Tiffin Breen: Difference between revisions

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What space was I in when my work was made? (this taken to be location, mood, immediate surroundings )
What space was I in when my work was made? (this taken to be location, mood, immediate surroundings )
The feedback of the committee will be processed into the work and the questions raised by tutors will be considered and possibly incorporated along the way.
The feedback of the tutors will be considered into the work and the questions raised by tutors will be considered and possibly incorporated along the way.





Latest revision as of 16:03, 8 October 2014

Introduction


For my graduate project I wish to complete and install a body of paintings that will be completed over the course of my two year study at Piet Zwart. Alongside the paintings I will create two publications and a series of video works. The paintings and one publication will be my contribution to the graduate exhibition.

I wish to take on research as a varied and constantly shifting way of approaching my work. I would like to begin by keeping track records of my studio practice and incorporate this into my final works. I hope that through the actual making and writing of my proposed projects, my starting point references ( taken from my first self evaluation writing) can be elaborated on or abandoned. The way I wish to contextualize this work is to think of what I have done - what I am drawn to - and my immediate surroundings.


Relation to previous practice


My research relates to my previous practice as it will be a way for me to continue further into the way I have been practicing. The way that I have learned best thus far and been fufilled by my practice has been to incorporate my references directly into the work rather than externalize them as a framing device that is not fused to the object or writing itself. I do not wish to write about the writing or about the paintings - I plan to create a new work that has the notions of my practice embedded within it.


Relation to a larger context


As part of my final project and writing component I will conduct a series of interviews with the students who I am working with - through these discussions I think that I will be able to understand the context that I am working within. By talking about and around the positioning of the other works and practices of the students in my year I think that I can better know my own. At the end of the year this publication will be available at the graduation exhibition as well.


My second writing component will be a series of short writing pieces in book format. These writings will be included as a studio and writing component of my final project. An important aspect of this writing will be reading my previous works ( writing and otherwise ) and thinking more about the directions that my Interim assessments presentations were leaning towards. The writing may prove to be analogous to my video and painting practices but could take a turn of sideswiping them and creating larger spaces between them.

Some questions that may help begin research:

How do the things that I am drawn to influence my work?

What are some of the similarities these things have?

What space was I in when my work was made? (this taken to be location, mood, immediate surroundings )

The feedback of the tutors will be considered into the work and the questions raised by tutors will be considered and possibly incorporated along the way.



Practical Steps:

My practical steps will include planning a schedule for the production of the work. This includes the painting, video and writing components. A schedule for interviewing will be developed. A way of framing questions and discussion topics will come from the environment of the school, places students are from and interests / topics that come up through these conversations. Recording and transcribing the conversations will be the method that I will use to complete the text. Painting will be more heavily worked on and material considerations could be tracked and taken into consideration. With the painting I would like to consider further how the materials read and what qualities they have. I wish to observe the painting more closely.


Q:Why did I use that paint? A: A friend gave it to me.