practice involves thinking about the natural world and thinking about places. She engages in a research-based embodied practice with a focus on material experimentation. Anh is interested in ecofeminism, crip time, and diasporic narratives of longing.<br />
<br><br />
'''Images'''<br><br />
<br />
[[File:Anhdao_2.jpg| 600px]] [[File:Anhdao_3.png| 600px]] [[File:Anhdao_1.jpg| 400px]]<br />
<br />
<br><br />
'''Exhibition Notes'''<br><br />
I have five framed images:<br />
<br />
- 70x48 cm <br><br />
- Two 50x47 cm <br><br />
- Two A4 <br><br />
<br />
<br />
If possible I would like white walls and natural/bright lighting.<br />
<br />
<br><br />
<br><br />
<hr><br />
<br />
===Annalisa Urti===<br />
annalisa.urti@gmail.com <br><br />
+393285555552 <br><br />
<br><br />
<br />
'''Project description'''<br><br />
I'd like to exhibit two videos, single channel:<br><br />
1. '''''Domani ti dimenticherò meglio''''' (Tomorrow I will forget you better) <br><br />
2. '''''Baci fantasma''''' (Ghostly kisses)<br><br />
<br><br />
1. '''Domani ti dimenticherò meglio (Tomorrow I will forget you better)''' <br><br />
Details:<br />
3’, colour, sound, 1920 x 1080, 2019 - 2020<br />
<br><br />
A girl wanders through the streets, the promenade, the reeds of bamboo of a small town in the South of Italy on Google Earth. She revists the places that once saw her tight to her former lover. An intimate confession unravels between aerial visions and street views of the town, spherical panoramas uploaded by the users of Google, and the virtual touch of the cursor on the screen. <br><br />
<br><br />
[[File:Isa EYE 1.png|500px]] [[File:Isa EYE 2.png|500px]] <br><br />
<br>[[File:Isa EYE 3.png|500px]] [[File:Isa EYE 4.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1YsgyZcyYcgERU6XSljAD1Rk5PklhEZ71/view?usp=sharing<br />
<br />
<br>2. '''Baci fantasma''' (Ghostly kisses) <br><br />
Details: 19’3’’, colour, sound, 1920 x 1080, 2021<br />
<br><br />
A story of loss, fragility and obsession told through the interface of Google Earth. A girl goes to the city of Rome looking for her lost love. She leaves three red roses behind at each stop she makes, hoping that they will lead her former lover to her. In the light of unresolved desire, the roses become indexical markers of human emotion in a depersonalised digital world of anonymous blurred faces. The voiceover is interspersed with the transcription of a WhatsApp chat that begins with the last and ends with the first message the two sent to each other.<br><br />
<br><br />
[[File:GK1.png|500px]] [[File:GK2.png|500px]] <br><br />
<br>[[File:GK7.png|500px]] [[File:GK8.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1y4lpsG0gy92eZKXrZMo1EaaGUeru1lTi/view?usp=sharing <br><br />
<br>'''Bio''' <br><br />
Annalisa Urti is a visual artist and writer based in Milan, Italy. She first approached dramatic art at the age of 10 to then embrace the visual arts at a broader scale during high school and her bachelor in Painting and Visual Arts at NABA, Milan, Italy. Once landed at Piet Zwart Institute, Rotterdam, Netherlands, she uses video and writing to explore themes such as human emotion in the era of hyper-communication and the dichotomies embedded in the concept of displayed intimacy. Her visual and verbal language puts lyrical and colloquial, spiritual and secular in close dialogue.<br><br />
<br><br />
<hr><br />
<br />
'''UPDATE FROM CURATING TEAM''' <br />
<br />
TIME TABLE: <br />
[[File:Grad show2021 timetable.jpg|thumb]]<br />
<br />
TOPIC AND THEMES: We had a meeting today (14/09) and brainstormed some keywords and questions. The curating team will meet again next Monday (20/9) to make the final decision on the theme and move on to poster design/exhibition layout/ marketing etc. <br />
<br />
POSTER: V2 Designer will handle<br />
<br />
OPENING DATES: <br />
We're currently thinking of both Thursday and Friday night. Thursday is private event for family and friends and Friday is for the public. There will be champagne for private event and a bar service).<br />
<br />
DOCUMENTATION: V2 will help us to document individual and group exhibition. If you have any ideas of your documentation styles, please propose (DIY also an option).</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Unframed(Muxingye_Chen)&diff=197034Unframed(Muxingye Chen)2021-09-19T18:41:59Z<p>Chenmuxingye: Created page with "{{Graduation work |Creator=Muixngye Chen |Date=2021 |Bio=Muxingye Chen is from Chengdu, China, studied at the Piet Zwart Institute in Rotterdam with the Master Program Lens-ba..."</p>
<hr />
<div>{{Graduation work<br />
|Creator=Muixngye Chen<br />
|Date=2021<br />
|Bio=Muxingye Chen is from Chengdu, China, studied at the Piet Zwart Institute in Rotterdam with the Master Program Lens-based media.<br />
<br />
He works with digital art on an abstract representation of body movement. He uses animation and 3D programming as a kind of extension of the limited body. In this way, he tries to deconstruct, unravel and convert our current image of how we deal with social structure into our individual experience.<br />
|Thumbnail=[[File:Screenshot 2021-09-14 at 23.27.55.png|400px]] [[File:Screenshot 2021-09-14 at 23.28.31.png|400px]] [[File:Screenshot 2021-09-14 at 23.28.10.png|400px]] [[File:Screenshot 2021-09-14 at 23.28.21.png|400px]]<br />
|Website=https://muxingyechen.com/<br />
|Description=Project called "unframed". It will be presented as a video installation and will have three chapters. The first chapter subtitled "离" would be shown in V2. It illustrates a situation that in a certain frequency, the body has falling into different parts, they individually build up their own relations with the environment, and randomly interact with each other.<br />
}}</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Category:Graduation_work&diff=197032Category:Graduation work2021-09-19T18:38:16Z<p>Chenmuxingye: </p>
<hr />
<div>{{#default_form:Graduation work}}</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Category:Graduation_work&diff=197031Category:Graduation work2021-09-19T18:37:51Z<p>Chenmuxingye: </p>
<hr />
<div>{{#default_form:Graduation work}}<br />
Unframed(Muxingye Chen)</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=LB2_Graduation_2021_and_V2&diff=196864LB2 Graduation 2021 and V22021-09-14T21:34:35Z<p>Chenmuxingye: </p>
<hr />
<div>== LB2 Graduates 2021 and V2_ ==<br />
<br />
About the collaboration between LB2 graduates of 2021 and V2_.<br />
*The schedule includes two days of build-up and roughly four days of exhibition with a two-hour live-streamed program on each exhibition day for live presentation and performance.<br />
-The whole program can take place using V2_’s streaming and presentation equipment.<br />
-Students are responsible for: the bar and door; any presentation materials related to their individual work; and the design of the promotion materials.<br />
-The curatorial groundwork will be planned by Florian Weigl in conversation with LB alumni and monitoring during the build-up.<br />
<br />
== V2_ assistants ==<br />
Space for the names and contact details of two students who will be the liaison between LB2 and V2_. <br><br />
<br />
'''Yu-Ching'''<br />
I am interested in this, maybe I could help :)<br />
<br />
'''Thy'''<br />
I'm interested in this as well xD<br />
<br />
'''Annalisa'''<br />
<br />
<br />
== Alumni proposals ==<br />
* Please add your name, email address and phone number plus a short project description, bio and no more than three images.<br />
<br />
Add your personal details here. <br><br />
'''Project description'''<br><br />
Add your project description here. <br><br />
'''Bio'''<br><br />
Add the short biographical note here.<br><br />
'''Images'''<br />
<hr><br />
<br />
===Jelle Havermans===<br />
jellehavermans@hotmail.com | +31 621340851<br />
<br />
'''Project description'''<br />
<br />
In this atmospheric short film, a man returns to a gloomy forest in Birmingham, where long ago a mysterious crime was committed. Party photo-roman, partly digital travel report, this short film juxtaposes old forensic photographs with videos shot with a phone of the crime scene as it stands in the current day. A whisper in Hagley Woods reflects on placeness, the apparatus of cinema and on the way ghosts inhabit photographs. It further ambiguously explores the role of the male creator indulging his obsession. He retraces the steps of the murderer as well as the victim… while reminiscing on a past that is shaped through the lens of fictional narratives. <br />
<br />
'''Bio'''<br />
<br />
Jelle Havermans was born in the Netherlands and currently live in Amsterdam. In his current work he reflect on film and it's role in history. Recurring topics are the depiction of violence and (true) crime, cinematic language and the aesthetics of forensic imagery. By mingling fiction with documentary-style investigation, he explores his own obsessions and desires, through the lens of true crime media and horror.<br />
<br />
'''Images'''<br />
[https://pzwiki.wdka.nl/mediadesign/File:Still_2_Jelle.png Still 1] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 2] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 3 ]<br />
<br />
<hr><br />
===Fileona Dkhar===<br />
fileonadkhar@outlook.com | +31 648143488 | +91 7005484460<br />
<br />
'''Project description'''<br />
<br />
[https://www.fileonadkhar.com/focusnearby Graduation Project site]<br><br />
''of the land: faces, place, traces, earth'' [Video (color, sound)] <br><br />
Through voiceover, the narrator attempts to define her identity as image, place, feeling and belonging. Using the POV of the camera, the narrator traces her relationship to the moving image presented, beginning in colonial figurative representation, getting lost in the abstraction of place through maps, finding an abstract sense of shared kinship in feeling, and, finally, the land itself as a marker of her history.<br />
If VR headset use is possible, a part of the installation can also be an interactive video: https://vimeo.com/563244503/3d0e7ed7d6<br />
<br />
'''Bio'''<br />
<br />
Fileona Dkhar is a Khasi indigenous artist and researcher. Her current work rearticulates notions of her identity linked to image, place, feeling and personal history. Dkhar expresses her ideas through abstract and generative application of code, performance, filmmaking, writing, and photography.<br />
<br />
'''Images'''<br />
<gallery mode="packed-hover" heights=200px><br />
File:Screenshot 2021-07-11 at 1.23.14 PM.png <br />
File:Screenshot 2021-07-11 at 1.23.23 PM.png<br />
File:Screenshot 2021-07-11 at 1.23.06 PM.png<br />
</gallery><br />
<hr><br />
<br />
===Nguyen Ngoc Trang Thy===<br />
thy@dcsg.vn| https://www.thytrang.com/ | +31 622 835595<br />
<br />
<br />
'''Project description'''<br />
<br />
''Grand-Mother-I'' [Video (color, sound)] <br><br />
This video is an excerpt of my documentary called Grand-Mother-I <br />
<br />
Television reduces the space between the battlefield and people at home. That is why the Vietnam War called the Living Room War. It was the first time Americans see the war with their own eyes, in their own home. Broadcasting images of the war helped to end it, but in Vietnam, the war lives on. In the living room of Thy - the filmmaker, in 1975, the bulletin of numerous women looking for her grandfather after the war ends sparks family disputes that go on for decades, shaping the lives of three generations. The film offers multiple intimate gazes into the Vietnam War, trans-generational traumas and the journey towards peace of the three generations of women (and men) hence the name: Grand-Mother-I. <br />
<br />
<br />
'''Bio'''<br />
<br />
Nguyen Ngoc Trang Thy is a Vietnamese photographer and filmmaker based in Rotterdam, NL. Thy is the first generation that was born in peacetime in her family and she was sent abroad for Western education since 17. Thy’s works mainly scrutinized her own life experience, exploring the concept of home, feeling at home and belonging in a globalising world. <br />
<br />
By questioning the meaning of ‘place attachment' when the COVID-19 pandemic reaches the Netherlands, her short film FROM HOME TO HOME (2020) weaves together mysterious images that evoke science fiction cinema to convey the experience of ‘homelessness' in the uncanny and silent Netherlands while longing for her motherland. FROM HOME TO HOME was selected to premiere in the London Lift-Off Film Festival 2021. <br />
<br />
Thy is currently working on her feature-length documentary called Grand-Mother-I, in which she rediscovery the generational trauma that lingered in her and her family over three generations; In the context of the Vietnam Wars, the Economic Renovation and the Internet era in Vietnam. Through re-enactments, national and family archives, interviews and observational footage, Grand-Mother-I investigates the truth about the director's family history alongside the grand narrative of Vietnam history.<br />
<br />
'''Images'''<br />
<br />
[[File:Grand-Mother-I-2.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I-3.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I.jpg| 400px]]<br />
<br />
<br />
<br />
=== Lea Novi ===<br />
<br />
<br />
'''Project description'''<br />
<br />
<br />
The calm after the storm is a confrontation with the medium of photography. The two-part project consists of a text in which I reflect on my own practice and abstract photographs I took in nature. In a diaristic written text, I reflect on my experience during the pandemic, living in a foreign country and ask myself ethical as well as political questions about the position of the medium camera in today´s society. The text reflects in a poetic way on conversations, thoughts, and feelings that occurred during this time and are part of a struggle. The photos, which some perceive as paintings, are the result of a search for calm, quietness, and comfort in nature. Simultaneously, this approach was a way to express my feelings of home in a visual way.<br />
<br />
'''Bio'''<br />
<br />
Lea Novi is a german photographer and researcher based in Rotterdam. She is interested in developing techniques that enable a deep level of engagement and empathy. The works document social and cultural relationships in her surroundings, thus explore and reflect on life in rapidly evolving societies. In her current project, she reflects her own relationship with photography, the power of the camera, and the resulting depiction in images.<br />
<br />
'''Images'''<br />
<br />
[[File:L-N-Image-01.jpg| 400px]]<br />
<br />
[[File:L-N-Image-02.jpg| 400px]]<br />
<br />
[[File:L-N-Image-03.jpg| 400px]]<br />
<br />
=== Muxingye Chen ===<br />
<br />
chenmuxingye2014@gmail.com | 0629432797| https://muxingyechen.com/|<br />
<br />
'''Project description'''<br />
<br />
Project called "unframed". It will be presented as a video installation and will have three chapters. The first chapter subtitled "离" would be shown in V2. It illustrates a situation that in a certain frequency, the body has falling into different parts, they individually build up their own relations with the environment, and randomly interact with each other.<br />
<br />
'''Bio'''<br />
<br />
Muxingye Chen is from Chengdu, China, studied at the Piet Zwart Institute in Rotterdam with the Master Program Lens based media.<br />
<br />
He works with digital art on an abstract representation of body movement. He uses animation and 3D programming as a kind of extension of the limited body. In this way, he tries to deconstruct, unravel and convert our current image of how we deal with social structure into our individual experience.<br />
<br />
'''Images'''<br />
[[File:Screenshot 2021-09-14 at 23.27.55.png|400px]]<br />
[[File:Screenshot 2021-09-14 at 23.28.31.png|400px]]<br />
[[File:Screenshot 2021-09-14 at 23.28.10.png|400px]]<br />
[[File:Screenshot 2021-09-14 at 23.28.21.png|400px]]<br />
<br />
<br />
<br />
<br />
=== Yu-Ching Chiang ===<br />
eric.chiang.chiang@gmail.com | 06-47421683| https://read.cv/yuchingchiang | <br />
<br />
'''Project description'''<br />
<br />
<br />
The project is a series of experiments in search of (un)mediated particularities of communicative space in video chat. The exhibition will be three installations alongside my thesis presentation in whether paper form or digital. In terms of installation, Compass Video Calling Device is two hand-held devices that audiences are invited to interact with others, they only can see each other when they face each other. The second installation is a Shared Table, an installation to contextualize the action of video chat which encourages people to encounter random or friends in a place I call Shared Table. A table cut in half, one is situated in the indoor space while the other half sits outside the V2. A sleeping mattress will be placed alongside my still image work-Sleeping Together. The work questions the physicality, unification, virtualization of space we intimately shared. <br />
<br />
'''Bio'''<br />
<br />
I am a cross-disciplinary individual who is constantly seeking for innovation in environmental and people-engaging design. As a professional practitioner, I have been designing many practical and conceptual projects for ten years. I also conduct my own practices for exploring new possibilities of space by diverse approaches such as mixed media, spatial art, installation, and photography.<br />
<br />
'''Images'''<br />
<br />
[[File:Final presentation.024.jpeg| 400px]]<br />
[[File:Final presentation.034.jpeg| 400px]]<br />
<br />
<br />
[[File:Final presentation.029.jpeg| 400px]]<br />
<br />
<br />
=== Anh Dao ===<br />
4nhdao@gmail.com, +31 06 45571089<br />
<br />
'''Project description'''<br><br />
<br />
''entangled landscapes'' is a body of work that dissects the relationship between flora, capitalism, and coloniality and its impact on the European landscape.<br />
<br />
'''Bio'''<br><br />
Anh Dao is an artist and film technician from the west coast of Canada. Anh makes images and sometimes films. Her practice involves thinking about the natural world and thinking about places. She engages in a research-based embodied practice with a focus on material experimentation. Anh is interested in ecofeminism, crip time, and diasporic narratives of longing.<br />
<br />
<br><br />
'''Images'''<br><br />
<br />
[[File:Anhdao_2.jpg| 600px]] [[File:Anhdao_3.png| 600px]] [[File:Anhdao_1.jpg| 400px]]<br />
<br />
<hr><br />
===Annalisa Urti===<br />
annalisa.urti@gmail.com <br><br />
+393285555552 <br><br />
<br><br />
<br />
'''Project description'''<br><br />
I'd like to exhibit two videos, single channel:<br><br />
1. '''''Domani ti dimenticherò meglio''''' (Tomorrow I will forget you better) <br><br />
2. '''''Baci fantasma''''' (Ghostly kisses)<br><br />
<br><br />
1. '''Domani ti dimenticherò meglio (Tomorrow I will forget you better)''' <br><br />
Details:<br />
3’, colour, sound, 1920 x 1080, 2019 - 2020<br />
<br><br />
A girl wanders through the streets, the promenade, the reeds of bamboo of a small town in the South of Italy on Google Earth. She revists the places that once saw her tight to her former lover. An intimate confession unravels between aerial visions and street views of the town, spherical panoramas uploaded by the users of Google, and the virtual touch of the cursor on the screen. <br><br />
