Machteld Rullens: Difference between revisions
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'What' assignment. | |||
(Performance) | 1) '''Constructed Reality''' | ||
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(Performance)'' | |||
An audience is invited to a café. The windows of the café overlook an intersection. Right in front of the biggest window two men are sitting around a little table on the terrace. Three others accompany them. The audience doesn’t realize a sound recording in the café has started playing. A male voice describes very specific situations happening on the street. While the audio file is playing over the speakers of the café, the five people in front of the window get up and take ‘their positions’. The customers / viewers, whom most of them were totally clueless of this performance happening, became quiet. While looking outside, a game of trying to figure out who was acting and who was not, had started inside. When the actors were again all seated around the table on the terrace the 15-minute performance came to an end and so did the audio recording. | An audience is invited to a café. The windows of the café overlook an intersection. Right in front of the biggest window two men are sitting around a little table on the terrace. Three others accompany them. The audience doesn’t realize a sound recording in the café has started playing. A male voice describes very specific situations happening on the street. While the audio file is playing over the speakers of the café, the five people in front of the window get up and take ‘their positions’. The customers / viewers, whom most of them were totally clueless of this performance happening, became quiet. While looking outside, a game of trying to figure out who was acting and who was not, had started inside. When the actors were again all seated around the table on the terrace the 15-minute performance came to an end and so did the audio recording. | ||
2) Follow / Lines | 2) '''Follow / Lines''' | ||
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(Description of a video still) | (Description of a video still)'' | ||
On an almost empty square two people, whom we see from the back, are walking. The bricks on the square form an ongoing pattern towards the horizon, where several green trees are blossoming. One of them, who is walking in the middle of this image, chooses to cross the square in a diagonal. The second person in this video still seems follows her. The ‘follower’ is holding a wooden stick, which functions as an extension to her legs. The stick touches the ground and leaves behind a white stripe; there is chalk on the bottom. Three other white lines that we can see on this image were drawn upon the square. This implies the same action is and has been repeated. In the video a labyrinth of criss-cross lines appear, while an interaction with the public who walks or cycles on it becomes visible. | On an almost empty square two people, whom we see from the back, are walking. The bricks on the square form an ongoing pattern towards the horizon, where several green trees are blossoming. One of them, who is walking in the middle of this image, chooses to cross the square in a diagonal. The second person in this video still seems follows her. The ‘follower’ is holding a wooden stick, which functions as an extension to her legs. The stick touches the ground and leaves behind a white stripe; there is chalk on the bottom. Three other white lines that we can see on this image were drawn upon the square. This implies the same action is and has been repeated. In the video a labyrinth of criss-cross lines appear, while an interaction with the public who walks or cycles on it becomes visible. | ||
(Photograph) | 3) '''Soldier''' | ||
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(Photograph)'' | |||
A photograph. Leaves and ivy surround a person wearing a military suit. The arms of the person are stiffly hanging beside the body. The model is looking to the upper left of the picture into the light source. This causes a big contrast with the dark background and the deep blue army suit. In ‘Napoleon Crossing the Alps’ by Jacques-Louise David, in which Napoleon is seated on his staggering horse while pointing his right hand towards something ahead of him, he is wearing a hat in the shape of a semi circular form. His hat looks similar to the one in the photograph. Fine soldiers are usually male, at least in most stories and myths, but when you have a closer look at this photograph the soldier turns out to be a woman. | A photograph. Leaves and ivy surround a person wearing a military suit. The arms of the person are stiffly hanging beside the body. The model is looking to the upper left of the picture into the light source. This causes a big contrast with the dark background and the deep blue army suit. In ‘Napoleon Crossing the Alps’ by Jacques-Louise David, in which Napoleon is seated on his staggering horse while pointing his right hand towards something ahead of him, he is wearing a hat in the shape of a semi circular form. His hat looks similar to the one in the photograph. Fine soldiers are usually male, at least in most stories and myths, but when you have a closer look at this photograph the soldier turns out to be a woman. | ||
Revision as of 23:53, 11 October 2012
'What' assignment.
1) Constructed Reality (Performance)
An audience is invited to a café. The windows of the café overlook an intersection. Right in front of the biggest window two men are sitting around a little table on the terrace. Three others accompany them. The audience doesn’t realize a sound recording in the café has started playing. A male voice describes very specific situations happening on the street. While the audio file is playing over the speakers of the café, the five people in front of the window get up and take ‘their positions’. The customers / viewers, whom most of them were totally clueless of this performance happening, became quiet. While looking outside, a game of trying to figure out who was acting and who was not, had started inside. When the actors were again all seated around the table on the terrace the 15-minute performance came to an end and so did the audio recording.
2) Follow / Lines
(Description of a video still)
On an almost empty square two people, whom we see from the back, are walking. The bricks on the square form an ongoing pattern towards the horizon, where several green trees are blossoming. One of them, who is walking in the middle of this image, chooses to cross the square in a diagonal. The second person in this video still seems follows her. The ‘follower’ is holding a wooden stick, which functions as an extension to her legs. The stick touches the ground and leaves behind a white stripe; there is chalk on the bottom. Three other white lines that we can see on this image were drawn upon the square. This implies the same action is and has been repeated. In the video a labyrinth of criss-cross lines appear, while an interaction with the public who walks or cycles on it becomes visible.
3) Soldier
(Photograph)
A photograph. Leaves and ivy surround a person wearing a military suit. The arms of the person are stiffly hanging beside the body. The model is looking to the upper left of the picture into the light source. This causes a big contrast with the dark background and the deep blue army suit. In ‘Napoleon Crossing the Alps’ by Jacques-Louise David, in which Napoleon is seated on his staggering horse while pointing his right hand towards something ahead of him, he is wearing a hat in the shape of a semi circular form. His hat looks similar to the one in the photograph. Fine soldiers are usually male, at least in most stories and myths, but when you have a closer look at this photograph the soldier turns out to be a woman.