SteveSophieEdit: Difference between revisions
(Created page with "i often like to distance myself from from the references i use, to make sure they wont be taken too literally. Thats also why i like the idea of the bluff, the playful lie. i...") |
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Being human size, and part of a series, generates the possibility of reading them as a family, or any other kind of social group. Their structural potential : a family group; a power play between the characters, implied through their height and size; the tiny, the stocky, the tall, the imposing. I | Being human size, and part of a series, generates the possibility of reading them as a family, or any other kind of social group. Their structural potential : a family group; a power play between the characters, implied through their height and size; the tiny, the stocky, the tall, the imposing. I | ||
I want to create scenarios with families of objects that could have been invited to a wedding, a dinner party... or maybe it's a crime scene in a summerhouse. | |||
[image] | [image] |
Revision as of 13:53, 20 April 2017
i often like to distance myself from from the references i use, to make sure they wont be taken too literally. Thats also why i like the idea of the bluff, the playful lie. it can make things less serious and more accessible.
[image]
this thing of towers [title?] comes from an interest in the structure of the braid. In a wider sense it comes from my wish to create sculptures between structures and figures.
Being human size, and part of a series, generates the possibility of reading them as a family, or any other kind of social group. Their structural potential : a family group; a power play between the characters, implied through their height and size; the tiny, the stocky, the tall, the imposing. I
I want to create scenarios with families of objects that could have been invited to a wedding, a dinner party... or maybe it's a crime scene in a summerhouse.
[image]