<br><br />
[[File:Isa EYE 1.png|500px]] [[File:Isa EYE 2.png|500px]] <br><br />
<br>[[File:Isa EYE 3.png|500px]] [[File:Isa EYE 4.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1YsgyZcyYcgERU6XSljAD1Rk5PklhEZ71/view?usp=sharing<br />
<br />
<br>2. '''Baci fantasma''' (Ghostly kisses) <br><br />
Details: 19’3’’, colour, sound, 1920 x 1080, 2021<br />
<br><br />
A story of loss, fragility, and obsession told through the interface of Google Earth. A girl goes to the city of Rome looking for her lost love. She leaves three red roses behind at each stop she makes, hoping that they will find her as well. The voiceover is interspersed with the transcription of a WhatsApp chat that begins with the last and ends with the first message the two sent. <br><br />
<br><br />
[[File:GK1.png|500px]] [[File:GK2.png|500px]] <br><br />
<br>[[File:GK7.png|500px]] [[File:GK8.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1y4lpsG0gy92eZKXrZMo1EaaGUeru1lTi/view?usp=sharing <br><br />
<br>'''Bio''' <br><br />
Annalisa Urti is a visual artist and writer based in Milan, Italy. She first approached dramatic art at the age of 10 to then embrace the visual arts at a broader scale during high school and her bachelor in Painting and Visual Arts at NABA, Milan, Italy. Once landed at Piet Zwart Institute, Rotterdam, Netherlands, she uses video and writing to explore themes such as human emotion in the era of hyper-communication and the dichotomies embedded in the concept of displayed intimacy. Her visual and verbal language puts lyrical and colloquial, spiritual and secular in close dialogue.<br><br />
<br><br />
<hr><br />
<br />
'''UPDATE FROM CURATING TEAM''' <br />
<br />
TIME TABLE: <br />
[[File:Grad show2021 timetable.jpg|thumb]]<br />
<br />
TOPIC AND THEMES: We had a meeting today (14/09) and brainstormed some keywords and questions. The curating team will meet again next Monday (20/9) to make the final decision on the theme and move on to poster design/exhibition layout/ marketing etc. <br />
<br />
POSTER: V2 Designer will handle<br />
<br />
OPENING DATES: <br />
We're currently thinking of both Thursday and Friday night. Thursday is private event for family and friends and Friday is for the public. There will be champagne for private event and a bar service).<br />
<br />
DOCUMENTATION: V2 will help us to document individual and group exhibition. If you have any ideas of your documentation styles, please propose (DIY also an option).</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=LB2_Graduation_2021_and_V2&diff=196863LB2 Graduation 2021 and V22021-09-14T21:33:24Z<p>Chenmuxingye: </p>
<hr />
<div>== LB2 Graduates 2021 and V2_ ==<br />
<br />
About the collaboration between LB2 graduates of 2021 and V2_.<br />
*The schedule includes two days of build-up and roughly four days of exhibition with a two-hour live-streamed program on each exhibition day for live presentation and performance.<br />
-The whole program can take place using V2_’s streaming and presentation equipment.<br />
-Students are responsible for: the bar and door; any presentation materials related to their individual work; and the design of the promotion materials.<br />
-The curatorial groundwork will be planned by Florian Weigl in conversation with LB alumni and monitoring during the build-up.<br />
<br />
== V2_ assistants ==<br />
Space for the names and contact details of two students who will be the liaison between LB2 and V2_. <br><br />
<br />
'''Yu-Ching'''<br />
I am interested in this, maybe I could help :)<br />
<br />
'''Thy'''<br />
I'm interested in this as well xD<br />
<br />
'''Annalisa'''<br />
<br />
<br />
== Alumni proposals ==<br />
* Please add your name, email address and phone number plus a short project description, bio and no more than three images.<br />
<br />
Add your personal details here. <br><br />
'''Project description'''<br><br />
Add your project description here. <br><br />
'''Bio'''<br><br />
Add the short biographical note here.<br><br />
'''Images'''<br />
<hr><br />
<br />
===Jelle Havermans===<br />
jellehavermans@hotmail.com | +31 621340851<br />
<br />
'''Project description'''<br />
<br />
In this atmospheric short film, a man returns to a gloomy forest in Birmingham, where long ago a mysterious crime was committed. Party photo-roman, partly digital travel report, this short film juxtaposes old forensic photographs with videos shot with a phone of the crime scene as it stands in the current day. A whisper in Hagley Woods reflects on placeness, the apparatus of cinema and on the way ghosts inhabit photographs. It further ambiguously explores the role of the male creator indulging his obsession. He retraces the steps of the murderer as well as the victim… while reminiscing on a past that is shaped through the lens of fictional narratives. <br />
<br />
'''Bio'''<br />
<br />
Jelle Havermans was born in the Netherlands and currently live in Amsterdam. In his current work he reflect on film and it's role in history. Recurring topics are the depiction of violence and (true) crime, cinematic language and the aesthetics of forensic imagery. By mingling fiction with documentary-style investigation, he explores his own obsessions and desires, through the lens of true crime media and horror.<br />
<br />
'''Images'''<br />
[https://pzwiki.wdka.nl/mediadesign/File:Still_2_Jelle.png Still 1] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 2] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 3 ]<br />
<br />
<hr><br />
===Fileona Dkhar===<br />
fileonadkhar@outlook.com | +31 648143488 | +91 7005484460<br />
<br />
'''Project description'''<br />
<br />
[https://www.fileonadkhar.com/focusnearby Graduation Project site]<br><br />
''of the land: faces, place, traces, earth'' [Video (color, sound)] <br><br />
Through voiceover, the narrator attempts to define her identity as image, place, feeling and belonging. Using the POV of the camera, the narrator traces her relationship to the moving image presented, beginning in colonial figurative representation, getting lost in the abstraction of place through maps, finding an abstract sense of shared kinship in feeling, and, finally, the land itself as a marker of her history.<br />
If VR headset use is possible, a part of the installation can also be an interactive video: https://vimeo.com/563244503/3d0e7ed7d6<br />
<br />
'''Bio'''<br />
<br />
Fileona Dkhar is a Khasi indigenous artist and researcher. Her current work rearticulates notions of her identity linked to image, place, feeling and personal history. Dkhar expresses her ideas through abstract and generative application of code, performance, filmmaking, writing, and photography.<br />
<br />
'''Images'''<br />
<gallery mode="packed-hover" heights=200px><br />
File:Screenshot 2021-07-11 at 1.23.14 PM.png <br />
File:Screenshot 2021-07-11 at 1.23.23 PM.png<br />
File:Screenshot 2021-07-11 at 1.23.06 PM.png<br />
</gallery><br />
<hr><br />
<br />
===Nguyen Ngoc Trang Thy===<br />
thy@dcsg.vn| https://www.thytrang.com/ | +31 622 835595<br />
<br />
<br />
'''Project description'''<br />
<br />
''Grand-Mother-I'' [Video (color, sound)] <br><br />
This video is an excerpt of my documentary called Grand-Mother-I <br />
<br />
Television reduces the space between the battlefield and people at home. That is why the Vietnam War called the Living Room War. It was the first time Americans see the war with their own eyes, in their own home. Broadcasting images of the war helped to end it, but in Vietnam, the war lives on. In the living room of Thy - the filmmaker, in 1975, the bulletin of numerous women looking for her grandfather after the war ends sparks family disputes that go on for decades, shaping the lives of three generations. The film offers multiple intimate gazes into the Vietnam War, trans-generational traumas and the journey towards peace of the three generations of women (and men) hence the name: Grand-Mother-I. <br />
<br />
<br />
'''Bio'''<br />
<br />
Nguyen Ngoc Trang Thy is a Vietnamese photographer and filmmaker based in Rotterdam, NL. Thy is the first generation that was born in peacetime in her family and she was sent abroad for Western education since 17. Thy’s works mainly scrutinized her own life experience, exploring the concept of home, feeling at home and belonging in a globalising world. <br />
<br />
By questioning the meaning of ‘place attachment' when the COVID-19 pandemic reaches the Netherlands, her short film FROM HOME TO HOME (2020) weaves together mysterious images that evoke science fiction cinema to convey the experience of ‘homelessness' in the uncanny and silent Netherlands while longing for her motherland. FROM HOME TO HOME was selected to premiere in the London Lift-Off Film Festival 2021. <br />
<br />
Thy is currently working on her feature-length documentary called Grand-Mother-I, in which she rediscovery the generational trauma that lingered in her and her family over three generations; In the context of the Vietnam Wars, the Economic Renovation and the Internet era in Vietnam. Through re-enactments, national and family archives, interviews and observational footage, Grand-Mother-I investigates the truth about the director's family history alongside the grand narrative of Vietnam history.<br />
<br />
'''Images'''<br />
<br />
[[File:Grand-Mother-I-2.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I-3.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I.jpg| 400px]]<br />
<br />
<br />
<br />
=== Lea Novi ===<br />
<br />
<br />
'''Project description'''<br />
<br />
<br />
The calm after the storm is a confrontation with the medium of photography. The two-part project consists of a text in which I reflect on my own practice and abstract photographs I took in nature. In a diaristic written text, I reflect on my experience during the pandemic, living in a foreign country and ask myself ethical as well as political questions about the position of the medium camera in today´s society. The text reflects in a poetic way on conversations, thoughts, and feelings that occurred during this time and are part of a struggle. The photos, which some perceive as paintings, are the result of a search for calm, quietness, and comfort in nature. Simultaneously, this approach was a way to express my feelings of home in a visual way.<br />
<br />
'''Bio'''<br />
<br />
Lea Novi is a german photographer and researcher based in Rotterdam. She is interested in developing techniques that enable a deep level of engagement and empathy. The works document social and cultural relationships in her surroundings, thus explore and reflect on life in rapidly evolving societies. In her current project, she reflects her own relationship with photography, the power of the camera, and the resulting depiction in images.<br />
<br />
'''Images'''<br />
<br />
[[File:L-N-Image-01.jpg| 400px]]<br />
<br />
[[File:L-N-Image-02.jpg| 400px]]<br />
<br />
[[File:L-N-Image-03.jpg| 400px]]<br />
<br />
=== Muxingye Chen ===<br />
<br />
chenmuxingye2014@gmail.com | 0629432797| https://muxingyechen.com/|<br />
<br />
'''Project description'''<br />
<br />
Project called "unframed". It will be presented as a video installation and will have three chapters. The first chapter subtitled "离" would be shown in V2. It illustrates a situation that in a certain frequency, the body has falling into different parts, they individually build up their own relations with the environment, and randomly interact with each other.<br />
<br />
'''Bio'''<br />
<br />
Muxingye Chen is from Chengdu, China, studied at the Piet Zwart Institute in Rotterdam with the Master Program Lens based media.<br />
<br />
He works with digital art on an abstract representation of body movement. He uses animation and 3D programming as a kind of extension of the limited body. In this way, he tries to deconstruct, unravel and convert our current image of how we deal with social structure into our individual experience.<br />
<br />
'''Images'''<br />
[[File:Screenshot 2021-09-14 at 23.27.55.png|thumb]]<br />
[[File:Screenshot 2021-09-14 at 23.28.31.png|thumb]]<br />
[[File:Screenshot 2021-09-14 at 23.28.10.png|thumb]]<br />
[[File:Screenshot 2021-09-14 at 23.28.21.png|thumb]]<br />
<br />
<br />
<br />
<br />
=== Yu-Ching Chiang ===<br />
eric.chiang.chiang@gmail.com | 06-47421683| https://read.cv/yuchingchiang | <br />
<br />
'''Project description'''<br />
<br />
<br />
The project is a series of experiments in search of (un)mediated particularities of communicative space in video chat. The exhibition will be three installations alongside my thesis presentation in whether paper form or digital. In terms of installation, Compass Video Calling Device is two hand-held devices that audiences are invited to interact with others, they only can see each other when they face each other. The second installation is a Shared Table, an installation to contextualize the action of video chat which encourages people to encounter random or friends in a place I call Shared Table. A table cut in half, one is situated in the indoor space while the other half sits outside the V2. A sleeping mattress will be placed alongside my still image work-Sleeping Together. The work questions the physicality, unification, virtualization of space we intimately shared. <br />
<br />
'''Bio'''<br />
<br />
I am a cross-disciplinary individual who is constantly seeking for innovation in environmental and people-engaging design. As a professional practitioner, I have been designing many practical and conceptual projects for ten years. I also conduct my own practices for exploring new possibilities of space by diverse approaches such as mixed media, spatial art, installation, and photography.<br />
<br />
'''Images'''<br />
<br />
[[File:Final presentation.024.jpeg| 400px]]<br />
[[File:Final presentation.034.jpeg| 400px]]<br />
<br />
<br />
[[File:Final presentation.029.jpeg| 400px]]<br />
<br />
<br />
=== Anh Dao ===<br />
4nhdao@gmail.com, +31 06 45571089<br />
<br />
'''Project description'''<br><br />
<br />
''entangled landscapes'' is a body of work that dissects the relationship between flora, capitalism, and coloniality and its impact on the European landscape.<br />
<br />
'''Bio'''<br><br />
Anh Dao is an artist and film technician from the west coast of Canada. Anh makes images and sometimes films. Her practice involves thinking about the natural world and thinking about places. She engages in a research-based embodied practice with a focus on material experimentation. Anh is interested in ecofeminism, crip time, and diasporic narratives of longing.<br />
<br />
<br><br />
'''Images'''<br><br />
<br />
[[File:Anhdao_2.jpg| 600px]] [[File:Anhdao_3.png| 600px]] [[File:Anhdao_1.jpg| 400px]]<br />
<br />
<hr><br />
===Annalisa Urti===<br />
annalisa.urti@gmail.com <br><br />
+393285555552 <br><br />
<br><br />
<br />
'''Project description'''<br><br />
I'd like to exhibit two videos, single channel:<br><br />
1. '''''Domani ti dimenticherò meglio''''' (Tomorrow I will forget you better) <br><br />
2. '''''Baci fantasma''''' (Ghostly kisses)<br><br />
<br><br />
1. '''Domani ti dimenticherò meglio (Tomorrow I will forget you better)''' <br><br />
Details:<br />
3’, colour, sound, 1920 x 1080, 2019 - 2020<br />
<br><br />
A girl wanders through the streets, the promenade, the reeds of bamboo of a small town in the South of Italy on Google Earth. She revists the places that once saw her tight to her former lover. An intimate confession unravels between aerial visions and street views of the town, spherical panoramas uploaded by the users of Google, and the virtual touch of the cursor on the screen. <br><br />
<br><br />
[[File:Isa EYE 1.png|500px]] [[File:Isa EYE 2.png|500px]] <br><br />
<br>[[File:Isa EYE 3.png|500px]] [[File:Isa EYE 4.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1YsgyZcyYcgERU6XSljAD1Rk5PklhEZ71/view?usp=sharing<br />
<br />
<br>2. '''Baci fantasma''' (Ghostly kisses) <br><br />
Details: 19’3’’, colour, sound, 1920 x 1080, 2021<br />
<br><br />
A story of loss, fragility, and obsession told through the interface of Google Earth. A girl goes to the city of Rome looking for her lost love. She leaves three red roses behind at each stop she makes, hoping that they will find her as well. The voiceover is interspersed with the transcription of a WhatsApp chat that begins with the last and ends with the first message the two sent. <br><br />
<br><br />
[[File:GK1.png|500px]] [[File:GK2.png|500px]] <br><br />
<br>[[File:GK7.png|500px]] [[File:GK8.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1y4lpsG0gy92eZKXrZMo1EaaGUeru1lTi/view?usp=sharing <br><br />
<br>'''Bio''' <br><br />
Annalisa Urti is a visual artist and writer based in Milan, Italy. She first approached dramatic art at the age of 10 to then embrace the visual arts at a broader scale during high school and her bachelor in Painting and Visual Arts at NABA, Milan, Italy. Once landed at Piet Zwart Institute, Rotterdam, Netherlands, she uses video and writing to explore themes such as human emotion in the era of hyper-communication and the dichotomies embedded in the concept of displayed intimacy. Her visual and verbal language puts lyrical and colloquial, spiritual and secular in close dialogue.<br><br />
<br><br />
<hr><br />
<br />
'''UPDATE FROM CURATING TEAM''' <br />
<br />
TIME TABLE: <br />
[[File:Grad show2021 timetable.jpg|thumb]]<br />
<br />
TOPIC AND THEMES: We had a meeting today (14/09) and brainstormed some keywords and questions. The curating team will meet again next Monday (20/9) to make the final decision on the theme and move on to poster design/exhibition layout/ marketing etc. <br />
<br />
POSTER: V2 Designer will handle<br />
<br />
OPENING DATES: <br />
We're currently thinking of both Thursday and Friday night. Thursday is private event for family and friends and Friday is for the public. There will be champagne for private event and a bar service).<br />
<br />
DOCUMENTATION: V2 will help us to document individual and group exhibition. If you have any ideas of your documentation styles, please propose (DIY also an option).</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=File:Screenshot_2021-09-14_at_23.28.21.png&diff=196862File:Screenshot 2021-09-14 at 23.28.21.png2021-09-14T21:33:12Z<p>Chenmuxingye: </p>
<hr />
<div>4</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=File:Screenshot_2021-09-14_at_23.28.10.png&diff=196861File:Screenshot 2021-09-14 at 23.28.10.png2021-09-14T21:31:54Z<p>Chenmuxingye: </p>
<hr />
<div>3</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=File:Screenshot_2021-09-14_at_23.28.31.png&diff=196860File:Screenshot 2021-09-14 at 23.28.31.png2021-09-14T21:31:25Z<p>Chenmuxingye: </p>
<hr />
<div>2</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=LB2_Graduation_2021_and_V2&diff=196859LB2 Graduation 2021 and V22021-09-14T21:30:16Z<p>Chenmuxingye: </p>
<hr />
<div>== LB2 Graduates 2021 and V2_ ==<br />
<br />
About the collaboration between LB2 graduates of 2021 and V2_.<br />
*The schedule includes two days of build-up and roughly four days of exhibition with a two-hour live-streamed program on each exhibition day for live presentation and performance.<br />
-The whole program can take place using V2_’s streaming and presentation equipment.<br />
