User:Alice: Difference between revisions
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'''Palm Tree''' | |||
My interest was to make a sculpture out of found source material, and then to use craft to make it more glamorous. A similar method to the way I had been making paintings. Pot plants are natural sculptures already and so it is fun to make a sculpture of something that is already considered a sculpture. Thereby the point of the artwork is to look and comment at what already exists around us. | WHAT? | ||
A made fake pot plant. An appropriation of a palm tree, of a height of one and a half metres. It's skeletal composition is of a found bent steel pol, that makes up the trunk. And the leaves are structured out of wire loops. Modrock has been used to mould the composite elements into a plam tree like object. It has then been painted in brown and green, and placed in a pot. This tree then became part of a larger installation named, "Modrock Plantation". | |||
HOW AND WHY? | |||
My interest was to make a sculpture out of found source material, and then to use craft to make it more "glamorous". The attention has been paid to the facade of the object in particular. A similar method to the way I had been making paintings. Pot plants are natural sculptures already and so it is fun to make a sculpture of something that is already considered a sculpture. Thereby the point of the artwork is to look and comment at what already exists around us. | |||
'''Paintings of Waverly''' | |||
WHAT? | |||
Two inherited cemi-circular boards of wood, each about an inch in thickness. They were cut from one circle, so share the same diameter of one and a half metres, and can connect together in a number of ways. Painted on the front surfaces of both boards, are imagery made from photogrpahs that I took whilst visiting my Grandad in Waverly, Johannesburg. They are not directly representational psintings, as certain shapes have been repeated, and lines extended. The other sides of the boards are painted with more abstract forms. | |||
HOW AND WHY | |||
My grandfather's house - a complete late 1960's timewarp, was interesting source material to me. What interested me in particular, is the matching and mirroring used in the interior design of the house, and of others in that period. Something that has been lost to some extent in our present day aesthetics of how we decorate our homes. So therfore using two canvases that were able to mirror eachother made perfect sense. The fact that the semi-circles are painted on both sides is relevant in order for the paintings to be objects that can be moved around aswell as just being paintings. Due to their shapes' they hint at being furniture like, only completely obsolete in any practical purpose. | |||
Revision as of 19:32, 10 October 2013
Palm Tree
WHAT? A made fake pot plant. An appropriation of a palm tree, of a height of one and a half metres. It's skeletal composition is of a found bent steel pol, that makes up the trunk. And the leaves are structured out of wire loops. Modrock has been used to mould the composite elements into a plam tree like object. It has then been painted in brown and green, and placed in a pot. This tree then became part of a larger installation named, "Modrock Plantation".
HOW AND WHY? My interest was to make a sculpture out of found source material, and then to use craft to make it more "glamorous". The attention has been paid to the facade of the object in particular. A similar method to the way I had been making paintings. Pot plants are natural sculptures already and so it is fun to make a sculpture of something that is already considered a sculpture. Thereby the point of the artwork is to look and comment at what already exists around us.
Paintings of Waverly
WHAT? Two inherited cemi-circular boards of wood, each about an inch in thickness. They were cut from one circle, so share the same diameter of one and a half metres, and can connect together in a number of ways. Painted on the front surfaces of both boards, are imagery made from photogrpahs that I took whilst visiting my Grandad in Waverly, Johannesburg. They are not directly representational psintings, as certain shapes have been repeated, and lines extended. The other sides of the boards are painted with more abstract forms.
HOW AND WHY My grandfather's house - a complete late 1960's timewarp, was interesting source material to me. What interested me in particular, is the matching and mirroring used in the interior design of the house, and of others in that period. Something that has been lost to some extent in our present day aesthetics of how we decorate our homes. So therfore using two canvases that were able to mirror eachother made perfect sense. The fact that the semi-circles are painted on both sides is relevant in order for the paintings to be objects that can be moved around aswell as just being paintings. Due to their shapes' they hint at being furniture like, only completely obsolete in any practical purpose.