Anastasia WWH

 'Within a brightly lit, white walled room – with Georgian features (fire place, wide windows of old glass) a duo show, 'Dividual Production' is installed. The floor is a dark wood parquet, the space is domestic or pub-like. 

Small sculptural works are installed on walls and larger pieces are free-standing. A ‘london plane tree’ holds onto its summer colour outside the window.

Two black yoga mats extend on a diagonal into the centre of the room, where a screen displays projected video, mechanic-support whirrs and a pair of headphones, lie flat on each respective mat.

The video shows tools which quantify in various public, private and domestic locations: a thermostat dial is turned through icons indicating temperature, a BMI & blood pressure report is printed, a parking ticket collected and an answer phone re-plays. Shots are separated by a monochrome graphic: (***) which occasionally overlays the non-linear narrative of the footage. A sign in a lift indicates the observation of patients privacy and clipped conversation is pursued throughout.

In parallel to sociological research , the video footage was collected over a few months and edited simply. Yoga mats were borrowed from gym where I was teaching Yoga twice a week and the screen (also borrowed) easily rolled up or down – designed for temporary use and transit. Kyle Galloway and I paired up for this duo show because we both had sculptural practices which were influenced by our ‘day jobs’ in London. Kyle as a plasterer and I as a yoga teacher. We also shared research interests in the ‘sense of self’ and society. I wanted to reflect the conditions the work exists within whilst creating a catalyst for conversation around agency, societal control and industries of wellbeing.