WritingMachinesGroup4: Difference between revisions
No edit summary |
No edit summary |
||
Line 11: | Line 11: | ||
Video seeks to extend itself like a meta text into multiple screens, projections, brains, nervous systems, objects, webpages, without dissolving entirely into 1s and 0s. Hoping to achieve extension while remaining engaging on affective, aesthetic, cognitive, sensory, molecular and political levels. WLTM dissolve, merge, change, reemerge with and in reaction to other video, text and humans. Wants to be loved, happy to be hated, hopes for conversation and difference. | Video seeks to extend itself like a meta text into multiple screens, projections, brains, nervous systems, objects, webpages, without dissolving entirely into 1s and 0s. Hoping to achieve extension while remaining engaging on affective, aesthetic, cognitive, sensory, molecular and political levels. WLTM dissolve, merge, change, reemerge with and in reaction to other video, text and humans. Wants to be loved, happy to be hated, hopes for conversation and difference. | ||
-- | |||
-- | |||
-- | |||
-- | |||
AW | |||
My friends would say I’m funny and I like to make people laugh, maybe I’m a bit cheeky. I feel a little awkward in social situations and sometimes I speak loudly or in a disjointed way, it’s because I get excited and sometimes I rush to get to the point! I really like being around other people. | |||
-- | |||
-- | |||
-- | |||
-- |
Revision as of 16:14, 27 November 2014
Writing machine - write lonely hearts adverts from the point of view of your art work(s)
Large colourful sculptural arrangement seeks warmth, interaction and connectivity with multiple partners. Likes the 1970s, whispers, singing, shouting, screaming etc. GSOH. Lives in hope and trust.
Body seeks to express the social conditions of its becoming by reducing the scale of the focus and starting small. Reenacts cutting itself in the present after stopping cutting itself in the past. Finds its response to this action is changed by the difference in time and the difference in intention. Wonders how performance can convey this experiential discovery to others. WLTM sympathetic soulmates for collective loving and revolution.
Publication seeks the right conditions to become complete. Obstacles include authorial neglect and over ambition for the task in hand as well as difficulties with time. WLTM enablers, facilitators and comrades able to instate a dictatorship of the texts until such time as they are completed.
Project in development seeks professional performers with experience, skill, GSOH and patience to work with inexperienced director and film crew on a micro script. Can’t make any promises. Relying on intuition rather than language. Likes British tv drama.
Video seeks to extend itself like a meta text into multiple screens, projections, brains, nervous systems, objects, webpages, without dissolving entirely into 1s and 0s. Hoping to achieve extension while remaining engaging on affective, aesthetic, cognitive, sensory, molecular and political levels. WLTM dissolve, merge, change, reemerge with and in reaction to other video, text and humans. Wants to be loved, happy to be hated, hopes for conversation and difference.
-- -- -- --
AW
My friends would say I’m funny and I like to make people laugh, maybe I’m a bit cheeky. I feel a little awkward in social situations and sometimes I speak loudly or in a disjointed way, it’s because I get excited and sometimes I rush to get to the point! I really like being around other people.
-- -- -- --