User:123cld: Difference between revisions

Latest revision as of 17:13, 28 December 2023

disclaimer: my wiki sucks, I always neglect it - everything here is in progress/process - forgive the poor form - I will update it and make it neat and tidy one day

QUICK NOTES HERE

https://www.opb.org/article/2023/09/13/university-oregon-scientists-bionic-eye-retinal-implant-technology/

https://www.abebooks.com/9781909400030/Eye-Art-Ancient-Greece-Studies-1909400033/plp

https://cloudflare-ipfs.com/ipfs/bafykbzacebyag7ya4eg7isaoap63nmprzsozh7ha5yosohl2npnsmvg6pry2q?filename=Jennifer%20M.%20S.%20Stager%20-%20Seeing%20Color%20in%20Classical%20Art_%20Theory%2C%20Practice%2C%20and%20Reception%2C%20from%20Antiquity%20to%20the%20Present-Cambridge%20University%20Press%20%282023%29.pdf

https://cloudflare-ipfs.com/ipfs/bafykbzacectqumu6ouhm2jzuw7veyhecsdmx3xcjdi6olit5vg2uetd2qkyk6?filename=Michael%20Squire%20-%20Sight%20and%20The%20Ancient%20Senses-Routledge%20%282016%29.pdf

https://www.nano-retina.com/technology/#3dni

https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7198351/table/T1/

https://spectrum.ieee.org/bionic-eye-obsolete

eyes inlays in greek sculpture

https://www.getty.edu/publications/artistryinbronze/statuettes/14-hemingway-abramitis/

https://www.abebooks.com/9781909400030/Eye-Art-Ancient-Greece-Studies-1909400033/plp (chapter 4)

https://www.metmuseum.org/toah/hd/prms/hd_prms.htm

Françoise Frontisi-Ducroux, Dédale: Mythologie de l’artisan en Grèce ancienne

Françoise Frontisi-Ducroux, “Living Statues,” in Antiquities,

materialist theories of vision in greek philosophy

https://www.abebooks.com/9781909400030/Eye-Art-Ancient-Greece-Studies-1909400033/plp (chapter 4)

https://www.routledge.com/Sight-and-the-Ancient-Senses/Squire/p/book/9781844658664

https://artreview.com/the-uncanny-properties-of-print-michael-snow-cover-to-cover/

Reading Cover to Cover is much like watching one of Snow’s films: visually quite mundane, where what happens isn’t as important as how it’s being shown to you, with a sustained focus that sits with a relatively simple idea for longer than you might think. Accordioned depictions of sitting, walking, even doing nothing, become extended meditations on how we experience the world. Underwriting the intensity of Snow’s work is a consistent sense of his wry smile, being quietly profound with a casual shrug. Snow is a rare beast: a structuralist with a sense of humour, a filmmaker who recognised that tinkering around with the limitations of the medium was also a way to rewire our sense of everyday perception – using art as a means to capture and crystallise the whatthefuckness of strolling around with a thinking, feeling body. Here he uses the means of a photobook to trace the contours of his body, his house and the existential possibilities of a book itself. Books, those weighty space-fillers, can turn your brain inside out; the means to reconfigure reality are right at our fingertips

vision loss in contemporary age

https://www.youtube.com/watch?v=ObtW353d5i0&t=1448s

https://dr-younes-henni.medium.com/how-to-slow-the-decline-of-your-eyesight-97ac815957e

daston and galison - blind sight

https://www.youtube.com/watch?v=NnFgnEwN1FU (galison)

https://canadianart.ca/interviews/michael-snow/

https://vimeo.com/fruhauf

https://www.youtube.com/watch?v=T25WqM6OFDg (hollis frampton artifical light)

https://www.youtube.com/watch?v=S3GYYmIWQHQ(hollis frampton snowblind)

https://www.youtube.com/watch?v=BdqPC-dIHUM (hollis frampton information)

https://vimeo.com/203365058

https://movimcat.eu/post/616817178500644864/no-land-2019-by-emily-chao

a refusal to make a fetish of the final “work” - to operate almost exclusively on the level of the sketch. - is there value in this stance? what is it?

agenda (list of stuff to be done in the very near future)

GRS2023

ongoing (really? still?) projects/research

NS project / making/mapping an archive

The Absolute Flicker, or: Appropriating Tony Conrad's The Flicker: a frame-by-frame breakdown, a score/set of instructions, a library of loops, a full digital bootleg/remake/cover, some notes on.

