http://pzwiki.wdka.nl/mw-fineart/index.php?title=Liz_Allan&feed=atom&action=historyLiz Allan - Revision history2024-03-28T23:32:19ZRevision history for this page on the wikiMediaWiki 1.38.2http://pzwiki.wdka.nl/mw-fineart/index.php?title=Liz_Allan&diff=4529&oldid=prevLiz at 16:17, 10 June 20132013-06-10T16:17:20Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 17:17, 10 June 2013</td>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">A yet</del>-<del style="font-weight: bold; text-decoration: none;">to</del>-<del style="font-weight: bold; text-decoration: none;">be-titled nine minute video, looped, contains two types of footage. </del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">What How Why 29</ins>-<ins style="font-weight: bold; text-decoration: none;">5</ins>-<ins style="font-weight: bold; text-decoration: none;">13</ins></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">The first, handy cam style footage, captures scenes from the the first Kings Day (formerly Queens Day) celebrations on 26th April 2013 in Amsterdam, NL. </del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">A series of shots detail the following: Between the shoulders of two Kings Day supporters the camera records a television playing a live broadcast from the official coronation ceremony. The former Queen Beatrix and the new Queen Maxima sing side by side. A cutaway shot reveals the small orange-costumed crowd seated and standing around the television within a busy street scene. Two women laugh as they make the three-fingered 'W' hand signal for King 'Wee of Willem'.</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Shot canal side, scenes of a boat parade contain crowds of orange costumed spectators cheering and watching a procession of various decorated party boats filled to capacity with orange costumed inhabitants. Within the crowds two young male figures are picked out for particular focus: a man dressed in a king's costume and another who is energetically gesturing to those around him encouraging them to respond to the music. </del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Establishing shots that lead through a rubbish-strewn park, prominently featuring Albert Heijn bags and Heineken cans, haphazardly follow a 50 year old woman up to the edge of the crowd at a large stage. A resoundingly repetitive nineties techno/house anthem 'House of God' increases in volume, on the stage a neon sign flashes 'Cartel'. In the foreground of the shot a guy in a rasta hat sprays 'Long live the King' on a makeshift flag. </del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">The shot is tightly cropped to frame a view of a small-scale conveyor belt revolving in the direction of the camera, it rests on a table containing a pile of Albert Heijn Supermarket 'minis' (miniature reproductions of products that are part of their 'free gift' promotions) and commemorative Kings Day wuppies (more free gifts from Albert Heijn), as well as promotional Orange Kings Day Hagelslag (sweet sprinkles) and ground coffee. </del>A <del style="font-weight: bold; text-decoration: none;">glass of water sits at the back. The artist appears behind the table, framed by the shot from waist down. She takes an orange jacket from the table edge and puts it on over her zebra print cardigan. She shakes her shoulders in preparation. /////// Lining them up together on a small</del>-<del style="font-weight: bold; text-decoration: none;">scale operational conveyor belt, they slowly move </del>to <del style="font-weight: bold; text-decoration: none;">the front of the shot and fall, landing beyond the frame. Other details in this performance</del>-<del style="font-weight: bold; text-decoration: none;">for</del>-<del style="font-weight: bold; text-decoration: none;">camera style activity include; putting on an orange jacket over a zebra print cardigan and removing it at the end </del>of <del style="font-weight: bold; text-decoration: none;">the performance, sipping on a glass of water, and mimicking the three-fingered Willem hand signal</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>A <ins style="font-weight: bold; text-decoration: none;">yet</ins>-to-<ins style="font-weight: bold; text-decoration: none;">be-titled nine</ins>-<ins style="font-weight: bold; text-decoration: none;">minute video loop contains two types </ins>of <ins style="font-weight: bold; text-decoration: none;">footage</ins>.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">The two types </del>of <del style="font-weight: bold; text-decoration: none;">footage are intercut, with the three nearly identical </del>conveyor belt <del style="font-weight: bold; text-decoration: none;">performances forming </del>a <del style="font-weight: bold; text-decoration: none;">repetitive base line within which the Kings day footage builds to </del>a <del style="font-weight: bold; text-decoration: none;">classical narrative climax. King</del>'<del style="font-weight: bold; text-decoration: none;">s </del>Day <del style="font-weight: bold; text-decoration: none;">footage is also located within </del>the <del style="font-weight: bold; text-decoration: none;">frame </del>of the <del style="font-weight: bold; text-decoration: none;">conveyor belt performance, </del>in the <del style="font-weight: bold; text-decoration: none;">form of smaller frames made to appear as if they are sitting </del>on the <del style="font-weight: bold; text-decoration: none;">conveyor belt. In this way and through the transitions between the edits</del>, <del style="font-weight: bold; text-decoration: none;">connections between the content of the footage is developed</del>. