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  • ...selves to others which is being influenced by so many parameters (society, culture, affects, memories, etc...). Few theorists like Erving Goffman or Judith Bu
    11 KB (1,827 words) - 21:32, 17 April 2016
  • ...ng at it in a way which elevates above just being the refuse of capitalist culture. Potentially something like fantasy words or maybe a direct reference to th
    11 KB (2,026 words) - 17:10, 23 February 2017
  • ...does Haraway’s expansion of these theories in a contemporary setting. S&M culture comes to me as an aesthetic inspiration (black latex) and sound continues t
    11 KB (2,001 words) - 18:27, 23 March 2017
  • ...inhabiting the position of the person who incorporate capitalism. Digital culture.A bigger possibility for being. She has incredible control of her object st The presentation of FKA Twigs/Beyonce in light of the music culture. Why Grace Jones falls outside of this?
    27 KB (4,423 words) - 10:13, 7 October 2014
  • ...onal modernism but suggestive of alternative forms of new ways to practice culture and politics. And we did not lose. In a sense the worse thing happened: tre
    13 KB (2,189 words) - 16:56, 22 January 2014
  • ...onal modernism but suggestive of alternative forms of new ways to practice culture and politics. And we did not lose. In a sense the worse thing happened: tre
    13 KB (2,201 words) - 11:40, 2 September 2016
  • ...onal modernism but suggestive of alternative forms of new ways to practice culture and politics. And we did not lose. In a sense the worse thing happened: tre
    13 KB (2,202 words) - 11:36, 30 August 2016
  • ...gallery is an organised destination and a pre-arranged vessel for art and culture, but the idea in the architectural interventions I am making is to point to
    14 KB (2,699 words) - 17:00, 23 February 2017
  • ...sorders, reproductive rights for women and gender scepticism in postmodern culture. I am interested in unpacking emotional baggage, which can be seen as destr
    13 KB (2,205 words) - 13:30, 1 May 2017
  • ...y, Papa's Maybe: an American Grammar Book. In: Diacritics, Vol. 17, No. 2, Culture and Countermemory: The American Connection (Summer 1987), pp. 64-81.
    11 KB (1,803 words) - 13:56, 2 September 2019
  • ...y, Papa's Maybe: an American Grammar Book. In: Diacritics, Vol. 17, No. 2, Culture and Countermemory: The American Connection (Summer 1987), pp. 64-81.
    12 KB (1,806 words) - 13:35, 11 September 2019
  • ...dn’t consider making work directly informed by, mainly books on music, sub-culture and biography. If I was cleverer I’d work out how to draw all my interest
    13 KB (2,291 words) - 17:46, 15 April 2016
  • ...y, Papa's Maybe: an American Grammar Book. In: Diacritics, Vol. 17, No. 2, Culture and Countermemory: The American Connection (Summer 1987), pp. 64-81.
    12 KB (1,876 words) - 13:43, 18 November 2019
  • ...tives do not exist by themselves, that history needs action. But also that culture is the anticipation of this action, through the conventions by which it is
    13 KB (2,302 words) - 15:02, 29 October 2012
  • ...ll elements are constantly combined, recombined and recombined. Nature and culture become an object for this manipulation. Art will regain its ritual dimensio
    14 KB (2,341 words) - 14:58, 29 May 2013
  • ...ecomes an exploration of the difference between modularity in contemporary culture versus industrial modularity, which is governed by a different logic. In th
    13 KB (2,133 words) - 14:50, 29 May 2013
  • ...sation as to what art could be and how it could exist was “Postproduction. Culture as Screenplay: How Art Reprograms the World” by Nicolas Bourriaud. In it
    15 KB (2,441 words) - 17:43, 7 November 2012
  • ...ion your work and ideas in relation to appropriate aspects of contemporary culture.
    20 KB (3,280 words) - 11:10, 6 February 2014
  • ...dn’t consider making work directly informed by, mainly books on music, sub-culture and biography. If I was cleverer I’d work out how to draw all my interest
    16 KB (2,706 words) - 09:50, 9 May 2016
  • ...sation as to what art could be and how it could exist was “Postproduction. Culture as Screenplay: How Art Reprograms the World” by Nicolas Bourriaud. In it
    17 KB (2,786 words) - 11:04, 8 November 2012

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