"""finished""" works

1 or 2 images (EYE Research Lab short film)

Text on practice or (A PIECE OF) SELF-CONSCIOUSNESS/SELF-CRITICISM (ABOUT MY PRACTICE SO FAR) or else A MAP(-PING) OF PRESENT PRECARIOUS PROJECTS AND INCOMING IN-PUTS (IN-TERESTS, IN-FLUENCES, IN-TUITIONS, IN-TENTIONS) and A SELECTION (FROM AN ONGOING COLLECTION) OF SCREENSHOT AS A (SELF- REFLEXIVE) STATEMENT (ABOUT MY PRACTICE)

A cameraman filming aka FILMINGWATCHINGBURNING

IMG 5728 aka A horse running in a loop, looped

Untitled (Diamante)

First year prototyping/sketching/tryouts/ideas in progress aka serious playgrounds

Three Screens

blow-up / shiny stuff

screensaver

Variable Aspect Ratio

burning film loop

scherm lcd

24x1

four formats

abstract loops from abstract films

plans, plans, plans (notes on/for future projects + general research directions/intentions)

an ongoing screenshot-based statement/manifesto?

Dubai Dispositif (re-edit)

Sat morning sonnet

reading and writing seminar

readlist, watchlist

annotations

http://cldtl.com

LENS-BIASED MEDIA, a speculative sticker

@@ Line 1: / Line 1: @@
-[[File:WhatsApp Image 2023-01-24 at 19.31.12.jpg|frameless|237x237px]]
+[[File:WhatsApp-Image-2023-01-24-at-19.31.12.gif|frameless|269x269px]]
-disclaimer 1: my wiki sucks, I've been neglecting it - I plan to use it more from now on - will take some time though
+<small>disclaimer: my wiki sucks, I always neglect it - everything here is in progress/process - forgive the poor form - I will update it and make it neat and tidy one day</small>
-disclaimer 2: everything is in progress/process
-[[1or2images |<span style="color:white; background-color:blue; font-family: Helvetica; font-size: 15px;">  1 or 2 images (EYE research lab project) ]] <br>[[NSarchive |<span style="color:white; background-color:blue; font-family: Helvetica; font-size: 15px;"> visual material for my NS project]]<br>
-<br>[[Dubai Dispositif |<span style="color:red; background-color:black; font-family: Helvetica; font-size: 15px;"> Dubai Dispositif (re-edit) ]]
-[[plansplansplans |<span style="color:white; background-color:black; font-family: Helvetica; font-size: 15px;"> plans, plans, plans]]
-<br>[[screenshots |<span style="color:white; background-color:black; font-family: Helvetica; font-size: 15px;"> a screenshot-based statement?]]
+'''QUICK NOTES HERE'''
-<br>[[readlist, watchlist |<span style="color:white; background-color:black; font-family: Helvetica; font-size: 15px;"> readlist, watchlist]]<br>
+https://www.opb.org/article/2023/09/13/university-oregon-scientists-bionic-eye-retinal-implant-technology/
+https://www.abebooks.com/9781909400030/Eye-Art-Ancient-Greece-Studies-1909400033/plp
+https://cloudflare-ipfs.com/ipfs/bafykbzacebyag7ya4eg7isaoap63nmprzsozh7ha5yosohl2npnsmvg6pry2q?filename=Jennifer%20M.%20S.%20Stager%20-%20Seeing%20Color%20in%20Classical%20Art_%20Theory%2C%20Practice%2C%20and%20Reception%2C%20from%20Antiquity%20to%20the%20Present-Cambridge%20University%20Press%20%282023%29.pdf
+https://cloudflare-ipfs.com/ipfs/bafykbzacectqumu6ouhm2jzuw7veyhecsdmx3xcjdi6olit5vg2uetd2qkyk6?filename=Michael%20Squire%20-%20Sight%20and%20The%20Ancient%20Senses-Routledge%20%282016%29.pdf
+https://www.nano-retina.com/technology/#3dni
+https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7198351/table/T1/
+https://spectrum.ieee.org/bionic-eye-obsolete
-[http://cldtl.com <span style="color:white; background-color:black; font-family: Helvetica; font-size: 15px;"> http://cldtl.com]
+eyes inlays in greek sculpture
+https://www.getty.edu/publications/artistryinbronze/statuettes/14-hemingway-abramitis/
+https://www.abebooks.com/9781909400030/Eye-Art-Ancient-Greece-Studies-1909400033/plp (chapter 4)
-text on practice :
+https://www.metmuseum.org/toah/hd/prms/hd_prms.htm
+Françoise Frontisi-Ducroux, Dédale: Mythologie de l’artisan en Grèce ancienne
-He is okay.
+Françoise Frontisi-Ducroux, “Living Statues,” in Antiquities,
+materialist theories of vision in greek philosophy
-What have you been making?
+https://www.abebooks.com/9781909400030/Eye-Art-Ancient-Greece-Studies-1909400033/plp (chapter 4)