-Students are responsible for: the bar and door; any presentation materials related to their individual work; and the design of the promotion materials.<br />
-The curatorial groundwork will be planned by Florian Weigl in conversation with LB alumni and monitoring during the build-up.<br />
<br />
== V2_ assistants ==<br />
Space for the names and contact details of two students who will be the liaison between LB2 and V2_. <br><br />
<br />
'''Yu-Ching'''<br />
I am interested in this, maybe I could help :)<br />
<br />
'''Thy'''<br />
I'm interested in this as well xD<br />
<br />
'''Annalisa'''<br />
<br />
<br />
== Alumni proposals ==<br />
* Please add your name, email address and phone number plus a short project description, bio and no more than three images.<br />
<br />
Add your personal details here. <br><br />
'''Project description'''<br><br />
Add your project description here. <br><br />
'''Bio'''<br><br />
Add the short biographical note here.<br><br />
'''Images'''<br />
<hr><br />
<br />
===Jelle Havermans===<br />
jellehavermans@hotmail.com | +31 621340851<br />
<br />
'''Project description'''<br />
<br />
In this atmospheric short film, a man returns to a gloomy forest in Birmingham, where long ago a mysterious crime was committed. Party photo-roman, partly digital travel report, this short film juxtaposes old forensic photographs with videos shot with a phone of the crime scene as it stands in the current day. A whisper in Hagley Woods reflects on placeness, the apparatus of cinema and on the way ghosts inhabit photographs. It further ambiguously explores the role of the male creator indulging his obsession. He retraces the steps of the murderer as well as the victim… while reminiscing on a past that is shaped through the lens of fictional narratives. <br />
<br />
'''Bio'''<br />
<br />
Jelle Havermans was born in the Netherlands and currently live in Amsterdam. In his current work he reflect on film and it's role in history. Recurring topics are the depiction of violence and (true) crime, cinematic language and the aesthetics of forensic imagery. By mingling fiction with documentary-style investigation, he explores his own obsessions and desires, through the lens of true crime media and horror.<br />
<br />
'''Images'''<br />
[https://pzwiki.wdka.nl/mediadesign/File:Still_2_Jelle.png Still 1] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 2] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 3 ]<br />
<br />
<hr><br />
===Fileona Dkhar===<br />
fileonadkhar@outlook.com | +31 648143488 | +91 7005484460<br />
<br />
'''Project description'''<br />
<br />
[https://www.fileonadkhar.com/focusnearby Graduation Project site]<br><br />
''of the land: faces, place, traces, earth'' [Video (color, sound)] <br><br />
Through voiceover, the narrator attempts to define her identity as image, place, feeling and belonging. Using the POV of the camera, the narrator traces her relationship to the moving image presented, beginning in colonial figurative representation, getting lost in the abstraction of place through maps, finding an abstract sense of shared kinship in feeling, and, finally, the land itself as a marker of her history.<br />
If VR headset use is possible, a part of the installation can also be an interactive video: https://vimeo.com/563244503/3d0e7ed7d6<br />
<br />
'''Bio'''<br />
<br />
Fileona Dkhar is a Khasi indigenous artist and researcher. Her current work rearticulates notions of her identity linked to image, place, feeling and personal history. Dkhar expresses her ideas through abstract and generative application of code, performance, filmmaking, writing, and photography.<br />
<br />
'''Images'''<br />
<gallery mode="packed-hover" heights=200px><br />
File:Screenshot 2021-07-11 at 1.23.14 PM.png <br />
File:Screenshot 2021-07-11 at 1.23.23 PM.png<br />
File:Screenshot 2021-07-11 at 1.23.06 PM.png<br />
</gallery><br />
<hr><br />
<br />
===Nguyen Ngoc Trang Thy===<br />
thy@dcsg.vn| https://www.thytrang.com/ | +31 622 835595<br />
<br />
<br />
'''Project description'''<br />
<br />
''Grand-Mother-I'' [Video (color, sound)] <br><br />
This video is an excerpt of my documentary called Grand-Mother-I <br />
<br />
Television reduces the space between the battlefield and people at home. That is why the Vietnam War called the Living Room War. It was the first time Americans see the war with their own eyes, in their own home. Broadcasting images of the war helped to end it, but in Vietnam, the war lives on. In the living room of Thy - the filmmaker, in 1975, the bulletin of numerous women looking for her grandfather after the war ends sparks family disputes that go on for decades, shaping the lives of three generations. The film offers multiple intimate gazes into the Vietnam War, trans-generational traumas and the journey towards peace of the three generations of women (and men) hence the name: Grand-Mother-I. <br />
<br />
<br />
'''Bio'''<br />
<br />
Nguyen Ngoc Trang Thy is a Vietnamese photographer and filmmaker based in Rotterdam, NL. Thy is the first generation that was born in peacetime in her family and she was sent abroad for Western education since 17. Thy’s works mainly scrutinized her own life experience, exploring the concept of home, feeling at home and belonging in a globalising world. <br />
<br />
By questioning the meaning of ‘place attachment' when the COVID-19 pandemic reaches the Netherlands, her short film FROM HOME TO HOME (2020) weaves together mysterious images that evoke science fiction cinema to convey the experience of ‘homelessness' in the uncanny and silent Netherlands while longing for her motherland. FROM HOME TO HOME was selected to premiere in the London Lift-Off Film Festival 2021. <br />
<br />
Thy is currently working on her feature-length documentary called Grand-Mother-I, in which she rediscovery the generational trauma that lingered in her and her family over three generations; In the context of the Vietnam Wars, the Economic Renovation and the Internet era in Vietnam. Through re-enactments, national and family archives, interviews and observational footage, Grand-Mother-I investigates the truth about the director's family history alongside the grand narrative of Vietnam history.<br />
<br />
'''Images'''<br />
<br />
[[File:Grand-Mother-I-2.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I-3.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I.jpg| 400px]]<br />
<br />
<br />
<br />
=== Lea Novi ===<br />
<br />
<br />
'''Project description'''<br />
<br />
<br />
The calm after the storm is a confrontation with the medium of photography. The two-part project consists of a text in which I reflect on my own practice and abstract photographs I took in nature. In a diaristic written text, I reflect on my experience during the pandemic, living in a foreign country and ask myself ethical as well as political questions about the position of the medium camera in today´s society. The text reflects in a poetic way on conversations, thoughts, and feelings that occurred during this time and are part of a struggle. The photos, which some perceive as paintings, are the result of a search for calm, quietness, and comfort in nature. Simultaneously, this approach was a way to express my feelings of home in a visual way.<br />
<br />
'''Bio'''<br />
<br />
Lea Novi is a german photographer and researcher based in Rotterdam. She is interested in developing techniques that enable a deep level of engagement and empathy. The works document social and cultural relationships in her surroundings, thus explore and reflect on life in rapidly evolving societies. In her current project, she reflects her own relationship with photography, the power of the camera, and the resulting depiction in images.<br />
<br />
'''Images'''<br />
<br />
[[File:L-N-Image-01.jpg| 400px]]<br />
<br />
[[File:L-N-Image-02.jpg| 400px]]<br />
<br />
[[File:L-N-Image-03.jpg| 400px]]<br />
<br />
=== Muxingye Chen ===<br />
<br />
chenmuxingye2014@gmail.com | 0629432797| https://muxingyechen.com/|<br />
<br />
'''Project description'''<br />
<br />
Project called "unframed". It will be presented as a video installation and will have three chapters. The first chapter subtitled "离" would be shown in V2. It illustrates a situation that in a certain frequency, the body has falling into different parts, they individually build up their own relations with the environment, and randomly interact with each other.<br />
<br />
'''Bio'''<br />
<br />
Muxingye Chen is from Chengdu, China, studied at the Piet Zwart Institute in Rotterdam with the Master Program Lens based media.<br />
<br />
He works with digital art on an abstract representation of body movement. He uses animation and 3D programming as a kind of extension of the limited body. In this way, he tries to deconstruct, unravel and convert our current image of how we deal with social structure into our individual experience.<br />
<br />
'''Images'''<br />
[[File:Screenshot 2021-09-14 at 23.27.55.png|thumb]]<br />
<br />
<br />
<br />
<br />
=== Yu-Ching Chiang ===<br />
eric.chiang.chiang@gmail.com | 06-47421683| https://read.cv/yuchingchiang | <br />
<br />
'''Project description'''<br />
<br />
<br />
The project is a series of experiments in search of (un)mediated particularities of communicative space in video chat. The exhibition will be three installations alongside my thesis presentation in whether paper form or digital. In terms of installation, Compass Video Calling Device is two hand-held devices that audiences are invited to interact with others, they only can see each other when they face each other. The second installation is a Shared Table, an installation to contextualize the action of video chat which encourages people to encounter random or friends in a place I call Shared Table. A table cut in half, one is situated in the indoor space while the other half sits outside the V2. A sleeping mattress will be placed alongside my still image work-Sleeping Together. The work questions the physicality, unification, virtualization of space we intimately shared. <br />
<br />
'''Bio'''<br />
<br />
I am a cross-disciplinary individual who is constantly seeking for innovation in environmental and people-engaging design. As a professional practitioner, I have been designing many practical and conceptual projects for ten years. I also conduct my own practices for exploring new possibilities of space by diverse approaches such as mixed media, spatial art, installation, and photography.<br />
<br />
'''Images'''<br />
<br />
[[File:Final presentation.024.jpeg| 400px]]<br />
[[File:Final presentation.034.jpeg| 400px]]<br />
<br />
<br />
[[File:Final presentation.029.jpeg| 400px]]<br />
<br />
<br />
=== Anh Dao ===<br />
4nhdao@gmail.com, +31 06 45571089<br />
<br />
'''Project description'''<br><br />
<br />
''entangled landscapes'' is a body of work that dissects the relationship between flora, capitalism, and coloniality and its impact on the European landscape.<br />
<br />
'''Bio'''<br><br />
Anh Dao is an artist and film technician from the west coast of Canada. Anh makes images and sometimes films. Her practice involves thinking about the natural world and thinking about places. She engages in a research-based embodied practice with a focus on material experimentation. Anh is interested in ecofeminism, crip time, and diasporic narratives of longing.<br />
<br />
<br><br />
'''Images'''<br><br />
<br />
[[File:Anhdao_2.jpg| 600px]] [[File:Anhdao_3.png| 600px]] [[File:Anhdao_1.jpg| 400px]]<br />
<br />
<hr><br />
===Annalisa Urti===<br />
annalisa.urti@gmail.com <br><br />
+393285555552 <br><br />
<br><br />
<br />
'''Project description'''<br><br />
I'd like to exhibit two videos, single channel:<br><br />
1. '''''Domani ti dimenticherò meglio''''' (Tomorrow I will forget you better) <br><br />
2. '''''Baci fantasma''''' (Ghostly kisses)<br><br />
<br><br />
1. '''Domani ti dimenticherò meglio (Tomorrow I will forget you better)''' <br><br />
Details:<br />
3’, colour, sound, 1920 x 1080, 2019 - 2020<br />
<br><br />
A girl wanders through the streets, the promenade, the reeds of bamboo of a small town in the South of Italy on Google Earth. She revists the places that once saw her tight to her former lover. An intimate confession unravels between aerial visions and street views of the town, spherical panoramas uploaded by the users of Google, and the virtual touch of the cursor on the screen. <br><br />
<br><br />
[[File:Isa EYE 1.png|500px]] [[File:Isa EYE 2.png|500px]] <br><br />
<br>[[File:Isa EYE 3.png|500px]] [[File:Isa EYE 4.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1YsgyZcyYcgERU6XSljAD1Rk5PklhEZ71/view?usp=sharing<br />
<br />
<br>2. '''Baci fantasma''' (Ghostly kisses) <br><br />
Details: 19’3’’, colour, sound, 1920 x 1080, 2021<br />
<br><br />
A story of loss, fragility, and obsession told through the interface of Google Earth. A girl goes to the city of Rome looking for her lost love. She leaves three red roses behind at each stop she makes, hoping that they will find her as well. The voiceover is interspersed with the transcription of a WhatsApp chat that begins with the last and ends with the first message the two sent. <br><br />
<br><br />
[[File:GK1.png|500px]] [[File:GK2.png|500px]] <br><br />
<br>[[File:GK7.png|500px]] [[File:GK8.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1y4lpsG0gy92eZKXrZMo1EaaGUeru1lTi/view?usp=sharing <br><br />
<br>'''Bio''' <br><br />
Annalisa Urti is a visual artist and writer based in Milan, Italy. She first approached dramatic art at the age of 10 to then embrace the visual arts at a broader scale during high school and her bachelor in Painting and Visual Arts at NABA, Milan, Italy. Once landed at Piet Zwart Institute, Rotterdam, Netherlands, she uses video and writing to explore themes such as human emotion in the era of hyper-communication and the dichotomies embedded in the concept of displayed intimacy. Her visual and verbal language puts lyrical and colloquial, spiritual and secular in close dialogue.<br><br />
<br><br />
<hr><br />
<br />
'''UPDATE FROM CURATING TEAM''' <br />
<br />
TIME TABLE: <br />
[[File:Grad show2021 timetable.jpg|thumb]]<br />
<br />
TOPIC AND THEMES: We had a meeting today (14/09) and brainstormed some keywords and questions. The curating team will meet again next Monday (20/9) to make the final decision on the theme and move on to poster design/exhibition layout/ marketing etc. <br />
<br />
POSTER: V2 Designer will handle<br />
<br />
OPENING DATES: <br />
We're currently thinking of both Thursday and Friday night. Thursday is private event for family and friends and Friday is for the public. There will be champagne for private event and a bar service).<br />
<br />
DOCUMENTATION: V2 will help us to document individual and group exhibition. If you have any ideas of your documentation styles, please propose (DIY also an option).</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=File:Screenshot_2021-09-14_at_23.27.55.png&diff=196858File:Screenshot 2021-09-14 at 23.27.55.png2021-09-14T21:29:59Z<p>Chenmuxingye: </p>
<hr />
<div>1</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=LB2_Graduation_2021_and_V2&diff=196857LB2 Graduation 2021 and V22021-09-14T21:20:58Z<p>Chenmuxingye: </p>
<hr />
<div>== LB2 Graduates 2021 and V2_ ==<br />
<br />
About the collaboration between LB2 graduates of 2021 and V2_.<br />
*The schedule includes two days of build-up and roughly four days of exhibition with a two-hour live-streamed program on each exhibition day for live presentation and performance.<br />
-The whole program can take place using V2_’s streaming and presentation equipment.<br />
-Students are responsible for: the bar and door; any presentation materials related to their individual work; and the design of the promotion materials.<br />
-The curatorial groundwork will be planned by Florian Weigl in conversation with LB alumni and monitoring during the build-up.<br />
<br />
== V2_ assistants ==<br />
Space for the names and contact details of two students who will be the liaison between LB2 and V2_. <br><br />
<br />
'''Yu-Ching'''<br />
I am interested in this, maybe I could help :)<br />
<br />
'''Thy'''<br />
I'm interested in this as well xD<br />
<br />
'''Annalisa'''<br />
<br />
<br />
== Alumni proposals ==<br />
* Please add your name, email address and phone number plus a short project description, bio and no more than three images.<br />
<br />
Add your personal details here. <br><br />
'''Project description'''<br><br />
Add your project description here. <br><br />
'''Bio'''<br><br />
Add the short biographical note here.<br><br />
'''Images'''<br />
<hr><br />
<br />
===Jelle Havermans===<br />
jellehavermans@hotmail.com | +31 621340851<br />
<br />
'''Project description'''<br />
<br />
In this atmospheric short film, a man returns to a gloomy forest in Birmingham, where long ago a mysterious crime was committed. Party photo-roman, partly digital travel report, this short film juxtaposes old forensic photographs with videos shot with a phone of the crime scene as it stands in the current day. A whisper in Hagley Woods reflects on placeness, the apparatus of cinema and on the way ghosts inhabit photographs. It further ambiguously explores the role of the male creator indulging his obsession. He retraces the steps of the murderer as well as the victim… while reminiscing on a past that is shaped through the lens of fictional narratives. <br />
<br />
'''Bio'''<br />
<br />
Jelle Havermans was born in the Netherlands and currently live in Amsterdam. In his current work he reflect on film and it's role in history. Recurring topics are the depiction of violence and (true) crime, cinematic language and the aesthetics of forensic imagery. By mingling fiction with documentary-style investigation, he explores his own obsessions and desires, through the lens of true crime media and horror.<br />
<br />
'''Images'''<br />
[https://pzwiki.wdka.nl/mediadesign/File:Still_2_Jelle.png Still 1] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 2] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 3 ]<br />
<br />
<hr><br />
===Fileona Dkhar===<br />
fileonadkhar@outlook.com | +31 648143488 | +91 7005484460<br />
<br />
'''Project description'''<br />
<br />
[https://www.fileonadkhar.com/focusnearby Graduation Project site]<br><br />
''of the land: faces, place, traces, earth'' [Video (color, sound)] <br><br />
Through voiceover, the narrator attempts to define her identity as image, place, feeling and belonging. Using the POV of the camera, the narrator traces her relationship to the moving image presented, beginning in colonial figurative representation, getting lost in the abstraction of place through maps, finding an abstract sense of shared kinship in feeling, and, finally, the land itself as a marker of her history.<br />
If VR headset use is possible, a part of the installation can also be an interactive video: https://vimeo.com/563244503/3d0e7ed7d6<br />
<br />
'''Bio'''<br />
<br />
Fileona Dkhar is a Khasi indigenous artist and researcher. Her current work rearticulates notions of her identity linked to image, place, feeling and personal history. Dkhar expresses her ideas through abstract and generative application of code, performance, filmmaking, writing, and photography.<br />
<br />
'''Images'''<br />