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">A tightly cropped interior shot frames the view </ins>of <ins style="font-weight: bold; text-decoration: none;">a small-scale </ins>conveyor belt <ins style="font-weight: bold; text-decoration: none;">revolving in the direction of the camera, it rests on </ins>a <ins style="font-weight: bold; text-decoration: none;">table containing </ins>a <ins style="font-weight: bold; text-decoration: none;">pile of Albert Heijn Supermarket 'minis' (miniature reproductions of products that are part of their 'free gift</ins>' <ins style="font-weight: bold; text-decoration: none;">promotions) and commemorative Kings Day wuppies (more free gifts from Albert Heijn) and Kings Day orange hagelslag (sweet sprinkles) tin and Kings </ins>Day <ins style="font-weight: bold; text-decoration: none;">Albert Heijn brand coffee. The commemorations are for </ins>the <ins style="font-weight: bold; text-decoration: none;">advent </ins>of the <ins style="font-weight: bold; text-decoration: none;">first Kings Day to be celebrated </ins>in the <ins style="font-weight: bold; text-decoration: none;">Netherlands </ins>on <ins style="font-weight: bold; text-decoration: none;">26th April 2013, where </ins>the <ins style="font-weight: bold; text-decoration: none;">reigning Queen Beatrix abdicates her throne to her son</ins>, <ins style="font-weight: bold; text-decoration: none;">Willem-Alexander</ins>.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The yet-to-be-titled video continues the themes of its precursor video work (Untitled) Finished Sketch in which I playfully misunderstand the function of products from iconic Dutch brands during attempts to find methods for belonging through processes of mimicry. In this follow up work the same world of products are explored but now the camera also witnesses the conveyor belt as symbolic of the methods of their production. Importantly the camera also leaves the studio to investigate the practice and performance of the ideologies that the products represent. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">A glass of water sits at the back. The artist appears behind the table, framed by the shot from the waist down. Taking an orange jacket from the table's corner she puts it on over her zebra print cardigan. She shakes out her shoulders in preparation. [Pause. Inhale. Exhale] Each mini is chosen from the pile and presented, occasionally with a flourish, in a pile of orange hagelslag that the artist pours in the centre of the conveyor belt. The selection and ordering of the minis is always the same; first placed is an Albert Heijn 'bonus' card, then a Rook-worst, followed by a round of cheese, Doube Egrets brand coffee, and Calvé brand peanut butter. The wuppie follows up the rear, preceeding the final placement of the (comparatively oversized) commemorative tin from which the hagelslag has been poured. </ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The conveyor belt carries the procession of products slowly to the front of the shot. The artist picks up the water glass. Reaching the front one by one, the mini products fall. Heard but not seen they land somewhere beyond the frame. The artist sets down the glass, removes the orange jacket and, returning it to the corner of the table, leaves the shot.</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The three versions of the performance with conveyor belt contain embedded images of handycam style footage, capturing scenes from the smaller celebrations surrounding the official coronation in Amsterdam, NL. A series of shots detail the following: Between the shoulders of two Kings Day supporters the camera records a television set playing a live broadcast of the official coronation ceremony. The former Queen Beatrix and the new Queen Maxima sing side by side. A cutaway shot reveals a group in orange costumes seated and standing around the television within a busy street scene. Two women laugh as they raise their arms, gesturing to the television screen with a three-fingered hand signal making out a 'W'. 'W' for the King, 'Wee of Willem'.</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Shot canal side, scenes of a boat parade contain crowds of orange-costumed spectators cheering and watching a procession of various decorated party boats filled to capacity with orange-costumed inhabitants. Within the crowds two young male figures are picked out for particular focus: a man dressed in a king's costume and another who is energetically gesturing to those around him encouraging them to respond to the music. </ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Establishing shots of a park are blurry, is it snowing? The camera pulls focus and then lowers its view, tracking through a rubbish-strewn park prominently featuring Albert Heijn bags and Heineken cans. The camera turns to haphazardly follow a 50 year old woman up to the edge of the crowd at a large stage. A resoundingly repetitive nineties techno/house anthem 'House of God' increases in volume, on the stage a neon sign flashes 'Cartel'. In the foreground of the shot a guy in a rasta hat sprays 'Long live the King' on a makeshift flag.</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The interior footage of the three nearly identical conveyor belt performances forms a repetitive base line which the exterior footage of King's Day is imbedded within and between. Located within the composition of the conveyor belt performance, smaller frames sit as if on the conveyor belt. In this way and through the transitions between the edits, connections between details within the two kinds of footage develop.