-I've been busy with the eye film project. Which has taken me quite a lot of effort to reach the present stage and form. This project is the first step, and first experiment, in making something from the long term research that I've been doing since i've been here. The starting point is North Sentinel Island. This is basically the first step and also, it was important for me to step away from the island itself and realize that the island is not the core of the research. It is just the starting point. The island is a pretext for me to reflect on other topics which are mainly related to image making, image making technology and the implications of these things on our contemporary world. I am gradually shifting to different images, it started just with the island but now i'm trying to wok in a more associative way. It is related to the starting point, but now i'm bringing in stuff that isn't immediately related to the island - maybe it's to do with shapes or something else. This EYE film project is split into three stages, the first idea was not the way I wanted to make things as an artist. I then tried to deconstruct this because it had a really rigid structure.
+https://www.routledge.com/Sight-and-the-Ancient-Senses/Squire/p/book/9781844658664
-What do you mean by deconstructing it?
-It had a really rigid structure, with introduction and conclusion. I didn't want it to be so didactic and straightforward. It was relying too much on thoughts and subjects. I am not fully satisfied with the final project. But I will work further on this.
+https://artreview.com/the-uncanny-properties-of-print-michael-snow-cover-to-cover/
+Reading ''Cover to Cover'' is much like watching one of Snow’s films: visually quite mundane, where what happens isn’t as important as how it’s being shown to you, with a sustained focus that sits with a relatively simple idea for longer than you might think. Accordioned depictions of sitting, walking, even doing nothing, become extended meditations on how we experience the world. Underwriting the intensity of Snow’s work is a consistent sense of his wry smile, '''being quietly profound with a casual shrug.''' Snow is a rare beast: '''a structuralist with a sense of humour, a filmmaker who recognised that tinkering around with the limitations of the medium was also a way to rewire our sense of everyday perception – using art as a means to capture and crystallise the whatthefuckness of strolling around with a thinking, feeling body.''' Here he uses the means of a photobook to trace the contours of his body, his house and the existential possibilities of a book itself. Books, those weighty space-fillers, can turn your brain inside out; the means to reconfigure reality are right at our fingertips
-The whole idea of the piece was to compare, and bring together two apparently very different images. This was a scan of the Rothko painting from a book, and the images I took from Google Maps. I then staged these images, and built a set with them. I put them in relation, not just as a pure images. I wanted to show their medium and show how they circulate. This is actually the main subject of this research. I reflected on the implications of the mediums. I wanted to somehow bounce between the images themselves, and their mediated image.
+vision loss in contemporary age
+https://www.youtube.com/watch?v=ObtW353d5i0&t=1448s
-What do you want to make next?
+https://dr-younes-henni.medium.com/how-to-slow-the-decline-of-your-eyesight-97ac815957e
-I want to make a lot of stuff. I want to continue with the island stuff. I want to create a sort of archive, my images are messy at the moment, not organized. So I want to find a way to catalogue. There is a lot of material and there are connections, but these connections are not obvious at the moment. I want to make these connections stable and clear, I know why the images are together and collected. But I want to make this more specific.
-I will start writing then, about these connections.
-And, on the side I want to shift a bit from this island subject. I want to develop some strategies (missed?). My old practice has quite a conceptual side, I want to merge this conceptual side with a more free form approach to images and sound. I want to work on thus relation between images, and sound.
-What are the subject of these projects? Names?
-Loss loss loss loss - is the name of one. This is a film of Jannes Makes called Loss Loss Loss. I downloaded I pirated the film. It took ages. And I thought as it was downloading imagining what would happen if the film was lost somewhere on the internet. This film was a diary of the artist's exile in New York. This resonated with me on a lot of levels. I wanted to connect this lost between (sorry someone was speaking couldn't hear).
+daston and galison - blind sight
+https://www.youtube.com/watch?v=NnFgnEwN1FU (galison)
-The camera gets lost in the original film, and I wanted to make an edit with imagery from the digital internet. Cables. Hard drives.
-Do you have another project?
