|
|
Line 1: |
Line 1: |
|
| |
|
| Text on habits
| |
|
| |
|
| |
| I want to talk about how I make images, to locate the moment when images gain meaning; this happens after the moment of shooting; they become something at the moment of editing.
| |
| For example: sometimes something triggers your attention, abstract features within an image; this is often linked to the poor image (hito: 'the poor image tends toward abstraction' [cite])
| |
| This may relate to my painting background, regardless of the medium I treat images the same.
| |
|
| |
|
| |
| 1) the poor image
| |
|
| |
| 2) filming
| |
|
| |
| 3) show = making or assembling one 'chapter', not really working specifically for a show but presenting a work as an interruption in a continuous process
| |
|
| |
| 4) past (a couple of references= from artist statement [m reads]
| |
|
| |
| 5) future
| |
|
| |
| Maybe this text could [reads film section]
| |