</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The yet-to-be-titled video continues the themes of its precursor video work<ins style="font-weight: bold; text-decoration: none;">, </ins>(Untitled) Finished Sketch<ins style="font-weight: bold; text-decoration: none;">, </ins>in which I playfully misunderstand<ins style="font-weight: bold; text-decoration: none;">/appropriate </ins>the function of products from iconic Dutch brands during attempts to find methods for belonging through processes of mimicry. In this follow<ins style="font-weight: bold; text-decoration: none;">-</ins>up work the same world of products are explored but now the camera also witnesses the conveyor belt as symbolic of the methods of their production. Importantly<ins style="font-weight: bold; text-decoration: none;">, </ins>the camera also leaves the studio to <ins style="font-weight: bold; text-decoration: none;">even-handedly </ins>investigate the practice and performance of the ideologies that the products represent<ins style="font-weight: bold; text-decoration: none;">; brand identities, national identities, collective representation, belief, and belonging</ins>.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>-</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>-</div></td></tr>
</table>Lizhttp://pzwiki.wdka.nl/mw-fineart/index.php?title=Liz_Allan&diff=4496&oldid=prevLiz at 13:16, 29 May 20132013-05-29T13:16:42Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 14:16, 29 May 2013</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
<td colspan="2" class="diff-lineno">Line 1:</td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">WHAT HOW WHY WHAT HOW WHY</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">A yet-to-be-titled nine minute video, looped, contains two types of footage. </ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The first, handy cam style footage, captures scenes from the the first Kings Day (formerly Queens Day) celebrations on 26th April 2013 in Amsterdam, NL. </ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">A series of shots detail the following: Between the shoulders of two Kings Day supporters the camera records a television playing a live broadcast from the official coronation ceremony. The former Queen Beatrix and the new Queen Maxima sing side by side. A cutaway shot reveals the small orange-costumed crowd seated and standing around the television within a busy street scene. Two women laugh as they make the three-fingered 'W' hand signal for King 'Wee of Willem'.</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Shot canal side, scenes of a boat parade contain crowds of orange costumed spectators cheering and watching a procession of various decorated party boats filled to capacity with orange costumed inhabitants. Within the crowds two young male figures are picked out for particular focus: a man dressed in a king's costume and another who is energetically gesturing to those around him encouraging them to respond to the music. </ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Establishing shots that lead through a rubbish-strewn park, prominently featuring Albert Heijn bags and Heineken cans, haphazardly follow a 50 year old woman up to the edge of the crowd at a large stage. A resoundingly repetitive nineties techno/house anthem 'House of God' increases in volume, on the stage a neon sign flashes 'Cartel'. In the foreground of the shot a guy in a rasta hat sprays 'Long live the King' on a makeshift flag. </ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">A yet-to-be-titled nine minute video, looped, contains two types of footage. The first, handy cam style footage, captures scenes from the the first Kings Day (formerly Queens Day) celebrations on 26th April 2013 in Amsterdam, NE. </del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The shot is <ins style="font-weight: bold; text-decoration: none;">tightly cropped </ins>to <ins style="font-weight: bold; text-decoration: none;">frame </ins>a <ins style="font-weight: bold; text-decoration: none;">view </ins>of a <ins style="font-weight: bold; text-decoration: none;">small-scale conveyor belt revolving </ins>in the <ins style="font-weight: bold; text-decoration: none;">direction </ins>of the <ins style="font-weight: bold; text-decoration: none;">camera, it rests </ins>on a table <ins style="font-weight: bold; text-decoration: none;">containing </ins>a pile of Albert Heijn <ins style="font-weight: bold; text-decoration: none;">Supermarket </ins>'minis' (miniature reproductions of products that are part of <ins style="font-weight: bold; text-decoration: none;">their </ins>'free gift' promotions) and commemorative Kings Day wuppies <ins style="font-weight: bold; text-decoration: none;">(more free gifts from Albert Heijn)</ins>, as well as promotional <ins style="font-weight: bold; text-decoration: none;">Orange </ins>Kings Day <ins style="font-weight: bold; text-decoration: none;">Hagelslag </ins>(<ins style="font-weight: bold; text-decoration: none;">sweet </ins>sprinkles) <ins style="font-weight: bold; text-decoration: none;">and ground coffee</ins>. <ins style="font-weight: bold; text-decoration: none;">A glass of water sits at the back. The artist appears behind the table, framed by the shot from waist down. She takes an orange jacket from the table edge and puts it on over her zebra print cardigan. She shakes her shoulders in preparation. /////// </ins>Lining them up together on a small-scale operational conveyor belt, they slowly move to the front of the shot and fall, landing beyond the frame. Other details in this performance-for-camera style activity include; putting on an orange jacket over a zebra print cardigan and removing it at the end of the performance, sipping on a glass of water, and mimicking the three-fingered Willem hand signal.