WritingMachinesGroup3

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Revision as of 16:51, 11 November 2014 by Danfogarty (talk | contribs)

Two Ronnie’s Technique

1. Decide Roles i.e Who will give – Answer (Past tense)-Question (Present)-Interpretation (Future)

2. Next the Interpreter decides the medium/parameter of the intended out i.e film script, music etc

3. Play through game in 3 cycles.

4. Transcribe the text, then reverse the outcome, i.e. read the interpretation text then the question text and then the answer text.'


This then forms the basis of a text. It will most likely need some gaps filled, but this is ok. It is only a way to create something at the beginning.


Our machine is a story generator; it can produce back-stories for works.


TEST 1

Adam – Interpreter A film that has been made but has not been released yet

Mat - Paper

Dan – Errrh… how was the initial idea sketched out?

Adam – I want to see how the film could be experienced in a different way…

Mat – Murder… Murdered!

Dan – Errm… What was the… errrh - event that took place that inspired the film?

Adam – That's why content is so important to this future presentation. Without the seriously good performances from all the actors the audience wouldn’t be able to relate to what started off as a simple story written down on paper.

Mat – Bubbles… or Bubbly – Bubbled…

Adam – Bubbled.

Mat – Bubbled.

Dan – Bubbled.

Mat – Bubbled, as in like frothed and bubbled.

Dan – Yeah – I used a certain type of lens to film the whole film. What type of shape was it?

Adam - I really want it to effect the emotions of people. That’s why I staged it in such a way and why it’s going to be presented in this strange way and why I got the performers to perform the way they did. I mean not only was the lens bubbled but the costumes were bubbled – everything was kind of based on a bubble, and within this bubble it allowed them the freedom to really be themselves and I think that’s why we’re going to really enjoy this film together. Emotionally. Together.

TEST 2

Mat - Interpreter An interior, an interior space of a building

Dan – Fiberglass

Adam – What materials did you use to construct this 14-story treehouse?

Mat – Heee… didn’t know at the time, but the processes under which he built a specific part of the roof would eventually, errm… result in him having testicular cancer.

Dan – Cardboard woodpeckers

Adam – There was a song that you use to sing to your wife during the construction of this project – what was it called?

Mat – The light in the space especially in the atrium space was incredibly important and errm… I wanted to make sure that when visitors entered this space that they were truly, truly dazzled.

Dan – Strobing… errh - effigies

Adam – I heard that you threw a pretty wild after party afterwards the construction was completed; you wanted to celebrate by the sounds of it with the workers and really give back errm - What was it that made it so memorable again? I can’t remember what they said in the newspapers…

Mat – No one could ever really prepare themselves for just how many immigrant laborers would die in its construction – there was… let’s put it this way, ample compensation for the workers families and loved ones, but there was still plenty of red tape to negotiate – people die all the time and its just part of life.

TEST 3

TEST 3 - SONG/BAND

Dan as interrupter Mat as Question Adam as Answer

A: Reverberation …Vertebrated

M: How did … this … how did the production change the end result?

D: Arrr … in the end they used to play through emm … 14 story hight speakers with draped tin foil draped over the top of the speakers with coconuts weighing them down at the bottom. A: Tinnitus

M: Did the fame change you at all?

D: During the emm … time frame when it was a … err yeah, during the time frame when it was a top ten hit the band got pretty wild … emm they all the band had an after party one night and err started shoving things in each other people ears … they were like mainly little speaker developed by the drummer of the band who was a bit tech and err … weird

A: Polygamy

M: Why … did you evade … the authorities for so long|?

D: err … the use of … err …materials was high up on the agenda of the band … then eventually we got to the point where we would just sit and listen to whatever was in the room … when we got put in the … when we were moving around the county we would move this on bottle cap an Amstel bottle top that we would place in the … middle of the room and listen to it hours on end.


== EDITED

Adam - I really want it to effect the emotions of people. That’s why I staged it in such a way and why it’s going to be presented in this strange way and why I got the performers to perform the way they did. I mean not only was the lens bubbled but the costumes were bubbled – everything was kind of based on a bubble, and within this bubble it allowed them the freedom to really be themselves and I think that’s why we’re going to really enjoy this film together. Emotionally. Together.

Dan – Yeah – you used a certain type of lens to film the whole film. What type of shape was it?

Mat – Bubbled, as in like frothed and bubbled.

Dan – Bubbled.

Mat – Bubbled.

Adam – Bubbled.

Mat – Bubbles… or Bubbly – Bubbled…

Adam – That's why content is so important to this future presentation. Without the seriously good performances from all the actors the audience wouldn’t be able to relate to what started off as a simple story written down on paper.

Dan – Errm… What was the… errrh - event that took place that inspired the film?

Mat – Murder… Murdered!

Adam – I want to see how the film could be experienced in a different way…

Dan – Errrh… how was the initial idea sketched out?

Mat - Paper

==