<gallery mode="packed-hover" heights=200px><br />
File:Screenshot 2021-07-11 at 1.23.14 PM.png <br />
File:Screenshot 2021-07-11 at 1.23.23 PM.png<br />
File:Screenshot 2021-07-11 at 1.23.06 PM.png<br />
</gallery><br />
<hr><br />
<br />
===Nguyen Ngoc Trang Thy===<br />
thy@dcsg.vn| https://www.thytrang.com/ | +31 622 835595<br />
<br />
<br />
'''Project description'''<br />
<br />
''Grand-Mother-I'' [Video (color, sound)] <br><br />
This video is an excerpt of my documentary called Grand-Mother-I <br />
<br />
Television reduces the space between the battlefield and people at home. That is why the Vietnam War called the Living Room War. It was the first time Americans see the war with their own eyes, in their own home. Broadcasting images of the war helped to end it, but in Vietnam, the war lives on. In the living room of Thy - the filmmaker, in 1975, the bulletin of numerous women looking for her grandfather after the war ends sparks family disputes that go on for decades, shaping the lives of three generations. The film offers multiple intimate gazes into the Vietnam War, trans-generational traumas and the journey towards peace of the three generations of women (and men) hence the name: Grand-Mother-I. <br />
<br />
<br />
'''Bio'''<br />
<br />
Nguyen Ngoc Trang Thy is a Vietnamese photographer and filmmaker based in Rotterdam, NL. Thy is the first generation that was born in peacetime in her family and she was sent abroad for Western education since 17. Thy’s works mainly scrutinized her own life experience, exploring the concept of home, feeling at home and belonging in a globalising world. <br />
<br />
By questioning the meaning of ‘place attachment' when the COVID-19 pandemic reaches the Netherlands, her short film FROM HOME TO HOME (2020) weaves together mysterious images that evoke science fiction cinema to convey the experience of ‘homelessness' in the uncanny and silent Netherlands while longing for her motherland. FROM HOME TO HOME was selected to premiere in the London Lift-Off Film Festival 2021. <br />
<br />
Thy is currently working on her feature-length documentary called Grand-Mother-I, in which she rediscovery the generational trauma that lingered in her and her family over three generations; In the context of the Vietnam Wars, the Economic Renovation and the Internet era in Vietnam. Through re-enactments, national and family archives, interviews and observational footage, Grand-Mother-I investigates the truth about the director's family history alongside the grand narrative of Vietnam history.<br />
<br />
'''Images'''<br />
<br />
[[File:Grand-Mother-I-2.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I-3.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I.jpg| 400px]]<br />
<br />
<br />
<br />
=== Lea Novi ===<br />
<br />
<br />
'''Project description'''<br />
<br />
<br />
The calm after the storm is a confrontation with the medium of photography. The two-part project consists of a text in which I reflect on my own practice and abstract photographs I took in nature. In a diaristic written text, I reflect on my experience during the pandemic, living in a foreign country and ask myself ethical as well as political questions about the position of the medium camera in today´s society. The text reflects in a poetic way on conversations, thoughts, and feelings that occurred during this time and are part of a struggle. The photos, which some perceive as paintings, are the result of a search for calm, quietness, and comfort in nature. Simultaneously, this approach was a way to express my feelings of home in a visual way.<br />
<br />
'''Bio'''<br />
<br />
Lea Novi is a german photographer and researcher based in Rotterdam. She is interested in developing techniques that enable a deep level of engagement and empathy. The works document social and cultural relationships in her surroundings, thus explore and reflect on life in rapidly evolving societies. In her current project, she reflects her own relationship with photography, the power of the camera, and the resulting depiction in images.<br />
<br />
'''Images'''<br />
<br />
[[File:L-N-Image-01.jpg| 400px]]<br />
<br />
[[File:L-N-Image-02.jpg| 400px]]<br />
<br />
[[File:L-N-Image-03.jpg| 400px]]<br />
<br />
=== Muxingye Chen ===<br />
<br />
chenmuxingye2014@gmail.com | 0629432797| https://muxingyechen.com/|<br />
<br />
'''Project description'''<br />
<br />
Project called "unframed". It will be presented as video installation, and will have three chapters. The first chapter subtitled "离" would be showed in V2. It illustrates a situation that in a certain frequency, the body has falling into different parts, they individually build up their own relations with the environment, and randomly interact with each other.<br />
<br />
'''Bio'''<br />
<br />
Muxingye Chen is from Chengdu, China, studied at the Piet Zwart Institute in Rotterdam with the Master Program Lens based media.<br />
<br />
He works with digital art on an abstract representation of body movement. He uses animation and 3D programming as a kind of extension of the limited body. In this way, he tries to deconstruct, unravel and convert our current image of how we deal with social structure into our individual experience.<br />
<br />
'''Images'''<br />
<br />
[[File: 1.png|400px]]<br />
[[File: 2.png|400px]]<br />
[[File: 3.png|400px]]<br />
[[File: 4.png|400px]]<br />
<br />
<br />
=== Yu-Ching Chiang ===<br />
eric.chiang.chiang@gmail.com | 06-47421683| https://read.cv/yuchingchiang | <br />
<br />
'''Project description'''<br />
<br />
<br />
The project is a series of experiments in search of (un)mediated particularities of communicative space in video chat. The exhibition will be three installations alongside my thesis presentation in whether paper form or digital. In terms of installation, Compass Video Calling Device is two hand-held devices that audiences are invited to interact with others, they only can see each other when they face each other. The second installation is a Shared Table, an installation to contextualize the action of video chat which encourages people to encounter random or friends in a place I call Shared Table. A table cut in half, one is situated in the indoor space while the other half sits outside the V2. A sleeping mattress will be placed alongside my still image work-Sleeping Together. The work questions the physicality, unification, virtualization of space we intimately shared. <br />
<br />
'''Bio'''<br />
<br />
I am a cross-disciplinary individual who is constantly seeking for innovation in environmental and people-engaging design. As a professional practitioner, I have been designing many practical and conceptual projects for ten years. I also conduct my own practices for exploring new possibilities of space by diverse approaches such as mixed media, spatial art, installation, and photography.<br />
<br />
'''Images'''<br />
<br />
[[File:Final presentation.024.jpeg| 400px]]<br />
[[File:Final presentation.034.jpeg| 400px]]<br />
<br />
<br />
[[File:Final presentation.029.jpeg| 400px]]<br />
<br />
<br />
=== Anh Dao ===<br />
4nhdao@gmail.com, +31 06 45571089<br />
<br />
'''Project description'''<br><br />
<br />
''entangled landscapes'' is a body of work that dissects the relationship between flora, capitalism, and coloniality and its impact on the European landscape.<br />
<br />
'''Bio'''<br><br />
Anh Dao is an artist and film technician from the west coast of Canada. Anh makes images and sometimes films. Her practice involves thinking about the natural world and thinking about places. She engages in a research-based embodied practice with a focus on material experimentation. Anh is interested in ecofeminism, crip time, and diasporic narratives of longing.<br />
<br />
<br><br />
'''Images'''<br><br />
<br />
[[File:Anhdao_2.jpg| 600px]] [[File:Anhdao_3.png| 600px]] [[File:Anhdao_1.jpg| 400px]]<br />
<br />
<hr><br />
===Annalisa Urti===<br />
annalisa.urti@gmail.com <br><br />
+393285555552 <br><br />
<br><br />
<br />
'''Project description'''<br><br />
I'd like to exhibit two videos, single channel:<br><br />
1. '''''Domani ti dimenticherò meglio''''' (Tomorrow I will forget you better) <br><br />
2. '''''Baci fantasma''''' (Ghostly kisses)<br><br />
<br><br />
1. '''Domani ti dimenticherò meglio (Tomorrow I will forget you better)''' <br><br />
Details:<br />
3’, colour, sound, 1920 x 1080, 2019 - 2020<br />
<br><br />
A girl wanders through the streets, the promenade, the reeds of bamboo of a small town in the South of Italy on Google Earth. She revists the places that once saw her tight to her former lover. An intimate confession unravels between aerial visions and street views of the town, spherical panoramas uploaded by the users of Google, and the virtual touch of the cursor on the screen. <br><br />
<br><br />
[[File:Isa EYE 1.png|500px]] [[File:Isa EYE 2.png|500px]] <br><br />
<br>[[File:Isa EYE 3.png|500px]] [[File:Isa EYE 4.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1YsgyZcyYcgERU6XSljAD1Rk5PklhEZ71/view?usp=sharing<br />
<br />
<br>2. '''Baci fantasma''' (Ghostly kisses) <br><br />
Details: 19’3’’, colour, sound, 1920 x 1080, 2021<br />
<br><br />
A story of loss, fragility, and obsession told through the interface of Google Earth. A girl goes to the city of Rome looking for her lost love. She leaves three red roses behind at each stop she makes, hoping that they will find her as well. The voiceover is interspersed with the transcription of a WhatsApp chat that begins with the last and ends with the first message the two sent. <br><br />
<br><br />
[[File:GK1.png|500px]] [[File:GK2.png|500px]] <br><br />
<br>[[File:GK7.png|500px]] [[File:GK8.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1y4lpsG0gy92eZKXrZMo1EaaGUeru1lTi/view?usp=sharing <br><br />
<br>'''Bio''' <br><br />
Annalisa Urti is a visual artist and writer based in Milan, Italy. She first approached dramatic art at the age of 10 to then embrace the visual arts at a broader scale during high school and her bachelor in Painting and Visual Arts at NABA, Milan, Italy. Once landed at Piet Zwart Institute, Rotterdam, Netherlands, she uses video and writing to explore themes such as human emotion in the era of hyper-communication and the dichotomies embedded in the concept of displayed intimacy. Her visual and verbal language puts lyrical and colloquial, spiritual and secular in close dialogue.<br><br />
<br><br />
<hr><br />
<br />
'''UPDATE FROM CURATING TEAM''' <br />
<br />
TIME TABLE: <br />
[[File:Grad show2021 timetable.jpg|thumb]]<br />
<br />
TOPIC AND THEMES: We had a meeting today (14/09) and brainstormed some keywords and questions. The curating team will meet again next Monday (20/9) to make the final decision on the theme and move on to poster design/exhibition layout/ marketing etc. <br />
<br />
POSTER: V2 Designer will handle<br />
<br />
OPENING DATES: <br />
We're currently thinking of both Thursday and Friday night. Thursday is private event for family and friends and Friday is for the public. There will be champagne for private event and a bar service).<br />
<br />
DOCUMENTATION: V2 will help us to document individual and group exhibition. If you have any ideas of your documentation styles, please propose (DIY also an option).</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=LB2_Graduation_2021_and_V2&diff=196856LB2 Graduation 2021 and V22021-09-14T21:19:29Z<p>Chenmuxingye: </p>
<hr />
<div>== LB2 Graduates 2021 and V2_ ==<br />
<br />
About the collaboration between LB2 graduates of 2021 and V2_.<br />
*The schedule includes two days of build-up and roughly four days of exhibition with a two-hour live-streamed program on each exhibition day for live presentation and performance.<br />
-The whole program can take place using V2_’s streaming and presentation equipment.<br />
-Students are responsible for: the bar and door; any presentation materials related to their individual work; and the design of the promotion materials.<br />
-The curatorial groundwork will be planned by Florian Weigl in conversation with LB alumni and monitoring during the build-up.<br />
<br />
== V2_ assistants ==<br />
Space for the names and contact details of two students who will be the liaison between LB2 and V2_. <br><br />
<br />
'''Yu-Ching'''<br />
I am interested in this, maybe I could help :)<br />
<br />
'''Thy'''<br />
I'm interested in this as well xD<br />
<br />
'''Annalisa'''<br />
<br />
<br />
== Alumni proposals ==<br />
* Please add your name, email address and phone number plus a short project description, bio and no more than three images.<br />
<br />
Add your personal details here. <br><br />
'''Project description'''<br><br />
Add your project description here. <br><br />
'''Bio'''<br><br />
Add the short biographical note here.<br><br />
'''Images'''<br />
<hr><br />
<br />
===Jelle Havermans===<br />
jellehavermans@hotmail.com | +31 621340851<br />
<br />
'''Project description'''<br />
<br />
In this atmospheric short film, a man returns to a gloomy forest in Birmingham, where long ago a mysterious crime was committed. Party photo-roman, partly digital travel report, this short film juxtaposes old forensic photographs with videos shot with a phone of the crime scene as it stands in the current day. A whisper in Hagley Woods reflects on placeness, the apparatus of cinema and on the way ghosts inhabit photographs. It further ambiguously explores the role of the male creator indulging his obsession. He retraces the steps of the murderer as well as the victim… while reminiscing on a past that is shaped through the lens of fictional narratives. <br />
<br />
'''Bio'''<br />
<br />
Jelle Havermans was born in the Netherlands and currently live in Amsterdam. In his current work he reflect on film and it's role in history. Recurring topics are the depiction of violence and (true) crime, cinematic language and the aesthetics of forensic imagery. By mingling fiction with documentary-style investigation, he explores his own obsessions and desires, through the lens of true crime media and horror.<br />
<br />
'''Images'''<br />
[https://pzwiki.wdka.nl/mediadesign/File:Still_2_Jelle.png Still 1] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 2] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 3 ]<br />
<br />
<hr><br />
===Fileona Dkhar===<br />
fileonadkhar@outlook.com | +31 648143488 | +91 7005484460<br />
<br />
'''Project description'''<br />
<br />
[https://www.fileonadkhar.com/focusnearby Graduation Project site]<br><br />
''of the land: faces, place, traces, earth'' [Video (color, sound)] <br><br />
Through voiceover, the narrator attempts to define her identity as image, place, feeling and belonging. Using the POV of the camera, the narrator traces her relationship to the moving image presented, beginning in colonial figurative representation, getting lost in the abstraction of place through maps, finding an abstract sense of shared kinship in feeling, and, finally, the land itself as a marker of her history.<br />
If VR headset use is possible, a part of the installation can also be an interactive video: https://vimeo.com/563244503/3d0e7ed7d6<br />
<br />
'''Bio'''<br />
<br />
Fileona Dkhar is a Khasi indigenous artist and researcher. Her current work rearticulates notions of her identity linked to image, place, feeling and personal history. Dkhar expresses her ideas through abstract and generative application of code, performance, filmmaking, writing, and photography.<br />
<br />
'''Images'''<br />
<gallery mode="packed-hover" heights=200px><br />
File:Screenshot 2021-07-11 at 1.23.14 PM.png <br />
File:Screenshot 2021-07-11 at 1.23.23 PM.png<br />
File:Screenshot 2021-07-11 at 1.23.06 PM.png<br />
</gallery><br />
<hr><br />
<br />
===Nguyen Ngoc Trang Thy===<br />
thy@dcsg.vn| https://www.thytrang.com/ | +31 622 835595<br />
<br />
<br />
'''Project description'''<br />
<br />
''Grand-Mother-I'' [Video (color, sound)] <br><br />
This video is an excerpt of my documentary called Grand-Mother-I <br />
<br />
Television reduces the space between the battlefield and people at home. That is why the Vietnam War called the Living Room War. It was the first time Americans see the war with their own eyes, in their own home. Broadcasting images of the war helped to end it, but in Vietnam, the war lives on. In the living room of Thy - the filmmaker, in 1975, the bulletin of numerous women looking for her grandfather after the war ends sparks family disputes that go on for decades, shaping the lives of three generations. The film offers multiple intimate gazes into the Vietnam War, trans-generational traumas and the journey towards peace of the three generations of women (and men) hence the name: Grand-Mother-I. <br />
<br />
<br />
'''Bio'''<br />
<br />
Nguyen Ngoc Trang Thy is a Vietnamese photographer and filmmaker based in Rotterdam, NL. Thy is the first generation that was born in peacetime in her family and she was sent abroad for Western education since 17. Thy’s works mainly scrutinized her own life experience, exploring the concept of home, feeling at home and belonging in a globalising world. <br />
<br />
By questioning the meaning of ‘place attachment' when the COVID-19 pandemic reaches the Netherlands, her short film FROM HOME TO HOME (2020) weaves together mysterious images that evoke science fiction cinema to convey the experience of ‘homelessness' in the uncanny and silent Netherlands while longing for her motherland. FROM HOME TO HOME was selected to premiere in the London Lift-Off Film Festival 2021. <br />
<br />
Thy is currently working on her feature-length documentary called Grand-Mother-I, in which she rediscovery the generational trauma that lingered in her and her family over three generations; In the context of the Vietnam Wars, the Economic Renovation and the Internet era in Vietnam. Through re-enactments, national and family archives, interviews and observational footage, Grand-Mother-I investigates the truth about the director's family history alongside the grand narrative of Vietnam history.<br />
<br />
'''Images'''<br />
<br />
[[File:Grand-Mother-I-2.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I-3.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I.jpg| 400px]]<br />
<br />
<br />
<br />
=== Lea Novi ===<br />
<br />
<br />
'''Project description'''<br />
<br />
<br />
The calm after the storm is a confrontation with the medium of photography. The two-part project consists of a text in which I reflect on my own practice and abstract photographs I took in nature. In a diaristic written text, I reflect on my experience during the pandemic, living in a foreign country and ask myself ethical as well as political questions about the position of the medium camera in today´s society. The text reflects in a poetic way on conversations, thoughts, and feelings that occurred during this time and are part of a struggle. The photos, which some perceive as paintings, are the result of a search for calm, quietness, and comfort in nature. Simultaneously, this approach was a way to express my feelings of home in a visual way.<br />
<br />
'''Bio'''<br />
<br />
