Collette's WWH: Difference between revisions

Revision as of 10:53, 11 November 2016

Work one:

What-

The artwork is a digitally rendered tryptic featuring an idealized seascape and architectural structure; a white cube gallery space with a plinth containing two pillars standing in glitching wave layer, finally, returning to investigate the seascape and structure with a dome topped drone.

The structure, although it does not identify itself, is the Sovereign Principality of Sealand, an idealised version of its real life self.

Each section is punctuated by 30 seconds of black frame whilst the sound of waves hitting concrete plays. Each section has it’s own audio, with waves, a boat motor, a drone and creaking boat.

How-

Why-

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 What-
-The work begins within a digitally rendered seascape with a structure protruding from the water. The structure, although it does not identify itself is the Sovereign Principality of Sealand, an idealised version of its real life self
+The artwork is a digitally rendered tryptic featuring an idealized seascape and architectural structure; a white cube gallery space with a plinth containing two pillars standing in glitching wave layer, finally, returning to investigate the seascape and structure with a dome topped drone.
+The structure, although it does not identify itself, is the Sovereign Principality of Sealand, an idealised version of its real life self.
+Each section is punctuated by 30 seconds of black frame whilst the sound of waves hitting concrete plays.
+Each section has it’s own audio, with waves, a boat motor, a drone and creaking boat.
- but is a triptych, punctuatuated by three periods of a black screen, with only the sound of a boat motor and the sea playing over the darkness.