WritingMachinesGroup3

Two Ronnie’s Technique

1. Decide Roles i.e Who will give – Answer (Past tense)-Question (Present)-Interpretation (Future)

2. Next the Interpreter decides the medium/parameter of the intended out i.e film script, music etc

3. Play through game in 3 cycles.

4. Transcribe the text, then reverse the outcome, i.e. read the interpretation text then the question text and then the answer text.'

This then forms the basis of a text. It will most likely need some gaps filled, but this is ok. It is only a way to create something at the beginning.

Our machine is a story generator; it can produce back-stories for works.

TEST 1

Adam – Interpreter A film that has been made but has not been released yet

Mat - Paper

Dan – Errrh… how was the initial idea sketched out?

Adam – I want to see how the film could be experienced in a different way…

Mat – Murder… Murdered!

Dan – Errm… What was the… errrh - event that took place that inspired the film?

Adam – That's why content is so important to this future presentation. Without the seriously good performances from all the actors the audience wouldn’t be able to relate to what started off as a simple story written down on paper.

Mat – Bubbles… or Bubbly – Bubbled…

Adam – Bubbled.

Mat – Bubbled.

Dan – Bubbled.

Mat – Bubbled, as in like frothed and bubbled.

Dan – Yeah – I used a certain type of lens to film the whole film. What type of shape was it?

Adam - I really want it to effect the emotions of people. That’s why I staged it in such a way and why it’s going to be presented in this strange way and why I got the performers to perform the way they did. I mean not only was the lens bubbled but the costumes were bubbled – everything was kind of based on a bubble, and within this bubble it allowed them the freedom to really be themselves and I think that’s why we’re going to really enjoy this film together. Emotionally. Together.

TEST 2

Mat - Interpreter An interior, an interior space of a building

Dan – Fiberglass

Adam – What materials did you use to construct this 14-story treehouse?

Mat – Heee… didn’t know at the time, but the processes under which he built a specific part of the roof would eventually, errm… result in him having testicular cancer.

Dan – Cardboard woodpeckers

Adam – There was a song that you use to sing to your wife during the construction of this project – what was it called?

Mat – The light in the space especially in the atrium space was incredibly important and errm… I wanted to make sure that when visitors entered this space that they were truly, truly dazzled.

Dan – Strobing… errh - effigies

Adam – I heard that you threw a pretty wild after party afterwards the construction was completed; you wanted to celebrate by the sounds of it with the workers and really give back errm - What was it that made it so memorable again? I can’t remember what they said in the newspapers…

Mat – No one could ever really prepare themselves for just how many immigrant laborers would die in its construction – there was… let’s put it this way, ample compensation for the workers families and loved ones, but there was still plenty of red tape to negotiate – people die all the time and its just part of life.

TEST 3

TEST 3 - SONG/BAND

Dan as interrupter Mat as Question Adam as Answer

A: Reverberation …Vertebrated

M: How did … this … how did the production change the end result?

D: Arrr … in the end they used to play through emm … 14 story hight speakers with draped tin foil draped over the top of the speakers with coconuts weighing them down at the bottom. A: Tinnitus

M: Did the fame change you at all?

D: During the emm … time frame when it was a … err yeah, during the time frame when it was a top ten hit the band got pretty wild … emm they all the band had an after party one night and err started shoving things in each other people ears … they were like mainly little speaker developed by the drummer of the band who was a bit tech and err … weird

A: Polygamy

M: Why … did you evade … the authorities for so long|?

D: err … the use of … err …materials was high up on the agenda of the band … then eventually we got to the point where we would just sit and listen to whatever was in the room … when we got put in the … when we were moving around the county we would move this on bottle cap an Amstel bottle top that we would place in the … middle of the room and listen to it hours on end.

== EDITED

Adam - I really want it to effect the emotions of people. That’s why I staged it in such a way and why it’s going to be presented in this strange way and why I got the performers to perform the way they did. I mean not only was the lens bubbled but the costumes were bubbled – everything was kind of based on a bubble, and within this bubble it allowed them the freedom to really be themselves and I think that’s why we’re going to really enjoy this film together. Emotionally. Together.

Dan – Yeah – you used a certain type of lens to film the whole film. What type of shape was it?

Mat – Bubbled, as in like frothed and bubbled.

Dan – Bubbled.

Mat – Bubbled.

Adam – Bubbled.

Mat – Bubbles… or Bubbly – Bubbled…

Adam – That's why content is so important to this future presentation. Without the seriously good performances from all the actors the audience wouldn’t be able to relate to what started off as a simple story written down on paper.

Dan – Errm… What was the… errrh - event that took place that inspired the film?

Mat – Murder… Murdered!

Adam – I want to see how the film could be experienced in a different way…

Dan – Errrh… how was the initial idea sketched out?

Mat - Paper

==

TWO RONNIES TECHNIQUE – 27/11/14

GAME RUN-THROUGH: STAGE TWO

THE CHARACTER OF THE ARCHITECT

Mat: Fruit Bowl

Dan: If you could name one domestic item that would sum-up your personality at that point what would it be?

Adam: Seymour Bauman, was an eccentric architect. He was as well known for his progressive designs as he was for his wild personality and social life.

Mat: Handcuffs

Dan: Who and what inspired you throughout your career and how would you say they have come to influence your practice?

Adam: Seymour often liked to recount this story with quite fondness of being arrested having his hands cuffed behind his back together he said that it was at that moment sat in the back of a police van with 20 other sweaty, long haired hippies that he realized that he needed to change… and that he found it incredible that two useful things like hands could be so close to one and other yet rendered so completely useless, so he thought - we should all be able to live together somehow, even if I am surrounded by these dirty hippies – maybe I can learn something from them too…

Mat: A cube… Cube

Dan: In your early days you use to publish a lot with what you call the hippies - what was your favorite publication at that time?

Adam: After hanging out with these hippies as he use to call them, he realized that they weren’t really hippies in the sort of traditional sense of drop-out, stoner - losers, they were kinda more radicalized in a way and they use to read this journal called ‘Cube’ that you’ve heard about… and in there was a great platform for mixing new and exciting types of architecture, social housing, night clubs, free raves, organic farming, small collaborative manufacturing of small metal based products, vacummed formed out fits made out of plastic which no one had done before and the reintroduction of motes however it was heated and was also used recreationally.