Lea Novi is a german photographer and researcher based in Rotterdam. She is interested in developing techniques that enable a deep level of engagement and empathy. The works document social and cultural relationships in her surroundings, thus explore and reflect on life in rapidly evolving societies. In her current project, she reflects her own relationship with photography, the power of the camera, and the resulting depiction in images.<br />
<br />
'''Images'''<br />
<br />
[[File:L-N-Image-01.jpg| 400px]]<br />
<br />
[[File:L-N-Image-02.jpg| 400px]]<br />
<br />
[[File:L-N-Image-03.jpg| 400px]]<br />
<br />
=== Muxingye Chen ===<br />
<br />
chenmuxingye2014@gmail.com | 0629432797| https://muxingyechen.com/|<br />
<br />
'''Project description'''<br />
<br />
Project called "unframed". It will be presented as video installation, and will have three chapters. The first chapter subtitled "离" would be showed in V2. It illustrates a situation that in a certain frequency, the body has falling into different parts, they individually build up their own relations with the environment, and randomly interact with each other.<br />
<br />
'''Bio'''<br />
<br />
Muxingye Chen is from Chengdu, China, studied at the Piet Zwart Institute in Rotterdam with the Master Program Lens based media.<br />
<br />
He works with digital art on an abstract representation of body movement. He uses animation and 3D programming as a kind of extension of the limited body. In this way, he tries to deconstruct, unravel and convert our current image of how we deal with social structure into our individual experience.<br />
<br />
'''Images'''<br />
<br />
[[File:Reference image 1.png|400px]]<br />
[[File:Reference image 2.png|400px]]<br />
[[File:Reference image 3.png|400px]]<br />
[[File:Reference image 4.png|400px]]<br />
<br />
<br />
=== Yu-Ching Chiang ===<br />
eric.chiang.chiang@gmail.com | 06-47421683| https://read.cv/yuchingchiang | <br />
<br />
'''Project description'''<br />
<br />
<br />
The project is a series of experiments in search of (un)mediated particularities of communicative space in video chat. The exhibition will be three installations alongside my thesis presentation in whether paper form or digital. In terms of installation, Compass Video Calling Device is two hand-held devices that audiences are invited to interact with others, they only can see each other when they face each other. The second installation is a Shared Table, an installation to contextualize the action of video chat which encourages people to encounter random or friends in a place I call Shared Table. A table cut in half, one is situated in the indoor space while the other half sits outside the V2. A sleeping mattress will be placed alongside my still image work-Sleeping Together. The work questions the physicality, unification, virtualization of space we intimately shared. <br />
<br />
'''Bio'''<br />
<br />
I am a cross-disciplinary individual who is constantly seeking for innovation in environmental and people-engaging design. As a professional practitioner, I have been designing many practical and conceptual projects for ten years. I also conduct my own practices for exploring new possibilities of space by diverse approaches such as mixed media, spatial art, installation, and photography.<br />
<br />
'''Images'''<br />
<br />
[[File:Final presentation.024.jpeg| 400px]]<br />
[[File:Final presentation.034.jpeg| 400px]]<br />
<br />
<br />
[[File:Final presentation.029.jpeg| 400px]]<br />
<br />
<br />
=== Anh Dao ===<br />
4nhdao@gmail.com, +31 06 45571089<br />
<br />
'''Project description'''<br><br />
<br />
''entangled landscapes'' is a body of work that dissects the relationship between flora, capitalism, and coloniality and its impact on the European landscape.<br />
<br />
'''Bio'''<br><br />
Anh Dao is an artist and film technician from the west coast of Canada. Anh makes images and sometimes films. Her practice involves thinking about the natural world and thinking about places. She engages in a research-based embodied practice with a focus on material experimentation. Anh is interested in ecofeminism, crip time, and diasporic narratives of longing.<br />
<br />
<br><br />
'''Images'''<br><br />
<br />
[[File:Anhdao_2.jpg| 600px]] [[File:Anhdao_3.png| 600px]] [[File:Anhdao_1.jpg| 400px]]<br />
<br />
<hr><br />
===Annalisa Urti===<br />
annalisa.urti@gmail.com <br><br />
+393285555552 <br><br />
<br><br />
<br />
'''Project description'''<br><br />
I'd like to exhibit two videos, single channel:<br><br />
1. '''''Domani ti dimenticherò meglio''''' (Tomorrow I will forget you better) <br><br />
2. '''''Baci fantasma''''' (Ghostly kisses)<br><br />
<br><br />
1. '''Domani ti dimenticherò meglio (Tomorrow I will forget you better)''' <br><br />
Details:<br />
3’, colour, sound, 1920 x 1080, 2019 - 2020<br />
<br><br />
A girl wanders through the streets, the promenade, the reeds of bamboo of a small town in the South of Italy on Google Earth. She revists the places that once saw her tight to her former lover. An intimate confession unravels between aerial visions and street views of the town, spherical panoramas uploaded by the users of Google, and the virtual touch of the cursor on the screen. <br><br />
<br><br />
[[File:Isa EYE 1.png|500px]] [[File:Isa EYE 2.png|500px]] <br><br />
<br>[[File:Isa EYE 3.png|500px]] [[File:Isa EYE 4.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1YsgyZcyYcgERU6XSljAD1Rk5PklhEZ71/view?usp=sharing<br />
<br />
<br>2. '''Baci fantasma''' (Ghostly kisses) <br><br />
Details: 19’3’’, colour, sound, 1920 x 1080, 2021<br />
<br><br />
A story of loss, fragility, and obsession told through the interface of Google Earth. A girl goes to the city of Rome looking for her lost love. She leaves three red roses behind at each stop she makes, hoping that they will find her as well. The voiceover is interspersed with the transcription of a WhatsApp chat that begins with the last and ends with the first message the two sent. <br><br />
<br><br />
[[File:GK1.png|500px]] [[File:GK2.png|500px]] <br><br />
<br>[[File:GK7.png|500px]] [[File:GK8.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1y4lpsG0gy92eZKXrZMo1EaaGUeru1lTi/view?usp=sharing <br><br />
<br>'''Bio''' <br><br />
Annalisa Urti is a visual artist and writer based in Milan, Italy. She first approached dramatic art at the age of 10 to then embrace the visual arts at a broader scale during high school and her bachelor in Painting and Visual Arts at NABA, Milan, Italy. Once landed at Piet Zwart Institute, Rotterdam, Netherlands, she uses video and writing to explore themes such as human emotion in the era of hyper-communication and the dichotomies embedded in the concept of displayed intimacy. Her visual and verbal language puts lyrical and colloquial, spiritual and secular in close dialogue.<br><br />
<br><br />
<hr><br />
<br />
'''UPDATE FROM CURATING TEAM''' <br />
<br />
TIME TABLE: <br />
[[File:Grad show2021 timetable.jpg|thumb]]<br />
<br />
TOPIC AND THEMES: We had a meeting today (14/09) and brainstormed some keywords and questions. The curating team will meet again next Monday (20/9) to make the final decision on the theme and move on to poster design/exhibition layout/ marketing etc. <br />
<br />
POSTER: V2 Designer will handle<br />
<br />
OPENING DATES: <br />
We're currently thinking of both Thursday and Friday night. Thursday is private event for family and friends and Friday is for the public. There will be champagne for private event and a bar service).<br />
<br />
DOCUMENTATION: V2 will help us to document individual and group exhibition. If you have any ideas of your documentation styles, please propose (DIY also an option).</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=LB2_Graduation_2021_and_V2&diff=196855LB2 Graduation 2021 and V22021-09-14T21:17:16Z<p>Chenmuxingye: /* Alumni proposals */</p>
<hr />
<div>== LB2 Graduates 2021 and V2_ ==<br />
<br />
About the collaboration between LB2 graduates of 2021 and V2_.<br />
*The schedule includes two days of build-up and roughly four days of exhibition with a two-hour live-streamed program on each exhibition day for live presentation and performance.<br />
-The whole program can take place using V2_’s streaming and presentation equipment.<br />
-Students are responsible for: the bar and door; any presentation materials related to their individual work; and the design of the promotion materials.<br />
-The curatorial groundwork will be planned by Florian Weigl in conversation with LB alumni and monitoring during the build-up.<br />
<br />
== V2_ assistants ==<br />
Space for the names and contact details of two students who will be the liaison between LB2 and V2_. <br><br />
<br />
'''Yu-Ching'''<br />
I am interested in this, maybe I could help :)<br />
<br />
'''Thy'''<br />
I'm interested in this as well xD<br />
<br />
'''Annalisa'''<br />
<br />
<br />
== Alumni proposals ==<br />
* Please add your name, email address and phone number plus a short project description, bio and no more than three images.<br />
<br />
Add your personal details here. <br><br />
'''Project description'''<br><br />
Add your project description here. <br><br />
'''Bio'''<br><br />
Add the short biographical note here.<br><br />
'''Images'''<br />
<hr><br />
<br />
===Jelle Havermans===<br />
jellehavermans@hotmail.com | +31 621340851<br />
<br />
'''Project description'''<br />
<br />
In this atmospheric short film, a man returns to a gloomy forest in Birmingham, where long ago a mysterious crime was committed. Party photo-roman, partly digital travel report, this short film juxtaposes old forensic photographs with videos shot with a phone of the crime scene as it stands in the current day. A whisper in Hagley Woods reflects on placeness, the apparatus of cinema and on the way ghosts inhabit photographs. It further ambiguously explores the role of the male creator indulging his obsession. He retraces the steps of the murderer as well as the victim… while reminiscing on a past that is shaped through the lens of fictional narratives. <br />
<br />
'''Bio'''<br />
<br />
Jelle Havermans was born in the Netherlands and currently live in Amsterdam. In his current work he reflect on film and it's role in history. Recurring topics are the depiction of violence and (true) crime, cinematic language and the aesthetics of forensic imagery. By mingling fiction with documentary-style investigation, he explores his own obsessions and desires, through the lens of true crime media and horror.<br />
<br />
'''Images'''<br />
[https://pzwiki.wdka.nl/mediadesign/File:Still_2_Jelle.png Still 1] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 2] [https://pzwiki.wdka.nl/mediadesign/File:Still_1_Jelle.png Still 3 ]<br />
<br />
<hr><br />
===Fileona Dkhar===<br />
fileonadkhar@outlook.com | +31 648143488 | +91 7005484460<br />
<br />
'''Project description'''<br />
<br />
[https://www.fileonadkhar.com/focusnearby Graduation Project site]<br><br />
''of the land: faces, place, traces, earth'' [Video (color, sound)] <br><br />
Through voiceover, the narrator attempts to define her identity as image, place, feeling and belonging. Using the POV of the camera, the narrator traces her relationship to the moving image presented, beginning in colonial figurative representation, getting lost in the abstraction of place through maps, finding an abstract sense of shared kinship in feeling, and, finally, the land itself as a marker of her history.<br />
If VR headset use is possible, a part of the installation can also be an interactive video: https://vimeo.com/563244503/3d0e7ed7d6<br />
<br />
'''Bio'''<br />
<br />
Fileona Dkhar is a Khasi indigenous artist and researcher. Her current work rearticulates notions of her identity linked to image, place, feeling and personal history. Dkhar expresses her ideas through abstract and generative application of code, performance, filmmaking, writing, and photography.<br />
<br />
'''Images'''<br />
<gallery mode="packed-hover" heights=200px><br />
File:Screenshot 2021-07-11 at 1.23.14 PM.png <br />
File:Screenshot 2021-07-11 at 1.23.23 PM.png<br />
File:Screenshot 2021-07-11 at 1.23.06 PM.png<br />
</gallery><br />
<hr><br />
<br />
===Nguyen Ngoc Trang Thy===<br />
thy@dcsg.vn| https://www.thytrang.com/ | +31 622 835595<br />
<br />
<br />
'''Project description'''<br />
<br />
''Grand-Mother-I'' [Video (color, sound)] <br><br />
This video is an excerpt of my documentary called Grand-Mother-I <br />
<br />
Television reduces the space between the battlefield and people at home. That is why the Vietnam War called the Living Room War. It was the first time Americans see the war with their own eyes, in their own home. Broadcasting images of the war helped to end it, but in Vietnam, the war lives on. In the living room of Thy - the filmmaker, in 1975, the bulletin of numerous women looking for her grandfather after the war ends sparks family disputes that go on for decades, shaping the lives of three generations. The film offers multiple intimate gazes into the Vietnam War, trans-generational traumas and the journey towards peace of the three generations of women (and men) hence the name: Grand-Mother-I. <br />
<br />
<br />
'''Bio'''<br />
<br />
Nguyen Ngoc Trang Thy is a Vietnamese photographer and filmmaker based in Rotterdam, NL. Thy is the first generation that was born in peacetime in her family and she was sent abroad for Western education since 17. Thy’s works mainly scrutinized her own life experience, exploring the concept of home, feeling at home and belonging in a globalising world. <br />
<br />
By questioning the meaning of ‘place attachment' when the COVID-19 pandemic reaches the Netherlands, her short film FROM HOME TO HOME (2020) weaves together mysterious images that evoke science fiction cinema to convey the experience of ‘homelessness' in the uncanny and silent Netherlands while longing for her motherland. FROM HOME TO HOME was selected to premiere in the London Lift-Off Film Festival 2021. <br />
<br />
Thy is currently working on her feature-length documentary called Grand-Mother-I, in which she rediscovery the generational trauma that lingered in her and her family over three generations; In the context of the Vietnam Wars, the Economic Renovation and the Internet era in Vietnam. Through re-enactments, national and family archives, interviews and observational footage, Grand-Mother-I investigates the truth about the director's family history alongside the grand narrative of Vietnam history.<br />
<br />
'''Images'''<br />
<br />
[[File:Grand-Mother-I-2.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I-3.jpg| 400px]]<br />
<br />
[[File:Grand-Mother-I.jpg| 400px]]<br />
<br />
<br />
<br />
=== Lea Novi ===<br />
<br />
<br />
'''Project description'''<br />
<br />
<br />
The calm after the storm is a confrontation with the medium of photography. The two-part project consists of a text in which I reflect on my own practice and abstract photographs I took in nature. In a diaristic written text, I reflect on my experience during the pandemic, living in a foreign country and ask myself ethical as well as political questions about the position of the medium camera in today´s society. The text reflects in a poetic way on conversations, thoughts, and feelings that occurred during this time and are part of a struggle. The photos, which some perceive as paintings, are the result of a search for calm, quietness, and comfort in nature. Simultaneously, this approach was a way to express my feelings of home in a visual way.<br />
<br />
'''Bio'''<br />
<br />
Lea Novi is a german photographer and researcher based in Rotterdam. She is interested in developing techniques that enable a deep level of engagement and empathy. The works document social and cultural relationships in her surroundings, thus explore and reflect on life in rapidly evolving societies. In her current project, she reflects her own relationship with photography, the power of the camera, and the resulting depiction in images.<br />
<br />
'''Images'''<br />
<br />
[[File:L-N-Image-01.jpg| 400px]]<br />
<br />
[[File:L-N-Image-02.jpg| 400px]]<br />
<br />
[[File:L-N-Image-03.jpg| 400px]]<br />
<br />
=== Muxingye Chen ===<br />
<br />
chenmuxingye2014@gmail.com | 0629432797| https://muxingyechen.com/|<br />
<br />
'''Project description'''<br />
<br />
Project called "unframed". It will be presented as video installation, and will have three chapters. The first chapter subtitled "离" would be showed in V2. It illustrates a situation that in a certain frequency, the body has falling into different parts, they individually build up their own relations with the environment, and randomly interact with each other.<br />
<br />
'''Bio'''<br />
<br />
Muxingye Chen is from Chengdu, China, studied at the Piet Zwart Institute in Rotterdam with the Master Program Lens based media.<br />
<br />
He works with digital art on an abstract representation of body movement. He uses animation and 3D programming as a kind of extension of the limited body. In this way he tries to deconstruct, unravel and convert our current image of how we deal with social structure into our individual experience.<br />
<br />
'''Images'''<br />
<br />
[[File:Reference image 1.png|thumb]]<br />
[[File:Reference image 2.png|thumb]]<br />
[[File:Reference image 3.png|thumb]]<br />
[[File:Reference image 4.png|thumb]]<br />
<br />
<br />
=== Yu-Ching Chiang ===<br />
eric.chiang.chiang@gmail.com | 06-47421683| https://read.cv/yuchingchiang | <br />
<br />
'''Project description'''<br />
<br />
<br />
The project is a series of experiments in search of (un)mediated particularities of communicative space in video chat. The exhibition will be three installations alongside my thesis presentation in whether paper form or digital. In terms of installation, Compass Video Calling Device is two hand-held devices that audiences are invited to interact with others, they only can see each other when they face each other. The second installation is a Shared Table, an installation to contextualize the action of video chat which encourages people to encounter random or friends in a place I call Shared Table. A table cut in half, one is situated in the indoor space while the other half sits outside the V2. A sleeping mattress will be placed alongside my still image work-Sleeping Together. The work questions the physicality, unification, virtualization of space we intimately shared. <br />
<br />
'''Bio'''<br />
<br />
I am a cross-disciplinary individual who is constantly seeking for innovation in environmental and people-engaging design. As a professional practitioner, I have been designing many practical and conceptual projects for ten years. I also conduct my own practices for exploring new possibilities of space by diverse approaches such as mixed media, spatial art, installation, and photography.<br />
<br />
'''Images'''<br />
<br />
[[File:Final presentation.024.jpeg| 400px]]<br />
[[File:Final presentation.034.jpeg| 400px]]<br />
<br />
<br />
[[File:Final presentation.029.jpeg| 400px]]<br />
<br />
<br />
=== Anh Dao ===<br />
4nhdao@gmail.com, +31 06 45571089<br />
<br />
'''Project description'''<br><br />
<br />
''entangled landscapes'' is a body of work that dissects the relationship between flora, capitalism, and coloniality and its impact on the European landscape.<br />
<br />
'''Bio'''<br><br />
