Mitchell, what, how, why: Difference between revisions

Revision as of 17:15, 25 September 2014

Mitchell What, How, Why; 50, 50, 50

Untitled (painting object)

Henry is a protagonist, word and thing I have been working with for a few years. The making of this object began as a way to initiate my studio by getting started on making something. There was no clear conceptual reason for this particular object to be made at the start. This object has become a version of Henry mediated into a physical form.

The object is in the format of a square painting. It is about a meter square and 2.5 inches deep. It is halved diagonally, meaning it is made up of two adjoining wooden triangle frames stretched with fabric. I covered the top left triangle in a gray fabric, stretched over the frame using staples. The bottom right triangle is covered in a matte gold fabric. The object hangs on the wall as a painting would. Resting on top of the frame are two small ceramic figures in a sitting position with their knees up to their chests and chins resting in one hand as though they are in deep contemplation. The figures are about 4 inches tall. I attempted to render them to look identical, leaving small differences due to a crude method of sculpting.

Legs

I made a pair of legs out of wood scraps. One leg is straight. The other is bent at 45 degrees. They are attached with another piece of wood in the place of a pelvis. They are human scale. They are wearing a pair of white tennis shoes and light beige chinos that are a few sizes too big.

I cut the pieces of wood to be about the scale of my own legs using rudimentary measuring techniques. I then attached the 2 pieces of the bent leg with staples and nails to form a knee. The legs were then attached to the pelvis with one long screw so I could pivot them. I then pulled the chinos onto them and propped them under a table.

I’ve never made a 3 dimensional full scale figure. I wanted to begin with making a version of what Henry might be in human for or possibly an observer of whatever Henry is. The legs are as far as I’ve gotten and I think I will stick with just the legs propped under the table.

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 What, How, Why; 50, 50, 50
-Stripy
+Untitled (painting object)
-The object is about a meter squared and 2.5 inches deep.  It is halved diagonally.  The top left half is covered in a gray fabric, attached using staples that spell Henry down two sides.  Along the central diagonal are 6 different colored stripes made of ribbon, attached on each end with brass thumbtacks.  The bottom right half is left bare, with only the wooden frame showing.
+Henry is a protagonist, word and thing I have been working with for a few years. The making of this object began as a way to initiate my studio by getting started on making something.  There was no clear conceptual reason for this particular object to be made at the start. This object has become a version of Henry mediated into a physical form.
-I found a triangle frame made of wood. I first wrapped the frame with the gray fabric covering all sides of the frame. While stapling the fabric to the frame I discovered I could spell Henry down the sides using the staples, so I did.  I did this down two sides of the triangle. I cut and stretched the ribbon securing it with the thumbtacks.  I then cut two more pieces of wood to make the triangle a square.
-The making of this object began as a way to initiate my studio by getting started on making something.  There was no clear conceptual reason for this particular object to be made at the start.  Henry is a word and thing I have been working with for a few years.  This object has become a part of that work and can be seen as both Henry and possibly the merging of Henry and the world outside of Henry.
+The object is in the format of a square painting. It is about a meter square and 2.5 inches deep. It is halved diagonally, meaning it is made up of two adjoining wooden triangle frames stretched with fabric. I covered the top left triangle in a gray fabric, stretched over the frame using staples. The bottom right triangle is covered in a matte gold fabric. The object hangs on the wall as a painting would. Resting on top of the frame are two small ceramic figures in a sitting position with their knees up to their chests and chins resting in one hand as though they are in deep contemplation.  The figures are about 4 inches tall.  I attempted to render them to look identical, leaving small differences due to a crude method of sculpting.
 Legs