http://pzwiki.wdka.nl/mw-fineart/index.php?title=Adam&feed=atom&action=history
Adam - Revision history
2024-03-28T16:28:58Z
Revision history for this page on the wiki
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http://pzwiki.wdka.nl/mw-fineart/index.php?title=Adam&diff=12337&oldid=prev
Adam at 15:07, 1 October 2015
2015-10-01T15:07:36Z
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:07, 1 October 2015</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Veins of Gypsum Mortar was a group installation, composed and fabricated <del style="font-weight: bold; text-decoration: none;">by </del>artist Victor Briestensky <del style="font-weight: bold; text-decoration: none;">and myself</del>. This exhibition was conceived through an exchange of personal research into <del style="font-weight: bold; text-decoration: none;">defensive </del>military fortifications, doomsday bunkers and other structures that premised protection and isolation. This research would assist us in constructing a scenic design for <del style="font-weight: bold; text-decoration: none;">the purpose of </del>presenting personal works alongside six contributors. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Veins of Gypsum Mortar was a group installation, composed and fabricated <ins style="font-weight: bold; text-decoration: none;">with </ins>artist Victor Briestensky. This exhibition was conceived through an exchange of personal research into military fortifications, doomsday bunkers and other structures that premised protection and isolation. This research would assist us in constructing a scenic design for presenting personal works alongside six contributors. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>HOW</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>HOW</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">VOGM involved the transformation of a tidy office into a dilapidated cellar. Faux brick walls, stained cardboard flooring, folly pipefittings, unsettling sounds and dim tungsten bulbs were employed to set a dystopic tone. Artworks were arranged in a claustrophobic manner throughout the installation to a point of indistinguishability from the encompassing environment.</ins></div></td></tr>
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Adam
http://pzwiki.wdka.nl/mw-fineart/index.php?title=Adam&diff=12328&oldid=prev
Adam at 14:31, 1 October 2015
2015-10-01T14:31:51Z
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:31, 1 October 2015</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Veins of Gypsum Mortar was a group installation, composed and fabricated by artist Victor Briestensky and myself. This exhibition was conceived through an exchange of personal research into defensive military fortifications, doomsday bunkers and other structures that premised protection and isolation. This research would assist us in constructing a scenic design for the purpose of presenting personal works alongside six contributors. </ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
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Adam
http://pzwiki.wdka.nl/mw-fineart/index.php?title=Adam&diff=12320&oldid=prev
Adam at 14:19, 1 October 2015
2015-10-01T14:19:40Z
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:19, 1 October 2015</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Veins of Gypsum Mortar was a group installation, composed and fabricated by artist Victor Briestensky and myself, which took place in July of 2015. This project was developed in collaboration with Ashley, a nomadic exhibition platform whose mandate is to promote dialogue between local and international emerging artists working in Berlin. </del></div></td><td colspan="2" class="diff-side-added"></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>HOW</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>HOW</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Being situated in different cities, Briestensky and I conceived of VOGM through an exchange of personal research into defensive military fortifications, doomsday bunkers and other structures that premised protection and isolation. This research would assist us in constructing a scenic design for the purpose of presenting personal works alongside six contributors. </del> </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
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Adam
http://pzwiki.wdka.nl/mw-fineart/index.php?title=Adam&diff=12316&oldid=prev
Adam at 14:02, 1 October 2015
2015-10-01T14:02:11Z
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:02, 1 October 2015</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Meditations on Poison is an ongoing body of illustrative paintings <del style="font-weight: bold; text-decoration: none;">that I am in the midst of developing</del>. These images draw from visual languages of Traditional Chinese Medicine, comic books and anatomical diagrams. This project is first step towards reflections on cultural history, bodily function and cognitive development <del style="font-weight: bold; text-decoration: none;">through an autobiographical lens</del>. <del style="font-weight: bold; text-decoration: none;"> </del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Meditations on Poison is an ongoing body of illustrative paintings. These images draw from visual languages of Traditional Chinese Medicine, comic books and anatomical diagrams. This project is <ins style="font-weight: bold; text-decoration: none;">the </ins>first step towards <ins style="font-weight: bold; text-decoration: none;">an autobiographical </ins>reflections on cultural history, bodily function and cognitive development.