Anh Dao is an artist and film technician from the west coast of Canada. Anh makes images and sometimes films. Her practice involves thinking about the natural world and thinking about places. She engages in a research-based embodied practice with a focus on material experimentation. Anh is interested in ecofeminism, crip time, and diasporic narratives of longing.<br />
<br />
<br><br />
'''Images'''<br><br />
<br />
[[File:Anhdao_2.jpg| 600px]] [[File:Anhdao_3.png| 600px]] [[File:Anhdao_1.jpg| 400px]]<br />
<br />
<hr><br />
===Annalisa Urti===<br />
annalisa.urti@gmail.com <br><br />
+393285555552 <br><br />
<br><br />
<br />
'''Project description'''<br><br />
I'd like to exhibit two videos, single channel:<br><br />
1. '''''Domani ti dimenticherò meglio''''' (Tomorrow I will forget you better) <br><br />
2. '''''Baci fantasma''''' (Ghostly kisses)<br><br />
<br><br />
1. '''Domani ti dimenticherò meglio (Tomorrow I will forget you better)''' <br><br />
Details:<br />
3’, colour, sound, 1920 x 1080, 2019 - 2020<br />
<br><br />
A girl wanders through the streets, the promenade, the reeds of bamboo of a small town in the South of Italy on Google Earth. She revists the places that once saw her tight to her former lover. An intimate confession unravels between aerial visions and street views of the town, spherical panoramas uploaded by the users of Google, and the virtual touch of the cursor on the screen. <br><br />
<br><br />
[[File:Isa EYE 1.png|500px]] [[File:Isa EYE 2.png|500px]] <br><br />
<br>[[File:Isa EYE 3.png|500px]] [[File:Isa EYE 4.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1YsgyZcyYcgERU6XSljAD1Rk5PklhEZ71/view?usp=sharing<br />
<br />
<br>2. '''Baci fantasma''' (Ghostly kisses) <br><br />
Details: 19’3’’, colour, sound, 1920 x 1080, 2021<br />
<br><br />
A story of loss, fragility, and obsession told through the interface of Google Earth. A girl goes to the city of Rome looking for her lost love. She leaves three red roses behind at each stop she makes, hoping that they will find her as well. The voiceover is interspersed with the transcription of a WhatsApp chat that begins with the last and ends with the first message the two sent. <br><br />
<br><br />
[[File:GK1.png|500px]] [[File:GK2.png|500px]] <br><br />
<br>[[File:GK7.png|500px]] [[File:GK8.png|500px]] <br><br />
<br>https://drive.google.com/file/d/1y4lpsG0gy92eZKXrZMo1EaaGUeru1lTi/view?usp=sharing <br><br />
<br>'''Bio''' <br><br />
Annalisa Urti is a visual artist and writer based in Milan, Italy. She first approached dramatic art at the age of 10 to then embrace the visual arts at a broader scale during high school and her bachelor in Painting and Visual Arts at NABA, Milan, Italy. Once landed at Piet Zwart Institute, Rotterdam, Netherlands, she uses video and writing to explore themes such as human emotion in the era of hyper-communication and the dichotomies embedded in the concept of displayed intimacy. Her visual and verbal language puts lyrical and colloquial, spiritual and secular in close dialogue.<br><br />
<br><br />
<hr><br />
<br />
'''UPDATE FROM CURATING TEAM''' <br />
<br />
TIME TABLE: <br />
[[File:Grad show2021 timetable.jpg|thumb]]<br />
<br />
TOPIC AND THEMES: We had a meeting today (14/09) and brainstormed some keywords and questions. The curating team will meet again next Monday (20/9) to make the final decision on the theme and move on to poster design/exhibition layout/ marketing etc. <br />
<br />
POSTER: V2 Designer will handle<br />
<br />
OPENING DATES: <br />
We're currently thinking of both Thursday and Friday night. Thursday is private event for family and friends and Friday is for the public. There will be champagne for private event and a bar service).<br />
<br />
DOCUMENTATION: V2 will help us to document individual and group exhibition. If you have any ideas of your documentation styles, please propose (DIY also an option).</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=File:Reference_image_4.png&diff=196854File:Reference image 4.png2021-09-14T21:16:43Z<p>Chenmuxingye: </p>
<hr />
<div>reference image 4</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=File:Reference_image_3.png&diff=196853File:Reference image 3.png2021-09-14T21:16:13Z<p>Chenmuxingye: </p>
<hr />
<div>reference image 3</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=File:Reference_image_2.png&diff=196852File:Reference image 2.png2021-09-14T21:15:45Z<p>Chenmuxingye: </p>
<hr />
<div>reference image 2</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=File:Reference_image_1.png&diff=196851File:Reference image 1.png2021-09-14T21:15:06Z<p>Chenmuxingye: </p>
<hr />
<div>reference image 1</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/22-06-2021_-Event_3&diff=195226Calendars:Networked Media Calendar/Networked Media Calendar/22-06-2021 -Event 32021-06-11T16:15:14Z<p>Chenmuxingye: </p>
<hr />
<div>LB2 9:30 - ±17:00 Final assessment: -day 2 Online with Simon, David, Rossella, Barend, Natasha and Una Henry as the external examiner<br />
<br />
Please have your assessment presentation archived, link below of page] and delivered wetransfer to staff by the start of the day Thursday 17th.<br />
*20 Minutes: give a presentation in the video chatroom, making use of the wiki to show us: your graduation project (and thesis should they overlap and support each other)<br />
*15 Minutes: the panel can ask questions regarding what you presented<br />
*15 Minutes: we ask you to leave, so the panel can discuss your research and representation, during this time you wait in ZOOM again, once we're done talking, we'll call you back in<br />
*20 minutes: we will discuss with you your Final project and give you feedback.<br />
*5 minutes: panel compare notes and finalise decisions<br />
<br />
*Total per student: 1 hour 15 minutes - 10 min break between<br />
<br />
09:30 - 10:45 fileona<br />
<br />
10:55 - 12:10: Muxingye Chen<br />
<br />
12:20 - 13:35: Anh <br />
<br />
13:45 - 14:45: —-> 60-MINUTE BREAK<br />
<br />
14:45 - 16:00:<br />
<br />
16:00 - ±17:00: -day 2 wrap-up<br />
<br />
<br />
*WDKA archive: https://hrnl.sharepoint.com/sites/WdKA-XPub/Shared%20Documents/Forms/AllItems.aspx?viewid=e14ca528%2D7cdc%2D46e3%2Dbabb%2Dc8a8797f2268&id=%2Fsites%2FWdKA%2DXPub%2FShared%20Documents%2FLB%2DXPUB%2DArchive%2FMFAD%5Ftrim1%2D6%5FStudent%5FWork%5FArchive%5F2019%2D2021%2FLB%2FWDK12M%2DMAM%2DV2%5F49114%5F99%2DMFAD%5FLB%5Ftrim5%2D6%5F2019%2D2021%2FMDCSDR56LB%5F2019%2D2020%5FPZI%5FTRIM%2D05%2D06%5FSELF%2DDIRECTED%5FRESEARCH%2DLB<br />
<br />
*Topic: LB2 trim6 fianl assessment- day 2<br />
*Time: Jun 22, 2021 09:30 AM Amsterdam<br />
<br />
*https://hogeschoolrotterdam.zoom.us/j/94893483855?pwd=NjRHV0piTnZualgxa00xWTZ6RmpWUT09<br />
<br />
Meeting ID: 948 9348 3855<br />
Passcode: 052953<br />
*One tap mobile<br />
+31207946520,,94893483855#,,,,*052953# Netherlands<br />
+31207947345,,94893483855#,,,,*052953# Netherlands<br />
<br />
Dial by your location<br />
+31 20 794 6520 Netherlands<br />
+31 20 794 7345 Netherlands</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/07-06-2021_-Event_1&diff=195099Calendars:Networked Media Calendar/Networked Media Calendar/07-06-2021 -Event 12021-06-06T20:27:09Z<p>Chenmuxingye: </p>
<hr />
<div>LB2: Tutorials with Simon ONLINE 10.00 - 13.15<br />
<br />
Discuss your graduation research projects as they enter the final stages and clarify any questions about the final assessment.<br />
<br />
10.00 - 10.30 Annalisa<br />
<br />
10.30 - 11.00 Lea<br />
<br />
11.00 - 11.30<br />
<br />
break<br />
<br />
11.45 - 12.15 Muxingye Chen<br />
<br />
12.15 - 12.45 Kamali<br />
<br />
12.45 - 13.15. Thy</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/22-04-2021_-Event_1&diff=194874Calendars:Networked Media Calendar/Networked Media Calendar/22-04-2021 -Event 12021-05-25T12:32:57Z<p>Chenmuxingye: </p>
<hr />
<div><br />
Deadline Thesis XPUB2 LB2 - including links to the PZI LB and XPUB student archive <br />
<br />
*EVERYONE should upload, a high-res printable pdf and a compressed low-res version to the archive. <br />
*EVERYONE uploads a low-res copy to the wiki (right here, below)<br />
*-Students based in Rotterdam should deliver hard copies -- and can pass them to Leslie this week as she'll be in today, Thursday 22.<br />
[Those in other parts of Holland and venturing to Rotterdam can let Leslie know when they can deliver their hardcopies.]<br />
<br />
*LB student archive - GRS final theses<br />
**https://hrnl.sharepoint.com/sites/WdKA-XPub/Shared%20Documents/Forms/AllItems.aspx?viewid=e14ca528%2D7cdc%2D46e3%2Dbabb%2Dc8a8797f2268&id=%2Fsites%2FWdKA%2DXPub%2FShared%20Documents%2FLB%2DXPUB%2DArchive%2FMFAD%5Ftrim1%2D6%5FStudent%5FWork%5FArchive%5F2019%2D2021%2FLB%2FWDK12M%2DMAM%2DV2%5F49114%5F99%2DMFAD%5FLB%5Ftrim5%2D6%5F2019%2D2021%2FMDCGRS56LB%5F2019%2D2020%5FPZI%5FTRIM%2D05%2D06%5FGRAD%5FRESEARCH%5FSEMINAR%2DLB<br />
<br />
*XPUB student archive - GRS final theses<br />
https://hrnl.sharepoint.com/sites/WdKA-XPub/Shared%20Documents/Forms/AllItems.aspx?viewid=e14ca528%2D7cdc%2D46e3%2Dbabb%2Dc8a8797f2268&id=%2Fsites%2FWdKA%2DXPub%2FShared%20Documents%2FLB%2DXPUB%2DArchive%2FMFAD%5Ftrim1%2D6%5FStudent%5FWork%5FArchive%5F2019%2D2021%2FXPUB%2FWDK12M%2DMAM%2DV2%5F49114%5F99%2DMFAD%5FXPUB%5Ftrim5%2D6%5F2019%2D2021%2FMDCGRS56EP%5F2019%2D2020%5FPZI%5FTRIM%2D05%2D06%5FGRAD%5FRESEARCH%5FSEMINAR%2DXPUB<br />
<br><br />
'''Please add a link to a low-res version of your thesis here:'''<br />
<br><br />
'''XPUB'''<br />
* Avital: [https://pzwiki.wdka.nl/mw-mediadesign/images/5/56/Avital_Barkai_thesis_compressed.pdf Writing Cure]<br />
* Anna: [https://pzwiki.wdka.nl/mw-mediadesign/images/e/e9/When_you_might_go_astray_LR.pdf When you might go astray]<br />
* Mika: [https://pzwiki.wdka.nl/mw-mediadesign/images/4/46/Ezn_Lever_Burns.pdf Lever Burns]<br />
* Damla: <br />
* Tisa: [https://pzwiki.wdka.nl/mediadesign/File:TNH_The-Constitution.pdf The Constitution]<br />
* Max: [https://pzwiki.wdka.nl/mw-mediadesign/images/0/08/MaxLehmann_Thesis_compressed.pdf Make Inclusive Websites]<br />
* Mark: [https://pzwiki.wdka.nl/mw-mediadesign/images/8/8d/Mark_van_den_Heuvel_thesis_TEXT_and_IMAGERYpdf.pdf Clicks, Beeps, Buzzers, and Orchestras]<br />
* Clara: [[File:A SAILORS' GUIDE TO EARTH Clara Noseda compressed.pdf|thumb]]<br />
* Ioana: [https://pzwiki.wdka.nl/mw-mediadesign/images/5/5d/Terrafying_Theories_Ioana_Tomici_compressed.pdf Terr*a*fying Theories]<br />
<br><br />
'''Lens-Based'''<br />
* Muxingye Chen: [[File:Essay Unframed Muxingye Chen.pdf|thumb]]. [[File:Reedit Screenplay.pdf|thumb]]<br />
* Thy: [https://pzwiki.wdka.nl/mediadesign/File:ThyNguyen-Pzi-Lens-Based-Thesis-lowres.pdf Grand-Mother-I ]<br />
* Jacob: [[File:Jacob_Morris_Thesis_2021_Low_Quality.pdf|Ghost Town: A Reflection On My Practice and Graduate Project]]<br />
* Annalisa: [https://pzwiki.wdka.nl/mediadesign/File:Annalisa_Urti_Thesis_Unpack_my_heart_LowRes.pdf Unpack my heart]<br />
* Elysa: <br />
* Fileona: [https://pzwiki.wdka.nl/mediadesign/File:FileonaDkhar_Thesis2021_FocusNearby_LowRes.pdf I pointed the lens at myself, I focused it nearby]<br />
* Yu-ching: <br />
* Anh: <br />
* Kamali: <br />
* Jelle: [[File:Violent Hollywood - Male Fantasies, Female Disembodiment & The Black Dahlia (LOW RES).pdf]]<br />
* Lea: [[File:LeaNovi_Thesis_low-res.pdf|Lea Novi Thesis]]</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/22-04-2021_-Event_1&diff=194873Calendars:Networked Media Calendar/Networked Media Calendar/22-04-2021 -Event 12021-05-25T12:32:34Z<p>Chenmuxingye: </p>
<hr />
<div><br />
Deadline Thesis XPUB2 LB2 - including links to the PZI LB and XPUB student archive <br />
<br />
*EVERYONE should upload, a high-res printable pdf and a compressed low-res version to the archive. <br />
*EVERYONE uploads a low-res copy to the wiki (right here, below)<br />
*-Students based in Rotterdam should deliver hard copies -- and can pass them to Leslie this week as she'll be in today, Thursday 22.<br />
[Those in other parts of Holland and venturing to Rotterdam can let Leslie know when they can deliver their hardcopies.]<br />
<br />
*LB student archive - GRS final theses<br />
**https://hrnl.sharepoint.com/sites/WdKA-XPub/Shared%20Documents/Forms/AllItems.aspx?viewid=e14ca528%2D7cdc%2D46e3%2Dbabb%2Dc8a8797f2268&id=%2Fsites%2FWdKA%2DXPub%2FShared%20Documents%2FLB%2DXPUB%2DArchive%2FMFAD%5Ftrim1%2D6%5FStudent%5FWork%5FArchive%5F2019%2D2021%2FLB%2FWDK12M%2DMAM%2DV2%5F49114%5F99%2DMFAD%5FLB%5Ftrim5%2D6%5F2019%2D2021%2FMDCGRS56LB%5F2019%2D2020%5FPZI%5FTRIM%2D05%2D06%5FGRAD%5FRESEARCH%5FSEMINAR%2DLB<br />
<br />
*XPUB student archive - GRS final theses<br />
https://hrnl.sharepoint.com/sites/WdKA-XPub/Shared%20Documents/Forms/AllItems.aspx?viewid=e14ca528%2D7cdc%2D46e3%2Dbabb%2Dc8a8797f2268&id=%2Fsites%2FWdKA%2DXPub%2FShared%20Documents%2FLB%2DXPUB%2DArchive%2FMFAD%5Ftrim1%2D6%5FStudent%5FWork%5FArchive%5F2019%2D2021%2FXPUB%2FWDK12M%2DMAM%2DV2%5F49114%5F99%2DMFAD%5FXPUB%5Ftrim5%2D6%5F2019%2D2021%2FMDCGRS56EP%5F2019%2D2020%5FPZI%5FTRIM%2D05%2D06%5FGRAD%5FRESEARCH%5FSEMINAR%2DXPUB<br />
<br><br />
'''Please add a link to a low-res version of your thesis here:'''<br />
<br><br />
'''XPUB'''<br />
* Avital: [https://pzwiki.wdka.nl/mw-mediadesign/images/5/56/Avital_Barkai_thesis_compressed.pdf Writing Cure]<br />
* Anna: [https://pzwiki.wdka.nl/mw-mediadesign/images/e/e9/When_you_might_go_astray_LR.pdf When you might go astray]<br />
* Mika: [https://pzwiki.wdka.nl/mw-mediadesign/images/4/46/Ezn_Lever_Burns.pdf Lever Burns]<br />
* Damla: <br />
* Tisa: [https://pzwiki.wdka.nl/mediadesign/File:TNH_The-Constitution.pdf The Constitution]<br />
* Max: [https://pzwiki.wdka.nl/mw-mediadesign/images/0/08/MaxLehmann_Thesis_compressed.pdf Make Inclusive Websites]<br />
* Mark: [https://pzwiki.wdka.nl/mw-mediadesign/images/8/8d/Mark_van_den_Heuvel_thesis_TEXT_and_IMAGERYpdf.pdf Clicks, Beeps, Buzzers, and Orchestras]<br />
* Clara: [[File:A SAILORS' GUIDE TO EARTH Clara Noseda compressed.pdf|thumb]]<br />
* Ioana: [https://pzwiki.wdka.nl/mw-mediadesign/images/5/5d/Terrafying_Theories_Ioana_Tomici_compressed.pdf Terr*a*fying Theories]<br />
<br><br />
'''Lens-Based'''<br />
* Muxingye Chen: [[File:Essay Unframed Muxingye Chen.pdf|thumb]]<br />
[[File:Reedit Screenplay.pdf|thumb]]<br />
* Thy: [https://pzwiki.wdka.nl/mediadesign/File:ThyNguyen-Pzi-Lens-Based-Thesis-lowres.pdf Grand-Mother-I ]<br />
* Jacob: [[File:Jacob_Morris_Thesis_2021_Low_Quality.pdf|Ghost Town: A Reflection On My Practice and Graduate Project]]<br />
* Annalisa: [https://pzwiki.wdka.nl/mediadesign/File:Annalisa_Urti_Thesis_Unpack_my_heart_LowRes.pdf Unpack my heart]<br />
* Elysa: <br />
* Fileona: [https://pzwiki.wdka.nl/mediadesign/File:FileonaDkhar_Thesis2021_FocusNearby_LowRes.pdf I pointed the lens at myself, I focused it nearby]<br />
* Yu-ching: <br />
* Anh: <br />
* Kamali: <br />
* Jelle: [[File:Violent Hollywood - Male Fantasies, Female Disembodiment & The Black Dahlia (LOW RES).pdf]]<br />
* Lea: [[File:LeaNovi_Thesis_low-res.pdf|Lea Novi Thesis]]</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=File:Reedit_Screenplay.pdf&diff=194872File:Reedit Screenplay.pdf2021-05-25T12:32:09Z<p>Chenmuxingye: </p>
<hr />
<div>Reedit Screenplay</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/22-04-2021_-Event_1&diff=194871Calendars:Networked Media Calendar/Networked Media Calendar/22-04-2021 -Event 12021-05-25T12:29:30Z<p>Chenmuxingye: </p>
<hr />
<div><br />
Deadline Thesis XPUB2 LB2 - including links to the PZI LB and XPUB student archive <br />
<br />
*EVERYONE should upload, a high-res printable pdf and a compressed low-res version to the archive. <br />
*EVERYONE uploads a low-res copy to the wiki (right here, below)<br />
*-Students based in Rotterdam should deliver hard copies -- and can pass them to Leslie this week as she'll be in today, Thursday 22.<br />
[Those in other parts of Holland and venturing to Rotterdam can let Leslie know when they can deliver their hardcopies.]<br />
<br />
*LB student archive - GRS final theses<br />
**https://hrnl.sharepoint.com/sites/WdKA-XPub/Shared%20Documents/Forms/AllItems.aspx?viewid=e14ca528%2D7cdc%2D46e3%2Dbabb%2Dc8a8797f2268&id=%2Fsites%2FWdKA%2DXPub%2FShared%20Documents%2FLB%2DXPUB%2DArchive%2FMFAD%5Ftrim1%2D6%5FStudent%5FWork%5FArchive%5F2019%2D2021%2FLB%2FWDK12M%2DMAM%2DV2%5F49114%5F99%2DMFAD%5FLB%5Ftrim5%2D6%5F2019%2D2021%2FMDCGRS56LB%5F2019%2D2020%5FPZI%5FTRIM%2D05%2D06%5FGRAD%5FRESEARCH%5FSEMINAR%2DLB<br />
<br />
*XPUB student archive - GRS final theses<br />
https://hrnl.sharepoint.com/sites/WdKA-XPub/Shared%20Documents/Forms/AllItems.aspx?viewid=e14ca528%2D7cdc%2D46e3%2Dbabb%2Dc8a8797f2268&id=%2Fsites%2FWdKA%2DXPub%2FShared%20Documents%2FLB%2DXPUB%2DArchive%2FMFAD%5Ftrim1%2D6%5FStudent%5FWork%5FArchive%5F2019%2D2021%2FXPUB%2FWDK12M%2DMAM%2DV2%5F49114%5F99%2DMFAD%5FXPUB%5Ftrim5%2D6%5F2019%2D2021%2FMDCGRS56EP%5F2019%2D2020%5FPZI%5FTRIM%2D05%2D06%5FGRAD%5FRESEARCH%5FSEMINAR%2DXPUB<br />
<br><br />
'''Please add a link to a low-res version of your thesis here:'''<br />
<br><br />
'''XPUB'''<br />
* Avital: [https://pzwiki.wdka.nl/mw-mediadesign/images/5/56/Avital_Barkai_thesis_compressed.pdf Writing Cure]<br />
* Anna: [https://pzwiki.wdka.nl/mw-mediadesign/images/e/e9/When_you_might_go_astray_LR.pdf When you might go astray]<br />
* Mika: [https://pzwiki.wdka.nl/mw-mediadesign/images/4/46/Ezn_Lever_Burns.pdf Lever Burns]<br />
* Damla: <br />
* Tisa: [https://pzwiki.wdka.nl/mediadesign/File:TNH_The-Constitution.pdf The Constitution]<br />
* Max: [https://pzwiki.wdka.nl/mw-mediadesign/images/0/08/MaxLehmann_Thesis_compressed.pdf Make Inclusive Websites]<br />
* Mark: [https://pzwiki.wdka.nl/mw-mediadesign/images/8/8d/Mark_van_den_Heuvel_thesis_TEXT_and_IMAGERYpdf.pdf Clicks, Beeps, Buzzers, and Orchestras]<br />
* Clara: [[File:A SAILORS' GUIDE TO EARTH Clara Noseda compressed.pdf|thumb]]<br />
* Ioana: [https://pzwiki.wdka.nl/mw-mediadesign/images/5/5d/Terrafying_Theories_Ioana_Tomici_compressed.pdf Terr*a*fying Theories]<br />
<br><br />
'''Lens-Based'''<br />
* Muxingye Chen: [[File:Essay Unframed Muxingye Chen.pdf|thumb]]<br />
* Thy: [https://pzwiki.wdka.nl/mediadesign/File:ThyNguyen-Pzi-Lens-Based-Thesis-lowres.pdf Grand-Mother-I ]<br />
* Jacob: [[File:Jacob_Morris_Thesis_2021_Low_Quality.pdf|Ghost Town: A Reflection On My Practice and Graduate Project]]<br />
* Annalisa: [https://pzwiki.wdka.nl/mediadesign/File:Annalisa_Urti_Thesis_Unpack_my_heart_LowRes.pdf Unpack my heart]<br />
* Elysa: <br />
* Fileona: [https://pzwiki.wdka.nl/mediadesign/File:FileonaDkhar_Thesis2021_FocusNearby_LowRes.pdf I pointed the lens at myself, I focused it nearby]<br />
* Yu-ching: <br />
* Anh: <br />
* Kamali: <br />
* Jelle: [[File:Violent Hollywood - Male Fantasies, Female Disembodiment & The Black Dahlia (LOW RES).pdf]]<br />
* Lea: [[File:LeaNovi_Thesis_low-res.pdf|Lea Novi Thesis]]</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=File:Essay_Unframed_Muxingye_Chen.pdf&diff=194870File:Essay Unframed Muxingye Chen.pdf2021-05-25T12:29:10Z<p>Chenmuxingye: </p>
<hr />
<div>Graduation</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=EYE_Researchlab_2021&diff=194381EYE Researchlab 20212021-05-11T19:11:04Z<p>Chenmuxingye: </p>
<hr />
<div>'''DEADLINE TUESDAY 11th of MAY 22:00u'''<br />
<br />
(copy paste this)<br />
<br />
'''Name student:'''<br />
<br />
Title:<br />
<br />
Duration:<br />
<br />
Description of the work (to help curate the order):<br />
<br />
Framerate:<br />
<br />
Link to rough cut or video:<br />
'''<br />