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Between the shoulders of two Kings Day supporters the camera records a television playing a live broadcast from the official coronation ceremony. </del>The <del style="font-weight: bold; text-decoration: none;">former Queen Beatrix and the new Queen Maxima sing side by side. A cutaway </del>shot <del style="font-weight: bold; text-decoration: none;">reveals the small orange costumed crowd seated and standing around the television within a busy street scene. Two of the women laugh as they make the three-fingered hand signal for Willem-Alexander.</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Shot canal side, scenes of a boat parade contain crowds of orange costumed spectators cheering and watching a procession of various decorated party boats filled to capacity with orange costumed inhabitants. Within the crowds two young male figures are picked out for particular focus: a man dressed in a king's costume and another who </del>is <del style="font-weight: bold; text-decoration: none;">energetically gesturing </del>to <del style="font-weight: bold; text-decoration: none;">those around him to respond to the music. </del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Establishing shots that lead through a rubbish-strewn park, prominently featuring Albert Heijn bags and Heineken cans, haphazardly follow </del>a <del style="font-weight: bold; text-decoration: none;">50 year old woman up to the edge </del>of <del style="font-weight: bold; text-decoration: none;">the crowd at </del>a <del style="font-weight: bold; text-decoration: none;">large stage. A resounding repetitive nineties techno/house anthem 'House of God' increases </del>in <del style="font-weight: bold; text-decoration: none;">volume, on the stage a neon sign flashes 'Cartel'. In </del>the <del style="font-weight: bold; text-decoration: none;">foreground </del>of the <del style="font-weight: bold; text-decoration: none;">shot a guy in a rasta hat sprays 'Long live the King' </del>on <del style="font-weight: bold; text-decoration: none;">a makeshift flag.</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">The second type of footage shows a cropped frame of the artist (waist down) standing at </del>a table <del style="font-weight: bold; text-decoration: none;">where she selects from </del>a pile of <del style="font-weight: bold; text-decoration: none;"> </del>Albert Heijn 'minis' (miniature reproductions of products that are part of 'free gift' promotions) and commemorative Kings Day wuppies, as well as promotional Kings Day <del style="font-weight: bold; text-decoration: none;">Hagelslaag </del>(sprinkles). <del style="font-weight: bold; text-decoration: none;"> </del>Lining them up together on a small-scale operational conveyor belt, they slowly move to the front of the shot and fall, landing beyond the frame. Other details in this performance-for-camera style activity include; putting on an orange jacket over a zebra print cardigan and removing it at the end of the performance, sipping on a glass of water, and mimicking the three-fingered Willem hand signal.</div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">HOW</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The two types of footage are intercut, with the three nearly identical conveyor belt performances forming a repetitive base line within which the Kings day footage builds to a classical narrative climax. King's Day footage is also located within the frame of the conveyor belt performance, in the form of smaller frames made to appear as if they are sitting on the conveyor belt. In this way and through the transitions between the edits, connections between the content of the footage is developed. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The two types of footage are intercut, with the three nearly identical conveyor belt performances forming a repetitive base line within which the Kings day footage builds to a classical narrative climax. King's Day footage is also located within the frame of the conveyor belt performance, in the form of smaller frames made to appear as if they are sitting on the conveyor belt. In this way and through the transitions between the edits, connections between the content of the footage is developed. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">WHY </del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The yet-to-be-titled video continues the themes of its precursor video work (Untitled) Finished Sketch in which I playfully misunderstand the function of products from iconic Dutch brands during attempts to find methods for belonging through processes of mimicry. In this follow up work the same world of products are explored but now the camera also witnesses the conveyor belt as symbolic of the methods of their production. Importantly the camera also leaves the studio to investigate the practice and performance of the ideologies that the products represent. </div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The yet-to-be-titled video continues the themes of its precursor video work <del style="font-weight: bold; text-decoration: none;">'</del>(Untitled) Finished Sketch<del style="font-weight: bold; text-decoration: none;">' </del>in which I playfully misunderstand the function of products from iconic Dutch brands during attempts to find methods for belonging through processes of mimicry. In this follow up work the same world of products are explored but now the camera also witnesses the conveyor belt as symbolic of the methods of their production. Importantly the camera also leaves the studio to investigate the practice and performance of the ideologies that the products represent.</div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>-</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>-</div></td></tr>