</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>How</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>How</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The works <del style="font-weight: bold; text-decoration: none;">stem </del>from pencil drawings that have been laser-etched onto birch wood panels. Each panel has been treated with different patinas, including graphite, carbon paper, water-based adhesives amongst other materials. I will mount <del style="font-weight: bold; text-decoration: none;">these constellations </del>of images onto larger wooden sheets, hung <del style="font-weight: bold; text-decoration: none;">in a traditional painting format. </del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The works <ins style="font-weight: bold; text-decoration: none;">draw </ins>from pencil drawings that have been laser-etched onto birch wood panels. Each panel has been treated with different patinas, including graphite, carbon paper, water-based adhesives amongst other materials. I will mount <ins style="font-weight: bold; text-decoration: none;">this constellation </ins>of images onto larger wooden sheets, hung <ins style="font-weight: bold; text-decoration: none;">at eye level</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>WHY</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>WHY</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>This project navigates a ground for cultural reflection that I have developed since departing from Canada. Through displacement I can better identify with the experiences of cultural transition<del style="font-weight: bold; text-decoration: none;">, to new homes and to one another, </del>that my mother and father shared as foreigners and their respective relationships to Traditional Chinese Medicine and biomedicine.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>This project navigates a ground for cultural reflection that I have developed since departing from <ins style="font-weight: bold; text-decoration: none;">my home, </ins>Canada. Through displacement I can better identify with the experiences of cultural transition that my mother and father shared as foreigners and their respective relationships to Traditional Chinese Medicine and <ins style="font-weight: bold; text-decoration: none;">Western </ins>biomedicine.</div></td></tr>
</table>
Adam
http://pzwiki.wdka.nl/mw-fineart/index.php?title=Adam&diff=12313&oldid=prev
Adam: Created page with "Veins of Gypsum Mortar WHAT Veins of Gypsum Mortar was a group installation, composed and fabricated by artist Victor Briestensky and myself, which took place in July of 201..."
2015-10-01T13:17:18Z
<p>Created page with "Veins of Gypsum Mortar WHAT Veins of Gypsum Mortar was a group installation, composed and fabricated by artist Victor Briestensky and myself, which took place in July of 201..."</p>
<p><b>New page</b></p><div>Veins of Gypsum Mortar<br />
<br />
WHAT<br />
<br />
Veins of Gypsum Mortar was a group installation, composed and fabricated by artist Victor Briestensky and myself, which took place in July of 2015. This project was developed in collaboration with Ashley, a nomadic exhibition platform whose mandate is to promote dialogue between local and international emerging artists working in Berlin. <br />
<br />
HOW<br />
<br />
Being situated in different cities, Briestensky and I conceived of VOGM through an exchange of personal research into defensive military fortifications, doomsday bunkers and other structures that premised protection and isolation. This research would assist us in constructing a scenic design for the purpose of presenting personal works alongside six contributors. <br />
<br />
WHY<br />
<br />
A reciprocal observation of artists working with themes of pessimism, post humanism and precarity, whom reflected our personal interests, laid the foundation for VOGM. Briestensky and I’s primary inquiry with this exhibition was testing how a built environment might bolster or unify the mutual notions and explorations of the artists involved. <br />
<br />
<br />
Meditations on Poison<br />
<br />
WHAT<br />
<br />
Meditations on Poison is an ongoing body of illustrative paintings that I am in the midst of developing. These images draw from visual languages of Traditional Chinese Medicine, comic books and anatomical diagrams. This project is first step towards reflections on cultural history, bodily function and cognitive development through an autobiographical lens. <br />
<br />
How<br />
<br />
The works stem from pencil drawings that have been laser-etched onto birch wood panels. Each panel has been treated with different patinas, including graphite, carbon paper, water-based adhesives amongst other materials. I will mount these constellations of images onto larger wooden sheets, hung in a traditional painting format. <br />
<br />
WHY<br />
<br />
This project navigates a ground for cultural reflection that I have developed since departing from Canada. Through displacement I can better identify with the experiences of cultural transition, to new homes and to one another, that my mother and father shared as foreigners and their respective relationships to Traditional Chinese Medicine and biomedicine.</div>
Adam