<br />
'''Name student:'''<br />
<br />
Title: Time, It never disappeared.(working title)<br />
<br />
Duration: 4 mins in total, in four clips. Four clips will be allocated into four screening places of the final screening sequence according to the time in the film. ( The duration of each clip will soon be determined )<br />
<br />
Description of the work (to help curate the order): The film was shot in real-time in which illustrates the real 20 mins time of protagonists. <br />
<br />
Framerate: 30fps (iphone)<br />
<br />
Link to rough cut or video: (Full-duration version 20 mins): https://www.youtube.com/watch?v=kOKJO4vXtMo&t=888s<br />
'''<br />
<br />
<br />
'''Name student:Shannon'''<br />
<br />
Title: Say It In Blooming Colors (working title)<br />
<br />
Duration: 4:30<br />
<br />
Description of the work (to help curate the order): shot in keukenhof, of the flowers on display and evidence of their abrupt/dramatic life cycle. perspective leads the viewer to empathize with the flowers.<br />
<br />
Framerate: 30fps (iphone)<br />
<br />
Link to rough cut or video:<br />
<br />
<br />
'''Name student:Luca'''<br />
<br />
Title: This is them <br />
<br />
Duration: 4 <br />
<br />
Description of the work (to help curate the order): Somewhere in an empty room in a un none village two girls called; Branda & Hilda send their days, years maybe lives playing different characters and scenes. <br />
<br />
Framerate: <br />
<br />
Link to rough cut or video: <br />
<br />
<br />
Name student: Tessel'''<br />
<br />
Title: Skaftafall<br />
<br />
Duration: 4 min<br />
<br />
Description of the work:<br />
<br />
Framerate: 25<br />
<br />
Link to rough cut or video: https://youtu.be/G6anMNMq3W4<br />
<br />
'''Name student: Muxingye Chen '''<br />
<br />
Title: I am in a period of Desperation<br />
<br />
Duration: 3:00<br />
<br />
Description of the work (to help curate the order): a meaningless conversation in an virtual space <br />
<br />
Framerate: 25FPS animation<br />
<br />
Link to rough cut or video: https://vimeo.com/manage/videos/477084470/privacy<br />
____________________________________________________________________________________________________________________<br />
<br />
'''EYE Researchlab 2021'''<br />
<br />
Everybody has 3 minutes (some use 2 or 2,5 others use 4 minutes) to show a video or photo slide show. <br />
We have one hour in totall for 20 students of LB1 and LB2.<br />
<br />
We have to come up with a title, a text and photo's ASAP. <br />
We have decided to do this in online cooperation and with some help of AI mixture.<br />
<br />
<br />
'''TITLE OPTIONS''' '''DEADLINE: 22:00u on Thursday'''<br />
<br />
- Tentacular Thinkering<br />
1. Geo<br />
- FABRIC<br />
<br />
- Everything breaks<br />
1. Geo 2. Anh 3.Yu-Ching<br />
<br />
<br />
- we fancy our chances<br />
<br />
- for now<br />
1.luca 2. Sacha<br />
<br />
- We didn't (k)now<br />
<br />
- Today with the window open<br />
<br />
1. Shannon<br />
2. luca<br />
3. Rafa<br />
<br />
- Twenty open windows<br />
<br />
- Sitting, drinking water<br />
<br />
- It came with the wind and fell out of my eyes<br />
<br />
1. Shannon<br />
2.Adèle<br />
<br />
- Planetary pacing<br />
<br />
- I am sick of taking walks<br />
<br />
1. Shannon 2. Sacha 3. CHEN<br />
<br />
- Don’t you massage your fucking feet?<br />
<br />
- vaster than empires and more slow<br />
(title of a short story by Ursula K. Le Guin)<br />
<br />
<br />
<br />
'''TEXT'''''250 words''<br />
Everybody writes 12 words per person '''DEADLINE: 22:00u on Thursday'''<br />
<br />
List:<br />
1. Martin<br />
<br />
2. Jelle - Whispers In Hagley Woods<br />
<br />
3. Shannon ===== Desire, domination, drama, applause, cameras, flashing, moaning, laughing <br />
<br />
4. Elysa ---- Overwhelmingly vast, and incredibly small. A Planck star is not stable.<br />
<br />
5 . Geo ------- In my mind the sky has gone very quiet.<br />
<br />
6. Tessel - Open Dash AirCrisp Compact Air Fryer Instruction Manual for full details<br />
<br />
7. Ariela .... Use mistake in a sentence as a verb or a noun<br />
<br />
8. Rafael - "I still don't know what to do with it" <br />
<br />
9. anh - in A minor, in C sharp, or E major; step step close<br />
<br />
10. sylvie + Adele : potato, apple, lemon, walnut, kale leaf, tomato, garlic, clementine, in nature's armpit<br />
<br />
11. Yu Ching ====Tick Tock! We Are Everywhere And Nowhere All At The Same Time====<br />
<br />
<br />
</small><br />
12. Kamali ———— ''I don't have a love language, I have a headache''<br />
<br />
14. Chen <small>====what in a body is beyond the computational, beyond representation and logic ====</small><br />
<br />
15. Sacha ———— Never again shall you see such light and air and color. <br />
<br />
16. Marusa<br />
<br />
17. Jacob - - - While your hope died under northern skies. And it shows <br />
<br />
18. Luca <small>==== IF WE PLAY, DOES THAT MEAN ITS NOT REAL(ITY)? ====</small><br />
<br />
19. Annalisa ———— ''I don't wanna dream of you, it doesn't seem fair''<br />
<br />
20. Dachen ==== They wandered, and encountering specters haunting the depths of history...<br />
<br />
<br />
AI REMIX by Martin en Geo..............................................?<br />
<br />
<br />
'''IMAGES''' ''5 images'' '''DEADLINE: 22:00u on Thursday'''<br />
<br />
- Mesh up?<br />
<br />
- Gifs: images dissolving in eachother<br />
<br />
- Montage in one single image<br />
<br />
- Grid: 200X200 pixels/tile?<br />
<br />
Place your image below<br />
Send copy to Adele: [http://adele.gregoire@insas.be adele.gregoire@insas.be]<br />
Image size: what you what, only one picture!<br />
<br />
nice images mushed up :<br />
1 :<p><br />
[[File:RAFA-KAMALI-YUCHING.png | thumb | 500px | RAFA-KAMALI-YUCHING]]<p><br />
2 :<p><br />
[[File:SHANNON-ELISA-DACHEN.png | thumb | 500px | SHANNON-ELISA-DACHEN]]<p><br />
3 : <br />
[[File:SYL-ADELE-ARIELA-SACHA.png | thumb | 500px | SYL-ADELE-ARIELA-SACHA]]<p><br />
4:<p><br />
[[File:LUCA-JELLE-CHEN.png | thumb | 500px | LUCA-JELLE-CHEN]]<p><br />
5:<p><br />
[[File:GEO-ANN-TESSEL.png | thumb | 500px | GEO-ANN-TESSEL]]<br />
<br />
[[thumb]]<br />
<br />
Other deadlines:<br />
Saturday morning:<br />
check in on wiki and vote by plcaing your name behind a title and a text<br />
<br />
Sunday: send final result to Barend (Tessel will do this)<br />
<br />
<br />
<br />
[[File:headache.jpg | thumb | 200px | kamali]]<br />
[[File:Skaftafall.JPG|200px|thumb|left|Tessel]]<br />
[[File:A_Planck_Star_Is_Not_Stable.png | thumb | 200px | Elysa]]<br />
[[File:Rose.jpg|thumb| 200px | Shannon]]<br />
[[File:depths of history.jpg|200px|thumb|left|Dachen]]<br />
[[File:mountaintop.jpg|200px|thumb|left]]<br />
[[File:Still 5.png|200px|thumb|left|Jelle]]<br />
[[File:Anh eye still.jpg|200px|thumb|left|anh]]</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=EYE_Researchlab_2021&diff=194172EYE Researchlab 20212021-05-02T20:40:23Z<p>Chenmuxingye: </p>
<hr />
<div>'''EYE Researchlab 2021'''<br />
<br />
Everybody has 3 minutes (some use 2 or 2,5 others use 4 minutes) to show a video or photo slide show. <br />
We have one hour in totall for 20 students of LB1 and LB2.<br />
<br />
We have to come up with a title, a text and photo's ASAP. <br />
We have decided to do this in online cooperation and with some help of AI mixture.<br />
<br />
<br />
'''TITLE OPTIONS''' '''DEADLINE: 22:00u on Thursday'''<br />
<br />
- Tentacular Thinkering<br />
1. Geo<br />
- FABRIC<br />
<br />
- Everything breaks<br />
1. Geo 2. Anh 3.Yu-Ching<br />
<br />
<br />
- we fancy our chances<br />
<br />
- for now<br />
1.luca 2. Sacha<br />
<br />
- We didn't (k)now<br />
<br />
- Today with the window open<br />
<br />
1. Shannon<br />
2. luca<br />
<br />
- Twenty open windows<br />
<br />
- Sitting, drinking water<br />
<br />
- It came with the wind and fell out of my eyes<br />
<br />
1. Shannon<br />
2.Adèle<br />
<br />
- Planetary pacing<br />
<br />
- I am sick of taking walks<br />
<br />
1. Shannon 2. Sacha 3. CHEN<br />
<br />
- Don’t you massage your fucking feet?<br />
<br />
- vaster than empires and more slow<br />
(title of a short story by Ursula K. Le Guin)<br />
<br />
<br />
<br />
'''TEXT'''''250 words''<br />
Everybody writes 12 words per person '''DEADLINE: 22:00u on Thursday'''<br />
<br />
List:<br />
1. Martin<br />
<br />
2. Jelle - Whispers In Hagley Woods<br />
<br />
3. Shannon ===== Desire, domination, drama, applause, cameras, flashing, moaning, laughing <br />
<br />
4. Elysa ---- Overwhelmingly vast, and incredibly small. A Planck star is not stable.<br />
<br />
5 . Geo ------- In my mind the sky has gone very quiet.<br />
<br />
6. Tessel - Open Dash AirCrisp Compact Air Fryer Instruction Manual for full details<br />
<br />
7. Ariela .... Use mistake in a sentence as a verb or a noun<br />
<br />
8. Rafael - "I still don't know what to do with it" <br />
<br />
9. anh - in A minor, in C sharp, or E major; step step close<br />
<br />
10. sylvie + Adele : potato, apple, lemon, walnut, kale leaf, tomato, garlic, clementine, in nature's armpit<br />
<br />
11. Yu Ching ====Tick Tock! We Are Everywhere And Nowhere All At The Same Time====<br />
<br />
<br />
</small><br />
12. Kamali ———— ''I don't have a love language, I have a headache''<br />
<br />
14. Chen <small>====what in a body is beyond the computational, beyond representation and logic ====</small><br />
<br />
15. Sacha ———— Never again shall you see such light and air and color. <br />
<br />
16. Marusa<br />
<br />
17. Jacob - - - While your hope died under northern skies. And it shows <br />
<br />
18. Luca <small>==== IF WE PLAY, DOES THAT MEAN ITS NOT REAL(ITY)? ====</small><br />
<br />
19. Annalisa ———— ''I don't wanna dream of you, it doesn't seem fair''<br />
<br />
20. Dachen ==== They wandered, and encountering specters haunting the depths of history...<br />
<br />
<br />
AI REMIX by Martin en Geo..............................................?<br />
<br />
<br />
'''IMAGES''' ''5 images'' '''DEADLINE: 22:00u on Thursday'''<br />
<br />
- Mesh up?<br />
<br />
- Gifs: images dissolving in eachother<br />
<br />
- Montage in one single image<br />
<br />
- Grid: 200X200 pixels/tile?<br />
<br />
Place your image below<br />
Send copy to Adele: [http://adele.gregoire@insas.be adele.gregoire@insas.be]<br />
Image size: what you what, only one picture!<br />
<br />
nice images mushed up :<br />
1 :<p><br />
[[File:RAFA-KAMALI-YUCHING.png | thumb | 500px | RAFA-KAMALI-YUCHING]]<p><br />
2 :<p><br />
[[File:SHANNON-ELISA-DACHEN.png | thumb | 500px | SHANNON-ELISA-DACHEN]]<p><br />
3 : <br />
[[File:SYL-ADELE-ARIELA-SACHA.png | thumb | 500px | SYL-ADELE-ARIELA-SACHA]]<p><br />
4:<p><br />
[[File:LUCA-JELLE-CHEN.png | thumb | 500px | LUCA-JELLE-CHEN]]<p><br />
5:<p><br />
[[File:GEO-ANN-TESSEL.png | thumb | 500px | GEO-ANN-TESSEL]]<br />
<br />
[[thumb]]<br />
<br />
Other deadlines:<br />
Saturday morning:<br />
check in on wiki and vote by plcaing your name behind a title and a text<br />
<br />
Sunday: send final result to Barend (Tessel will do this)<br />
<br />
<br />
<br />
[[File:headache.jpg | thumb | 200px | kamali]]<br />
[[File:Skaftafall.JPG|200px|thumb|left|Tessel]]<br />
[[File:A_Planck_Star_Is_Not_Stable.png | thumb | 200px | Elysa]]<br />
[[File:Rose.jpg|thumb| 200px | Shannon]]<br />
[[File:depths of history.jpg|200px|thumb|left|Dachen]]<br />
[[File:mountaintop.jpg|200px|thumb|left]]<br />
[[File:Still 5.png|200px|thumb|left|Jelle]]<br />
[[File:Anh eye still.jpg|200px|thumb|left|anh]]</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=EYE_Researchlab_2021&diff=194055EYE Researchlab 20212021-04-29T08:30:48Z<p>Chenmuxingye: </p>
<hr />
<div><br />
'''TITLE OPTIONS''' '''DEADLINE: 22:00u on Thursday'''<br />
<br />
- Tentacular Thinkering<br />
<br />
- Everything breaks<br />
<br />
- we fancy our chances<br />
<br />
- for now<br />
<br />
<br />
'''TEXT'''''250 words''<br />
Everybody writes 12 words per person '''DEADLINE: 22:00u on Thursday'''<br />
<br />
List:<br />
1. Martin<br />
<br />
2. Jelle<br />
<br />
3. Shannon<br />
<br />
4. Elysa<br />
<br />
5 . Geo<br />
<br />
6. Tessel<br />
<br />
7. Ariela<br />
<br />
8. Rafael<br />
<br />
9. anh<br />
<br />
10. sylvie<br />
<br />
11. Yu Ching<br />
<br />
12. Kamali<br />
<br />
13. Adèle<br />
<br />
14. Chen <small>====what in a body is beyond the computational, beyond representation and logic ====</small><br />
<br />
15. Sacha<br />
<br />
16. Marusa<br />
<br />
17. Jacob<br />
<br />
18. Luca <small>==== IF WE PLAY, DOES THAT MEAN ITS NOT REAL(ITY)? ====</small><br />
<br />
19. Annalisa<br />
<br />
20. Dachen<br />
<br />
<br />
AI REMIX by Martin en Geo..............................................?<br />
<br />
<br />
'''IMAGES''' ''5 images'' '''DEADLINE: 22:00u on Thursday'''<br />
<br />
- Mesh up?<br />
<br />
- Gifs: images dissolving in eachother<br />
<br />
- Montage in one single image<br />
<br />
- Grid: 200X200 pixels/tile?<br />
<br />
Place your image below<br />
Send copy to Adele: [http://adele.gregoire@insas.be adele.gregoire@insas.be]<br />
Image size: what you what, only one picture!<br />
<br />
<br />
[[thumb]]<br />
<br />
Other deadlines:<br />
Saturday morning:<br />
check in on wiki and vote by plcaing your name behind a title and a text<br />
<br />
Sunday: send final result to Barend (Tessel will do this)</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/15-04-2021_-Event_4&diff=192989Calendars:Networked Media Calendar/Networked Media Calendar/15-04-2021 -Event 42021-04-11T14:41:32Z<p>Chenmuxingye: </p>
<hr />
<div>MFAD2 GRS with Marloes <br />
<br />
For those who would like to discuss the final tweaks to their essay, feel free to sign up for a slot :) <br />
It might not be needed for everyone. It is not a mandatory class in any case! <br />
<br />
09:15 - 10:00 <...><br />
10:00 - 10:45 <br />
10:45 - 11:30 <br />
11:30 - 12:15 <br />
=== break ===<br />
13:00 - 13:45 <br />
13:45 - 14:30 <br />
14:30 - 15:15<br />
<br />
==Steve's group==<br />
<br />
Thesis final review<br />
<br />
10:45 - 11:30 muxingye Chen<br />
11:30 - 12:15 <br />
12:15 – 13:00<br />
<br />
break<br />
<br />
13:00 - 13:45 ioana<br />
13:45 - 14:30 jelle<br />
14:30 - 15:15 Tisa</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/01-04-2021_-Event_1&diff=191939Calendars:Networked Media Calendar/Networked Media Calendar/01-04-2021 -Event 12021-03-31T02:00:10Z<p>Chenmuxingye: </p>
<hr />
<div>MFAD2 GRS with Marloes, Steve and Natasha<br />
<br />
10:00 - 18:00<br />
<br />
== Marloes' group ==<br />
Please send your <span style="background:green">latest draft on Monday the 29th</span> so I can read it ahead of the session. Thank you & happy writing :)<br />
<br />
09:15 - 10:00 mika<br />
10:00 - 10:45 Mark<br />
10:45 - 11:30 Anna <br />
11:30 - 12:15 Avital<br />
=== break ===<br />
13:00 - 13:45 Sandra<br />
13:45 - 14:30 <br />
14:30 - 15:15<br />
<br />
==Steve's Group==<br />
<br />
Review second reader's feedback - review latest draft<br />
<br />
10:00 - 10:45 Jelle<br />
10:45 - 11:30 <br />
11:30 - 12:15 Max<br />
<br />
break<br />
<br />
13:00 - 13:45 Yu-Ching<br />
13:45 - 14:30 Ioana<br />
14:30 - 15:15 Tisa<br />
<br />
== Natasha's group ==<br />
<br />
Individual sessions - we will review your 2nd reader's feedback and your latest draft.<br />
<br />
Please send your <span style="background:yellow">latest draft on Monday the 29th</span> so I can read it ahead of the session, thank you! <br />
<br />
09:15 - 10:00 Lea<br />
10:00 - 10:45 Annalisa<br />
10:45 - 11:30 kamali<br />
11:30 - 12:15 Elysa<br />
=== break ===<br />
13:00 - 13:45 jacob<br />
13:45 - 14:30 fileona<br />
14:30 - 15:15 anh<br />
15:15 - 15.45</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/01-04-2021_-Event_1&diff=191710Calendars:Networked Media Calendar/Networked Media Calendar/01-04-2021 -Event 12021-03-26T03:08:17Z<p>Chenmuxingye: </p>
<hr />
<div>MFAD2 GRS with Marloes, Steve and Natasha<br />
<br />
10:00 - 18:00<br />
<br />
== Marloes' group ==<br />
Please send your <span style="background:green">latest draft on Monday the 29th</span> so I can read it ahead of the session. Thank you & happy writing :)<br />
<br />
09:15 - 10:00 mika<br />
10:00 - 10:45 Mark<br />
10:45 - 11:30 Anna <br />
11:30 - 12:15 Avital<br />
=== break ===<br />
13:00 - 13:45 Sandra<br />
13:45 - 14:30 <br />
14:30 - 15:15<br />
<br />
==Steve's Group==<br />
<br />
Review second reader's feedback - review latest draft<br />
<br />
10:00 - 10:45 <br />
10:45 - 11:30 Muxingye Chen<br />
11:30 - 12:15 Max<br />
<br />
break<br />
<br />
13:00 - 13:45 Yu-Ching<br />
13:45 - 14:30 Ioana<br />
14:30 - 15:15 Tisa</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/08-03-2021_-Event_2&diff=190726Calendars:Networked Media Calendar/Networked Media Calendar/08-03-2021 -Event 22021-03-07T09:36:04Z<p>Chenmuxingye: </p>
<hr />
<div>LB2 ONLINE: Group Crit - ZOOM INVITE below<br />
<br />
group sessions - to be thought of as group tutorials as much as group 'crits' -- it's a chance to outline your ambitions and planning for your Yr2 self-directed research and to share any early tests, results and research you have done, and elect feedback from peers and tutors.<br />
<br />
The format of the session is 10minutes to present your work and 20 minutes of group discussion (both tutors and students can contribute).<br />
<br />
Tutors present for this session are Simon, Barend and David.<br />
<br />
SCHEDULE:<br />
<br />
*10.30 - 11.00 - Thy Nguyen <br />
*11.00 - 11.30 - <br />
*11.30 - 12.00 - Elysa<br />
*12.00 - 12.15 BREAK<br />
<br />
*12:15 - 12:45 - jacob<br />
*12:45 - 13:15 - kamali<br />
*13.15 - 13.45 LUNCH<br />
<br />
*13.45 - 14.15 - <br />
*14:15 - 14.45 - <br />
*14.45 - 15:15 - Annalisa<br />
*15.15 - 15.45 - Lea<br />
<br />
*15.45 - 16.00 BREAK<br />
*16.00 - 16.30 - Jelle<br />
*16.30 - 17.00 -<br />
<br />
Pummell, S. is inviting you to a scheduled Zoom meeting.<br />
<br />
Topic: LB2 Group Crit<br />
Time: Mar 8, 2021 10:00 AM Amsterdam<br />
<br />
Join Zoom Meeting<br />
https://hogeschoolrotterdam.zoom.us/j/93645582454?pwd=a2x5SW40c0c2TU5GaHJIV0RoQWZ4QT09<br />
<br />
Meeting ID: 936 4558 2454<br />
Passcode: 843606<br />
One tap mobile<br />
+31207946519,,93645582454#,,,,*843606# Netherlands<br />
+31207946520,,93645582454#,,,,*843606# Netherlands</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/04-03-2021_-Event_1&diff=190445Calendars:Networked Media Calendar/Networked Media Calendar/04-03-2021 -Event 12021-03-01T15:53:54Z<p>Chenmuxingye: </p>
<hr />
<div>MFAD2 GRS with Marloes, Steve and Natasha<br />
<br />
10:00 - 18:00<br />
<br />
== Marloes' group ==<br />
Please send your <span style="background:green">latest draft on Monday the 1st</span> so I can read it ahead of the session. Thank you & happy writing :)<br />
<br />
09:15 - 10:00 Avital<br />
10:00 - 10:45 Damla<br />
10:45 - 11:30 Anna<br />
11:30 - 12:15 Mark<br />
=== break ===<br />
13:00 - 13:45 Sandra<br />
13:45 - 14:30 <br />
14:30 - 15:15 Clara<br />
<br />
== Natasha's group ==<br />
Please send your <span style="background:yellow"> latest draft on Monday 1st </span> so I can read it before our session. Thank you!<br />
<br />
09:15 - 10:00 lea<br />
10:00 - 10:45 <br />
10:45 - 11:30 Annalisa<br />
11:30 - 12:15 Anh<br />
