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<p>Founded in 2017, IQECO was initially created as a kind of lie. “It came out of a class I was taking at RISD called ‘Pants on Fire’ that focused on artist practices rooted in lying or stretching the truth,”Pivnik explained. Inspired by groups like the Yes Men, the institute was born out of a desire for an art practice that could catalyze change and engage in the world more directly than a sculpture or a painting. Pivnik was particularly interested in creating something that could subvert mainstream environmentalism. </p> | |||
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Revision as of 18:33, 24 April 2023
Research Methodologies
Practice
HOW DO YOU throw a brick through the window of a bank?
An Artist Who Only Participates in Group Exhibitions
Echos of an Unverifiable World
What is “Japan” to white queers?
Notes
Margins and Identities: Sinophone Literature and Cultural Production
Daoism and Eco-art and Zhengbo
Howard Chiang
- After Eunuchs
- Transtopia in the Sinophone Pacific
Reading List: Homosexual Literature and Inter-Asia (trans)Culture
Reading List: Gender and Ecology
Transgender and Nonbinary Methods
My Dancing Body and East Asian Perception
Transgender and Nonbinary Methods
Anti-Orientalist Queer
Queer diaspora/against diaspora
Post-colonial, Post-Soviet, Post-Earth Bogna Konior
Fourth-Dimension, Telepathy, In-human...
Art and Cosmotechnics
Sex work
Glitch
Body and Screen
Body and Archive
Founded in 2017, IQECO was initially created as a kind of lie. “It came out of a class I was taking at RISD called ‘Pants on Fire’ that focused on artist practices rooted in lying or stretching the truth,”Pivnik explained. Inspired by groups like the Yes Men, the institute was born out of a desire for an art practice that could catalyze change and engage in the world more directly than a sculpture or a painting. Pivnik was particularly interested in creating something that could subvert mainstream environmentalism.