User:Aitana25: Difference between revisions

To commemorate the 15th anniversary of Visions du Réel Nyon, the festival has asked select filmmakers for the gift of images, in the form of cinematic Haikus. Each short film in the Haiku series is comprised of three shots to contemplate reality and to capture, in the manner of Japanese poems, the unforeseeable, fleeting eternity of a moment, to be discovered at the beginning of each projection.

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-significaciones prescriptas
+==GRADSHOW==
-==Reading and Writing & Research Methodologies==
+'''This year'''
-===Texts on practice===
+https://pzwiki.wdka.nl/mediadesign/LB2_2024_and_V2_%2B_WORM
-[[Session1 - What/how/why | #1 What/how/why]]
-[[Session2 -  Interview | #2 Interview ]]
+'''Last years page'''
+https://pzwiki.wdka.nl/mediadesign/LB2_2023_and_V2_%2B_WORM
-Session3 Scratch
+'''Writing'''
+https://pad.xpub.nl/p/Grad_Show_LB_2024
-[[Session3 - Exploring a relevant question | #4 Exploring a relevant question]]
+'''Spatial needs'''
+https://docs.google.com/spreadsheets/d/1cQRjHsa9WWk5dyjVQE3H50QD8WU5P91Fsuen0zvPKyM/edit#gid=0
-[[AitanaAnnotation |#5 and #6 Annotation Session]]
+==Seminars==
-[[Subliminar vocabulary Aitana | Subliminal vocabulary]]
+[[Graduate Seminar 2023-2024 | Graduate seminar - Main page]]
-[[Aitana text on practice - | #7 and #8 Text on practice Session 1 and 2]]
+[[Graduate Seminar 23-24 Aitana | Thesis]]
-===On books===
+[[Stefanos seminar Aitana | Stefanos seminar]]
-[[Aitana's reading list]]
+==Self directed research==
-[[Aitana's reading notes]]
+[[Make it work Aitana | Ongoing research]]
-==Seminars / Workshops==
+==On books==
-[[Complicating the Subject by RES Aitana | #2 Complicating the Subject]]
+[[Aitana's reading list]]
-[[Is it possible Aitana | #3 Is it possible to talk about power...]]
+[[Aitana's reading notes]]
-[[Decoloniality and film Aitana | #4 Decoloniality and film]]
+==[[Aitana 2022/2023 | 2022/2023 ]]==
-[[Thematic History & practice of the photo-essay & photo book Aitana | #5 Thematic History & practice of the photo-essay & photo book]]
+==[[Notes by Aitana | Notes ]]==
-==Projects in construction / Research==
+DOK LEIPZIG
-[[Yalou and Aitana | Yalou and Aitana (Closed) ]]
+https://desistfilm.com
-[[Eye project Aitana | Eye project (Closed) ]]
+significaciones prescriptas
-[[Make it work Aitana | Work in progress ]]
+freethesaurus.com
-==[[Notes by Aitana | Notes ]]==
-se puede llegar a lo cultural desde lo biográfico,
+https://www.wikilengua.org/index.php/Wikilengua:Portal_de_la_comunidad
-vidas mediadas por maquinas
-Simone Veil, La condición obrera
+: Programs:
-Cathy O'Neil, armas de destrucción matemática -> bucles de retroalimentación
-Los privilegiados son leídos por personas, las masas son y serán cada vez mas leídas bajo fuerzas monetarias.
-Maquinas que nos permiten opciones. Para poder avanzar en los procesos se nos pide aceptar.
+/129-documentary-films-with-a-sense-of-humour-a-retrospective-of-laila-pakalnina
-Letra pensada no para ser leída, si no para salvaguardar unos derechos de las empresas que proporcionan ese itinerario
+/1111-close-up-jessica-sarah-rinland
-Ojos y capital - como hemos normalizado visibilizar el mundo pero se nos invisibilidad como lente. En los 90 acceder a internet, creando internet, ver lo que hacíamos desde el código, ese estrato no visible
+/181-israel_palestine
-PODEMOS VER, PERO LAS LENTTES NO SE NOS HACEN VISIBLES
+/830-ethnographic-documentaries
-la precariedad de los privilegiados, han tenido trabajo, tuvieron oportunidades y tuvieron expectativas
+/785-in-the-mood-for-shorts
-entasis de la cultura tecnocapitalista
+/755-documentary-portraits
-bases de datos como entes invisibles que lo median todo
+/14342-the-washing-society
-datos no solo poder descriptivo sino anticipatory: se favorecen esos bucles retroalimentación perniciosa (Cathy ONeil)
+/196-chiledoc
-Homogeneizacion (ejemplo de los olivos)
+/707-music-unseen
-Laury Penny IGUALIARNOS EN LA VULNERABILIDAD
+/668-cinema-masters
-La idea de lo dificilmente narrrable, tiene que ser ayudado por la poesía
+To commemorate the 15th anniversary of Visions du Réel Nyon, the festival has asked select filmmakers for the gift of images, in the form of cinematic Haikus. Each short film in the Haiku series is comprised of three shots to contemplate reality and to capture, in the manner of Japanese poems, the unforeseeable, fleeting eternity of a moment, to be discovered at the beginning of each projection.