=== break ===<br />
13:00 - 13:45 kamali<br />
13:45 - 14:30 thy<br />
14:30 - 15:15 Jacob <br />
<br />
<br />
== Steve's Group ==<br />
Please send your <span style="background:blue"> latest draft on Monday 1st </span> so I can read it before our session. Thank you!<br />
10:00 - 11:00 Muxingye Chen<br />
11:00 - 12:00 Ioana<br />
12:00 - 13:00 Max<br />
=== break ===<br />
14:00 - 15:00 Yu-Ching<br />
15:00 - 16:00 Jelle<br />
16:00 - 17:00 Tisa<br />
15:15 - 15:45</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/04-03-2021_-Event_1&diff=190373Calendars:Networked Media Calendar/Networked Media Calendar/04-03-2021 -Event 12021-03-01T07:28:50Z<p>Chenmuxingye: </p>
<hr />
<div>MFAD2 GRS with Marloes, Steve and Natasha<br />
<br />
10:00 - 18:00<br />
<br />
== Marloes' group ==<br />
Please send your <span style="background:green">latest draft on Monday the 1st</span> so I can read it ahead of the session. Thank you & happy writing :)<br />
<br />
09:15 - 10:00 Avital<br />
10:00 - 10:45 Damla<br />
10:45 - 11:30 Anna<br />
11:30 - 12:15 Mark<br />
=== break ===<br />
13:00 - 13:45 Sandra<br />
13:45 - 14:30 <br />
14:30 - 15:15 Clara<br />
<br />
== Natasha's group ==<br />
Please send your <span style="background:yellow"> latest draft on Monday 1st </span> so I can read it before our session. Thank you!<br />
<br />
09:15 - 10:00 lea<br />
10:00 - 10:45 <br />
10:45 - 11:30 Annalisa<br />
11:30 - 12:15 Anh<br />
=== break ===<br />
13:00 - 13:45 kamali<br />
13:45 - 14:30 thy<br />
14:30 - 15:15 Jacob <br />
15:15 - 15:45<br />
<br />
== Steve's Group ==<br />
Please send your <span style="background:blue"> latest draft on Monday 1st </span> so I can read it before our session. Thank you!<br />
10:00 - 11:00 <br />
11:00 - 12:00 Ioana<br />
12:00 - 13:00 Max<br />
=== break ===<br />
14:00 - 15:00 Yu-Ching<br />
15:00 - 16:00 Jelle<br />
16:00 - 17:00 Tisa<br />
15:15 - 15:45 Muxingye Chen</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/04-02-2021_-Event_1&diff=188929Calendars:Networked Media Calendar/Networked Media Calendar/04-02-2021 -Event 12021-02-01T08:46:07Z<p>Chenmuxingye: </p>
<hr />
<div>MFAD2 GRS with Marloes, Steve and Natasha<br />
<br />
10:00 - 18:00<br />
<br />
== Marloes' group ==<br />
Please send your <span style="background:green">latest draft on Monday the 1st</span> so I can read it ahead of the session. Thank you & happy writing :)<br />
<br />
09:15 - 10:00 Avital<br />
10:00 - 10:45 Anna<br />
10:45 - 11:30 Clara<br />
11:30 - 12:15 <br />
=== break ===<br />
13:00 - 13:45 <br />
13:45 - 14:30 <br />
14:30 - 15:15<br />
<br />
==Steve's Group==<br />
Please make link to latest version of your text<span style="background:pink"> on Monday 1st</span> so I can read it ahead the session. Note, the next session will be group sessions.<br />
<br />
<br />
10:00 - 10:45 Ioana<br />
11:00 - 11:45 YU-Ching<br />
12:00 - 12:45 Tisa<br />
lunch<br />
14:00 - 14:45 Muxingye Chen<br />
15:00 - 15:45 <br />
16:00 - 16:45<br />
<br />
== Natasha's group ==<br />
Please send your latest draft <span style="background:yellow"> by the date we arranged</span> so I can read it before our meeting. Thank you!<br />
<br />
09:15 - 10:00 Thy<br />
10:00 - 10:45 Annalisa<br />
10:45 - 11:30 <br />
11:30 - 12:15 <br />
=== break ===<br />
13:00 - 13:45 <br />
13:45 - 14:30 <br />
14:30 - 15:15<br />
15:15 - 15:45</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/21-01-2021_-Event_1&diff=188042Calendars:Networked Media Calendar/Networked Media Calendar/21-01-2021 -Event 12021-01-21T09:56:02Z<p>Chenmuxingye: </p>
<hr />
<div>MFAD2 GRS with Marloes, Steve and Natasha<br />
<br />
10:00 - 18:00<br />
<br />
== Marloes' group ==<br />
Please send your latest draft on Monday the 18th so I can read it ahead of the session. Thank you & happy writing :)<br />
<br />
09:15 - 10:00 Damla<br />
10:00 - 10:45 Mark<br />
10:45 - 11:30 Anna<br />
11:30 - 12:15 Avital<br />
=== break ===<br />
13:00 - 13:45 Sandra<br />
13:45 - 14:30 Mika<br />
14:30 - 15:15 Clara<br />
<br />
== Natasha's group ==<br />
(One additional slot available on Friday)<br />
<br />
09:15 - 10:00 anh<br />
10:00 - 10:45 Annalisa<br />
10:45 - 11:30 Thy<br />
11:30 - 12:15 Elysa<br />
=== break ===<br />
13:15 - 14:00 Lea<br />
14:00 - 14:45 Kamali<br />
14:45 - 15:30 Fileona<br />
<br />
<br />
== Steve's Groups ==<br />
<br />
Today we will meet in 2 reading and feedback groups. We will meet together at 11:00 and then move into breakout rooms. Please make a link to the text you want your colleagues to read next to your name below. <br />
<br />
'''Method:''' Writer – Please remain silent while your colleagues make comments on your writing. Please ''listen to what the text communicates to them'' and make notes on any changes you need to make. After this stage, open up a more general discussion, identify your methods and approaches and outline your plan for completing the text &c: <br />
<br />
'''Group A'''<br />
<br />
Tisa [https://pad.xpub.nl/p/II chapter II writing]<br />
<br />
Muxingye Chen [[File:2nd draft.pdf|thumb]]<br />
<br />
Max [https://pad.xpub.nl/p/Max_Thesis_Outline_Rewrite 2nd Outline Draft]<br />
<br />
'''Group B'''<br />
<br />
Ioana [https://pad.xpub.nl/p/ioana_thesis_draft 1st draft]<br />
<br />
YU-Ching [[File:Thesis 20210123 working version .pdf]]<br />
<br />
Jelle [[File: Thesis_Violent_Hollywood_-_Masculine_investments_in_female_victimhood_PDF.pdf]]</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=File:2nd_draft.pdf&diff=188041File:2nd draft.pdf2021-01-21T09:55:50Z<p>Chenmuxingye: </p>
<hr />
<div>I did</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/20-01-2021_-Event_3&diff=187773Calendars:Networked Media Calendar/Networked Media Calendar/20-01-2021 -Event 32021-01-15T09:29:16Z<p>Chenmuxingye: </p>
<hr />
<div>LB1 & LB2 David's ONLINE tutorials: his schedule will be posted the Thursday before<br />
LB1 & 2: David's Tutorials: 10:30 - 17:30, via Skype: David Haines Piet Zwart or facetime da.haines@hotmail.com - take 2 slots if needed<br />
[if you at the last minute need to cancel send a message to the list that the slot is free, thanks]<br />
<br />
*10:30 - 11:00: [1/2 hour]Tessel [1/2 hour] jelle (?)<br />
*11:00 - 12:00: <br />
*12:00 - 13:00: Sacha<br />
<br />
*——> break 30 minutes<br />
<br />
*13:30 - 14:30: Elysa<br />
*14:30 - 15:30 marusa<br />
<br />
*——> break 30 minutes<br />
<br />
*16:30 - 17:30 Annalisa<br />
<br />
*reserve list jelle</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/12-01-2021_-Event_2&diff=187414Calendars:Networked Media Calendar/Networked Media Calendar/12-01-2021 -Event 22021-01-07T15:10:11Z<p>Chenmuxingye: </p>
<hr />
<div>LB1 & 2 Rossella's tutorials ONLINE11:00 - 18:00 1/2 hour tutorials<br />
*Please send any material you’d like her to view via wetransfer the Friday beforehand, r.nisio@hr.nl.<br />
<br />
*you can reach Rossella on Skype at: rs@manicowl.com<br />
<br />
*11:00 - 11:30:<br />
*11:30 - 11:45: luca <br />
*11:45 - 12:15: Sacha<br />
*12:15 - 12:30: -----> break 15 mins<br />
*12:30 - 13:15: Jelle<br />
*13:15 - 13:45: Muxingye Chen<br />
*13:45 - 14:45: -----> break 1 hour<br />
*14:45 - 15:45: kamali<br />
*15:45 - 16:15: Tessel<br />
*16:15 - 16:45: <br />
*16:45 - 17:00: -----> break 15 mins<br />
*17:00 - 17:30: <br />
*17:30 - 18:00: <br />
<br />
*Reserve:</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/11-01-2021_-Event_7&diff=187413Calendars:Networked Media Calendar/Networked Media Calendar/11-01-2021 -Event 72021-01-07T15:09:45Z<p>Chenmuxingye: </p>
<hr />
<div>LB2: Ine ONLINE tutorials: 09:30 - 18:00, note: you can sign up for 2 slots in a row as needed<br />
please send any material you’d like her to view via wetransfer by Monday morning<br />
[if you at the last minute need to cancel send a message to the list that the slot is free, thank-you]<br />
<br />
*< via skype: ine.lamers1 ><br />
<br />
*11:00 - 11:30:<br />
*11:30 - 11:45: <br />
*11:45 - 12:15: Sacha<br />
*12:15 - 12:30: -----> break 15 mins<br />
*12:30 - 13:15: <br />
*13:15 - 13:45: Muxingye Chen<br />
*13:45 - 14:45: -----> break 1 hour<br />
*14:45 - 15:45: <br />
*15:45 - 16:15: <br />
*16:15 - 16:45: <br />
*16:45 - 17:00: -----> break 15 mins<br />
*17:00 - 17:30: <br />
*17:30 - 18:00: <br />
<br />
*Reserve list: 1.</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/11-01-2021_-Event_6&diff=187412Calendars:Networked Media Calendar/Networked Media Calendar/11-01-2021 -Event 62021-01-07T15:08:37Z<p>Chenmuxingye: </p>
<hr />
<div>LB2: Tutorials with Simon ONLINE 10.00 - 16.15<br />
<br />
*Elysa, Kamali and Jacob have priority<br />
*10.00 - 10.30<br />
*10.30 - 11.00 muxingye Chen<br />
*11.00 - 11.30 Jelle<br />
——>break<br />
<br />
*12.00 - 12.30 Elysa<br />
*12.30 - 13.00 Elysa (I’d like a double slot, which I’ve discussed with Simon, if possible. Please let me know if this is ok for everyone!) <br />
——>break<br />
<br />
*14.00 - 14.30 kamali<br />
*14.30 - 15.00 <br />
——>break<br />
<br />
*15.15 - 15.45<br />
*15.45 - 16.15</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/11-01-2021_-Event_5&diff=187365Calendars:Networked Media Calendar/Networked Media Calendar/11-01-2021 -Event 52021-01-07T09:36:44Z<p>Chenmuxingye: </p>
<hr />
<div>MFAD2 GRS with Steve <br />
<br />
10:00 - 18:00<br />
<br />
Steve's Group: individual sessions, please sign up here![edit]<br />
10:00 - 10:45 <br />
<br />
11:00 - 11:45 Muxingye Chen<br />
<br />
12:00 - 12:45 Tisa<br />
<br />
LUNCH<br />
<br />
14:00 - 14:45 Max<br />
<br />
15:00 - 15:45<br />
<br />
16:00 - 16:45</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/07-01-2021_-Event_1&diff=187096Calendars:Networked Media Calendar/Networked Media Calendar/07-01-2021 -Event 12021-01-04T12:20:31Z<p>Chenmuxingye: </p>
<hr />
<div>MFAD2 GRS with Marloes, Steve and Natasha<br />
<br />
10:00 - 18:00<br />
<br />
===== Steve's Group: individual sessions, please sign up here! =====<br />
<br />
10:00 - 10:45<br />
<br />
11:00 - 11:45 Muxingye chen<br />
<br />
12:00 - 12:45 <br />
<br />
LUNCH<br />
<br />
14:00 - 14:45<br />
<br />
15:00 - 15:45<br />
<br />
16:00 - 16:45 Ioana<br />
<br />
===== Natasha's group: individual sessions, please sign up here! =====<br />
(Additional slots available Friday)<br />
<br />
13:00 - 13:45 Annalisa <br> <br />
13:45 - 14.30 Lea <br><br />
14:30 - 15:15 Elysa <br></div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/04-01-2021_-Event_4&diff=187032Calendars:Networked Media Calendar/Networked Media Calendar/04-01-2021 -Event 42021-01-02T12:10:45Z<p>Chenmuxingye: </p>
<hr />
<div>LB1 & 2: David's Tutorials: 11:00 - 18:00, via Skype: David Haines Piet Zwart or facetime da.haines@hotmail.com - take 2 slots if needed<br />
[if you at the last minute need to cancel send a message to the list that the slot is free, thanks]<br />
<br />
* Elysa, Kamali and Jacob have priority<br />
*10:30-11:00: Sylvie<br />
*11:00 - 12:00: Jacob<br />
*12:00 - 13:00: Annalisa<br />
<br />
*——> break 30 minutes<br />
<br />
*13:30 - 14:30: Jelle<br />
*14:30 - 15:30 Mathilde<br />
<br />
*——> break 30 minutes<br />
<br />
*16:30 - 17:30 Kamali<br />
<br />
*reserve list Muxingye Chen</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/07-12-2020_-Event_3&diff=184814Calendars:Networked Media Calendar/Networked Media Calendar/07-12-2020 -Event 32020-11-25T15:45:26Z<p>Chenmuxingye: </p>
<hr />
<div>LB2 ONLINE trim4 assessments, with Simon, Barend, David, Ine and Rosella [schedule to be announced]<br />
<br />
*ARCHIVING YOUR WORK IN ADVANCE OF THE EXAM: DELIVERY OF MATERIAL TO THE ARCHIVE 4 DAYS BEFOREHAND (giving tutors a chance to reflect) [THURSDAY morning 03.12 by 8AM] for archiving instructions see: https://pzwiki.wdka.nl/mediadesign/Archive_Protocol <br />
Where: see sn email from Leslie 17.11 <br />
<br />
*08:30 - 09:00 - staff meets <br />
*09:00 - 09:40 Thy<br />
*09:40 - 10:20 Elysa<br />
*10:20 - 10:30 ———>10 minute break <br />
*10:30 - 11:10 anh<br />
*11:10 - 11:50 fileona<br />
*11:50 - 12:10 ———>20 minute break<br />
*12:10 - 12:50 muxingye chen<br />
*12:50 - 13:30 <br />
*13:30 - 14:20 ———>50 minute lunch<br />
*14:20 - 15:00 <br />
*15:00 - 15:40 <br />
*15:40 - 16:20 <br />
*16:20 - 16:40 ———>20 minute break<br />
*16:40 - 17:20 <br />
*17:20 - 17:40<br />
*17:40 - 18:10 ———>30 minutes staff discussing grades <br />
<br />
*ASSESSMENT FORMAT:<br />
*20 minutes: initial student presentation<br />
*5 minutes: the panel can ask questions regarding the material you have presented both orally and in advance.<br />
*5 Minutes: we ask you to leave, so the panel can discuss your research and presentation<br />
*10 minutes: the panel will discuss with you your research and give you feedback.<br />
<br />
*taken from the HANDBOOK 2019-2020, page 24<br />
5.2.2 Integrated Formative Assessment: Proposal Phase (Trimester 4)<br />
<br />
*The second integrated assessment is in the fourth trimester and evolves around the graduation project proposal. Passing this integrated formative assessment allows the ECTS for third and fourth terms to be awarded.<br />
<br />
*In the proposal you analyse the questions and methods running through the work you have realized so far, formulate an artistic question and approach for further research, and establish a critical framework relevant to your practice. The graduation project proposal marks the transition from the first to the second stage of the study programme, and should thus give evidence of your ability to use what you have learned in the first stage to inform and steer a self-directed artistic research project.<br />
<br />
*The assessment criteria for the Graduation Project proposal are:<br />
<br />
• The ability to select appropriate topics for advanced research.<br />
• The ability to develop and undertake a suitable strategy for research.<br />
• The ability to critically reflect upon, analyse and evaluate work already undertaken and to use the knowledge gained to (re)define the aims and direction of future practice.<br />
• The ability to describe and motivate objectives, topics and methods in a written proposal.<br />
<br />
*The assessment panel also takes into account whether the proposed project is realistic in scale and ambition, considering the limited time frame for the graduation project. This integrated assessment is called Proposal Phase and is supported through the Graduate Research Seminar.<br />
<br />
*Prior to the assessment process you must archive documentation and elements of the work and research you wish to submit for examination. We will not pass people who have not delivered appropriate documentation of their work on time.<br />
<br />
<br />
<br />
ADDITIONAL NOTES: Master of Arts in Fine Art & Design. Lens-Based Media. Supplement to Course Handbook in relation to COVID-19 <br />
<br />
Due to the shift to online education as part of a series of measures to respond to the spreading of the Coronavirus disease 2019 (COVID-19) in the Netherlands, the following changes were made to the curriculum and assessments procedures. This supplement was made in part from deriving and adapting to the L-BASED context, elements from the WOLT guideline “Exams at Rotterdam University of Applied Sciences”.<br />
<br />
This document outlines the standard agreed procedures for Graduation Assessment and then point by point describes adjustment made in relation to COVID-19. If this document is updated, the new version will be made available to the students, tutors, and exam commission.<br />
<br />
<br />
Brief Outline of the Adjustrments to the Standard Procedure for Integrated Summative Assessment: Graduate Project Proposal (Trimester 4) <br />
<br />
<br />
All the integrated assessments, both formative and summative, involve a formal presentation to a panel of tutors across both the specialisations of the course and chaired by the course director. This allows a check that there is a consensus across the department as to the level of achievement of each student and acts as a check on the individual tutors marking the summative assessments.<br />
<br />
<br />
The overall process has been unchanged; however, some aspects of what material is assessed and how it will be assessed have been modified:<br />
<br />
<br />
The final assessment will be done online via a video chat. The External Examiner will be present throughout the panel hearings and discussions via video chat.<br />
<br />
<br />
As usual, it is expected students will have an overall presentation regarding a project proposal for the graduation project to be executed in the final two terms of the program. However, due to the current situation it is possible the material means to produce a definitive final work will be significantly limited and possibly affect the associated research, we suggest at this point that you consider presenting options for creating graduation work that can be both created and exhibited in a hybrid (combination of online and offline) form.<br />
<br />
<br />
During the Assessment students will be invited to discuss the combination of strategies they have chosen. The range of work they show must continue to meet the standard assessment criteria as described in the handbook.</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/23-11-2020_-Event_4&diff=184448Calendars:Networked Media Calendar/Networked Media Calendar/23-11-2020 -Event 42020-11-20T10:30:38Z<p>Chenmuxingye: </p>
<hr />
<div>LB1&2 & 3: ONSITE/ONLINE: Ine's tutorials 11:00 - 18:30, 45 min each - <br />
morning reserved for LB3 <br />
<br />
Materials can be sent till Sunday afternoon 1 pm.<br />
<br />
@LB3 If the morning doesn't work for you, take an afternoon slot and open up one in the morning for LB2.<br />
If the morning slots are not filled by Sunday at 14:00 LB1 & 2 will start placing their names.<br />
<br />
* Add behind your name either ONSITE or ONLINE<br />
<br />
*LB3<br />
*11.00 - 11.45 LB2 -Jelle (ONLINE)<br />
*11.45 - 12.30 Jue. Online<br />
————————>15 min break<br />
*12.45 - 13.30 Sonia (on-site)<br />
*13.30 - 14.15<br />
————————>30 min break<br />
*LB1 & 2 should the list not fill by Sunday and you'd like a slot, please add your names above and if that's full here below<br />
*LB1& 2 <br />
*14.45 - 15.15 thy (online)<br />
*15.15 - 16.00 Kamali (on site)<br />
————————>15 min break<br />
*16.15 - 17.00 muxingYe chen(on site)<br />
*17.00 - 17.45<br />
*17.45 - 18.30 LB3 -Marieke - Online</div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/27-11-2020_-Event_2&diff=184406Calendars:Networked Media Calendar/Networked Media Calendar/27-11-2020 -Event 22020-11-19T15:36:09Z<p>Chenmuxingye: </p>
<hr />
<div>MFAD2 GRS -STEVE TUTORIALS<br />
<br />
10:00 - 10.45 Muxingye Chen<br />
10.45 - 11.15 Yu-Ching<br><br />
11.15 - 12.00 Ioana<br> <br />
[break]<br><br />
13:00 - 13:45 Max <br><br />
13:45 - 14.30 Tisa <br></div>Chenmuxingyehttps://pzwiki.wdka.nl/mw-mediadesign/index.php?title=Calendars:Networked_Media_Calendar/Networked_Media_Calendar/27-11-2020_-Event_2&diff=184405Calendars:Networked Media Calendar/Networked Media Calendar/27-11-2020 -Event 22020-11-19T15:35:58Z<p>Chenmuxingye: </p>
<hr />
<div>MFAD2 GRS -STEVE TUTORIALS<br />
<br />
10:00 - 10.45<br> Muxingye Chen<br />
10.45 - 11.15 Yu-Ching<br><br />
11.15 - 12.00 Ioana<br> <br />
[break]<br><br />
13:00 - 13:45 Max <br><br />
13:45 - 14.30 Tisa <br></div>Chenmuxingye