User:活着好没意思啊: Difference between revisions

Revision as of 20:10, 5 May 2023

https://www.e-flux.com/journal/72/60498/enantiomorphs-in-hyperspace-living-and-dying-on-the-fourth-dimension/
https://dutchartinstitute.eu/page/9269/ana-teixeira-pinto

https://www.e-flux.com/journal/52/59920/the-labor-of-the-inhuman-part-i-human/
https://www.e-flux.com/journal/53/59893/the-labor-of-the-inhuman-part-ii-the-inhuman/

Intra-actions: An interview with Karen Barad by Adam Kleinman from mousse 34
Quantum Entanglements and Hauntological Relations of Inheritance: Dis/continuities, SpaceTime Enfoldings, and Justice-to-Come
http://www.heichimagazine.org/zh/articles/339/molecular-sex-and-polymorphic-sensibilities

Hito Steyerl, “In Defense of the Poor Image.” e-flux (2009).
https://www.e-flux.com/journal/10/61362/in-defense-of-the-poor-image/
Rosa Menkman, “The Glitch Moment(um).” (2011).
https://networkcultures.org/_uploads/NN%234_RosaMenkman.pdf
Carolyn L. Kane, “Compression Aesthetics: Glitch From the Avant-Garde to Kanye West.” (2014).
http://ivc.lib.rochester.edu/compression-aesthetics-glitch-from-the-avant-garde-to-kanye-west/
Mark Nunes, “Error. Glitch, Noise, and Jam in New Media Cultures.” (2010).
Scott C.Koterbay & Lukasz Mirocha, “The New Aesthetic and Art: Constellations of the Post-Digital” (2016).
Glitch Feminism
https://www.e-flux.com/journal/132/508435/mix-black-techno-queer-rave/
https://www.e-flux.com/criticism/349655/glitch-throws-shade

Donna Haraway notes
Paul Preciado Anus
Mel Y. Chen
https://www.e-flux.com/journal/130/492951/death-to-death-life-by-cuts/
Sophie Lewis
https://www.e-flux.com/journal/99/261641/full-surrogacy-now/
Antke Engel
https://www.e-flux.com/journal/52/59935/the-elegantly-strong-triad-defamiliarizing-the-family-in-works-by-latoya-ruby-frazier-and-henrik-olesen/
https://www.e-flux.com/journal/17/67418/desire-for-within-economic-transformation/
https://www.e-flux.com/journal/28/68031/queer-temporalities-and-the-chronopolitics-of-transtemporal-drag/
Sara Ahmed
Howard Chiang
Homosexual Literature and Inter-Asia (trans)Culture

https://www.e-flux.com/journal/44/60173/toxic-assemblages-queer-socialities-a-dialogue-of-mutual-poisoning/
https://www.e-flux.com/journal/127/464874/film-and-the-toxic-politics-of-waste-a-roundtable/
https://www.e-flux.com/journal/47/60052/visions-of-eternity-plastic-and-the-ontology-of-oil/
https://www.e-flux.com/journal/126/458489/plastic-media/
https://www.e-flux.com/journal/98/256882/the-agency-of-fire-burning-aesthetics/
https://www.e-flux.com/journal/92/204673/mother-earth-public-sphere-biosphere-colonial-sphere/
https://www.e-flux.com/journal/81/123372/geontologies-the-concept-and-its-territories/
https://www.e-flux.com/journal/112/352823/the-ancestral-present-of-oceanic-illusions-connected-and-differentiated-in-late-toxic-liberalism/

@@ Line 1: / Line 1: @@
 == Research Methodologies ==
-[[TMY 1|Session 1]]
-[[TMY 2|Session 2]]
+* [[TMY 1|Session 1]]
+* [[TMY 2|Session 2]]
-[[MuyangScratch|Scratch]]
+* [[MuyangScratch|Scratch]]
+* [[TMY3|16NovMethods]]
-[[TMY3|16NovMethods]]
+* [[MuyangPOP@)@|Text on Practice]]
-[[MuyangPOP@)@|Text on Practice]]
 == Practice ==
-[https://honey-yang.me/HOW-DO-YOU-throw-a-brick-through-the-window-of-a-bank HOW DO YOU throw a brick through the window of a bank?]
-[[VPMY|An Artist Who Only Participates in Group Exhibitions]]
-[[The ruined map|The Ruined Map]]
-[[Writing Through Editing TMY|Echos of an Unverifiable World]]
-[[DAF2|Purple Kiss]]
-[[What is “Japan” to white people?|What is “Japan” to white queers?]]
-[[CMMMM|Chinese Medicine]]
-[[Basic Fit Record]]
+* [https://honey-yang.me/HOW-DO-YOU-throw-a-brick-through-the-window-of-a-bank HOW DO YOU throw a brick through the window of a bank?]
+* [[VPMY|An Artist Who Only Participates in Group Exhibitions]]
+* [[The ruined map|The Ruined Map]]
+* [[Writing Through Editing TMY|Echos of an Unverifiable World]]
+* [[DAF2|Purple Kiss]]
+* [[What is “Japan” to white people?|What is “Japan” to white queers?]]
+* [[CMMMM|Chinese Medicine]]
+* [[Basic Fit Record]]
 == Notes ==