</table>Lizhttp://pzwiki.wdka.nl/mw-fineart/index.php?title=Liz_Allan&diff=4478&oldid=prevLiz at 10:51, 29 May 20132013-05-29T10:51:29Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 11:51, 29 May 2013</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
<td colspan="2" class="diff-lineno">Line 1:</td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">WHAT HOW WHY WHAT HOW WHY</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">A yet-to-be-titled nine minute video, looped, contains two types of footage. The first, handy cam style footage, captures scenes from the the first Kings Day (formerly Queens Day) celebrations on 26th April 2013 in Amsterdam, NE. </ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Between the shoulders of two Kings Day supporters the camera records a television playing a live broadcast from the official coronation ceremony. The former Queen Beatrix and the new Queen Maxima sing side by side. A cutaway shot reveals the small orange costumed crowd seated and standing around the television within a busy street scene. Two of the women laugh as they make the three-fingered hand signal for Willem-Alexander.</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Shot canal side, scenes of a boat parade contain crowds of orange costumed spectators cheering and watching a procession of various decorated party boats filled to capacity with orange costumed inhabitants. Within the crowds two young male figures are picked out for particular focus: a man dressed in a king's costume and another who is energetically gesturing to those around him to respond to the music. </ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Establishing shots that lead through a rubbish-strewn park, prominently featuring Albert Heijn bags and Heineken cans, haphazardly follow a 50 year old woman up to the edge of the crowd at a large stage. A resounding repetitive nineties techno/house anthem 'House of God' increases in volume, on the stage a neon sign flashes 'Cartel'. In the foreground of the shot a guy in a rasta hat sprays 'Long live the King' on a makeshift flag.</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The second type of footage shows a cropped frame of the artist (waist down) standing at a table where she selects from a pile of Albert Heijn 'minis' (miniature reproductions of products that are part of 'free gift' promotions) and commemorative Kings Day wuppies, as well as promotional Kings Day Hagelslaag (sprinkles). Lining them up together on a small-scale operational conveyor belt, they slowly move to the front of the shot and fall, landing beyond the frame. Other details in this performance-for-camera style activity include; putting on an orange jacket over a zebra print cardigan and removing it at the end of the performance, sipping on a glass of water, and mimicking the three-fingered Willem hand signal.</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">HOW</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The two types of footage are intercut, with the three nearly identical conveyor belt performances forming a repetitive base line within which the Kings day footage builds to a classical narrative climax. King's Day footage is also located within the frame of the conveyor belt performance, in the form of smaller frames made to appear as if they are sitting on the conveyor belt. In this way and through the transitions between the edits, connections between the content of the footage is developed. </ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">WHY </ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The yet-to-be-titled video continues the themes of its precursor video work '(Untitled) Finished Sketch' in which I playfully misunderstand the function of products from iconic Dutch brands during attempts to find methods for belonging through processes of mimicry. In this follow up work the same world of products are explored but now the camera also witnesses the conveyor belt as symbolic of the methods of their production. Importantly the camera also leaves the studio to investigate the practice and performance of the ideologies that the products represent.</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Writing Machine</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Writing Machine</div></td></tr>
</table>Lizhttp://pzwiki.wdka.nl/mw-fineart/index.php?title=Liz_Allan&diff=3831&oldid=prevLiz at 14:51, 21 February 20132013-02-21T14:51:20Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:51, 21 February 2013</td>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Writing Machine</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Standing outside of the miniature french kitchen, the two young women in matching red coats were talking freely. "If I have this baby, I have to consider that I am going to be not only ancient but also reborn through it, right?" The woman in the slightly less red jacket paused and considered the tiny kitchen inside "Yes you could consider that, but you have to consider the interval between you - that the meaning that you might ascribe to yourself or have ascribed to you will be changed in its transport through this new arrival into the new context." A guy with a pizza under his arm walked by. "Its called transmission" she added with a hungry stare. "Hmm," the first more red jacketed woman pondered, "I think I'm going to have the baby maybe". </ins></div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>SYNOPSIS</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>SYNOPSIS</div></td></tr>