-Yes its called Pure Theory. It's a fragment of a video I made, it was a video of a performance I made. I was in Venice, there was a big political event that was happening. There was a helicopter in the sky, I zoomed in on the helicopter. A seagull then cuts across the frame. They are both flying objects. But the helicopter's way of flying is pure theory, a seagull (from nature) cannot fly this way. I don't know how to develop this, but one part of this could be referring to Leonardo Da Vinci's diary. He studied how bird flies, but then stopped around 1500 and then started thinking about making flying machines - which were pure theoretical.
+https://canadianart.ca/interviews/michael-snow/
+https://vimeo.com/fruhauf
+https://www.youtube.com/watch?v=T25WqM6OFDg (hollis frampton artifical light)
+https://www.youtube.com/watch?v=S3GYYmIWQHQ<nowiki/>(hollis frampton snowblind)
+https://www.youtube.com/watch?v=BdqPC-dIHUM (hollis frampton information)
+https://vimeo.com/203365058
+https://movimcat.eu/post/616817178500644864/no-land-2019-by-emily-chao
+a refusal to make a fetish of the final “work”  - to operate almost exclusively on the level of the sketch. - is there value in this stance? what is it?
+<u>[[123cldagenda |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">agenda (list of stuff to be done in the very near future)]] </u>
+[[cldtlGRS2023|<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;"><u>GRS2023
+</u>]]
+'''ongoing (really? still?) projects/research'''
+<u>[[NSarchive |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">NS project / making/mapping an archive]] </u>
+<u>[[tonyconradtheflickerremake |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">The Absolute Flicker, or: Appropriating Tony Conrad's ''The Flicker'': a frame-by-frame breakdown, a score/set of instructions, a library of loops, a full digital bootleg/remake/cover, some notes on.]]</u>
+'''"""finished""" works'''
+<u> ''[[1or2images |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">1 or 2 images (EYE Research Lab short film)]]''</u>
+<u>[[Textonpracticefinal2023 |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">Text on practice or <small>(A PIECE OF) SELF-CONSCIOUSNESS/SELF-CRITICISM (ABOUT MY PRACTICE SO FAR) or else A MAP(-PING) OF PRESENT PRECARIOUS PROJECTS AND INCOMING IN-PUTS (IN-TERESTS, IN-FLUENCES, IN-TUITIONS, IN-TENTIONS) and A SELECTION (FROM AN ONGOING COLLECTION) OF SCREENSHOT AS A (SELF- REFLEXIVE) STATEMENT (ABOUT MY PRACTICE)</small>]]</u>
+<u>[[Burningfilmloop |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">A cameraman filming aka FILMINGWATCHINGBURNING ]]</u>
+<u>[[Ahorserunninginaloop |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">IMG 5728 aka A horse running in a loop, looped ]]</u>
+<u>[[Untitled(Diamond) |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">Untitled (Diamante) ]]</u>
+'''First year prototyping/sketching/tryouts/ideas in progress aka ''serious playgrounds'''''
+<u>[[Three Screens |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">Three Screens ]]</u>
+<u>[[blow-up |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">blow-up / shiny stuff ]]</u>
+<u>[[incaseofnecessityplease |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">screensaver ]]</u>
+<u>[[Variable Aspect Ratios |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">Variable Aspect Ratio ]]</u>
+burning film loop
+scherm lcd
+x1
+four formats
+abstract loops from abstract films
+<u>[[plansplansplans |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">''plans, plans, plans'']] (notes on/for future projects + general research directions/intentions)</u>
+''<u>[[screenshots |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">an ongoing screenshot-based statement/manifesto?]]</u>''
+<u>[[Dubai Dispositif |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">Dubai Dispositif (re-edit) ]]</u>
+''<u>[[satmorningpsonnet |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">Sat morning sonnet]]</u><u> </u>''
+''<u>[[readingandwriting |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">reading and writing seminar]]</u>''
+''<u>[[readlist, watchlist |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">readlist, watchlist]] </u>''
+<br>
+<br>
+<br>
+''<u>[[annotations123cld |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">annotations]] </u>''
+<br>
+<br>
+<br>
+[http://cldtl.com <span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;"><u>''http://cldtl.com''</u>]
+<br>
+<br>
+<br>
+''<u>[[LENS-BIASED MEDIA |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">LENS-BIASED MEDIA, a speculative sticker]] </u>''
+[[File:LENS BIASED sticker.jpg|frameless|313x313px]]