User:Aitana25: Difference between revisions
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https://pad.xpub.nl/p/Grad_Show_LB_2024 | https://pad.xpub.nl/p/Grad_Show_LB_2024 | ||
'''Spatial needs''' | |||
https://docs.google.com/spreadsheets/d/1cQRjHsa9WWk5dyjVQE3H50QD8WU5P91Fsuen0zvPKyM/edit#gid=0 | |||
==Seminars== | ==Seminars== | ||
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[[Graduate Seminar 23-24 Aitana | Thesis]] | [[Graduate Seminar 23-24 Aitana | Thesis]] | ||
==Self directed research== | ==Self directed research== | ||
[[Make it work Aitana | Ongoing research]] | [[Make it work Aitana | Ongoing research]] | ||
Notes: | |||
'''INTERACTION STATION''' | |||
:'''LASER CUTTING''' | |||
:https://interactionstation.wdka.hro.nl/wiki/Using_the_laser_cutter | |||
:'''CNC''' | |||
:https://interactionstation.wdka.hro.nl/wiki/Using_the_CNC_mill | |||
:https://www.weerg.com/es/guias/materiales-cnc-que-son-y-como-elegir-el-mas-adecuado | |||
==On books== | ==On books== | ||
Latest revision as of 12:42, 12 May 2024
GRADSHOW
This year https://pzwiki.wdka.nl/mediadesign/LB2_2024_and_V2_%2B_WORM
Last years page https://pzwiki.wdka.nl/mediadesign/LB2_2023_and_V2_%2B_WORM
Writing https://pad.xpub.nl/p/Grad_Show_LB_2024
Spatial needs https://docs.google.com/spreadsheets/d/1cQRjHsa9WWk5dyjVQE3H50QD8WU5P91Fsuen0zvPKyM/edit#gid=0
Seminars
Self directed research
Notes:
INTERACTION STATION
- LASER CUTTING
- CNC
On books
2022/2023
Notes
DOK LEIPZIG
significaciones prescriptas
freethesaurus.com
https://www.wikilengua.org/index.php/Wikilengua:Portal_de_la_comunidad
- Programs:
/129-documentary-films-with-a-sense-of-humour-a-retrospective-of-laila-pakalnina
/1111-close-up-jessica-sarah-rinland
/181-israel_palestine
/830-ethnographic-documentaries
/785-in-the-mood-for-shorts
/755-documentary-portraits
/14342-the-washing-society
/196-chiledoc
/707-music-unseen
/668-cinema-masters
To commemorate the 15th anniversary of Visions du Réel Nyon, the festival has asked select filmmakers for the gift of images, in the form of cinematic Haikus. Each short film in the Haiku series is comprised of three shots to contemplate reality and to capture, in the manner of Japanese poems, the unforeseeable, fleeting eternity of a moment, to be discovered at the beginning of each projection.