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</table>Lizhttp://pzwiki.wdka.nl/mw-fineart/index.php?title=Liz_Allan&diff=3776&oldid=prevLiz at 14:38, 12 February 20132013-02-12T14:38:41Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:38, 12 February 2013</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''What preceded it?''</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''What preceded it?''</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>I can only imagine, for the artwork thoughts, the usual proposals and emails with the organisers, sourcing equipment. For the writing - it was an assignment!</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>I can only imagine, for the artwork thoughts, the usual proposals and emails with the organisers, sourcing equipment. For the writing - it was an assignment!</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">My antwoorden:</ins></div></td></tr>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Where can you position it?</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Outside, summertime, in a public and commercial environment. In a place where craft is valued. Within the institutional structure of an Art Biennale.</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Does the work have integrity? What kind?</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The works integrity relies on: the interaction between the story teller and the listener - was the encounter valuable for both sides? Why? The work's integrity also relies on its ability to act as a provocation to the conservative majority in the city that it was held in.</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">What kind of atmosphere does it evoke?</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The work privileges the value of a good story over the legality or morality of the act told within it - therefore the atmosphere evoked is one of mischievousness. It also creates an open environment for the telling of stories, the active listening process provides a generous service.</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">When did it begin to exist as an object?</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The project began as an object the moment documentation of it appeared in the public. </ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">What was the motivation behind making it?</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Tales Illustrated was motivated by a desire to interact with 'the public' in Christchurch, to hear their stories. The stall was a listening booth, the service was a rather immaterial one - but still a craft! I wanted to set up an experiment where the conceptual elements of my practice could be brought into a context where they could be compared and valued in the terms of the craft market.</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">What preceded it?</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">A curatorial invitation. An interest in storytelling and the performance of placeness through the storytelling process. An interest in the work of Suzanne Lacy and other New Genre Public Artists. I also like craft stalls.</ins></div></td></tr>
</table>Lizhttp://pzwiki.wdka.nl/mw-fineart/index.php?title=Liz_Allan&diff=3757&oldid=prevPewe at 14:01, 12 February 20132013-02-12T14:01:16Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>4.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>4.</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">PHILIP EWE Response to Description 1.</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">''How does it make you feel?''</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">I'm curious about the stories and about the setting and the people coming by - I'm given a taste but knowing the transgressive nature of the stories I want more! There is a lot that's not detailed but I really have a picture of the scene by the cloth-covered table and the opening line which places us immediately with atmosphere (the market) and the basis for it all - the sign. The writing makes me feel cuir</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">''What kind of atmosphere does it evoke?''</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The stories themselves one can only guess - probably a bit exciting! Despite how busy the public context was and how lively the tales may have been there is a lightness to the writing, no firey examples of rebellion which also opens up the subject because the there is none of the titillation that comes from gossip and tales of impropriety. In this way the voice of the writing makes no judgement calls: tales in this spot, as everywhere, come and go and the core of the work is catching them with a butterfly net, to be recorded and then let free again. This lends a kind of mystery to the work.</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">''Where can you position it?''</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Practically speaking: I position the writing as an stylish description that would fit well in an overview of the artists work.</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">When did it begin to exist as an art object?</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The description of the work, the writing, comes into artistry right from the beginning. The description reads like a story as much as the tales people are recounting are stories and there is a wonderful sensitivity to the style and descriptions of the work and the rituals of involved in the making of it: recording, drawing, wrapping of drawing and the hosting of other people. </ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Does the work have integrity? What kind of integrity?</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">This is a tricky question, is this a yes/no answer, is integrity a club that you are in or out of? The artwork described in Liz's writing has an ethereal quality, no examples of summaries of the stories of impropriety, rebellion and miscreance description and the ethereal description itself are so ethereal in nature that it's .</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">''What was the motivation behind making it?''</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The motivation feels like a belief in the power of story telling, that for something to exist it must be heard and that the stories that are being heard are free from judgement despite their rebellious nature - this could be fun to divulge and fun to hear! The writing itself feels motivated to tell the story of this situation, it works as a testimony for the artist: it feels like it has a beginning, middle and the end: 50 stories were collected by the course of the four weekend</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">At the same time there is a trade of sorts, tell me a story and I will give you a picture, but the trade is a trade seems less a trade of worth but more like a custom, that a story deserves a picture and a picture deserves a story - the cloth-covered card table lends a taror-reading quality to the artwork. What is the motivation for Liz and her passers-by? Perhaps there is an understanding and curiosity from both ends that this is not about capital, a trade off and more about communication, on terms personal to the tale-teller (they can tell it how they like) and the picture-maker (she can draw what she likes)- what story shall he tell? what picture shall she make? Similarly the stories may have been shared but they are no paraphrased or retold by Liz, as a kind of loyalty to people's stories. There is no mention of how willing people were, whether passers-by took some persuasion or not - this is the mystery of the art making.I can only imagine her motivation was for good.</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">''What preceded it?''</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">I can only imagine, for the artwork thoughts, the usual proposals and emails with the organisers, sourcing equipment. For the writing - it was an assignment!</ins></div></td></tr>
</table>Pewehttp://pzwiki.wdka.nl/mw-fineart/index.php?title=Liz_Allan&diff=3374&oldid=prevLiz at 22:33, 12 December 20122012-12-12T22:33:04Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 23:33, 12 December 2012</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Synopsis of 'The work of art in the age of digital recombination' by Jos de Mul. In Digital Material.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Synopsis of 'The work of art in the age of digital recombination' by Jos de Mul. In Digital Material.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Contributing to discourse on the role of media in the configuration of the human mind and experience, Mul argues that the present age is one of digital recombination and has caused a shift in art's ontology through the model of digital image database technologies.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Contributing to discourse on the role of media in the configuration of the human mind and experience, Mul argues that the present age is one of digital recombination and has caused a shift in art's ontology through the model of digital image database technologies<ins style="font-weight: bold; text-decoration: none;">. Following from the loss of the aura and cult value and its replacement with exhibition value in Walter Benjamin's essay 'Art in the age of mechanical reproduction' , Mul explicates how an image's exhibition value is sited in the endless reproducability and recombining of the auratic copy, using the mediagenic factor of the celebrity to show how exhibition value operates</ins>. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Following from the loss of the aura and cult value in Walter Benjamin's essay 'Art in the age of mechanical reproduction' , Mul updates this loss as being replaced by exhibition value in the interface of the image's virtuality. An image's exhibition value is sited in the endless reproducability and recombining of the auratic copy, and Mul uses the mediagenic factor of the celebrity to show how exhibition value operates. </del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Recent developments in database technology show a trend towards the model of relational databases for their greater flexibility and wide application beyond the world of computing. Mul argues that once the database <ins style="font-weight: bold; text-decoration: none;">evokes </ins>acts in the material world the model operates as a material metaphor and, through customisation (here he cites industrial and genetic technologies), may create a meaning surplus - in which case the database functions as a conceptual metaphor structuring our experience of the world and ourselves within it. Through a manipulation of database technologies (add, browse, change, destroy) Mul argues that attention is directed to the medium itself and that, through this ABCD process, the work of art has become repoliticised.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Recent developments in database technology show a trend towards the model of relational databases for their greater flexibility and wide application beyond the world of computing. Mul argues that once the database <del style="font-weight: bold; text-decoration: none;">evoke </del>acts in the material world the model operates as a material metaphor and, through customisation (here he cites industrial and genetic technologies), may create a meaning surplus - in which case the database functions as a conceptual metaphor structuring our experience of the world and ourselves within it. </div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Through a manipulation of database technologies (add, browse, change, destroy) Mul argues that attention is directed to the medium itself and that, through this ABCD process, the work of art has become repoliticised.</div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Synopsis of 'Remixing and Remixability' by Lev Manovich</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Synopsis of 'Remixing and Remixability' by Lev Manovich</div></td></tr>
</table>Lizhttp://pzwiki.wdka.nl/mw-fineart/index.php?title=Liz_Allan&diff=3373&oldid=prevLiz at 22:26, 12 December 20122012-12-12T22:26:31Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 23:26, 12 December 2012</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Through a manipulation of database technologies (add, browse, change, destroy) Mul argues that attention is directed to the medium itself and that, through this ABCD process, the work of art has become repoliticised.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Through a manipulation of database technologies (add, browse, change, destroy) Mul argues that attention is directed to the medium itself and that, through this ABCD process, the work of art has become repoliticised.</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Synopsis of 'Remixing and Remixability' by Lev Manovich</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">In this text Manovich argues for a continuity of modularity in the technologies of the 20th and 21st centuries, compares the different forms of modularity that they take, and relates their effects on wider culture. While the industrialisation of the 20th century reached a systemic character standardising and modularising the products of mass culture in the production process (video tapes, photographs) Manovich points out that the making of content was always performed by teams of human authors on a one by one basis, thereby retaining a character of individuality so important to the ideology of the time. In remixing/remixability users are now modulating culture from the outside. Manovich proposes 21st century modularity extends beyond a pre-prescribed vocabulary (such as elemental shapes or the module of the cassette tape) as its modules constitute any well-defined part of any finished cultural object (such as chapters in a DVD or 'notes' in Flickr) in unlimited combinations. The structure of 21st century computer technology and the resulting modularity of its cultural products encourages remixing of these modules by its users. </ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">21st century communication is characterised by the multi directional movement of information, where each reception point is one of many temporary stations on information's path and these diverse modules become accessible to all. Collaborative remixability platforms such as wikipedia make spaces of production available for all users of the internet, collapsing the distinction between professional and amateur producers and between samples (i.e. stock photo's) and 'authentic' cultural works. </ins></div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>WHAT THE</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>WHAT THE</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>3. [[PLAGUERISM WORK: RERADIO]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>3. [[PLAGUERISM WORK: RERADIO]]</div></td></tr>
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</table>Lizhttp://pzwiki.wdka.nl/mw-fineart/index.php?title=Liz_Allan&diff=3372&oldid=prevLiz at 21:43, 12 December 20122012-12-12T21:43:56Z<p></p>
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</table>Lizhttp://pzwiki.wdka.nl/mw-fineart/index.php?title=Liz_Allan&diff=3254&oldid=prevLiz at 08:31, 7 December 20122012-12-07T08:31:17Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Recent developments in database technology show a trend towards the model of relational databases for their greater flexibility and wide application beyond the world of computing. Mul argues that once the database evoke acts in the material world the model operates as a material metaphor and, through customisation (here he cites industrial and genetic technologies), may create a meaning surplus - in which case the database functions as a conceptual metaphor structuring our experience of the world and ourselves within it. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Recent developments in database technology show a trend towards the model of relational databases for their greater flexibility and wide application beyond the world of computing. Mul argues that once the database evoke acts in the material world the model operates as a material metaphor and, through customisation (here he cites industrial and genetic technologies), may create a meaning surplus - in which case the database functions as a conceptual metaphor structuring our experience of the world and ourselves within it. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Through a manipulation of database technologies Mul argues that attention is directed to the medium itself and that, through this process, the work of art has become repoliticised.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Through a manipulation of database technologies <ins style="font-weight: bold; text-decoration: none;">(add, browse, change, destroy) </ins>Mul argues that attention is directed to the medium itself and that, through this <ins style="font-weight: bold; text-decoration: none;">ABCD </ins>process, the work of art has become repoliticised.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>WHAT THE</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>WHAT THE</div></td></tr>
</table>Liz